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Him made California Rolls the other night. They may not be as good as the ones you'd get from a sushi bar, but they're good enough. Mmmm.
Actor.Chiyaan Vikram has been conferred with the Honorary Doctorate of Fine Arts in Acting. The Doctorate is Conferred to him by Universita Popolare Degli Studi Di Milano (UUPN)
... Worship him by choosing to live close to him. Each day is such an important part of a journey & although at times we may feel as if it is going nowhere in this world our spiritual journey is a totally different matter! It is taking us along a path of adventure, one that is often tough & rigorous! "Blessed are those who have learned to acclaim you, who walk in the light of Your presence oh Lord!" (Psalm 89:15) Yes even in struggles & times we are so weak we need to praise him, lift up our hands! Because by the simple act of thanksgiving we are choosing to walk in the light! How I want people to see me glow with his presence even when I feel so weak & tired from the journey! Lord let me walk in your light always! Let me shine bold & beautiful for your glory! Let my lips constantly lift up praises & adoration for who you are, thanks for who you made me to be & for having your way with my life! May I help bring joy & light to the world around me, by being me shining & sharing you! Being still, knowing & being blessed <3
Él es David Carnicer, la razón de que yo siga aquí a pesar de todos los altibajos. Mi mayor apoyo y la única persona incondicional e irreemplazable. Y aunque su galería esté hasta arriba de retratos míos, nunca se presta a posar para mi cámara. Hasta ahora. Creo que se merecía un huequito aquí.
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Explorando esto del retrato, mi primer trabajo con texturas.
Exploring about portrait, my first ps work with textures.
| Twitter.
Canon 50mm f/1.8
Photograph taken by Charles Francis Himes while on a family vacation in Europe in 1890.
Collection name: Charles Francis Himes Family Papers
Original held by: Archives and Special Collections
Institution: Dickinson College
Location: Carlisle, PA
Contact us at: archives@dickinson.edu
Diego looked at Lilly and Lilly looked at Diego they were both still Lilly got up on all her fours really slowly and looked down at Diego a huge drop of drool fell from Lilly's mouth and onto the floor Diego began to slowly back away hoping she would let him go but Diego got to scared turned around and started running Diego looked back and was Lilly's giant paws stomping behind him her paws were giant and fuzzy and Diego didn't want to end up under thouse giant fuzzy paws Diego was getting tierd he saw Lilly's giant stuffed panda bear so he ran to the stuffed panda bear he went between the legs of the stuffed panda and quickly climbed up he ran across the back of the giant stuff bear and he was Lilly trying to grab him with her mouth he jumped off the side of the bear with a big thud he was struggling to get up Lilly knocked the bear on the side with her nose the giant bear slowly dropped onto it's side Diego saw the giant bear coming down and he coverd his eyes when he saw the giant bear coming down Diego took his hands from his eyes and was coverd in complete darkness he was squirming around trying to find light so he could get out Diego saw light he thought he found a way out but he didn't he turned onto his back and saw Lilly with her stuffed panda in her mouth Diego went onto his feet and started running Lilly got to him really quick and nudged Diego down with her nose Diego was on the ground he rolled over onto his back and saw Lilly he tried to move back Lilly rested her giant nose down on Diego her nose was on his stomach Diego could feel the presure on him as he looked over him to see the giant nose on his stomach Diego could feel the huge sniffs coming from her nose Lilly raised her head and looked down at Diego Diego just looked at Lilly in the face Lilly stuck her tounge out and started panting she was bringing her head down and close to Diego Diego saw what was going to happen he started to scream as he saw Lilly's giant tounge coming towards him "no no NOOOO!!!!" Diego said in terror as the tounge got to him and gave him a really hard lick as Lilly raised her head Diego started moving back with his arms Lilly grabbed Diego by the legs Diego's body was dangling out of her mouth Diego could feel the suckles from the giant mouth it felt like he was being squeezed Diego tried to pull him self out but there was no hope Diego looked up and noticed Lilly's nostril he could see a huge hair he didn't want to hurt Lilly but it was the only choice he had he tried to grab the giant hair he was reaching with all his might and he finaly got it he yanked the hair and Lilly gave a huge yelp Diego fell out of Lilly's mouth and started falling luckly Lilly was on the rug so Diego fell with a soft landing Diego got up and looked up in aw at Lilly Lilly ignored her pain and lowerd her head down to Diego to grab him again Diego jumped up as her head was down to grab him and he climbed up onto Lillys nose he looked directly into Lillys eyes Lilly squinted her eyes and saw Diego Lilly lowerd her head and Diego fell to the floor then she grabbed Diego body first with her mouth and took him into the kitchen she saw her puppy lying on the floor Diego was screaming to be let out the only thing he could see was darkness and loads of drool Lillys giant tounge coverd Diego's face muffling his screams Lilly opend her mouth to get a drink Diego fell out and fell to the ground he started running as Lilly went to get a drinking he was looking back with out noticing where he was heading he turned his head and saw his puppy paw on each side and looking down at him his puppy jake was a cute little puppy that Lilly gave birth to Diego loved him and he loved Diego but worst of all he loved to eat Diego stopped Jake licked Diego up with his giant tounge with out thinking and started suckling and tasting on Diego he enjoyed his taste and when he had enough of the flavor he started chewing on Diego untill there was nothing left but blood and his mushed up body Jake gave a huge gulp and licked his lips and went to get a drink of water right by his moms side after that Jake and Lilly took a really long nap and forgot about the tiny strange thing they saw
THE END :3
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La formazione finlandese guidata da Ville Valo ha pubblicato il nuovo album dal titolo "Tears On Tape" lo scorso aprile, il disco ha messo d'accordo sia stampa che fans.
Gli HIM sono un gruppo rock finlandese di Helsinki, fondato nel 1991 dal cantante Ville Valo, dal chitarrista Lily Lazer (Mikko Lindström) e dal bassista Mige Amour (Mikko Paananen). L'attuale formazione comprende anche il tastierista Emerson Burton (Janne Johannes Puurtinen) e il batterista Gas Lipstick (Mika Kristian Karppinen). I temi toccati da questo gruppo sono principalmente l'amore e la morte. Il nome corretto della band è scritto tutto maiuscolo, in quanto formata originariamente col nome di His Infernal Majesty.
Ville Valo - voce
Lily Lazer - chitarra e voce
Mige Amour - basso
Emerson Burton - tastiere
Gas Lipstick - batteria
Matteo has discovered three things that make him extremely happy: "outside," the front window & the dog. Having ways to immediately cheer this kid is essential because he is now prone to very dramatic fits of sadness and screeching with no warning. Little body + big feelings - ability to speak = massive frustration for the little guy. That said, he really is still happy-go-lucky much of the time. But take away a not-so-safe object that he's decided makes a good toy, attempt to redirect him in his exploration, or suggest that its time to change a diaper and everything goes to pieces. It's an interesting phase... and even though the outbursts do wear on us, I am really glad that he is expressing himself and exploring a range of emotions.
And thank goodness for those favorite things, all of which are pictured here. Whenever Teo is fussy, his daddy scoops him up and takes his out our front door where there are lots of things to ooh and aah at, like the open field across the way, the gorgeous sunsets that grace us in that direction, the mailboxes, the sign for the building manager's apartment -- and if we are really lucky, the building manager and his family. (They live next door to us and have two awesome little girls -- Teo loves playing with them!)
Caya has also proven to be a big help in making the baby find happiness. She trots over and kisses him in the face throughout the day, tells us when he's starting to fuss and about to wake from a nap, and occasionally shares her toys! And in exchange, all she asks is to gnaw in some of Teo's nicer wooden toys. (Not so happy about this arrangement...)
Finally, the window: our bed (more accurately a mattress on the floor) is right under the very low front window. Perfectly positioned for Teo to pull up on and gaze out. This has become his favorite morning activity. He also adores watching the rain from there. Caya does to.
This is George. I met him while wandering around with two friends looking for subjects to photograph. He noticed we were using film cameras and started chatting, in Kiwi-accented English no less. Turns out George was born in Taiwan but raised mostly in New Zealand, and has returned to his hometown in Hengchun to develop some property and start up a business.
George is a photographer himself, specializing in dramatic landscapes. He shoots all digital and swears by Pentax. He was amused that we all continue to use film, and also that I was interested in making a portrait of him.
George is number 19 in my personal 100 Strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page www.flickr.com/groups/100strangers
Made in 1913 by British born, German trained, Melbourne stained glass artist William Montgomery, it is the first window by him, to be installed in the north nave, the others being St. Stephen (1915) and William Major Olive Memorial (1916).
The window pictures Saint Mark, after whom St. Mark the Evangelist Church of England is named. Saint Mark the Evangelist is the traditionally ascribed author of the Gospel of Mark. Mark is said to have founded the Church of Alexandria, one of the most important episcopal sees of Early Christianity. As a result, he is depicted holding a Gospel Book and quill. His symbol, the winged lion, appears at the top of the lancet window.
The vignette at the bottom depicts him as one of the Twelve Apostles, listening to the words of Jesus. The vignette at the base of the memorial window features the following inscription; "In memoriam: Reverend Charlie Crace Sage, Missionary in the South Seas. Called to higher service June 7th 1913.
Built amid workers' cottages and terrace houses of shopkeepers, St. Mark the Evangelist Church of England sits atop an undulating rise in the inner Melbourne suburb of Fitzroy. Nestled behind a thick bank of agapanthus beyond its original cast-iron palisade fence, it would not look out of place in an English country village with its neat buttresses, bluestone masonry and simple, unadorned belfry.
St. Mark the Evangelist was the first church to be built outside of the original Melbourne grid as Fitzroy developed into the city's first suburb. A working-class suburb, the majority of its residents were Church of England and from 1849 a Mission Church and school served as a centre for religious, educational and recreational facilities. The school was one of a number of denominational schools established by the Church of England and was partly funded by the Denominational School Board.
St. Mark the Evangelist Church of England was designed by architect James Blackburn and built in Early English Gothic style. Richard Grice, Victorian pastoralist and philanthropist, generously contributed almost all the cost of its construction. Work commenced in 1853 to accommodate the growing Church of England congregation of Fitzroy. On July 1st, 1853, the first stone of St. Mark the Evangelist was laid by the first Bishop of Melbourne, The Right Rev. Charles Perry.
Unfortunately, Blackburn did not live to see its completion, dying the following year in 1854 of typhoid. This left St. Mark the Evangelist without an architect to oversee the project, and a series of other notable Melbourne architects helped finish the church including Lloyd Tayler, Leonard Terry and Charles Webb. Even then when St. Mark the Evangelist opened its doors on Sunday, January 21st, 1855, the church was never fully completed with an east tower and spire never realised. The exterior of the church is very plain, constructed of largely unadorned bluestone, with simple buttresses marking structural bays and tall lancet windows. The church's belfry is similarly unadorned, yet features beautiful masonry work. It has a square tower and broach spire.
Inside St. Mark the Evangelist Church of England it is peaceful and serves as a quiet sanctuary from the noisy world outside. I visited it on a hot day, and its enveloping coolness was a welcome relief. Walking across the old, highly polished hardwood floors you cannot help but note the gentle scent of the incense used during mass. The church has an ornately carved timber Gothic narthex screen which you walk through to enter the nave. Once there you can see the unusual two storey arcaded gallery designed by Leonard Terry that runs the entire length of the east side of building. Often spoken of as “The Architect’s Folly” Terry's gallery was a divisive point in the Fritzroy congregation. Some thought it added much beauty to the interior with its massive square pillars and seven arches supporting the principals of the roof. Yet it was generally agreed that the gallery was of little effective use, and came with a costly price tag of £3,000.00! To this day, it has never been fully utlised by the church. St. Mark the Evangelist has been fortunate to have a series of organs installed over its history; in 1854 a modest organ of unknown origin: in 1855 an 1853 Foster and Andrews, Hull, organ which was taken from the Athenaeum Theatre in Melbourne's Collins Street: in 1877 an organ built by Melbourne organ maker William Anderson: and finally in 1999 as part of major renovation works a 1938 Harrison and Harrison, Durham, organ taken from St. Luke's Church of England in Cowley, Oxfordshire. The church has gone through many renovations over the ensuing years, yet the original marble font and pews have survived these changes and remain in situ to this day. Blackwood reredos in the chancel, dating from 1939, feature a mosaic of the last supper by stained glass and church outfitters Brooks, Robinson and Company. A similar one can be found at St. Matthew's Church of England in High Street in Prahran. The fine lancet stained glass windows on the west side of St. Mark the Evangelist feature the work of the stained glass firms Brooks, Robinson and Company. and William Montgomery. Many of the windows were installed in the late Nineteenth Century.
The St. Mark the Evangelist Parish Hall and verger's cottage were added in 1889 to designs by architects Hyndman and Bates. The hall is arranged as a nave with clerestorey windows and side aisles with buttresses. In 1891 the same architects designed the Choir Vestry and Infants Sunday School on Hodgson Street, to replace the earlier school of 1849 which had been located in the forecourt of the church.
The present St. Mark the Evangelist's vicarage, a two-storey brick structure with cast-iron lacework verandahs, was erected in 1910.
I am very grateful to the staff of Anglicare who run the busy adjoining St. Mark's Community Centre for allowing me to have free range of the inside of St. Mark the Evangelist for a few hours to photograph it so extensively.
James Blackburn (1803 - 1854) was an English civil engineer, surveyor and architect. Born in Upton, West Ham, Essex, James was the third of four sons and one daughter born to his parents. His father was a scalemaker, a trade all his brothers took. At the age of 23, James was employed by the Commissioners of Sewers for Holborn and Finsbury and later became an inspector of sewers. However, his life took a dramatic turn in 1833, when suffering economic hardship, he forged a cheque. He was caught and his penalty was transportation to Van Diemen’s Land (modern day Tasmania). As a convicted prisoner, yet also listed as a civil engineer, James was assigned to the Roads Department under the management of Roderic O’Connor, a wealthy Irishman who was the Inspector of Roads and Bridges at the time. On 3 May 1841 James was pardoned, whereupon he entered private practice with James Thomson, another a former convict. In April 1849, James sailed from Tasmania aboard the "Shamrock" with his wife and ten children to start a new life in Melbourne. Once there he formed a company to sell filtered and purified water to the public, and carried out some minor architectural commissions including St. Mark the Evangelist in Fitzroy. On 24 October he was appointed city surveyor, and between 1850 and 1851 he produced his greatest non-architectural work, the basic design and fundamental conception of the Melbourne water supply from the Yan Yean reservoir via the Plenty River. He was injured in a fall from a horse in January 1852 and died on 3 March 1854 at Brunswick Street, Collingwood, of typhoid. He was buried as a member of St. Mark The Evangelist Church of England. James is best known in Tasmania for his ecclesiastical architectural work including; St Mark's Church of England, Pontville, Tasmania (1839-1841), Holy Trinity Church, Hobart, Tasmania (1841-1848): St. George's Church of England, Battery Point, Tasmania, (1841-1847).
Leonard Terry (1825 - 1884) was an architect born at Scarborough, Yorkshire, England. Son of Leonard Terry, a timber merchant, and his wife Margaret, he arrived in Melbourne in 1853 and after six months was employed by architect C. Laing. By the end of 1856 he had his own practice in Collins Street West (Terry and Oakden). After Mr. Laing's death next year Leonard succeeded him as the principal designer of banks in Victoria and of buildings for the Anglican Church, of which he was appointed diocesan architect in 1860. In addition to the many banks and churches that he designed, Leonard is also known for his design of The Melbourne Club on Collins Street (1858 - 1859) "Braemar" in East Melbourne (1865), "Greenwich House" Toorak (1869) and the Campbell residence on the corner of Collins and Spring Streets (1877). Leonard was first married, at 30, on 26 June 1855 to Theodosia Mary Welch (d.1861), by whom he had six children including Marmaduke, who trained as a surveyor and entered his father's firm in 1880. Terry's second marriage, at 41, on 29 December 1866 was to Esther Hardwick Aspinall, who bore him three children and survived him when on 23 June 1884, at the age of 59, he died of a thoracic tumor in his last home, Campbellfield Lodge, Alexandra Parade, in Collingwood.
Lloyd Tayler (1830 - 1900) was an architect born on 26 October 1830 in London, youngest son of tailor William Tayler, and his wife Priscilla. Educated at Mill Hill Grammar School, Hendon, and King's College, London, he is said to have been a student at the Sorbonne. In June 1851 he left England to join his brother on the land near Albury, New South Wales. He ended up on the Mount Alexander goldfields before setting up an architectural practice with Lewis Vieusseux, a civil engineer in 1854. By 1856 he had his own architectural practice where he designed premises for the Colonial Bank of Australasia. In the 1860s and 1870s he was lauded for his designs for the National Bank of Australasia, including those in the Melbourne suburbs of Richmond and North Fitzroy, and further afield in country Victoria at Warrnambool and Coleraine. His major design for the bank was the Melbourne head office in 1867. With Edmund Wright in 1874 William won the competition for the design of the South Australian Houses of Parliament, which began construction in 1881. The pair also designed the Bank of Australia in Adelaide in 1875. He also designed the Australian Club in Melbourne's William Street and the Melbourne Exchange in Collins Street in 1878. Lloyd's examples of domestic architecture include the mansion "Kamesburgh", Brighton, commissioned by W. K. Thomson in 1872. Other houses include: "Thyra", Brighton (1883): "Leighswood", Toorak, for C. E. Bright: "Roxcraddock", Caulfield: "Cherry Chase", Brighton: and "Blair Athol", Brighton. In addition to his work on St. Mark the Evangelist in Fitzroy, Lloyd also designed St. Mary's Church of England, Hotham (1860); St Philip's, Collingwood, and the Presbyterian Church, Punt Road, South Yarra (1865); and Trinity Church, Bacchus Marsh (1869). The high point of Lloyd's career was the design for the Melbourne head office of the Commercial Bank of Australia. His last important design was the Metropolitan Fire Brigade Headquarters Station, Eastern Hill in 1892. Lloyd was also a judge in 1900 of the competition plans for the new Flinders Street railway station. Lloyd was married to Sarah Toller, daughter of a Congregational minister. They established a comfortable residence, Pen-y-Bryn, in Brighton, and it was from here that he died of cancer of the liver on the 17th of August 1900 survived by his wife, four daughters and a son.
Charles Webb (1821 - 1898) was an architect. Born on 26 November 1821 at Sudbury, Suffolk, England, he was the youngest of nine children of builder William Webb and his wife Elizabeth. He attended Sudbury Academy and was later apprenticed to a London architect. His brother James had migrated to Van Diemen's Land in 1830, married in 1833, gone to Melbourne in 1839 where he set up as a builder in and in 1848 he bought Brighton Park, Brighton. Charles decided to join James and lived with James at Brighton. They went into partnership as architects and surveyors. The commission that established them was in 1850 for St Paul's Church, Swanston Street. It was here that Charles married Emma Bridges, daughter of the chief cashier at the Bank of England. Charles and James built many warehouses, shops and private homes and even a synagogue in the city. After his borther's return to England, Charles designed St. Andrew's Church, Brighton, and receiving an important commission for Melbourne Church of England Grammar School in 1855. In 1857 he added a tower and a slender spire to Scots Church, which James had built in 1841. He designed Wesley College in 1864, the Alfred Hospital and the Royal Arcade in 1869, the South Melbourne Town Hall and the Melbourne Orphan Asylum in 1878 and the Grand Hotel (now the Windsor) in 1884. In 1865 he had designed his own home, "Farleigh", in Park Street, Brighton, where he died on 23 January 1898 of heat exhaustion. Predeceased by Emma in 1893 and survived by five sons and three daughters, he was buried in Brighton cemetery.
William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.
Casanova and Snowy crawling over
eachother the whole time. We named him
Casanova becouse he's the only male
snake between all the women .
Love Quotes For Him :
QUOTATION – Image :
Quotes Of the day – Life Quote
laugh during sex meme
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- #Love
with a dog, who refused to get on the bench. though, frankly, i can hardly blame him. it is a fairly rickety glider bench.
{also, i honestly just happened to be wearing that scarf today. though i pretty much just happen to be wearing it everyday}
I made him go to school, then spent the whole day worrying about him while the garden was readied for winter. I was right to worry. He won't go tomorrow.
Mistress Owens pushed him out of the Owens's little tomb. "Get along with you," she said. "I've got business to attend to."
Bod looked at his mother. "But it's cold out there," he said.
"I should hope so," she said, "it being Winter. That's as it should be. Now," she said, more to herself than to Bod, "shoes. And look at this dress - it needs hemming. And cobwebs--there are cobwebs all over, for heaven's sakes. You get along," this to Bod once more. "I've plenty to be getting on with, and I don't need you underfoot."
And then she sang to herself, a little couplet Bod had never heard before.
"Rich man, poor man, come away.
Come to dance the Macabray."
"What's that?" asked Bod, but it was the wrong thing to have said, for Mistress Owens looked dark as a thundercloud, and Bod hurried out of the tomb before she could express her displeasure more forcefully.
It was cold in the graveyard, cold and dark, and the stars were already out. Bod passed Mother Slaughter in the ivy-covered Egyptian Walk, squinting at the greenery.
"Your eyes are younger than mine, young man," she said. "Can you see blossom?"
"Blossom? In winter?"
"Don't you look at me with that face on, young man," she said. "Things blossom in their time. They bud and bloom, blossom and fade. Everything in its time." She huddled deeper into her cloak and bonnet and she said,
"Time to work and time to play,
Time to dance the Macabray. Eh, boy?"
"I don't know," said Bod. "What's the Macabray?"
White winter flowers plucked from a snow-covered graveyard.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
La formazione finlandese guidata da Ville Valo ha pubblicato il nuovo album dal titolo "Tears On Tape" lo scorso aprile, il disco ha messo d'accordo sia stampa che fans.
Gli HIM sono un gruppo rock finlandese di Helsinki, fondato nel 1991 dal cantante Ville Valo, dal chitarrista Lily Lazer (Mikko Lindström) e dal bassista Mige Amour (Mikko Paananen). L'attuale formazione comprende anche il tastierista Emerson Burton (Janne Johannes Puurtinen) e il batterista Gas Lipstick (Mika Kristian Karppinen). I temi toccati da questo gruppo sono principalmente l'amore e la morte. Il nome corretto della band è scritto tutto maiuscolo, in quanto formata originariamente col nome di His Infernal Majesty.
Ville Valo - voce
Lily Lazer - chitarra e voce
Mige Amour - basso
Emerson Burton - tastiere
Gas Lipstick - batteria