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Situated at 25 to 29 Barkly Street in the Victorian provincial city of Ballarat, the former East Ballarat Free Library is to this day, still an imposing building. When it was built in 1867, it must have been even more imposing, as it would have been one of only a few permanent structures in the area, which was filled with tents as the are was hit by goldmining fever.
The East Ballarat Free Library is not only imposing, but has an unusual design using polychromatic brickwork to define separate highly individual elements of the facade, rather like much of the Methodist Church architecture built during slightly later periods. The library is the only known work of the architect C. Ohlfsen Bagge, and dates from 1867. At that date it represents an early use of coloured brick-work in Victoria. The building is of architectural importance as an early example of the polychromatic Gothic Revival style which survives substantially intact with a number of fine interiors including the spiral staircase, the original library, the hall and the pine-lined rear rooms. The construction of the front section of the Barkly Street was completed in 1869. C. Ohlfsen-Bagge acted as honorary architect and the interior design and supervision as carried out by J. J. Lorenz. The builders were Boulton and Fyfe and the interiors were completed by Fly Brothers.
Established in 1862 the East Ballarat Free Library was amongst the earliest of Ballarat's social and educational institutions and when housed in its own building in Barkly Street, the library built up an outstanding collection which was second in Australia only to the State Library of Victoria . It served as a focal point for educational purposes; the school of design founded there in 1870 advancing to become the Ballarat East branch of the school of mines in the 1900s. The library was officially closed in 1973 after a life of 111 years. The books were taken to the Camp Street Library and the Ballarat Historical Society's exhibits were moved from Camp St to the Old Ballarat East Library. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the East Ballarat Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition. In 1983, land formally occupied by the East Ballarat Free Library in Barkly St was gazetted as a reserve for educational purposes and allocated to the Ballarat School of Mines. In 1987 the former East Ballarat Library reopened after extensive renovations and repairs, as the Management Training Centre of the Ballarat School of Mines.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
GO HERE to my designs:
www.zazzle.com/waves_of_stars_lace_up_keds_shoes-16778966...
© Andi Libberton Bird
All Rights Reserved
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Looking inside a hot air balloon before lift-off with multi-colored patterns against morning light Redmond Washington State USA
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved 2019 Contact me at jscorwin@mac.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
My website is jimcorwin.photoshelter.com
My E-Mail Address is jscorwin@mac.com
This is one motif of my series Oriental Ornaments. There are 6 different designs in 10 colors at the moment.
Dies ist ein Motiv aus meiner Design-Serie Orientalische Ornamente, die zur Zeit aus Kombinationen von 6 Designformen in 10 verschiedenen Farben besteht.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
This is one motif of my series Oriental Ornaments. There are 6 different designs in 10 colors at the moment.
Dies ist ein Motiv aus meiner Design-Serie Orientalische Ornamente, die zur Zeit aus Kombinationen von 6 Designformen in 10 verschiedenen Farben besteht.
2018 Round the World Trip - Canberra
Leica DC Vario-Elmarit 9.1-91mm f2.8-5.9 Asph
This intricate ground mosaic features a large, central spiral pattern composed of thousands of small, circular stones. The design uses a gradient of earthy tones, transitioning from deep reddish-brown at the center to lighter shades of tan and grey toward the edges. The stones are set firmly into the ground, creating a textured surface that draws the eye inward toward the swirling core.
Peeling blue paint and reflections in glass on a building on Crown Point Road in Leeds, West Yorkshire, England.
© Mark Sunderland All Rights Reserved
For licensing enquiries visit www.marksunderland.com
This is one motif of my series Oriental Ornaments. There are 6 different designs in 10 colors at the moment.
Dies ist ein Motiv aus meiner Design-Serie Orientalische Ornamente, die zur Zeit aus Kombinationen von 6 Designformen in 10 verschiedenen Farben besteht.
A striking urban architectural shot featuring a modern white building with large windows adorned with bold, colorful geometric patterns in red, black, and green. The patterns create a dynamic visual contrast against the clean lines of the facade, while reflections in the glass hint at the surrounding cityscape and reveal glimpses of people inside. The composition highlights the interplay between interior design, exterior architecture, and the vibrant, almost abstract artistry of the window treatments.
This block of Art Deco flats in East Melbourne has a wonderful entranceway with geometric Jazz Age designs around its stairwell windows. The stairwell area itself with its stepped roofline has been made an architectural feature as it stands out from the rest of the block's facade. This block of flats is typical of the Art Deco architecture that came out of England after the war. They are as chic today as when they were first built in the 20s or early 30s.
A sleek, modern water dispenser sits on a dark table, bathed in the cool, moody glow of blue light filtering through horizontal blinds. The scene is quiet and contemplative, with the geometric lines of the blinds casting dramatic stripes across the glass and chrome surfaces. A tissue box and a magazine titled 'UPGRADED LIVING' sit nearby, adding a touch of everyday life to this atmospheric still life.
Situated at 25 to 29 Barkly Street in the Victorian provincial city of Ballarat, the former East Ballarat Free Library is to this day, still an imposing building. When it was built in 1867, it must have been even more imposing, as it would have been one of only a few permanent structures in the area, which was filled with tents as the are was hit by goldmining fever.
The East Ballarat Free Library is not only imposing, but has an unusual design using polychromatic brickwork to define separate highly individual elements of the facade, rather like much of the Methodist Church architecture built during slightly later periods. The library is the only known work of the architect C. Ohlfsen Bagge, and dates from 1867. At that date it represents an early use of coloured brick-work in Victoria. The building is of architectural importance as an early example of the polychromatic Gothic Revival style which survives substantially intact with a number of fine interiors including the spiral staircase, the original library, the hall and the pine-lined rear rooms. The construction of the front section of the Barkly Street was completed in 1869. C. Ohlfsen-Bagge acted as honorary architect and the interior design and supervision as carried out by J. J. Lorenz. The builders were Boulton and Fyfe and the interiors were completed by Fly Brothers.
Established in 1862 the East Ballarat Free Library was amongst the earliest of Ballarat's social and educational institutions and when housed in its own building in Barkly Street, the library built up an outstanding collection which was second in Australia only to the State Library of Victoria . It served as a focal point for educational purposes; the school of design founded there in 1870 advancing to become the Ballarat East branch of the school of mines in the 1900s. The library was officially closed in 1973 after a life of 111 years. The books were taken to the Camp Street Library and the Ballarat Historical Society's exhibits were moved from Camp St to the Old Ballarat East Library. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the East Ballarat Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition. In 1983, land formally occupied by the East Ballarat Free Library in Barkly St was gazetted as a reserve for educational purposes and allocated to the Ballarat School of Mines. In 1987 the former East Ballarat Library reopened after extensive renovations and repairs, as the Management Training Centre of the Ballarat School of Mines.
Zhangye, China-October 20, 2017: Early morning-group of elderly dancers dressed in Uyghur clothing perform traditional choreographies to the sound of ethnic music in the city's Central-Main Square.
Situated at 25 to 29 Barkly Street in the Victorian provincial city of Ballarat, the former East Ballarat Free Library is to this day, still an imposing building. When it was built in 1867, it must have been even more imposing, as it would have been one of only a few permanent structures in the area, which was filled with tents as the are was hit by goldmining fever.
The East Ballarat Free Library is not only imposing, but has an unusual design using polychromatic brickwork to define separate highly individual elements of the facade, rather like much of the Methodist Church architecture built during slightly later periods. The library is the only known work of the architect C. Ohlfsen Bagge, and dates from 1867. At that date it represents an early use of coloured brick-work in Victoria. The building is of architectural importance as an early example of the polychromatic Gothic Revival style which survives substantially intact with a number of fine interiors including the spiral staircase, the original library, the hall and the pine-lined rear rooms. The construction of the front section of the Barkly Street was completed in 1869. C. Ohlfsen-Bagge acted as honorary architect and the interior design and supervision as carried out by J. J. Lorenz. The builders were Boulton and Fyfe and the interiors were completed by Fly Brothers.
Established in 1862 the East Ballarat Free Library was amongst the earliest of Ballarat's social and educational institutions and when housed in its own building in Barkly Street, the library built up an outstanding collection which was second in Australia only to the State Library of Victoria . It served as a focal point for educational purposes; the school of design founded there in 1870 advancing to become the Ballarat East branch of the school of mines in the 1900s. The library was officially closed in 1973 after a life of 111 years. The books were taken to the Camp Street Library and the Ballarat Historical Society's exhibits were moved from Camp St to the Old Ballarat East Library. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the East Ballarat Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition. In 1983, land formally occupied by the East Ballarat Free Library in Barkly St was gazetted as a reserve for educational purposes and allocated to the Ballarat School of Mines. In 1987 the former East Ballarat Library reopened after extensive renovations and repairs, as the Management Training Centre of the Ballarat School of Mines.
In downtown Racine, Wisconsin, on April 25th, 2021, Feiner Plumbing Company on the west side of Villa Street, north of 6th Street. The building is from 1967.
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Getty Thesaurus of Geographic Names terms:
• Racine (7014308)
• Racine (county) (1002815)
Art & Architecture Thesaurus terms:
• capital letters (300055061)
• commercial buildings (300005147)
• concrete blocks (300374976)
• flags (300195678)
• garages (300007806)
• geometric patterns (300165213)
• gray (color) (300130811)
• industrial buildings (300006231)
• last names (300404652)
• lozenges (300009791)
• Mid-Century Modernist (300343610)
• paint (coating) (300015029)
• plumbers (300025030)
• recessed (300375746)
• sealant (300389687)
• shop signs (300211862)
• trapezoids (parallel-sided quadrilaterals) (300068762)
Wikidata items:
• 25 April 2021 (Q69306031)
• 1960s in architecture (Q11185676)
• 1967 in architecture (Q2812453)
• all caps (Q3960579)
• April 25 (Q2531)
• April 2021 (Q61313052)
• Feiner (Q20996182)
• flag of the United States of America (Q42537)
• guy-wire (Q1283556)
• Milwaukee-Racine-Waukesha, WI Combined Statistical Area (Q110495108)
• Treaty of Chicago (1833) (Q87256769)
Library of Congress Subject Headings:
• Business names (sh85018315)
• Concrete masonry (sh85030722)
• Geometry in architecture (sh00000156)
• Guy anchors (sh85058006)
• Pavements—Cracking (sh87003617)
• Pavements—Maintenance and repair (sh85098840)
• Plumbing industry (sh85103562)
• Small business (sh85123568)
My reflection in the hotel with beautiful golden morning sunlight streaming in. These rooms at the Stratosphere are insanely cheap, and reminiscent of Motel 6, except you can gamble all night downstairs.
A row of metal clothes hangers, photographed from an unusually close perspective. Their shiny surfaces reflect the warm orange surroundings, while the repeated engraved lettering creates a pattern of diagonal lines. The dark fabric covering parts of the hangers adds contrast to the polished metal. From this angle, an ordinary everyday object becomes a surprisingly abstract composition.
Eine Reihe von Kleiderbügeln, aus einer ungewöhnlich nahen Perspektive fotografiert. Die glänzenden Metalloberflächen spiegeln die warmen Orangetöne der Umgebung, während die eingeprägten Schriftzüge ein Muster aus diagonalen Linien bilden. Die dunklen, stoffbezogenen Bereiche setzen einen Kontrast zum silbernen Metall. Aus diesem Blickwinkel entsteht aus einem alltäglichen Gegenstand ein beinahe abstraktes Motiv.
Balloonist silhouetted outside of colorful hot air balloon as it inflates sunrise Kent International balloon classic, Kent Washington State USA
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved 2019 Contact me at jscorwin@mac.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
My website is jimcorwin.photoshelter.com
My E-Mail Address is jscorwin@mac.com
Designer Geometric Fashion , Designer Toronto , Designer Canada , Geometry Fashion , Geometric Style , Intergalactic Fashion , Intergalactic Style, art , art-step , Canadian Crop Circles , Crop Circle Fashion Universal Streetwear , Canada Streetwear , Canada Street Fashion , Canada Streetwear , Toronto Streetwear Style Canada , Sacred Geometric , Sacred Geometrics , Sacred Geometry Clothes , Sacred Geometry Gear , Sacred Geometry Clothing , The Sacred G , Geometric Fashion , Geometric Style, Intergalactic Fashion , Intergalactic Style , art-step , Canadian Crop Circles , Crop Circle Fashion , Universal Streetwear , Canada Street Fashion , Canada Streetwear ,Toronto Streetwear , Style Canada Sacred Geometric , Sacred Geometrics , Sacred Geometry Clothes , Sacred Geometry Gear , Sacred Geometry Clothing , The Sacred G , Geometric Fashion , Crop Circle Clothing , God of Geometry , Designer Deco , Geometric Pattern , Sacred Styles , Sacred G Shoes , Next Dimension Design , Sacred G Style , 2012 Streetwear , Sacred G Streetwear , Sacred G Skateboards , 2013 Style , 2013 Fashion , 2012 Fashions , Art-Step , dubstep , 2012 STYLE , Deco Code , The Deco Code symmetry geometrics fashionable modern bold patterns supercool urban gear geometric shoes , shoes , shoe , patterned shoes , techno for the eyes , music for the eyes , Geometric-patterns , Geometric patterns , urban fashion 2012 generation zen , gen-zen , generation-zen
Also for its educational mission I guess, but especially for its funny architecture, such as its large grid of beige windowlessness (seen here).
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In Long Island City, Queens, on September 3rd, 2018, Building E (the "Annex Building" or "East Building") of LaGuardia Community College, as viewed from the southeast corner of 47th Avenue and 31st Place.
The building was formerly the Equitable Bag Company, remodeled/converted by architects Warner, Burns, Toan & Lunde from 1989 to 1992 (dates according to page 61 of this document).
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Getty Thesaurus of Geographic Names terms:
• Long Island (7015899)
• Long Island City (7015824)
• New York (7007567)
• Queens (7022659)
• Queens (county) (1002814)
Art & Architecture Thesaurus terms:
• beige (color) (300266234)
• community colleges (buildings (300006612)
• façades (300002526)
• geometric patterns (300165213)
• remodeling (300135427)
• squares (geometric figures) (300055637)
Wikidata items:
• 3 September 2018 (Q45921181)
• 1980s architecture (Q7160142)
• Buildings and structures completed in 1992 (Q7732488)
• City University of New York (Q762266)
• LaGuardia Community College (Q6460759)
• ornamental tree (Q33249028)
• September 3 (Q2860)
• September 2018 (Q31179569)
Library of Congress Subject Headings:
• Factories—Remodeling for other use (sh85046837)
• Grids (Crisscross patterns) (sh2006005408)
• Trees in cities (sh85137261)
Union List of Artist Names IDs:
• Warner, Burns, Toan and Lunde (American architectural firm, contemporary) (500237446)
"Designer Patterns 2012" "geometric fashion 2012" "geometric patterns" "canadian designer" "designer fashion 2012" "toronto fashion 2012" "toronto artist"
Sampler, signed AB or RB 1669. Linen with silk threads in a design of alphabets, geometric patterns and flower motifs in a wide variety of stitches. 89x17 cm.
Cool table runners. These are new designs which are perfect for every day or holidays. They have a classic and modern look.
www.envelop.eu/shop/designers/p/detail/andi-bird-designs
© Andi Bird All Rights Reserved
A striking piece of street art depicts a stylized, expressive face with deep wrinkles and an open mouth, painted in beige tones against a vibrant blue wall. Below the portrait, a bold geometric pattern of pink, brown, and white triangles adds a modern, graphic contrast. To the right, a doorway reveals a glimpse of an interior wall decorated with minimalist, 3D-style painted blocks in primary colors, creating a layered, urban art scene.
International Gem Tower - IGT - 50 W 47th St building in New York City - © 2016 David Oppenheimer - Performance Impressions Photography Archives - www.performanceimpressions.com