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© Genz, Lindner / transmediale
www.transmediale.de/content/steam-machine-music-0
Steam Machine Music is a homebuilt mechanical instrument made mostly from vintage Meccano parts. The instrument is driven by a steam engine that provides the whole instrument with energy. The sound material is generated from various strings, dynamos and music boxes but the most important sound generating part is the sound of the machine itself, the rhythmic patterns and pulsating drones of the steam engine, the squeaking of the gear trains.
The instability of the entire mechanism is extremely noticeable, and displays and reflects the physicality of the machine to an extreme degree. Everything is imminently about to go wrong, a cogwheel that jams, a screw that loosens itself, a chain falling of, water running out, the loss of steam pressure, gas running out. Steam Machine Music questions the whole practice and conceptualising of machine music in a historical perspective that points to the fact that machines always have been malfunctioning, they have always broke down, there has always been a “real” physical mechanism that challenged the predetermined functionality of the machine.
Lorenzo Gulli, giornalista e presidente Fondazione 'Duc in Altum'
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
When 2 #FullyLoaded performers met, magic happened. Catch the highlights of the vivo GenZ Meet-up featuring the popular GenZ icon, Raftaar as he unboxes the powerful #vivoZ1Pro. Know more: www.vivo.com/in/products/z1pro
Source: Vivo India | Vivo India Youtube
Arturo Mari, fotografo pontificio
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
Antonia (l.) feilt fleißig an ihrem Stück Silber, Lina beobachtet sie aufmerksam. (Foto: Ilka Bärwald)
Die Goldschmiedemeisterin Katja Osterhoff-Genz schmiedet in ihrer kleinen Dorfgoldschmiede in Haltern am See individuelle Schmuckstücke nach Kundenwunsch.
Sie gibt bereits seid über zehn Jahren in Kooperation mit dem Trigon Haltern, dem Katholischen Bildungswerk Recklinghausen der VHS Marl, dem Areopag Recklinghausen der VHS Dorsten oder der Familienbildungsstätte Recklinghausen Goldschmiedekurse für Erwachsene, Kinder und Jugendliche.
Das Kurprogramm wird durch Intensivkurse mit wenigen Teilnehmern, Pastoralkursen oder Beauty&Wellness Kursen ergänzt. Regelmässig treffen Sie die Goldschmiedin zum Beispiel beim Moonlight Shopping Seppenrade und anderen Veranstaltungen.
Buchen Sie auch Ihren Platz in einem Goldschmiedekurse bei der Goldschmiedemeisterin Ihnen mit Rat und Tat zur Seite steht.
Kurstermine und weitere Informationen gibt es auf der Internetseite: www.mobile-goldschmiedekurse.de
This is a crazy loaf of bread. The Genzano Country Bread from Daniel Leader's "Local Breads." Great book, every bread I've made has been fantastic.
I don't know if the picture does the size of this loaf any justice. It was huge, soft and nicely sour with an incredibly crackly crust.
© Genz, Lindner / transmediale
Discussion with Inke Arns (de), Wolfgang Ernst (de), Jussi Parikka (fi/uk)
Moderator by Timothy Druckrey (us)
With such an array of histories whirling through the media sphere over the past decades, it seems important to tackle some questions about how these methodologies have and are inflecting an equally wide range of artistic practices that incorporate, re-evaluate, rethink, spoof, or re-invent technologies under rubrics ranging from “archaeology” to “variantology”. This “Open Conversation” brings together a range of participants whose work traverses historiographic and contemporary curatorial practices that resonate with assessments and contributions to this debate. In a sphere with such varied approaches to artistic production – geneaologies, archaeologies, and other approaches to revive, extend, reconsider, etc., previous techniques or media – this “conversation” will attempt to bridge differences, clarify methodologies, and, most importantly, ask what is the relevance of all this historiography in the working spheres where art is being made.
© Genz, Lindner / transmediale
60 min / Installation
"Flag as inapproriate". This unconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom in the Internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes. He 'saves' the flagged videos before they are deleted and adds them to a dark and mythological collage of American survivalism. People have their say, who deeply mistrust the government, who warn their fellow citizens, and who arm themselves visibly. An unclear image emerges. While the protagonists are scared of the almighty American government, the viewer is irritated what to find the most threatening in this "hell": the United States of America, the critics armed to the teeth with conspiracy theories, or the anonymous censorship power of the companies which control the web. The protagonists of Pieces and Love All to Hell are mostly female, whereas in Gagnon's earlier work RIP in Pieces America (transmediale.10) they were mainly male.
Arturo Mari, fotografo pontificio
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
Stylianos Kountalis ha progettato e realizzato, per la prima volta in Italia, una piazza interamente illuminata con tecnologia LED. Sei cilindri in acciaio inox di altezze crescenti svettano come tronchi d’albero su una duna erbosa illuminando Piazza Cina, porta della città di Genzano. Le lampade, realizzate con taglio al laser sull’acciaio, riprendono le venature di una foglia. Gli alberi stilizzati si animano dall’interno, creando giochi di intersezioni luminescenti: alla luce del giorno il contrasto tra la “pelle” lucida dei cilindri e i vuoti degli intarsi rende quasi “vivi” questi tronchi artificiali, di notte le lampade flood rgb multicolore ricreano la magia delle antiche lanterne cinesi. L’impiego di acciaio inox speciale e dei Led a basso consumo consente un impatto ambientale bassissimo ed un effetto scenografico molto suggestivo. L’idea, ispirata dall’Albero di Budda, originario dell’India e Cina sudoccidentale, suggerisce un’atmosfera di accoglienza quasi “orientale” della città.
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
Il sindaco di Genzano, Flavio Gabbarini, con il presidente di Greenaccord, Alfonso Cauteruccio
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
© Genz, Lindner / transmediale
www.transmediale.de/node/20547
1996, internet based
Who at the time when the first waves of the dot.com hype hit the shores of Internet culture would have imagined that this new economy could reproduce a figure of financial scarcity known from the physical world? An Internet beggar!? Was this global network not supposed to overcome such old-fashioned social problems and release us all into an endlessly rich virtuality? Maybe, but the situation is also more intricate than a matter of simple reproduction. The “internet beggar” in this piece by Heath Bunting is smart. He understands the Internet and takes advantage of it, just like the pioneers of the dot.com economy. Squatting the information superhighway, he supposedly earned around 25,000 Euros in the first year of his activity. Moreover, he has survived the bust of the dot.com bubble and continues to work. “Excuse me mister! Could you spare a dollar?”
GenZ&U is a safe space organization that coaches tweens, teens, young adults, and parents on how to revive the lost connection. We're bridging the generational gap, one family at a time.
Il laboratorio 'Salviamo Gli Animali' nasce con il proposito di approfondire con bambini e ragazzi in età scolare il rapporto uomo-animale, e le conoscenze relative a questo argomento.
L'idea di progettare degli incontri di sensibilizzazione sulle caratteristiche sociali, emotive ed etologiche degli animali – uomo compreso – vuole, con semplicità e immediatezza, attraverso giochi, disegni e momenti di dibattito, guidare alla conoscenza più approfondita e alla riflessione sul rispetto dell'altro.
Il ciclo di incontri si è svolto da gennaio a febbraio nella scuola media “Garibaldi” di Genzano, includendo sette classi prime.
Con ogni sezione sono stati strutturati due incontri della durata di due ore ciascuno, durante i quali i bambini hanno potuto cimentarsi in attività e dibattiti su questioni legate alla conoscenza reciproca e dell'empatia.
Per maggiori informazioni
→ www.AnimalEquality.it/progetti-educativi
Foto: © Martina Sampaolo per Animal Equality