View allAll Photos Tagged glutation
Something new in my pantry. I bought this a few weeks ago and used it today to make a Mug Cake. It is a very mild tasting flour. It's got a grainy texture. This is not grain flour. The little tubers grow on the roots of grass and they are dried and ground up. This is very good for your digestion!
organicgemini.com/products/gluten-free-flour?variant=8929...
138/365
During my most recent physical therapy sessions, we have started making use of the inflatable balance/core balls for some exercises to strengthen my quads and glutes. Today, we REALLY worked them, to the point where I know I am going to be sore for the next couple of days.
I went and purchased my own yesterday at Target, and inflated it tonight when I got home. Several of the ladies at work have begun using these as their chairs - I don't think I'll be doing that for work, but along with the exercises, I might take advantage of it occasionally at home instead of my couch or chair.
Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body, lower body, abs and upper body workouts. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
Wenn matt der Sonne Gluten
1.) Wenn matt der Sonne Gluten,
In Eise gehn die Fluten,
Froststarr der Erde Schoß,
Wenn still in Winterträume
Versunken stehn die Bäume:
Blüht unter schnee'ger Hülle
Hold in verborg'ner Stille
Die weiße Weihnachtsros'.
2.) So blüht mir, wie auch immer
Bei deines Blickes Schimmer
Der Mund doch stumm dir blieb,
Verborgen unterm Eise,
Ich fühl es, — heimlich leise —
Die reine, makellose,
Die weiße Weihnachtsrose,
Die Rose deiner Lieb'.
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Autor: Anna Esser
Melodie: ohne Angaben
Thema: Weihnachten
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Anna Esser, geb. Müller (* 6. August 1850 in Königslutter/Herzogtum Braunschweig; †26. Juli 1932 in Linz) war eine deutsch-österreichische Schriftstellerin katholischen Konfession. Sie war mit dem Hof- und Gerichtsadvokaten Hermann Esser (1850-1932) verheiratet und lebte mit ihm in Linz. Ihre Werke bestehen aus Reisebeschreibungen, Feuilleton-Artikeln und Gedichten, wobei besonders die Sonettform einen größeren Teil ihrer Lyrik ausmacht. Sie veröffentlichte im Jahr 1892 in Köln eine Sammlung ihrer Gedichte unter dem Titel 'Epheuranken'. Ihr geistliches Passionslied mit acht Strophen und dem Titel 'Im Abendschatten liegt Gethsemane' nahm Karl Wilhelm Bindewald in seine im Jahr 1895 in Osterwieck/Harz unter dem Titel 'Deutschlands Dichterinnen - Blüthen deutscher Frauenpoesie' herausgegebene Anthologie auf.
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the immediate enlargement effect in their look is mainly due to the swelling left by the surgery but after a few months, most of the transplanted fat is reabsorbed by the body and usually the whole process ends in frustration. bit.ly/2GHLTN0
Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body, lower body, abs and upper body workouts. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
Myosource, LLC offers upper and lower kinetic bands for abs and full body workouts . Use our abs plus video that will work the abs in just 10 minutes. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
To avoid a glut, we are taking baby corns off for immediate consumption and freezing for later, instead of being overwhelmed with hundreds of ripe corn cobs all at once later in summer.
Receta sin almidón, sin gluten, sin lactosa www.comopiensocomo.com/pastel-de-brocoli-setas-y-ajos-tie...
Desde los 4 meses: Sin Gluten
Sin alérgenos: las únicas papillas que garantizan la ausencia de proteÃnas de leche, lactosa y huevo. Para ello se analiza exhaustivamente cada lote de producción
Exclusivo proceso de hidrólisis enzimática que garantiza una excelente digestibilidad y tolerancia, asà como un elevado valor nutricional
Enriquecidas en Calcio, Hierro, Fósforo y 12 vitaminas, siguiendo las recomendaciones de la ESPGHAN (Sociedad Europea de GastroenterologÃa, HepatologÃa y Nutrición Pediátrica).
Con una excelente disolución . Mantienen su consistencia una vez preparadas.
Café Carbon is a musical performance that considers the consumption and production of food from pre-historic times to the present day. Gina Birch, Kaffe Matthews and Hayley Newman, aka The Gluts, performed Café Carbon in the streets, bars and restaurants of Copenhagen during the 2009 Climate Summit. Wearing strangely fashionable up-cycled carbon-coloured costumes, the group invited the public to select songs from an indulgent menu including; starter (Stone Cold Soup); main (A Grand Buffet); and dessert (Sanity or Madness). At Vane, a video installation will tell the story of their extraordinary journey.
Biography
The Gluts is a group made up of three London-based artists: Hayley Newman, Kaffe Matthews and Gina Birch. Their collaboration started with Café Carbon, a musical performed on the streets of Copenhagen during the United Nations Climate Summit in 2009. Hayley Newman is a visual artist, she has performed and exhibited at Matt’s Gallery, London; The Ikon Gallery, Birmingham; and the Centre d’Art Contemporain, Geneva. Kaffe Matthews has been making and performing new electro-acoustic music worldwide since 1990, she has released 6 solo CDs on the label Annette Works. In 2006 she received an Award of Distinction, Prix Ars Electronica. Gina Birch is an English musician and filmmaker, best know as a founding member of The Raincoats.
Credit
Curated and produced by AV Festival 10, in partnership with Vane. Supported by Arts Council England.
Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body workout. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
myosource.com/abdominal-workout/
Resistance training with Kinetic Bands allows for full range of motion and can provide significant functional benefits, helping you reach your goals quicker
Myosource, LLC offers lower kinetic bands for great hips and abs workouts. Use our abs plus video that will work the abs in just 10 minutes. We have a variety of great workout videos.
Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body, lower body, abs and upper body workouts. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body workout. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
Geh' hin, mein Heiland Jesu Christ
1.) Geh hin, mein Heiland Jesu Christ!
Geh hin nach Salems Mauern,
Wo deine Feinde jetzt mit List
Und Bosheit auf dich lauern.
Geh hin, dein Kampf-Platz ist dir nah,
Die Leidensstunde ist nun da,
Damit auf dieser Erde
Des Vaters Zorn von Ewigkeit
Zu unsrer Seelen Trost und Freud,
Durch dich vollendet werde.
2.) Geh hin! und schwitze warmes Blut,
Lass dich die Angst entstellen!
Empfinde Gottes Zorn und Glut,
Und alle Macht der Höllen.
Herr, dieses Leiden tröstet mich,
Wenn mich die Hölle mächtiglich
Will peinigen und plagen.
Ja, dieser Kampf hilft mir in Not,
In Pein und Qual, ja selbst im Tod
All' meine Angst ertragen.
3.) Geh' hin, mein liebster Seelenfreund!
Und lass dich gerne binden,
So wird an mir der arge Feind,
Nicht leichtlich Herrschaft finden.
Herr, deine Bande drücken dich,
Sie sind mein Schmuck, und können mich
Von Satans Strick und Ketten,
Von Mosis Fluch und Finsternis,
Dies weiß und glaub ich ganz gewiss,
Und von der Höll' erretten.
4.) Geh hin, mein Heil und stelle dich
Den Juden und den Heiden.
Herr, dein Verhör, das tröstet mich
In meinem Sündenleiden.
Hält Tod und Höll' und Satan mir
Gesetz und Straf' und Sünde für,
So schützt mich dein Verklagen.
Dies widerstehet dem Gericht
Und Gottes Zorn, und lässt mich nicht
In meiner Angst verzagen.
5.) Geh hin, mein treuer Herr und Gott,
Und lass dich da verspotten.
Hier will man sich zu deiner Not
Mit Macht zusammenrotten.
Schmach, Hohn und Speichel warten dein,
Soll dieses deine Ehre sein?
O König aller Ehren!
Doch steh' es aus: denn deine Schmach,
Dein Hohn zieht mir die Ehre nach.
Dort werd' ich's sehn und hören.
6.) Geh hin! mein Gott, lass deinen Leib
Mit Schläg' und Striemen färben.
Durch dieses lässt du Mann und Weib,
In keinem Kreuze sterben.
Herr, deine blutge Dornenkron
Erwirbt mir der Gerechten Lohn,
Dein Rohr die Sieges-Palmen.
So sing ich denn in meiner Qual.
Ich steh' und dichte bei dem Pfahl
Der Geißlung frohe Psalmen.
7.) Geh hin, mein Seelen-Bräutigam,
Zum Ort der armen Sünder.
Stirb hier als ein geduldigs Lamm
Vor alle Adams Kinder.
Hier mache durch dein strömend' Blut
Den zorngen Vater wieder gut,
Und tilg' der Höllen Flammen.
So knien wir denn allerseits,
Mit stiller Andacht unters Kreuz.
Nichts kann uns mehr verdammen.
8.) Geh hin, mein Freund, und lass dich nun
In Josephs Grabmal senken.
Lass meine Sünde bei dir ruhn,
So darf kein Fluch mich kränken.
Geliebter Jesu, deine Kluft
Die heiliget auch meine Gruft
Und lässt mich freudig sterben.
Mein Hingang in das dunkle Grab,
Nimmt mir, wie dir, das Leiden ab,
Und lässt mich Kronen erben.
9.) Geh hin und steh' von Toten auf!
Brich durch, und triumphiere!
Geh, nimm zum Vater deinen Lauf,
Und neben ihm regiere.
Dein Durchbruch, Jesu, öfnet mir
Dereinst auch meine Grabes-Tür,
Und heißt mich zu dir kommen.
Da werd' ich auch, wie du, verklärt,
Da seh' ich, und mir widerfährt
Die Herrlichkeit der Frommen.
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Autor: Sidonia Hedwig Zäunemann
Melodie: Ein Lämmlein geht und trägt die Schuld
Bezug: Evangelium des Lukas, 18. Kapitel, Vers 31
Sehet, wir gehen hinauf gen Jerusalem etc.
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Sidonien Hedwig Zäunemannin,
Kayserlich gekrönter Poetin,
Poetische Rosen in Knospen
Erfurt, 1733
Thema: Passion
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Sidonia Hedwig Zäunemann (* 15. Januar 1714 in Erfurt/Thüringen; †11. Dezember 1740 in Plaue/Thüringen) war eine deutsche Dichterin.
Sie wurde 1714 als Tochter des Advokaten und Notars Paul Nikolas Zäunemann geboren und wuchs in einer bürgerlichen Familie lutherischer Tradition auf. Schon früh zeigte sich bei igr eine Neigung, aus dem weiblichen Rollenverständnis ihrer Zeit auszubrechen. Sie zeichnete sich durch großen Lerneifer aus und brachte sich selbst Französisch und Latein bei. Sie ritt als Mann verkleidet, um beisielsweise ihre Schwester in Ilmenau zu besuchen. Zu ihren bekanntesten Werken zählen die Gedichte, die sie anfangs als Gelegenheitsdichtungen für Hochzeiten oder Festivitäten verfasste. Für den 'Curieusen und immerwährenden astronomisch-meteorologisch-oeconomischen Frauenzimmer-Reise- und Hand-Calender' von Johann Michael Funcke schrieb sie die Vorrede.
Als ihr dichterisches Vorbild bezeichnete sie Christiana Mariana von Ziegler (1695–1760), die den gesellschaftlichen Normen mehr entsprach und bekannter als sie war. Wie ihr Vorbild Ziegler, die 1733 von der Universität Wittenberg als erste Frau mit dem Titel 'Poeta laureata' (kaiserlich gekrönte Dichterin) geehrt worden war, erhielt auch Zäunemann diese Ehrung 1738 von der Universität Göttingen.
Sidonia Zäunemann ertrank 1740 bei einem ihrer Ausritte, als sie beim Überqueren einer vom Hochwasser beschädigten Brücke über die Gera bei Angelroda in die Fluten stürzte.
Ihre Lieder erschienen 1738 am Verlagsort Erfurt unter dem Titel 'Poetische Rosen in Knospen'. In dem Dankgedicht 'Für drei Stücke, so mein Schöpfer mir so liebreich zugedacht' dankte sie Martin Luther für seine Bibelübersetzung, die es ihr von frühester Jugend an ermöglicht hätte, die Bibel auf deutsch zu lesen und zu verstehen.
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Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
Knee Ups. Thighs and glutes/butt Leg kicks. Cardio, Ham strings and butt Myosource, LLC offers lower kinetic bands for great workouts. Use our abs plus video that will work the abs in just 10 minutes. We have a variety of great workout videos.
I've used my 'glut' of broad beans to make this awesome risotto.
www.cherrymenlove.com/foodrecipes/2009/07/my-huge-amounts...
Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body, lower body, abs and upper body workouts. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance