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Le Musée de la civilisation, est un musée public québécois au Canada fondé en 1984 et ouvert au public en 1988. Il est situé dans la Basse-Ville de Québec en bordure du fleuve Saint-Laurent. Il fait partie du réseau de la Société des musées du Québec (SMQ).
Les bâtiments historiques: l'ancienne Banque de Québec qui a abrité l'Institut de marine de Québec, la Maison Estèbe et les caves voûtées de la maison Pagé-Quercy, tous situés sur la rue Saint-Pierre, ont été intégrés dans l'ensemble architectural du musée.Le musée présente des expositions thématiques temporaires et des permanentes ayant pour la plupart un lien avec les sciences humaines et sociales. Il est doté d'un important fonds d'objets d'intérêt ethnographique et historique. Il offre des visites guidées, des expositions interactives, un restaurant, un salon de détente et des spectacles. En vingt ans, il a reçu plus de treize millions de visiteurs1.
The lightning bugs(fireflies) are really popping right now in the southeast. This is really a special time of year for me. I really like soaking it all in because during the first 27 years or so of my life in Montana I had never seen a lightning bug.
A lone canoeist was making his way back to the far shore, as if being guided by the beam of sunlight during this beautiful sunset. Taken from the top of some bluffs at Killbear Provincial Park, Ontario.
76031 & 76033 stand at Guide Bridge on their way to Godley Junction.
Both locomotives were withdrawn as part of the 35 locos all taken out of traffic with the closure of the Woohead route on July 18th 1981. Both were cut up at Coopers Metals in Sheffield with 76033 disposed of by April 1983 with 76031 lasting a little longer until February 1984
"Actually, all education is self-education. A teacher is only a guide, to point out the way, and no school, no matter how excellent, can give you education. What you receive is like the outlines in a child’s coloring book. You must fill in the colors yourself.”
Louis L'Amour
Hoping to get the Into the Woods Cart Sale + Hunt in the destination guide.
October 1st to October 31st
The lovely Sammy (pictured here) met up with me and Danielle to take photos at Evergreen Brickworks in Toronto on Saturday! We took this in a tunnel and it was freezing cold.
This is my contribution to Concept Collaboration! The theme this month is 'the catalyst of light'. With this image I wanted to portray being lost and looking for light to guide you. I also really love this song: www.youtube.com/watch?v=pY9b6jgbNyc
#conceptcollab
#ccjan15
#letscollaborate
These artwork conflicts at times with our ideas of how art should look like; of how it meets the observer' s expectations. Clearly this art does not respond to the sciences of the Art Academies, does not imitate the real world, nor does it use conventional perspectives.
Mirit Ben-Nun transmits her inner world and its sounds, giving rise to an infinite number of artistic compositions, springs of dreams, an assortment of realities and perhaps her 'Unreality.
Her art is connected to her life and the real world, it is a back and forth between herself and the spectator. Her thoughts are expressed in a unique style and approach.
Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.
Dora Woda
My brother had a love of American Indians and their culture and also felt he had angels all around him. This is a statue called Guiding Spirit that he had in his collection. It is from a Bradford Exchange collection. May she guide the way.
The sweeping lines guided me to take this photo. I really liked how the lakefront walkway pulls the eye far into this scene, along with the beachfront running pararalel. The clouds moving overhead also formed a line that swept the same direction, so you really get the feeling of moving from left to right, which is where he city skyline really anchors the photo. The lighthouse was really cool, and looked interesting against the backdrop of the city, as if it was built in with it. It sort of implies how Chicago wouldn't be what it is today without the Great Lakes and her lighthouses, which have kept many sailors safe. The graffiti was also interesting, and if you read closely it says Chicago on the right side. Overall, a pretty cool scenic of Chi!
This pile of rocks were placed along the outside edge of a marina to protect it from any swell entering the Hauraki Gulf. When the sunset direction is right it also serves as a cool spot to catch it going down over Auckland city.
This is not a photoshop manipulation. The tracks were painted with a small red flashlight. The exposure was about 2 minutes long. I then illuminated the train with my cell phone.
The first appearance of the summerfolk quilt. Taken on a bridge over "the little river" in Harrison Park.
Before digging into the last century For Summerfolk Photos I'm posting a a quick set of "Official" pics pics from each year. The only thing that makes them 'official' is that we call them them that. It all started with a group pic in 1997. and we have posed for a group pic most years.
After going to Summerfolk for over 20 years it can be hard to seperate each individual year. the 'official' pics can be a sort of quick reference guide to who was there each year.
Some years I don't have an 'official' group pic for, so a few times I cheated and used one that is sort of representative of the year, or in one case it's only photo I have from that year.
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Jersøy Lighthouse, Vestfold Norway
April 2014: Accepted in Trierenberg Super Circuit 2014, Color Print
Best viewed in Lightbox (press 'L')
Photos in set "With Descriptions" (flic.kr/s/aHsjDcxkUo) contain descriptions regarding my intentions, background of the shooting, etc. Enjoy!
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PCA253
The zigzag boardwalk guiding through the forest, lit very well by the sun intrigued me. Personally, I like how the green colour is dominating the feelings despite it is the brownish colours that take up most of the scene.
Processing is VERY minimal.