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Europe, Spain, Valencia, El Cabanyal, Street (cut from B&T)
Pictured here is a typical street in El Cabanyal. Once a fishing village but long since incorporated into Valencia and urbanized.
I'll be continuing the Mercat de Colón series later.
This is number 22 of the Valencia ! album and 1063 of Minimalism / explicit graphism.
CODE: KAAP_MG_1938
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Shot @ Palakkarai subway , Trichy , Tamil Nadu , India.
Le belvédère, le pavillon, l’Agachon, le pigonnier, l’ancien poste à feu…on prête bien des noms à cet étrange bâtiment de rocaille…cet édifice aurait été spécialement aménagé pour tirer les oiseaux de passage par des lucarnes appelées aussi meurtrières et par lesquelles le chasseur pouvait observer les volatiles.
Ce pavillon est un des derniers exemples de rocaille, un ouvrage de maçonnerie moulée à la main, parfaitement conservée à Marseille.
Son socle cacherait une grotte et fait aujourd’hui office de rond-point. Le terme agachon est la francisation régionale du nom provençal agachoun (agachon en graphie occitane normalisée), « poste de chasse à l’affût ».
Europe, The Netherlands, Zuid Holland, Den Haag, Den Haag Centraal, People, Reflections (slightly cut from B&T)
The glass façade of Den Haag Central station. It once was Den Haag SS (Staatsspoor) - demolished in 1970. It is the third incarnation of the station, designed in 2016 by Benthem Crouwel.
In the reflection is the Randstad Rail light rail terminal (ZJA Zwarts & Jansma, 2016).
This is number 1585 of the Minimalism / explicit Graphism and 96 of Den Haag.
Europe, Scandinavia, Norge, Oslo, Holmenkollen ski jump stadium (slightly cut from R & T)
The graphic goodness of the Holmenkollen ski jump stadium: here .
Holmenkollbakken is a large ski jumping hill at Holmenkollen in Oslo, Norway. It has a hill size of HS134, a construction point of K-120, and a capacity for 70,000 spectators. Holmenkollen has hosted the Holmenkollen Ski Festival since 1892, which since 1980 has been part of the FIS Ski Jumping World Cup and 1983 the FIS Nordic Combined World Cup. It has also hosted the 1952 Winter Olympics and the FIS Nordic World Ski Championships in 1930, 1966, 1982 and 2011.
The hill has been rebuilt 19 times; important upgrades include a stone take-off in 1910, an in-run superstructure in 1914, and a new superstructure in 1928. The venue was used as a military installation during the Second World War but was upgraded in the late 1940s. Further expansions were made ahead of the 1966 and 1982 World Championships and in 1991. Between 2008 and 2010, the entire structure was demolished and rebuilt. Robert Johansson holds the hill record at 144.0 meters. The hill is part of Holmenkollen National Arena, which, in addition to cross-country and biathlon venues, has the normal hill Midtstubakken. (WikI)
In 2011, the stadium was renovated.
The top part of the stadium is shown here.
This is number 19 of the Oslo album and 1471 of Minimalism / explicit Graphism.
© all rights reserved / Irene Eberwein
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
Verbascum sinuatum, commonly known as the scallop-leaved mullein, the wavyleaf mullein, or Candela regia, is a species of perennial herbaceous plants in the genus Verbascum (mullein), growing in heavy soils in Central Asia and the Mediterranean region. It grows to 1.2–1.5 m (3.9–4.9 ft). The plant has an erect inflorescence stem, and is entirely covered with stellate hairs which are not pleasant to the touch.
Typically found in waste habitats, along waysides, and in open chaparrals (shrublands)
Nordhavn, Copenhagen, Denmark.
Nordhavn: www.nordhavnen.dk/english/uk-nh-transformation2/uk-nh-new...
Europe, Spain, Andalucia, Malaga, Centre Pompidou, Facades, People (cut from all sides)
The Centre Pompidou - Malaga modern art museum was opened in 2015 and was designed by Javier Pérez de la Fuente and Juan Antonio Marín Malavé. Check it out here
Numer 798 of the Minimalism / explicit Graphism album.
I have made a graph out of the images to show how the uncanny valley effect worked in my case, with the experiment that I made with Alpha, 4 years ago:
First experiments with a new form in the ever-evolving world of Pano-Sabotage photography that's been dubbed "MonitorPano". It's both a new turn for me and a return to a very old tactic I used in 2012 where I achieved coarse but provoking layers by photographing, with my Canon Rebel XS, my computers screen saver as it faded in and out between images in my photo files. The great thing was that the images didn't just click from one to the next like a slide show, they faded in and out over top of each other. There was always a "crossover" point where the two images would occupy the same amount of "presence" on the screen thereby becoming "fused" or "blended" ... in effect ... layered. A cruder version of Brian Enos Installation piece, "77 Million Paintings", perhaps, but using the same idea.
www.youtube.com/watch?v=h0_4rCfpNzw
By the time Apple brought out the next Operating System, they'd taken out that scrolling slide show feature from what was then "iPhoto" and re-dubbed it "Photos". It always amazes me how the Silicon Valley geeks always "improve" things by taking out unique and wonderful features. Gotta mow it all down to sameness and uniformity, I guess. Unique features are seen as "mistakes".
Liz Mack has asked, "How long will it take for Apple to 'correct' the algorithms that allow for Pano-Sabotage photography ?"
MonitorPano, even though being hotly used right now and to great effect has actually been around quietly for a few years now. Don of the PANO-vision group was actually one of the first Pano-Sabotage artists to start "pano-ing" his desktop screen, and has often produced some very unique work with this method. Recently, Bill Smith, Paul Ewing and Liz Mack have taken it up with a vengeance with striking results.
"Graph ET 1" is the first finished piece that I created using the same technique the Paul, Bill, Liz and Don use. All of us in "PANO-Vision" learn a lot from each other and each of us makes invaluable contributions to the groups knowledge and technique base by that sharing. In PANO, as well call it for short, it's not about competition. We thrive by sharing. Each of us grows by contributing to an ongoing and easy exchange.
"MonitorPano" is achieved by setting one's cell phone camera on "Pano", clicking it on, while focusing on the desktop monitor and using the other hand to tap the arrow right ( or left ) key to quickly jump from photo to photo while the cell phone hand is pano-sabotaging the whole "pass". Tricky, and it takes some co-ordination, but it can be quite surprising what results.
This image was created for the PANO-Vision Groups Summer Contest, "PANO to the Metal".
www.flickr.com/groups/2892788@N23/discuss/72157667684597037/
Image culled from SLR shots done in 2011 and
"MonitorPanoed" and processed June 6, 2018.
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© Richard S Warner ( Visionheart ) - 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
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I am VERY proud to announce that I was chosen to be the feature artist of the "Kreative People" Group's Spring Gallery - Running until the end of June. I really must thank both abstractartangel77 and Xandram for bestowing me with this great honour. The link to the gallery appears below:
Please visit my Kreative People Highlight Gallery HERE