View allAll Photos Tagged geometricpatterns
Colorful diamond shapes embroidered on taupe linen make a colorful statement.
I embroidered rows of colorful diamond shapes on linen, and mounted the embroidery on a brass circle to give the pendant weight so it would hand nicely from a chain. I backed the embroidery with soft purple ultra suede, and created a beaded bezel around the embroidery to frame the pendant using tiny metallic bronze seed beads. The pendant hangs from a brass chain with teal beaded accents at the ends. The chain is threaded through an ultra suede loop on the back of the pendant and the closure is a brass lobster claw clasp.
Dimensions: The pendant is 1.625 inches in diameter. The chain measures 18 inches overall, including the clasp.
When you finally look up in a place like Crewe Hall, you realize the architects designed every single surface to be admired. This ceiling is a masterclass in Victorian decorative arts—a dense, layered tapestry of pattern, color, and light that rewards you the longer you stare at it.
The skylight windows are the obvious showstopper. They're set into a row of gentle arches, and the stained glass is gorgeous—pale, watery blues and warm golden yellows that filter the daylight into something soft and glowing. The heraldic crests and swirling motifs painted into the glass feel like little jewels floating above the room. Just below them, a band of carved stone corbels shaped like tiny faces or masks peeks out, adding a playful, sculptural detail that breaks up the flat plane of the wall.
The ceiling itself is a geometric wonder. The cream and pale blue panels are arranged in a perfect grid, and every single intersection is marked with a gilded rosette or a painted floral medallion. The lines are crisp, the symmetry is flawless, and the whole thing feels like a beautifully wrapped gift box. Hanging dead center is a grand, multi-armed chandelier with frosted glass shades, suspended from the ceiling like a glowing anchor. It's a breathtaking view, and it's easy to forget you're standing indoors.
The vibrant Art Deco fabric lining of a blue leather hat box featuring geometric patterns.
Private collection.
Os colunelos de mármore visíveis nesta imagem pertencem ao portal lateral direito da Catedral de São Lourenço (Cattedrale di San Lorenzo), em Génova, principal templo religioso da capital da Ligúria. Erguida entre os séculos XII e XIV, a catedral combina elementos românicos e góticos, sendo a sua fachada principal, concluída no início do século XIV, atribuída a mestres construtores de influência francesa. Os colunelos, dispostos em sucessivos planos recuados que compõem a arquivolta do portal, exibem fustes monolíticos de mármores polícromos — incluindo variedades brancas, esverdeadas, rosadas e acastanhadas com veios escuros — encimados por capitéis coríntios finamente esculpidos com folhas de acanto. Esta solução decorativa enquadra-se na tradição do gótico genovês, que dialoga com a arquitetura pisana e provençal através do recurso ao paramento bicromático em faixas alternadas de mármore branco e pedra negra (pietra di Promontorio), característica que se prolonga em toda a fachada e nas paredes laterais do edifício, conferindo-lhe a sua identidade visual mais reconhecível.
The marble columns visible in this image are part of the right side portal of the Cathedral of St. Lawrence (Cattedrale di San Lorenzo) in Genoa, the principal religious edifice of the capital of Liguria. Built between the 12th and 14th centuries, the cathedral combines Romanesque and Gothic elements; its main façade, completed in the early 14th century, is attributed to master builders of French influence. The small columns, arranged in successive recessed planes that form the archivolts of the portal, feature monolithic shafts of polychrome marble—including white, greenish, pink, and brownish varieties with dark veins—topped by Corinthian capitals finely carved with acanthus leaves. This decorative solution fits within the Genoese Gothic tradition, which engages with Pisan and Provençal architecture through the use of a two-tone facade featuring alternating bands of white marble and black stone (pietra di Promontorio)—a characteristic that extends across the entire facade and the building’s side walls, giving it its most recognizable visual identity.
Modern timber architecture of “Yokohama Timber Wharf” in Yokohama contrasts with the InterContinental Yokohama Grand’s curved concrete and glass design.
Teto ornamentado de uma das salas da Mesquita Hassan II, localizada em Casablanca, Marrocos. Concluída em 1993 sob o projeto do arquiteto francês Michel Pinseau, esta estrutura é um exemplar notável da arquitetura religiosa islâmica contemporânea em Marrocos que integra técnicas artesanais tradicionais marroquinas. O teto exibe uma abóbada complexa com arcos entrecruzados que formam padrões geométricos rigorosos, característicos da arte islâmica, concebidos para simbolizar a ordem cósmica e a infinitude. A superfície é profusamente decorada com relevos em estuque esculpido, apresentando motivos em estrela e arabescos. Na base da cúpula, observa-se a transição estrutural através de muqarnas, elementos arquitetónicos tridimensionais em forma de favo de mel ou estalactite, que suavizam a passagem das paredes verticais para a curvatura do teto. O uso de materiais nobres e a precisão matemática da ornamentação refletem a herança cultural mourisca e andaluza, perpetuando o legado dos mestres artesãos marroquinos na monumentalidade religiosa moderna.
An ornate ceiling in one of the halls of the Hassan II Mosque, located in Casablanca, Morocco. Completed in 1993 and designed by French architect Michel Pinseau, this structure is a remarkable example of contemporary Islamic religious architecture in Morocco that incorporates traditional Moroccan craftsmanship. The ceiling features a complex vault with intersecting arches that form precise geometric patterns, characteristic of Islamic art, designed to symbolize cosmic order and infinity. The surface is lavishly decorated with carved stucco reliefs, featuring star motifs and arabesques. At the base of the dome, the structural transition is marked by muqarnas—three-dimensional architectural elements shaped like honeycombs or stalactites—which soften the transition from the vertical walls to the curvature of the ceiling. The use of fine materials and the mathematical precision of the ornamentation reflect the Moorish and Andalusian cultural heritage, perpetuating the legacy of Moroccan master craftsmen in modern religious monumental architecture.
Step inside the magnificent Great Hall (Salão Nobre) of the National Palace of Pena, the crown jewel of Sintra’s architectural wonders. This grand reception room perfectly encapsulates the eclectic 19th-century Romanticism of King Ferdinand II, blending Gothic, Manueline, and Moorish Revival influences into a dazzling display of royal luxury.
The image captures the room’s breathtaking intricate stucco walls, which feature elaborate geometric and floral relief patterns reminiscent of Alhambra-style arabesques. Dominating the space is the massive, gold-plated chandelier, whose dozens of candles once illuminated the palace's most important banquets and social gatherings. Below, rows of deep red leather armchairs and sofas line the polished parquet floor, preserving the atmosphere of the Portuguese monarchy’s summer residence. The warm light highlights the delicate pink and white tones of the plasterwork, contrasting beautifully with the dark wood furniture. This interior shot offers a rare glimpse into the lavish lifestyle of the "Artist King" and the enduring beauty of this UNESCO World Heritage treasure.
Vista do interior da Mesquita Hassan II, em Casablanca, Marrocos, inaugurada a 30 de agosto de 1993 após sete anos de obras dirigidas pelo arquiteto francês Michel Pinseau. Em destaque encontra-se um dos mezaninos superiores, reservados às mulheres durante a oração, conforme a tradição islâmica que estabelece espaços separados para fiéis de cada género. A mesquita acolhe até 25.000 fiéis no seu interior e mais 80.000 na esplanada exterior, sendo a segunda maior estrutura religiosa muçulmana de África e uma das maiores do mundo. A imagem evidencia o trabalho minucioso em madeira de cedro do Médio Atlas, esculpida à mão por mestres artesãos marroquinos (maâlems) segundo técnicas tradicionais, com motivos geométricos, arabescos e caligrafia corânica. A cúpula central em muqarnas, os arcos polilobados em estuque branco (tadelakt) e os lustres de bronze inspirados em modelos venezianos compõem um conjunto representativo da arte hispano-mourisca contemporânea, integrando saberes ancestrais e engenharia moderna numa obra que mobilizou cerca de 6.000 artesãos.
A view of the interior of the Hassan II Mosque in Casablanca, Morocco, which opened on August 30, 1993, following seven years of construction led by French architect Michel Pinseau. Featured here is one of the upper galleries, reserved for women during prayer, in accordance with the Islamic tradition that establishes separate spaces for worshippers of each gender. The mosque can accommodate up to 25,000 worshippers inside and another 80,000 on the outdoor terrace, making it the second-largest Muslim religious structure in Africa and one of the largest in the world. The image highlights the meticulous work in cedar wood from the Middle Atlas, hand-carved by Moroccan master craftsmen (maâlems) using traditional techniques, featuring geometric motifs, arabesques, and Koranic calligraphy. The central muqarnas dome, the polylobed arches in white stucco (tadelakt), and the bronze chandeliers inspired by Venetian designs form a complex representative of contemporary Hispano-Moorish art, integrating ancestral knowledge and modern engineering in a project that mobilized some 6,000 artisans.
A sleek staircase is partially visible through glass panels of a modern building. Shadows and reflections create an artistic display, highlighting architectural elements.
Hand formed brass ovals have been embellished with a geometric beaded pattern. I then added a faceted picasso bead in the middle for a pop of shine and color.
Black Polka Dots - Studio Symmetry (B&W): Stripped down to essentials, the portrait focuses solely on expression and form. The subtle tonal variations in the background enhance the dimensionality of the subject. The interplay of pattern and negative space speaks to a quiet, sophisticated drama. Which mood do you find more compelling: the stark clarity of monochrome, or the soft dynamism of color? Let me know your preference below.
The beach spent all day drawing perfect lines, and honestly? Respect the commitment. Evening light at South Beach turns an ordinary snow fence into a geometry lesson nobody asked for but everyone should see — parallel shadows marching across the dune face until the sand itself starts to ripple and the whole thing goes beautifully wrong.
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: 1908 Republican National Convention Admission Ticket
Political Party: Republican
Election Year: 1908
Date Made: 1908
Measurement: Ticket with 2 stubs: 2 3/4 x 7 1/4 in.; 6.985 x 18.415 cm
Classification: Ephemera
Persistent URI: http://hdl.handle.net/1813.001/61b3
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
Stepping into the Tower Suite feels like walking into a beautifully decorated jewelry box. The room has this wonderful balance of grand architectural details and warm, intimate scale. The painted plaster ceiling is a knockout—intricate geometric patterns in white and soft green that give the room a real sense of height and elegance. And the bay window behind the tree is absolutely stunning, with its leaded panes and those beautiful heraldic shields painted right into the glass, letting in soft, diffused daylight that fills the whole space.
The Christmas tree is the undeniable centerpiece, of course. It's tall and perfectly shaped, strung with warm, golden fairy lights and dotted with bright red baubles and ribbon. The presents stacked at the base add a nice, cozy touch, making the whole corner feel lived-in and welcoming.
But what really anchors this room are the two golden sculptures flanking the space. On the left, you've got a majestic Lion, and on the right, a proud Unicorn—classic heraldic beasts that watch over the room like silent guardians. They sit atop heavy, carved wooden pedestals that match the dark wainscoting wrapping around the lower half of the walls. And then there's that brilliant, magenta-toned carpet. It's a bold, unexpected choice that brings a huge burst of warmth and color into the room, tying all the festive reds and greens together. It's a wonderful, proud corner of your family home, and it looks absolutely ready for the holidays.
See how the oriel windows have sheet metal panels with embossed images of torches and festoons.
The frieze of brickwork beneath the cornice displays a "diaper pattern," ugh. Everybody should have stopped using "diaper" in decoration contexts as soon as the word acquired its associations with poop and pee. Shame on English speakers, for having allowed a "diaper" homonymy to develop.
I happily truncate steeples anytime I can.
I think some kind of sculptural metal ornament ought to be hung upon the plain expanse of bricks at the center of the building.
I see you admiring that Honda Accord from model years 1997-2000. Its color is "Heather Mist Metallic."
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In downtown Racine, Wisconsin, on April 25th, 2021, the former Frank Lintner Building (built 1903) on the east side of Wisconsin Avenue, north of 7th Street, a "contributing property" in the Historic Sixth Street Historic District, 88000263 on the National Register of Historic Places.
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Getty Thesaurus of Geographic Names terms:
• Racine (7014308)
• Racine (county) (1002815)
Art & Architecture Thesaurus terms:
• apartments (300004063)
• architectural metalwork (300411548)
• architectural ornament (300378995)
• brick (clay material) (300010463)
• brickwork (works by material) (300015333)
• cafés (restaurants) (300005176)
• commercial buildings (300005147)
• corbels (300003610)
• cornices (300001788)
• diaper patterns (300010144)
• embossed works (visual works) (300389856)
• festoon (motif) (300167386)
• friezes (300123582)
• geometric patterns (300165213)
• historic buildings (300008063)
• historic districts (300000737)
• lampposts (300101536)
• light brown (300127503)
• mixed use (300112289)
• Neoclassical (300021477)
• olive green (300129180)
• oriel windows (300002954)
• pale yellow (300127919)
• sedans (300227972)
• sheet metal (300223016)
• show-windows (300002970)
• storefronts (300002533)
• three-story (300163795)
• torches (lighting devices) (300037652)
Wikidata items:
• 25 April 2021 (Q69306031)
• 1900s in architecture (Q16482507)
• 1903 in architecture (Q2744826)
• 1990s in transport (Q81720241)
• April 25 (Q2531)
• April 2021 (Q61313052)
• contributing property (Q76321820)
• Historic Sixth Street Business District (Q16976410)
• Honda Accord (Q463632)
• Milwaukee-Racine-Waukesha, WI Combined Statistical Area (Q110495108)
• National Register of Historic Places (Q3719)
• neoclassical architecture (Q54111)
• parallel parking (Q527129)
• Treaty of Chicago (1833) (Q87256769)
Library of Congress Subject Headings:
• Dwellings—Wisconsin (sh85040266)
• Grids (Crisscross patterns) (sh2006005408)
• Sheet-metal work (sh85121251)
• Torches in art (sh2005002495)
In downtown Akron, Ohio, on March 13th, 2021, Three Cascade Plaza (built in 1969, designed by Harrison & Abramovitz) at the southeast corner of Quaker and Ash Street, as viewed from West Bowery Street and Quaker Street.
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Getty Thesaurus of Geographic Names terms:
• Akron (7013265)
• Summit (county) (1002928)
Art & Architecture Thesaurus terms:
• central business districts (300000868)
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• concrete (300010737)
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• Mid-Century Modernist (300343610)
• office buildings (300007043)
• traffic signals (300003915)
• trees (300132410)
• windows (300002944)
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Wikidata items:
• 13 March 2021 (Q69305987)
• 1960s in architecture (Q11185676)
• 1969 in architecture (Q2812513)
• Akron-Canton (Q4701657)
• Cascade Plaza (Q16890114)
• March 13 (Q2400)
• March 2021 (Q61312973)
• Northeast Ohio (Q7057945)
• ornamental tree (Q33249028)
• Treaty of Greenville (Q767317)
Library of Congress Subject Headings:
• Geometry in architecture (sh00000156)
• Office buildings—Ohio (sh99002598)
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Union List of Artist Names IDs:
• Harrison and Abramovitz (American architectural firm, 1945-1976) (500213294)
Collection: A. D. White Architectural Photographs, Cornell University Library
Accession Number: 15/5/3090.01501
Title: Cairo. Egyptian Home (Interior, Staircase)
Photograph date: ca. 1865-ca. 1889
Location: Africa: Egypt; Cairo
Materials: albumen print
Image: 16.4173 x 11.1417 in.; 41.7 x 28.3 cm
Style: Modern Egyptian
Provenance: Gift of Andrew Dickson White
Persistent URI: http://hdl.handle.net/1813.001/5tqj
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
We had some help with the geocoding from Web Services by Yahoo!
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: 1872 National Democratic Convention Admission Ticket
Political Party: Democratic
Election Year: 1872
Date Made: 1872
Measurement: Ticket: 2 3/4 x 4 1/4 in.; 6.985 x 10.795 cm
Classification: Ephemera
Persistent URI: http://hdl.handle.net/1813.001/619j
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
At Hearst Castle, history and artistry meet craftsmanship in the ongoing restoration of its magnificent ceilings, such as the one featured here. This intricately carved coffered ceiling combines geometric patterns and floral motifs, drawing inspiration from Moorish and Renaissance designs. Rich in detail, the deep red and gold hues speak to its opulent origins, while the restoration work breathes new life into this historic masterpiece. Each starburst and floral pattern is delicately sculpted, reflecting the grandeur that William Randolph Hearst envisioned for his legendary estate.
The ceiling's restoration showcases the careful preservation of Hearst Castle’s architectural heritage. Expert artisans work to retain the original texture and style, ensuring that future visitors will continue to be captivated by its historic charm. These ceilings are emblematic of Hearst’s love for European art and culture, and the restoration efforts highlight the estate’s commitment to preserving this artistic legacy.
Visitors to Hearst Castle are offered a rare glimpse into the painstaking process of historic restoration, with an emphasis on maintaining authenticity. This ceiling, like many others throughout the estate, serves as a symbol of Hearst's passion for design and history. With each visit, one can appreciate the careful attention to detail and dedication that has gone into keeping these ceilings timeless, ensuring they remain a highlight of any tour.
Description:
Plate XXV: Pompeian No. 3 (Collection of mosaics from Pompeii and the Museum at Naples. - From the author's sketches.)
Owen Jones (British designer, 1809-1874)
1856 57 cm (page height) x 39 cm (page width)
From: Jones, Owen. The grammar of ornament ; Illustrated by examples from various styles of ornament. One hundred and twelve plates, Folio ed., London: B. Quaritch, 1910
See MCAD Library's catalog record for this book.
Style period: Islamic, Spain (Nasrid period)
Title/Subject: Alhambra: Mexuar (Concil Chamber)
View: interior, detail view of décor showing calligraphic stucco work and glazed ceramic tile mosaic in geometric patterns
Date: 14th century CE
Classification: Architecture; mosaic
Work type: buildings, houses, official residences, palaces; building divisions, interior spaces, halls
Location: Granada, Andalusia, Spain
Image_Filename: ISP011
original photograph by Allan T. Kohl
Rights: Creative Commons (Use with attribution)
Mural entitled "Visionary Reality Threshold" by Saya Woolfark aka @sayawoolfalkstudio seen at 1005 Walnut Street in Cincinnati, Ohio.
Drone photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
Starting with lightly hammered sterling hoops, I added a beaded pattern around the edge using tiny seed beads and nymo thread. I chose a muted palette of earthy tones.
Styles and Attitudes ......
Some GEOMETRIC Patterns in Fashion
#pfw16 # #paris #fashion #trend #geometricpatterns #geometry #streetstyleparis #streetstyle #mode #skirts #navystyle #colors #beauties #stylishpeople #
Collection: A. D. White Architectural Photographs, Cornell University Library
Accession Number: 15/5/3090.01500
Title: Egypt. Group of Minarets
Photographer: J. Pascal Sébah (Turkish, active 1860-1880)
Photograph date: ca. 1865-ca. 1889
Location: Africa: Egypt
Materials: albumen print
Image: 14.1732 x 10.5906 in.; 36 x 26.9 cm
Style: Mamluk
Provenance: Gift of Andrew Dickson White
Persistent URI: http://hdl.handle.net/1813.001/5tqh
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
We had some help with the geocoding from Web Services by Yahoo!
Geometric pattern of the famous glazed bricks friezes found in the apadana (Darius the Great's palace) in Susa (Shush) by french archeologist Marcel Dieulafoy and brought in Paris. Such polychromic friezes used to decorate the walls of the Achaemenian king's palaces in their capitales of Shush, Ecbatan, and Persepolis.
Pavillon Sully at the Louvre museum, Paris, France, March 2010
Motifs géométriques décorant les fameuses frises de céramique en briques cuites à glaçures trouvées dans le tell de l’Apadana (palais de Darius le Grand) à Suse (Shush) par l’archéologue français marcel Dieulafoy et ramenées à Paris. De telles frises polychromiques décoraient les façades des palais royaux achéménides dans leurs capitales d’Ecbatane, Suse et Persépolis.
Pavillon Sully, musée du Louvre, Paris, France, Mars 2010
Afternoon light and repeating arches inside Sheikh Zayed Mosque - Fujairah - a study in symmetry, stone, and stillness.
Colorful diamond shapes embroidered on taupe linen make a colorful statement.
I embroidered rows of colorful diamond shapes on linen, and mounted the embroidery on a brass circle to give the pendant weight so it would hand nicely from a chain. I backed the embroidery with soft purple ultra suede, and created a beaded bezel around the embroidery to frame the pendant using tiny metallic bronze seed beads. The pendant hangs from a brass chain with teal beaded accents at the ends. The chain is threaded through an ultra suede loop on the back of the pendant and the closure is a brass lobster claw clasp.
Dimensions: The pendant is 1.625 inches in diameter. The chain measures 18 inches overall, including the clasp.
Styles and Attitudes ......
Some GEOMETRIC Patterns in Fashion
La luminosa GIOVANNA BATTAGLIA
#pfw16 # #paris #giovannaBattaglia #fashion #trend #geometricpatterns #geometry #streetstyleparis #streetstyle #mode #skirts #navystyle #colors #beauties #stylishpeople #
Styles & attitudes ...
Some glittering pieces of trend
Miss ZENDAYA COLEMAN
#pfw16 # #paris #zenayacolemen #glitter #brillant #metaliccolors #strasses #fashion #trend #geometricpatterns #geometry #streetstyleparis #streetstyle #mode #skirts #navystyle #colors #beauties #stylishpeople #
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Theodore Roosevelt "Progressive Battle Flag" Portrait Textile, 1912
Political Party: Progressive
Election Year: 1912
Date Made: 1912
Measurement: Handkerchief: 22 x 24 in.; 55.88 x 60.96 cm
Classification: Textiles
Persistent URI: http://hdl.handle.net/1813.001/6017
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
Observation point of Ismail I.
Royal Chamber.
Palacio del Generalife (1302-1324).
Granada, Andalucía, Spain.
Plate XXXIX: Moresque (Moorish) No. 1, Moresque ornament from the Alhambra, varieties of interlaced ornaments. (1-5, 16, 18 are borders on mosaic dados. 6-12,14. Plaster ornaments, used as upright and horizontal bands enclosing panels on the walls. 13,15. Square stops in the bands of the inscriptions. 17. Painted ornament from the Great Arch in the Hall of the Boat.)
Owen Jones (British designer, 1809-1874)
1856 57 cm (page height) x 39 cm (page width)
From: Jones, Owen. The grammar of ornament ; Illustrated by examples from various styles of ornament. One hundred and twelve plates, Folio ed., London: B. Quaritch, 1910
See MCAD Library's catalog record for this book.
Plate XXXIV: Arabian No. 4 (Portion of an illuminated copy of the "Koran". These designs were traced from a splendid copy of the Koran in the Mosque El Barkookeyeh, founded A.D. 1384)
Owen Jones (British designer, 1809-1874)
1856 57 cm (page height) x 39 cm (page width)
From: Jones, Owen. The grammar of ornament ; Illustrated by examples from various styles of ornament. One hundred and twelve plates, Folio ed., London: B. Quaritch, 1910
See MCAD Library's catalog record for this book.