View allAll Photos Tagged homedevelopment
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Bellini Foto C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak T-Max 100
Studional 1+30
10 min 20°C
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Bellini Foto C-41
Scan from negative film
Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Portra 160
Bellini Foto C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Fuji Pro 400H
Bellini Foto C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Bellini Foto C-41
Scan from negative film
I shot a roll of black and white at night just to see how it turned out. I absolutely love the exposures. But in the process of drying negatives, I dropped the entire roll on the floor and it was covered in dust while it was wet! I did my best to wash it again, but some of the frames are so dusty I'm going to have to re-wash them I think. A few, like this one, turned out fine, though. I ended up liking these so much that I may have another go at it. Some reciprocity failure on the skyline stuff, but really not too bad.
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Bellini Foto C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Bellini Foto C-41
Scan from negative film
Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Portra 160
Bellini Foto C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Fomapan 100
Ilford Ilfotec DD-X 1+4
8 min 20°C
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Fomapan 100
Ilford Ilfotec DD-X 1+4
8 min 20°C
Scan from negative film
Pentax K1000
Pentax SMC-K 55mm f1.8
Fuji Neopan 100 Acros (I - expired)
Dev: HC110 B - 5min 30sec
October 2020
Long story short: I found this roll of Fuji Acros at the thrift store and thought it was unexposed... but it was actually exposed. So... I shot over the exposures of a stranger from the past. This might have turned out cool but it unfortunately didn't. Most of the frames were ruined. I was able to salvage this one with a little cropping. Besides I got terrible watermarks on this roll - which is a problem I am still dealing with.