View allAll Photos Tagged generator
This the old Union Generator at the Vulture Mine. Some have reported a disembodied voice coming from behind the main engine claiming, “I’m not free”. Dominating the room is a gigantic 6 cylinder, four-cycle diesel engine. (Best Viewed black (Press L)
Last run in 1954, the Union engine was shipped to the mine fifty years earlier in 1904- It came disassembled, but with a German engineer to install, assemble, and get it running. It was brought by ship around the horn, up the Gulf of California and then by barge or steamer up the Colorado River to Ehrenberg. There, the many crates were loaded on freight wagons for the 115-mile dirt road trip to the Vulture Mine. Handling those two massive crankcase castings and the crankshaft itself must have been interesting.
9 exposure detailed tone mapped in Photomatix. Post in CS5, and Topaz Adjust
See the photovideograhy of "The Vulture" at: www.youtube.com/watch?v=D1u_EWsGYyM
Many power stations, generators, solar panels, batteries, etc. of Bluetti are available in the market. Today we will talk about 2000 Watt Solar Generator; this generator is very good and powerful.
well not really, i sure know the F-16 much, MUCH better than this stuff!
i scored some really old equipment (oscilloscope and pulse generator), but i have no idea how to use it. cant even produce a sine wave as-is. :(
any ideas are welcome, of course.
well, at least those things smell strongly of electronics when in operation. so yeah, i think i'll just go to sleep while smelling their scent of nerdyness for now. =)
ps: will reply to other stuff in the next few days.
A shot of the John Jennings Foden 4375, No 6 (N328 WVJ), aka Ruby. Who bought this new Martin?
The Government has been talking about establishing back up generating facilities, provided by diesel generators in strategic positions, for when power supplies become critical during the winter months. Perhaps it could contract in the fairground operators, who are laid up in their winter quarters when this would occur? Just a thought!
I know it's not really "Military", but it's my first mircoscale. It's the generator / air pump from the Mars Mission sets. Sorry about the bad picture quality (EDIT: My newer stuff looks loads better, my old camera was a piece of crap) . I hope these visual instructions make sense.
Image of steam generator. (Nov. 2007)
Visit the Nuclear Regulatory Commission's website at www.nrc.gov/.
To comment on this photo go to public-blog.nrc-gateway.gov/2012/04/01/nrc-moves-its-publ....
"Generator" 47420 hustles the diverted 07:20 Glasgow to Weston Super Mare through Kirby Stephen West on 4th May 1985, another cloudy diversion day on the S&C!
It's the Terrain Generator texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — filterforge.com/filters/10180.html (created by Orteil)
To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/
It's the Tiles Generator texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/10788.html (created by Cleoh)
To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/
Lorries powered by generator gas is quite common. There is always a guy in the back making sure there is enough wood. Generator gas vehicles were common in the west during WWII when petrol was rationed.
Generator at the Canopy Camp; our backup system. In 2014, 30 solar panels were installed at the Canopy Camp, providing ample renewable energy for the entire lodge.
Canopy Camp Darien, Panama
Photo by Alex Alba
In the Kyiv, the Ukrainian Red Cross Society handed over 35 generators to Ukrzaliznytsia (Ukrainian railway company) for uninterrupted operation of the country's railway stations in conditions of full-scale war.
Projection Studio Enchants Wolverhampton
Projection and digital art specialist Ross Ashton of London based The Projection Studio created two spectacular projection works in Wolverhampton, west Midlands UK for the inaugural Wolverhampton Enchanted City event, which attracted up to 8000 people each evening into the city centre
Ashton was commissioned to produce the works by Wolverhampton City Council following his work at the first ever Enchanted City ‘pilot’ event at Horncastle, Lincolnshire earlier in the year. Ashton is developing this unique event concept together with Brighton based Robin Morley of Magnetic Events, who also produced this show.
The giant 15 metre tall images were beamed onto two well-known local landmarks – the 1920s style Barclays Bank building in St Peter’s square, and the Wulfrana Street entrance to the University of Wolverhampton around 100 metres away.
The Oldest Place
This was the title of the Barclays Bank projections in St Peter’s Square, and based on the story of the monastery originally consecrated in 994 on land granted by Lady Wulfrun, which then became St Peter’s Church.
Ashton once again collaborated with sound artist Karen Monid who created a dynamic bespoke soundtrack based on Anglo Saxon poetry about the Garden of Eden which was read by specialist in Old English language that she sourced and recorded.
The images were all inspired by medieval manuscripts together with patterns based on the shape and geometry of the building.
The images were produced using a single Christie Roadster S+20K projector located on top of a specially built tower close to the building, fitted with a 1.2 – 1 short-throw lens.
Content for the three minute loop was played back from a MacBook Pro running Millumin software, which is perfect for single projector shows like this.
Generator
The show at the University entrance – projected onto the imposing 1930s building - was designed to be a complete contrast to the pastoral and reflective tone of St Peter’s Square.
Generator was hi-energy all-action animation based on the flow of ideas, knowledge and energy associated with learning.
Set to a pumping dance track, which turned the atmosphere of the space almost into a joyous public rave, the building/s frontage was transformed into a fantasy-style generator with frantically turning cogs emitting oozing steam and flying sparks, together with random objects flying across the surface representing some of the disciplines taught there.
These included cameras (film), keyboards (music) and even a flying cow (agricultural sciences) all with a colourful spacey background of flying stars and galaxies.
“The idea was to make ‘Generator’ fun and amusing while ‘The Oldest Place’ was thoughtful and tranquil, both of them at the polar opposite end of the ‘spiritual spectrum’, and by their juxtaposition, asking people to explore the natural synergies between these two important locations in their city.” explains Ashton, adding “Effectively it highlights these integral elements of the metropolitan area and presents them in a completely different light”.
An almost identical projection set up was utilised for Generator, except the Christie Roadster was fitted with a .7 lens. This show also ran in three minute loops.
The public reaction was overwhelmingly positive : “I have just experienced one of the most wonderful evenings … Just brilliant” wrote one delighted visitor, while another who was also prompted to visit the art gallery for the first time after many years of living in Wolverhampton enthused, “The St Peter’s Gardens illuminations were amazing” … the thank-you’s and appreciation flooded the City Council’s Email and social media channels for many days afterwards.
Ian Bustin of Wolverhampton City Council said, “We set out to do something different combining fantastic technology and creativity with community performances representing a true festival atmosphere. The projection images and tone completely changed the perception and atmosphere of the city. Children, families and young people reclaimed the city centre as a place to socialise and the festival reawakened a real sense of local pride and ambition.”