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I think that this is a one-color press run and if so, it is most successful. The lighter blue being a screen of the darker blue background combined with the white reverse out lettering creates an exciting visual and a real cost savings in the printing process.
New directions in photography were explored in the 1920's and 30's. I am not too sure but this may be a Man Ray study.
Perhaps someone can add information on this photograph. I think that it is the former Grand-Ducal Saxon School of Arts Academy of Art in Weimer where the former Academy professors created a new "Academy of Art" in the same building in vehement protest over the Bauhaus taking over the school.
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Early classic example of a New Graphic Design layout using only two colors, (a two color run for a printing press is much cheaper than full color) but was an exciting visual utilizing space, tension, asymmetrical layout, san serif letterform and photography.
Once again, I am not sure if this is designed by Paul Schuitema, Piet Swartz or another De Stijl designer.
Dickie, A. M., & Sons were yacht & launch builders and engineers based in Tarbet, Scotland
Letter dated 25 Jan 1946
Ref.: BT_004_397
From the Bill Lind Collection
Well, you get the idea. All of these signs are deeply influenced by the Bauhaus movement, although they may look common to us today. The Bauhaus and the new typography.