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(Open Road In Front of Me) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(The King) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 800

Bellini Foto C-41

Scan from negative film
(My Feet Are So Tired, My Brain Is Too Wired) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film
(First Sunday In December) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(The Secret Life of Partenope) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Fantastic Times Are Forgotten) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(I Sense The Power In The Fingers) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Loveless) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Still Loveless) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(I Don't Mind If You Forget Me) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
already too late by seth bittersull

scenes of quiet desperation
(Back In The Tiger's Cage) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Maybe We'll Go, Maybe We'll Disappear) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Holga400 - bare feet and winter coat by Eric Vandrick

Holga 120S (w/ 6x4.5 mask) and modified aperture

Holga 400

Dev: Foma Retro Special

Nov. 2020

KonicaT3_unknownfilm_test_ISO1_HC110_dilutionG_1hourstand439 by Michael Bartosek
(A Hungry Mob Is a Angry Mob) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Comments, Cliches, Commentary, Controversy) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Fujicolor C200

Bellini Foto C-41

Scan from negative film
by seth bittersull
(Wet Dream) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Now It's Daddy On The Booze And Brando On The Ice) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(We Have All Been Here Before) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(I Am The Eggman) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(Splashdown) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Make Love Not War) by Robbie McIntosh

Leica MP

Leica Summilux 35mm f/1.4 II

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(It Takes a Year To Make a Day) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Let Me Hear Your Body Talk) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(The Perception, It Is Wrong, Mile After Mile) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Sledge by FearnPhoto

fearnphoto 6XA // 0.2mm pinhole // Ilford HP5+ 400

 

Home developed in Kodak HC-110 1+31 // 7:29/21.9

  
(Segnanapoli) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 800

Bellini Foto C-41

Scan from negative film
(Götterdämmerung - Zweiter Akt) by Robbie McIntosh

Rolleiflex 2.8 E

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film
(About Time) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Full Speed Ahead) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Mangianapoli) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Escape From Pinetamare) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by mathias is still around

I see it every morning
(Still Wild After All These Years) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
delta dawn by john grzinich

Minolta XE-5, Fujicolor C200

 

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(A Last Straw) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
by flu bu
Home in Abano Terme by Alessandro Comparoni

Ilford HP5 in Ilfosol 3 (1+9)

6.30 min. @ 20° C
(Padre Pio Un Tanto Al Chilo) by Robbie McIntosh

Rolleiflex 2.8 E

Fuji Pro 400H @ 800 ISO

Bellini Foto C-41

Scan from negative film
(Wild Life) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(The Naked Lunch) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Mirage 2020) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Panthalassa) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Not On The Maps) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lunchtime In Colonna Spezzata) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
Darkroom up and running again by Gary Rowlands

I've spent the last couple of months setting up a darkroom and it's now ready to roll. It's 9 years since I stripped my De Vere 504 et al out for a prospective house move that was not seen through. So here it is, a Leitz V35 and a Leitz Focomat IIc. Happy days to come.

(Metaphysics of a Fiat 850 Special) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Curtain Down) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

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