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The F-86L was the designation given to late-1950s conversions of existing USAF F-86Ds to use the Semi-Automatic Ground Environment (SAGE) datalink system.
The SAGE system was developed during the early 1950s by the Massachusetts Institute of Technology's Lincoln Laboratory. It was based on the use of a large, high-speed ground-based computer to handle and coordinate air surveillance data from various ground radar installations. This information was transmitted in real-time to a special data receiver aboard the interceptor, and an on-board system converted this data into heading, speed, altitude, target bearing, and range information that would be used to guide the pilot in his interception. No voice instructions were used, and the interceptor was automatically positioned for a lead-collision attack with its own E-4 fire control system.
In the mid 1950s, it was decided to adapt the F-86D to the new SAGE system, and in 1956, 2192 conversion kits were ordered for the F-86Ds of the Air Defense Command (ADC). Under a project code-named Project Follow-On, starting in May of 1956, certain low-time F-86D interceptors were withdrawn one-by-one from service and fitted with the upgrade. This work was done at North American plants in Fresno and Inglewood, California. Following the upgrade, they were redesignated F-86L. All F-86L block designations were changed to reflect their original F-86D block numbers. The F-86D-10 to F-86D-45 became F-86L-11 to F-86L-46, but blocks 50, 55, and 60 just changed the type from D to L, that is, the F-86D-50 became F-86L-50.
When F-86Ds were upgraded to the F-86L configuration, an AN/ARR-39 datalink receiver was fitted, which had a blade-like antenna sticking out of the fuselage just forward of and below the starboard wing. The AN/ARC-27 command radio of the F-86D was replaced by an AN/ARC-34 set. An AN/APX-25 identification radar was added, and a new AN/ARN-31 glide slope receiver was provided.
All Follow-On aircraft were brought up to F-86D-45 standards before starting with the electronics upgrades, including the installation of the drag chute in the tail. In the F-86L, two protruding cooling air intakes were added to the fuselage sides just aft of the wing, replacing the older recessed cooling ducts. The same J47-GE-33 or J47-GE-17B engine of the F-86D was retained, but the F-86L was fitted with the F-86F-40 wing, with twelve-inch wingtip extensions and "6-3" leading edge extensions with slats. The wingspan and wing area were 39.1 feet and 313.37 square feet respectively. The new wing improved the handing ability and provided better turning at high altitudes. The reconditioned F-86Ls retained the armament of twenty-four rockets of the F-86D.
The first flight took place on December 27, 1955. That particular aircraft had just the SAGE equipment installed, and the first conversion incorporating all of the Follow-On changes did not fly until May of 1956. A total of 981 F-86Ds were modified to the F-86L configuration. After conversion in 1956-57, F-86Ls were issued to most of the ADC wings that were using the F-86D. First to receive the F-86L was the 317th FIS at McChord AFB, which first received the planes in late November of 1956. The service of the F-86L with the ADC was destined to be quite brief, since by the time the last F-86L conversion was delivered, the type was already being phased out in favor of the Convair F-102A and F-106A delta-winged interceptors. The last F-86Ls left ADC service by 1960.
As F-102A and F-106A interceptors became available to the ADC, the F-86Ls were transferred to Air National Guard units beginning in late 1957. The first ANG squadron to receive the F-86L was the 108th, based at O'Hare Field in Chicago. The following ANG squadrons got F-86Ls: 108, 111, 124, 127, 128, 133, 146, 147, 151, 156, 156, 158, 159, 173, 181, 182, 185, 187, 190, 191, 192, 194, 197, and 199.
During the Cuban Missile Crisis of 1962, six ANG F-86L squadrons were on alert. The last F-86Ls were withdrawn from ANG service during the summer of 1965.
In 1964, seventeen F-86Ls were supplied to the Royal Thai Air Force. So far as I am aware, Thailand was the only foreign user of the F-86L. They served with No. 12 Squadron at Don Maung Airport until they were finally retired in 1976.
Specification of the F-86L:
Engine: One General Electric J47-GE-33, 5550 lb.st. dry, 7650 lb.st with afterburner. Performance: Maximum speed: 693 mph at sea level, 616 mph at 40,000 feet. Initial climb rate was 12,200 feet per minute, and service ceiling was 49,600 feet. Dimensions: wingspan 39 feet 1 inch, length 40 feet 3 inches, height 15 feet, wing area 313 square feet. Weights: 13,822 pounds empty, 18,484 pounds gross.
unedited-cropped
Given this name by the apache indians, this is where geronimo made his last stand in 1886. It is off the beaten path, and is utterly astounding and unique. S.E. Arizona, winter 2010
For Christmas, I was given a lovely Murano glass pendant by my friend Elizabeth. She bought it in Venice earlier this year.
From the moment Sole saw it he began to pester me asking to try it on. I think he wanted to see how it would look with his colouring.
He seemed quite pleased wearing the pendant and I had to remind him who it belongs to.
Friends Forever In Laughter
24 X 36 X 1.5 acrylic on canvas. Signed by artist on back, comes with Certificate of Authenticity. Sides are painted Black. Ready to hang with Wire. Unframed Painting has been varnished to protect the painting and to bring out the depth and beauty.
Left to right...Leo "Dapper" Desilets, Rob "Scoopie" Iassogna, and Joe "Bamboozle" Barney.
All three of these great clowns have given me permission to immortalize them in paint. Remember all my clowns receive 25% above my cost for any prints created from the painting and the sale of the original.
The artist retains all copyrights.
All work in this shop is the original work of Patty Sue O'Hair - Vicknair and, as such, is protected by US & International Copyright laws. All rights reserved. © 2015 Patty Sue O'Hair - Vicknair PSOVART
Southern Pacific heritage unit UP 1996 leads another UP SD70M on I-G2OA back in July of 2010 in Elmhurst
Baháʼí World Centre is the name given to the spiritual and administrative centre of the Baháʼí Faith, representing sites in or near the cities of Acre and Haifa, Israel. Much of the international governance and coordination of the Baháʼí Faith occurs at the Baháʼí World Centre, including global teaching plans and study and translation of the Baháʼí holy writings. The Universal House of Justice, representing the supreme governing body of the Baháʼí Faith, resides in Haifa. The Baháʼí World Centre is also a major destination for religious tourism, and the current destination for Baháʼí pilgrimage, attracting annually about one million visitors. The location of the Baháʼí World Centre originated in Baháʼu'lláh's banishment and imprisonment to the fortress of Acre in 1868 by Ottoman authorities. Many of the locations at the Baháʼí World Centre, including the terraces and the Shrine of the Báb which constitute the north slope of Mount Carmel, were inscribed on the UNESCO World Heritage List in July 2008. History - The location of the administrative centre was a result of a successive number of banishments and imprisonments of Baháʼu'lláh, founder of the Baháʼí Faith. Baháʼu'lláh was banished from Persia by Nasser al-Din Shah in 1853, at which time Baháʼu'lláh went to Baghdad in the Ottoman Empire. Later he was exiled by the Sultan of the Ottoman Empire, at the behest of the Persian Shah, to territories further away from Iran and finally to Acre in Ottoman Syria in 1868. Baháʼu'lláh lived out the rest of his life in the area and he communicated with his followers throughout the Middle East, Central Asia and India through special couriers, and Acre became the centre of the expanding network of Baháʼí groups. When Baháʼu'lláh's imprisonment was eased, the area also became a centre of Baháʼí pilgrimage as Baháʼís would travel the long distance to see Baháʼu'lláh. The location of the Shrine of the Báb on Mount Carmel was indicated by Baháʼu'lláh to his son ʻAbdu'l-Bahá during a visit to Haifa. Furthermore, the establishing of the administrative centre of the Baháʼí Faith on Mount Carmel was also indicated by Baháʼu'lláh in his Tablet of Carmel, which is considered one of the charter documents of the Baháʼí administration. Baháʼu'lláh died in 1892 near Acre, and his resting place is in Bahji. Following his death, Baháʼu'lláh's son ʻAbdu'l-Bahá was appointed to be the head of his father's faith and the condition of the area as the centre of Baháʼí activity continued. He continued to correspond with Baháʼís all over the world, including now Baháʼís in the West. While he was still officially a prisoner and confined to Acre, ʻAbdu'l-Bahá also organized the transfer of the remains of the Báb from Iran to Palestine. He organized the purchase of land on Mount Carmel that Baháʼu'lláh had instructed should be used to lay the remains of the Báb and organized for the construction of the Shrine of the Báb. This process took another 10 years and was completed in 1909. In 1908, the Young Turks revolution freed all political prisoners in the Ottoman Empire, and ʻAbdu'l-Bahá was freed from imprisonment. Soon after the revolution, he moved to live in Haifa near the Shrine of the Báb, and since then the administrative headquarters of the religion have been in Haifa. During the final years of ʻAbdu'l-Bahá's life the increasing levels of correspondence led to the employment of a number of secretaries including some in Western languages and the provision of a Pilgrim House in the area. ʻAbdu'l-Bahá died in 1921, and was buried in a room of the Shrine of the Báb in Haifa. After ʻAbdu'l-Bahá's death, Shoghi Effendi was the head of the religion, and he directed the development of a number of separate projects in the area. He renovated the house of Baháʼu'lláh in Bahji in 1929, and in the 1950s secured legal possession of the lands around the building, creating a number of gardens. He also obtained possession of other sites around Acre related to Baháʼu'lláh's life, including the House of ʻAbbud. Around Haifa, he expanded the Shrine of the Báb by developing its golden-domed superstructure and purchased lands surrounding the Shrine in order to create gardens. Shoghi Effendi had also decided that the buildings housing the institutions of the religion indicated in Baháʼu'lláh's Tablet of Carmel, including the Universal House of Justice, the as yet unestablished governing body of the worldwide Baháʼí community, would be arranged in the shape of an arc surrounded by gardens. The fulcrum of this arc would be the Monument Gardens, which hold the graves of members of the Baháʼí holy family. During his own lifetime he started the construction of one of the buildings comprising the arc, the International Archives building. He also negotiated tax-exempt status for all Baha'i properties. The religion's situation in Israel was clarified in an agreement signed in 1987 by then Vice-Premier and Foreign Minister, Shimon Peres, in which the government formally acknowledged the Baháʼí Faith as a “recognized religious community in Israel,” declared its "friendly relations" with the Baháʼí world community, noted that the "holiest places of the Baháʼí Faith, … are located in Israel", and confirmed "that the Universal House of Justice is the Trustee of the Baháʼí International Community over the Holy Places of the Baháʼí Faith in Israel and over the Baháʼí endowments in Israel". The other buildings of the Arc, the Seat of the Universal House of Justice, the Centre for the Study of the Sacred Texts, and the Seat of the International Teaching Centre, were completed in 1982, 1999 and 2000 respectively. The fifth and yet-to-be-built building, the International Baháʼí library, is planned to be eventually built at the eastern end of the Arc, and is anticipated as a center for "knowledge in all fields", including scientific investigation. The Baháʼí Terraces, or the Hanging Gardens of Haifa, are garden terraces on Mount Carmel in Haifa, and one of the most popular tourist destinations in Israel. Completed in 2001, there are 19 terraces and more than 1,500 steps ascending the mountain. The central terrace has the Shrine of the Báb, one of the main religious figures of the Baháʼí Faith. The architect was Fariborz Sahba from Iran, and the structural engineers were Karban and Co. from Haifa. The terraces are part of a complex of Baháʼí holy places in Haifa, Acre, and western Galilee that were inscribed as a UNESCO World Heritage Site in July 2008. The gardens rest in the neighborhoods of Wadi Nisnas and Hadar HaCarmel. The terraces represent the first eighteen disciples of the Báb, who were designated "Letters of the Living", although no terraces are connected with particular individuals. Nine concentric circles provide the main geometry of the eighteen terraces. Just as the identification of a circle presupposes a centre, so the terraces have been conceived as generated from the Shrine of the Báb. The eighteen terraces plus the one terrace of the Shrine of the Báb make nineteen terraces total. Nineteen is a significant number within both the Baháʼí and Bábí religions. The gardens have elements of the Persian gardens of Shiraz, Iran, the Nishat Bagh gardens of Jammu and Kashmir, India and English gardens, isolating the site from the noise of the surroundings and connecting the different Baháʼí buildings on Mount Carmel together. Fariborz Sahba began work in 1987 designing the gardens and oversaw construction. The terraces were opened to the public in June 2001. Beginning at its base, the gardens extend almost one kilometre (0.6 miles) up the side of Mount Carmel, covering some 200,000 square metres (2,152,782 square feet) of land. The gardens are linked by a set of stairs flanked by twin streams of running water cascading down the mountainside through the steps and terrace bridges. The irrigation system includes a computer which, based on meteorologic data it receives, controls hundreds of valves to distribute water throughout the gardens by sprinkling and dripping. This is done at night and in the early morning, to avoid wasting water by evaporation. The water that flows alongside the stairs is circulating in a closed system within each terrace, so that little water is wasted. Haifa’s Mayor Amram Mitzna described the gardens as the eighth wonder of the world. "We have been very lucky," he said, "not many cities get a park that is so incredibly beautiful – free of charge."
Water from this spring has given cool refreshment to many
people through the years. We used to stop here and fill our
jugs when we were working in the tobacco. At that time, there
was a dipper hanging nearby. Everyone drank from it and
thought nothing about it. Nowadays people would frown on
sharing a drinking vessel . . . or even drinking "unpurified"
water, for that matter. This water is as pure as any overly-priced
bottled water sold in stores.
I was given three rolls of 35mm Kodak Technical Pan (expired 2002). I hunted around for a development scheme and finally settled on this. Mostly because I had Rodinal. I'm only posting in case some of you still have some in the fridge.
16 EI
Rodinal 1+150 for thirteen minutes
Agitate with 30 seconds initial inversions, then 3 inversions at 10 minutes,7 minutes,4 minutes, and 1minute counting down. (every 3 minutes)
Regular stop, fix and hypo.
I used 5ml of Rodinal in 750ml of H2O. That gives less than the recommended 10ml of Rodinal but the negatives really look great (full tone scale).
I had to figure out a curve profile as I felt (and still do) that the midtones were not right. Technical Pan is also a dust magnet; lots of healing tool. Even with Rodinal there is virtually no grain.
“A true conservationist is a man who knows that the world is not given by his fathers, but borrowed from his children.” - John James Audubon, who would be 225 years old today. I bet he’d be on Flickr, and of course he’d remove the gender specificity in the quote above. ;o) Oh, and he’d be a member of the Audubon Society!!
I am a certified Bird Nerd and Craniac! That’s certified, not certifiable, LOL! Okay, maybe I’m that too. I love nature and all creatures, especially Sandhill Cranes. They make my heart sing, and they healed me in some way. They also brought me back to photography, and introduced me to some of the best people I know. It gives me a little lump in my throat actually; I feel so grateful.
So, a big thank you Mr. Audubon, for inspiring generations of bird lovers, including me! I just rejoined the Audubon Society. Not sure why I’ve been away so long, and I remember when I was a member before, I was pretty young and broke. Audubon membership is still very reasonable, and you meet the nicest people.
Hugs and thanks for viewing! =o)
***All rights to my images are STRICTLY reserved. Please contact me if you are interested in purchasing my images or if you are an educator or non-profit interested in use. copyright KathleenJacksonPhotography 2011***
Larry La Trobe is the name given to a popular, cast bronze statue of a dog situated on the northern end of Melbourne’s City Square (corner of Collins Street and Swanston Street). Along with the Burke and Wills monument, the statue is one of only two free standing art works in the City Square precinc
Melbourne artist Pamela Irving created the statue as a result of a commission from the Melbourne City Council in 1992 and was the first sculpture for Melbourne’s Open Air Sculpture Museum. Based on her own dog, Lucy, the statue is not representative of any particular breed but has been crafted to generate a sense of Australian larrikinism in the viewer. Irving named the statue after her uncle Larry and the surname ‘La Trobe’ was appended to represent the relationship with Melbourne, Australia and the state of Victoria. Charles La Trobe was the first Lieutenant Governor of the state of Victoria.
Despite being anchored by 30 cm bolts, the statue was stolen on the night of 30/31 August 1995[3]. Thought to have been taken as part of a university stunt or melted down no trace was ever found of the original statue or the thieves who committed the theft.
A campaign was started by the Melbourne Times, a weekly city newspaper, to recover Larry. The publicity generated by this campaign captured the imagination of the public. A two metre high likeness of Larry was created for the 1996 Moomba Parade to create additional publicity that might lead to the return of the statue.
Although the subject of a significant publicity and media campaign the original statue has never been recovered. The statue now located in the square is the second statue of ‘Larry’. In 1996, Peter Kolliner, previous owner of the foundry where Larry was originally cast, paid for a casting of a new statue. The new statue was cast in the same mould as the original but Irving reddened the casting material to provide the second ‘Larry’ with a unique identity.
The second Larry was reinstalled in the City Square and officially unveiled on 16 September 1996 by Melbourne Lord Mayor, Councillor Ivan Deveson
This is one of two spotted hyenas that live Colchester Zoo in Essex.
The 5 year old male, Abu, arrived from Amersfoort Zoo in Holland, and Kalabi, a 3 year old female, came from Berlin.
Colchester Zoo feeds the hyenas 4.4 lb. (2 kg) of meat and bone six days of the week. They are given less meat than other carnivores, due to their ability to eat the bones. This imitates the food that they would be hunting in the wild.
A highly misunderstood animal, the species has a largely negative reputation in both Western culture and African folklore. In the former, the species is mostly regarded as ugly and cowardly, while in the latter, it is viewed as greedy, gluttonous, stupid, and foolish, yet powerful and potentially dangerous, but it is actually a intelligent creature. It looks like a dog but is more closely related to cats, civets, and genets. It is a strong and capable hunter and the largest member of the hyena family.
Females and males look exactly the same except that females are considerably larger than males. They have a shoulder height of between 27.5 and 36 in. (70 and 91.5 cm), and are 37.5 to 65.5 in. (95 to 166 cm) in length. They weighing 89 to 141 lb. (40.5 to 64 kg). The animal has a strong and well developed neck and forequarters, but relatively underdeveloped hindquarters. The rump is rounded rather than angular, which prevents attackers coming from behind from getting a firm grip on it. The head is wide and flat with a blunt muzzle and broad rhinarium, the furless skin surface surrounding the the nostrils. It possesses powerful jaws for crunching bones. In contrast to the striped hyena, the spotted hyenas ears are rounded rather than pointed. Each foot has four digits, which are webbed and armed with short, stout, and blunt claws. The paw pads are broad and very flat. The tail is relatively short, being 12 to 14 in. (300 to 350 mm) long, and resembles a pompom in appearance.
Spotted hyenas live in Chad, the Central African Republic, South Sudan, Ethiopia, Kenya, Tanzania, Botswana, Angola, Namibia, and parts of South Africa, though not in the far south or the Congo rainforests. They occur in savannas, open and dense dry woodland, grasslands, mountains, tropical rainforests, semi-deserts, and coastal areas. In the rocky areas of East Africa and Congo, spotted hyenas frequently use caves as dens where they raise their young or rest during the midday heat.
In terms of their social intelligence, spotted hyenas are considered to be close to the same level as certain primates. They have a matriarchal social order of related individuals that are called clans. One alpha female leads the clan.
They are mostly nocturnal, hunting at night, and sleeping or staying near their den in the daytime. Hyenas have excellent night vision and can run at up to 37 mph (60 km/h). They are carnivorous animals that hunt and scavenge. When hunting alone, they prey on smaller animals such as hares, foxes, jackals, birds, fish, and snakes, as well as carrion. In a group, they hunt medium to large-sized hoofed animals like zebra, wildebeest, Grant’s gazelle, Thompson’s gazelle, topi, waterbuck, eland, hartebeest, and impala. They also supplement their diet with eggs, fruit, and invertebrates. Hyenas can eat up to 33 Ib. (15 kg) off of a carcass, including bone and tendons that other carnivore will not eat. This makes hyenas vital to the recycling of nutrients in their savannah ecosystem.
Breeding takes place at any time of the year at intervals of 11 and 21 months. Gestation is about 4 months, and 1 to 3 cubs are born inside a birthing den. The milk of a spotted hyena is very rich, and cubs can last for a few days between feeds, unlike wild dogs and lions. Females have the sole responsibility for bringing up the cubs. At 2 to 6 weeks of age, the cubs are moved by their mother to a communal den. The young are entirely dependent on milk for about 8 months and are weaned at 12 to 18 months old. They reach maturity at the age of 2 to 3 years. Males leave their birth clan at around 2 years old, whereas females remain. Cubs can expect to have a lifespan of between 20 and 40 years.
Whilst most populations of spotted hyenas in protected areas within southern Africa seem to be stable, the ones in western and eastern Africa, including those in protected areas, seem to be declining. The main reason seems to be human persecution through shooting, poisoning, trapping, and snaring, even in protected areas, often in farming areas following actual or assumed killing by hyenas of livestock, or to protect livestock. An additional threat is a decline in habitat quality outside of protected areas.
According to the IUCN Red List, the total spotted hyena population is between 27,000 and 47,000 individuals. The largest known populations are in the Serengeti National Park in Tanzania with 7,200 to 7,700 animals, in Kenya with 500 to 1,000 animals, and in South Africa’s Kruger National Park with 1,300 to 3,900 animals. Currently the spotted hyenas conservation status is classified as 'Least Concern', but their numbers today are decreasing.
I cannot speculate as to whether brown paper bags changed hands over this one or whether sitting Labor MPs who expect to lose their seats expect to get a board position with the gas explorer, or whether it was simply some stupid idea that seemed okay to the Labor Party heavies after a long lunch at Chinatown.
Local residents do not care about which. This will be fought.
Catechesis at the Palacio De Deportes with The Mass given by Cardinal George Pell Archbishop of Sydney for English speaking pilgrims.
© Mazur/catholicchurch.org.uk
Since most of my stuff is in storage and I have had all this time off work for Thanksgiving I am reading up on my camera. So be prepared for random photos for a few weeks.
Carmel's A2 dancers were given the opportunity to take part in a full day Dance Workshop earlier this week in preparation for their forthcoming practical exams. The workshop was led by Rob Bell and Sarah Gough and focused on the styles of practitioners such as Martha Graham and Christopher Bruce, both of whom the A2 st...udents are studying. The students involved thoroughly enjoyed the day and found it highly beneficial to their A-Level studies.
Attendance at this conference is anticipated to be at least 500 people. We have already experienced an overwhelming response regarding the National Fashion and Talent Expo. As we have already began promotion for this event in August. We have over 100 hundred (narrowed down from an audition of over 300) professional trained diverse models varying in size, shape, age, gender, and race. We also have 2 industry ready recording artist performing.
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No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Three hundred and forty five metres, at 16.57pm on Tuesday 10th September 2019 off Clement Avenue and Water Street on the wooden decking on the shoreline of Okanagan Lake in Kelowna, British Columbia in Canada.
The White Siberian Goshawk (Accipiter Gentilis Albidus), also known as the 'Northeastern Siberian Northern Goshawk', is a subspecies of the Northern Goshawk (Accipiter gentilis) which is found in in Kamchatka and Northeastern Siberia. It integrates in the West with the Central Siberian subspecies 'buteoides' between the Lena and Yana rivers. The 'Albidus' goshawks are large in size with lighter colouration of white and light grey, and yellow eyes and beak.
This particular bird was being walked along the sea front decking by it's proud and knowledgeable guardian who was acclimatsing the bird of prey to it's surroundings and subsequent interactions with humans.
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Nikon D850 Focal length: 120mm Shutter speed: 1/800s Aperture: f/4.0 ISO: AUTO 125 RAW 14 bit uncompressed Image size L (8256 x 5504 FX) Full frame Hand held with Nikon back button focusing enabled and Nikkor VR Vibration Reduction on Focus mode: AF-C focus AF-Area Mode: 3D-Tracking Exposure mode: Aperture priority exposure Metering Mode: Matrix metering White balance: Natural light auto, 0, 0 Colour space: Adobe RGB Nikon Distortion control: On Picture control: (A) Auto High ISO NR: On (Normal) Vignette control: Normal Active D-lighting: Auto
Nikkor AF-S 24-120mm f/4G ED VR. Cokin GND4 resin filter . Nikon EN-EL15a battery.Mcoplus professional MB-D850 multi function battery grip 6960. Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup.
LATITUDE: N 48d 53m 35.00s
LONGITUDE: W 119d 30m 2.10s
ALTITUDE:345.0m
RAW (TIFF) FILE: 130.00MB NEF: 89.6MB
PROCESSED (JPeg) FILE: 29.30MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.017 (20/3/18) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.3.1 11/07/2019). Nikon Capture NX-D 64bit (Version 1.4.7 15/03/2018). Nikon Picture Control Utility 2 (Version 1.3.2 15/03/2018). Adobe photoshop Elements 8 Version 8.0 64bit.
It is the weekend.
And weekends here are mostly given over to football. Saturday its college football, and on Sunday its the NFL. And it would be easy to find a bar and sit there, drinking cheap and crap beer, watching half a dozen screens at the same time. But we're in The Big Easy, we'd better be do something better.
Jetlag is a thing of last week, so we were awake at seven, bright eyed and bushy tailed, and needing breakfast.
It was going to be hot. Damn hot. 86 degrees in the afternoon. Shame then that we had arranged a walking tour, meaning we would be out in the midday and afternoon sun. What could go wrong?
After getting dressed, we walk down Canal to the Palace for breakfast, but it don't open until half ten at weekends. So, back to the hotel for breakfast there, not quite as good, and more expensive, but it is food.
We never will like biscuits and gravy, there is a huge pot of grey-coloured gloop bubbling away. We pass up on that, but links, bacon, homestyle potatoes and eggs over medium were good. And coffee.
We eat in the luxurious surroundings of the Bourbon House, where in twelve hours we would have dinner. But that was later. Much later.
We laze in the room until 11, when we walk through the French Quarter so Jools could find a bead shop. Before then, we ended up watching football on TV. Proper football. Tottenham scored a lucky late equaliser against Watford, and Norwich drew 1-1 against Bournemouth for our first away point of the year.
Yay.
We had arranged a walking tour around the Garden District, with a walk round the local cemetery, but to meet the tour, we had to meet at a place well out of the centre of town. Google suggested it was 1.4 miles. Our feet suggested it was longer.
Starting from the middle of French Quarter, we walk to Canal Street, then over to the start of St Charles Avenue, which if my calculations were correct, we would stay on all the way.
St Charles started off going through the commercial area, past hotels and former banks. It was hot, and there was little shade.
We walk past a blues and bbq festival, which we say we'll visit on the way back, cos if we go now, we'd never leave. One we go, beside a trolley route that was not in use, until we came to a huge roundabout, rotary, with our way straight ahead, under a flyover.
Beyond, two tram tracks lead off, and as we climb past the monument on the rotary, I can see a line of four vintage trams, trolleycars, rattling up the grass covered tracks Quite a sight.
But none going our way.
So, we tighten our belts and walk westward, past the urban sprawl of a modern American city. Soon, the surrounding area gets greener, there was a fine old hotel on the other side. Our destination was at 2800, we were at 1800, a thousand properties to walk by, possibly.
In the end, not so, but we do arrive at Gracious Bakery by half one, all hot and bothered. We sit inside and order a snack, and have an iced drink.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion. The term can be applied to online photo galleries, as well as "photoblogs", i.e. weblogs where the journal entries are prominently centered around original images.
Photoblogging gained momentum in the early 2000s with the advent of the moblog, which provided a highly automated method of entering online journal comments via mobile phone. The introduction of cameraphones in subsequent years added the potential to post a live photograph along with the journal entry.
Not all photo sharing sites are designed to function as photoblog engines, though they usually provide means to add descriptive text for the photo as well as receive comments from other users, effectively providing the same functionality. Some photo sharing sites focus on the images as the sole material to publish, providing such features as categorization "tags", personal image groups, images in multiple sizes, minimal web-based image manipulation, online organization tools, image search, and licensing indication.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion. The term can be applied to online photo galleries, as well as "photoblogs", i.e. weblogs where the journal entries are prominently centered around original images.
Photoblogging gained momentum in the early 2000s with the advent of the moblog, which provided a highly automated method of entering online journal comments via mobile phone. The introduction of cameraphones in subsequent years added the potential to post a live photograph along with the journal entry.
Not all photo sharing sites are designed to function as photoblog engines, though they usually provide means to add descriptive text for the photo as well as receive comments from other users, effectively providing the same functionality. Some photo sharing sites focus on the images as the sole material to publish, providing such features as categorization "tags", personal image groups, images in multiple sizes, minimal web-based image manipulation, online organization tools, image search, and licensing indication.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion. The term can be applied to online photo galleries, as well as "photoblogs", i.e. weblogs where the journal entries are prominently centered around original images.
Photoblogging gained momentum in the early 2000s with the advent of the moblog, which provided a highly automated method of entering online journal comments via mobile phone. The introduction of cameraphones in subsequent years added the potential to post a live photograph along with the journal entry.
Not all photo sharing sites are designed to function as photoblog engines, though they usually provide means to add descriptive text for the photo as well as receive comments from other users, effectively providing the same functionality. Some photo sharing sites focus on the images as the sole material to publish, providing such features as categorization "tags", personal image groups, images in multiple sizes, minimal web-based image manipulation, online organization tools, image search, and licensing indication.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion. The term can be applied to online photo galleries, as well as "photoblogs", i.e. weblogs where the journal entries are prominently centered around original images.
Photoblogging gained momentum in the early 2000s with the advent of the moblog, which provided a highly automated method of entering online journal comments via mobile phone. The introduction of cameraphones in subsequent years added the potential to post a live photograph along with the journal entry.
Not all photo sharing sites are designed to function as photoblog engines, though they usually provide means to add descriptive text for the photo as well as receive comments from other users, effectively providing the same functionality. Some photo sharing sites focus on the images as the sole material to publish, providing such features as categorization "tags", personal image groups, images in multiple sizes, minimal web-based image manipulation, online organization tools, image search, and licensing indication.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion. The term can be applied to online photo galleries, as well as "photoblogs", i.e. weblogs where the journal entries are prominently centered around original images.
Photoblogging gained momentum in the early 2000s with the advent of the moblog, which provided a highly automated method of entering online journal comments via mobile phone. The introduction of cameraphones in subsequent years added the potential to post a live photograph along with the journal entry.
Not all photo sharing sites are designed to function as photoblog engines, though they usually provide means to add descriptive text for the photo as well as receive comments from other users, effectively providing the same functionality. Some photo sharing sites focus on the images as the sole material to publish, providing such features as categorization "tags", personal image groups, images in multiple sizes, minimal web-based image manipulation, online organization tools, image search, and licensing indication.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Photo sharing is a term given to a crop of mid-2000s websites which sharing means to publish a collection of digital photos online in a centralized and organized fashion.
Was given the heads up about this two week's ago failed to find it last week, but did better today.
Quite rare, and very unassuming, easy to miss it among the Yellow Rattle.
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This semi-parasitic plant is locally common in coastal areas of the south west of England and also on the western coast of Ireland. It is also to be found throughout Europe and right down into the Mediterranean region but, again, mostly in coastal regions or occasionally in the margins of streams. It is a member of the Figwort family (Scrophuliariaceae).
This pretty, yellow wildflower, which is declining in numbers in Britain, flowers in northern Europe from April and right through into July; however, in hotter southern Europe Yellow Bartsia is usually at its best in March and April.
Given one sheet of paper, two paperclips, three straws, four lifesavers, plus scissors and tape, how creative can a fifth grade engineering team be in designing and building a vehicle to go as far as possible on one puff of air?
24 July 2023, Rome, Italy - Side Events: Towards healthy and sustainable food systems: Agroecology, soils and healthy diets. UN Food Systems Summit +2 Stocktaking Moment. FAO headquarters (Ethiopia Room).
Photo credit must be given: ©FAO/Riccardo De Luca. Editorial use only. Copyright ©FAO.
20 October 2022, Rome, Italy - H.E. Asmahan Abdulhameed Altoqi Ambassador and Permanent Representative of the Republic of Yemen to FAO. FAO Science and Innovation Strategy: What’s next. FAO Headquarters (Plenary hall).
Photo credit must be given: ©FAO/Cristiano Minichiello. Editorial use only. Copyright ©FAO.
MFA LRVS Lecture: Wendy Given
Jul 22, 2015 6:30 PM – 8:00 PM
The Low-Residency MFA in Visual Studies welcomes Wendy Given for a discussion of her work as part of the 2015 Summer Graduate Visiting Artist Lecture Series.
Wendy Given was born in 1971 and is an American artist living and working in Portland, Oregon. Given studied fine art and was trained in painting, printmaking, photography and sculpture during her BFA undergraduate work at Atlanta College of Art in Atlanta, Georgia. She received her MFA from Otis College of Art and Design in Los Angeles, California. Given has exhibited both nationally and internationally at venues including the Vincent Price Art Museum in Monterey Park, California; Tacoma Art Museum, Tacoma, Washington; Chelsea Art Museum, New York, New York; Fototropía in Guatemala City, Guatemala; Fifth Floor, Los Angeles, California; The Art Gym at Marylhurst University, Marylhurst, Oregon; Indiana University IUPUI, Indianapolis, Indiana; Humble Arts Foundation, New York, New York; Kasher | Potamkin, New York, New York; Hap Gallery, Portland, Oregon; University of Tennessee Downtown Gallery, Knoxville, Tennessee; whitespace, Atlanta, Georgia and Wieden+Kennedy Gallery, Portland, Oregon. Given has also been awarded residencies with Signal Fire, Portland, Oregon; Joshua Tree Highlands Artist Residency, California; and at Caldera Arts, Sisters, Oregon. She is represented by whitespace in Atlanta, Georgia and Kasher | Potamkin in NYC. www.wendygiven.com
Photos by Matthew Gaston
This is a photograph from the 2nd annual running of the Kilcock Ladies GAA club "Santa Dash" 5KM Road Race and fun run which was held in Kilcock, Co. Kildare, Ireland on Sunday 15th December 2013 at 13:00. This is one of the final road races in this part of Leinster before Christmas. The race welcomes runners, joggers, walkers, and families. Every entrant is given a free Santa hat to wear in the race to add to the festive atmosphere. The race starts beside the Royal Canal/Railway at the end of Connaught Street. The route then takes in the wellknown local walking route around Laragh (Sli Na Slainte). This route is familiar to many runners as a reverse of the Kilcock AC 5KM held annually every summer. The race was organised to help raise funds for the many ladies teams that the girls from Branganstown continue to field year after year. The Kilcock Ladies are a vital part of the local community and provide football for all age groups in the town. Last year, the first year of this race, 2012 was a very special year for the Ladies section of Kilcock GAA club as they celebrated the 20th year since their foundation back in 1992.
This photograph is part of a set of photographs taken at today's event. You can see the entire Flickr set by clicking on this link [http://www.flickr.com/photos/peterm7/11387432555/]
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some useful Website Links and Internet Sites
Santa Dash Homepage on Facebook www.facebook.com/santa.dash.58 (requires Facebook logon)
Flickr photographs from last year's event (2012): www.flickr.com/photos/peterm7/sets/72157632257169973/
Race start location on Google Maps: maps.google.com/?ll=53.396675,-6.661502&spn=0.004376,...
Race HQ on Google Maps: maps.google.com/maps?q=Kilcock+GAA,+Kildare,+Ireland&...
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Having some fun testing the new Fuji Film XT10 that was given to us at the 2015 Adobe MAX Conference in Los Angeles
We were given a new lesson
in light reading,
and more of this,
which was twilight,
pure black and night.
Given in memory of Dr Charles Vachell. Five-light window with standing figures of St Luke, Virgin & Child, Christ as an adult (beardless), John the Baptist and St David. Angels holding heraldic shields in the tracery.
Cardiff, St John The Baptist Church.
The massive eaves shade the dining room from any direct sun. Elaborate plant areas have given way to a sidewalk allowing egress from the play area.
Burger King at 2004 E Santa Fe, Olathe KS, was already operating when I hit town in Aug 1981, or opened very shortly after.
It is a unique style where the long side of the building faces the street, thus the Drive Thru is on a short end. It has the familiar "Giant Wedge" over the entry, but the dining room is not so much in front of the order counter, but off to the side. The play area was added years later.
Netanyahu says political “boycotts” by other parties have thus far prevented him from forming the broad-based coalition needed to deal with critical issues, such as Iran and the peace process with the Palestinians. Those boycotts include the refusal of the Yesh Atid and Bayit Yehudi parties to join the government without each other. In addition, the Likud Beytenu coalition claims the parties have refused to sit in a government with orthodox or Haredi parties.
Over the weekend, Netanyahu called on leaders of all political parties to “display responsibility” and make efforts to “unite, rather than divide.” He said goals such as renewing negotiations for a peace process with the Palestinians require an inclusive government.
Much is at stake for Prime Minister Netanyahu and his attempt to form a governing coalition in Israel. Issues such as Iran’s quest for nuclear weapons and the Palestinian peace process loom larger with each passing day, and now Netanyahu has just two weeks to form a new government, before President Shimon Peres must decide on another course of action which could include new elections. With U.S. President Obama threatening to cancel his trip to Israel if a new government is not in place, now is the time to pray for Prime Minister Netanyahu and the other players trying to form a governing coalition. Proverbs 15:22 reminds us that “without consultation, plans are frustrated, but with many counselors they succeed.” Pray that those counselors will have wisdom in forming a new governing coalition in Israel.
For more on this story, visit: Jerusalem Prayer Team Articles Page.
LIKE and SHARE this story to encourage others to pray for peace in Jerusalem, and leave your own PRAYERS and COMMENTS below.
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Given the fiber content, you'd expect some epic drape, and the end result does not disappoint. This yarn is also much more lustrous than it looks in the hank.
Venetian Gothic is a term given to an architectural style combining use of the Gothic lancet arch with Byzantine and Moorish architecture influences. The style originated in 14th century Venice with the confluence of Byzantine styles from Constantinople, Arab influences from Moorish Spain and early Gothic forms from mainland Italy. Chief examples of the style are the Doge's Palace and the Ca' d'Oro in Venice.
In the 19th Century, the works of John Ruskin and others drew from the style in a revival, part of the broader Gothic Revival movement in Victorian architecture.
Unique to the Venetian Gothic architectural style is the desire for lightness and grace in structure. While other European cities often favored heavy buildings, Venice had always held the concern that every inch of land is valuable, because of the canals running through the city. Therefore, the Venetian Gothic, while far more intricate in style and design than previous construction types in Venice, never allowed more weight or size than necessary to support the building. This is an interesting concept because, while the window traceries in Northern Gothic construction only supported stained glass, the traceries in Venetian Gothic supported the weight of the entire building. Therefore the immense weight sustained by the traceries only alludes to the extreme weightlessness of the buildings as a whole.
One major aspect of the Venetian Gothic style change that came about during the 14th and 15th centuries was the proportion of the central hall in secular buildings. This hall, known as the portego, evolved into a long passageway that was often opened by a loggia with gothic arches. Architects favored using intricate traceries, similar to those found on the Doge’s Palace.
The most iconic Venetian Gothic structure, the Doge's Palace, is a luxuriously decorated building that includes traits of Gothic, Moorish, and Renaissance architectural styles. In the 14th Century, following two fires that destroyed the previous structure, the palace was rebuilt in its present, recognizably Gothic form.
Yet another important example of Venetian Gothic architecture is Santa Maria dei Frari, a Franciscan church. First constructed in the 1400s, this Franciscan church was rebuilt in its current Gothic style in the 15th Century.
A NEW music and boxing festival could be staged at a former football ground in Rossendale, if plans are given the go ahead.
The one-day event, which could attract up to 1,500 people, is being planned for Stand Athletic, the former home of Haslingden FC.
But the plans, which have not yet been approved by the Rossendale Council, have raised concerns from councillors and residents, who say they are worried about the disruption and noise the festival might cause.
But Stephen Sourbutts, one of the event’s organisers, has reassured anyone with concerns that everything was being done to make sure the day is run without any issues.
He said: “We are waiting for feedback from the residents and and we have posted leaflets and spoken to residents.”
Mr Sourbutts, who also runs the Green Squirrel pub in Haslingden, is hoping that the day will start from noon on August 18 with live music and bands, followed by boxing matches, which will continue until 10pm.
LET 200512
Did you know? Each of our souls has been given unique spiritual gifts that are sometimes either dormant or partially open, or not used to the fullest of its capacity.
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