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Particolare di un quadro di petali di fiori dell' Infiorata di Genzano di Roma - 14.6.2009 - Elaborazione.
© Foto di Cristiano Proia
'L'Amore per il Creato - A lezione da Wojtyla'
Genzano di Roma, Palazzo comunale, Sala Consiliare
13 gennaio 2012
© Genz, Lindner / transmediale
www.transmediale.de/content/liquid-state-machine-wolfgang...
Borrowing terms from the cognitive and computer sciences, Liquid State Machine usually describes a soup of connected nodes, a situation with inputs, nonlinear functions and outputs which computes something or assists in its computation.
In this instance, the performance space becomes the computational soup bucket, an experimental Space-Noise-Continuum based on the connections between the plentiful nodes of both the kinetic-electromagnetic-noise apparatus of Martin Howse and the analogue/digital projection-machines of Wolfgang Spahn.
The performance begins with the subtle influence across these two distinct systems, arriving at an ultimate feedback between light (waves) and sound. LSM presents a play with transformations between distinct physical system domains.
© Genz, Lindner / transmediale
Ben Woodesons Kunstwerke gehen absichtlich auf Konfrontationskurs und streben nach einer intensiven, körperlich erfahrbaren Beziehung mit dem Betrachter und der ausstellenden Architektur. Aus umfunktionierten Alltagsmaterialien geschaffen, halten sie den Betrachter im Zustand einer gewissen Spannung. Bedrohlich strömt die Konsequenz gleichsam durch Skulptur und Publikum.
Besonders seitdem Woodeson seit 2009 an der Serie Health & Safety Violation arbeitet, vibrieren seine Werke förmlich vor Bedrohlichkeit. Manche von ihnen kommen ruhig, stabil und selbstbewusst daher, während andere den Betrachter mit katastrophalen Ergebnissen konfrontieren und wieder andere absichtlich gefährlich sind, wie es der Name schon sagt...
Im Rahmen von in/compatible präsentiert Woodeson eine neue Arbeit aus dieser Serie: Ein scheinbar unschuldiger skulpturaler Vorhang teilt das Foyer des Haus der Kulturen der Welt, sodass die einfachsten Wege versperrt sind. Um darum herum zu kommen, muss man sich für einen Umweg entscheiden. Dem Werk wirklich zu begegnen, erfordert hingegen wahren Mut zum Risiko – ein „interaktives“ Werk, das nicht den Anschein der Harmlosigkeit machen möchte.
www.transmediale.de/de/node/20622
Ben Woodeson’s works are deliberately confrontational; the pieces confront both the viewer and the exhibiting institution with their real or implied activity and consequences. Manipulating everyday materials within a space, the works keep the viewer poised in a state of slight suspense. Their physicality aims to instigate an intense and visceral relationship with the viewer and the gallery architecture. Threatening ripples of consequence are sent throughout the sculptures and audience alike.
Since 2009 Woodeson has been making the overtly provocative and confrontational Health and Safety Violation series. Some works are calm, stable and self-contained whilst others confront the viewer with catastrophic outcomes, some are deliberately dangerous, others only sound like they are…
For in/compatible Ben Woodeson is presenting a new work from his Health & Safety Violation series. A seemingly innocent sculptural curtain bisecting the foyer space, positioned to obstruct the visitor’s default routes. To avoid the work requires a conscious detour by the visitor. Equally, engaging with it requires a willingness to take risk. This is an "interactive" piece that does not pretend to be harmless.
Il laboratorio 'Salviamo Gli Animali' nasce con il proposito di approfondire con bambini e ragazzi in età scolare il rapporto uomo-animale, e le conoscenze relative a questo argomento.
L'idea di progettare degli incontri di sensibilizzazione sulle caratteristiche sociali, emotive ed etologiche degli animali – uomo compreso – vuole, con semplicità e immediatezza, attraverso giochi, disegni e momenti di dibattito, guidare alla conoscenza più approfondita e alla riflessione sul rispetto dell'altro.
Il ciclo di incontri si è svolto da gennaio a febbraio nella scuola media “Garibaldi” di Genzano, includendo sette classi prime.
Con ogni sezione sono stati strutturati due incontri della durata di due ore ciascuno, durante i quali i bambini hanno potuto cimentarsi in attività e dibattiti su questioni legate alla conoscenza reciproca e dell'empatia.
Per maggiori informazioni
→ www.AnimalEquality.it/progetti-educativi
Foto: © Martina Sampaolo per Animal Equality
Johanna (r.) malt ihr Motiv auf das dünne Silberplättchen, Katja Osterhoff-Genz zeigt derweil Kim, wie sie die Säge benutzen soll. (Foto: Ilka Bärwald)
Die Goldschmiedemeisterin Katja Osterhoff-Genz schmiedet in ihrer kleinen Dorfgoldschmiede in Haltern am See individuelle Schmuckstücke nach Kundenwunsch.
Sie gibt bereits seid über zehn Jahren in Kooperation mit dem Trigon Haltern, dem Katholischen Bildungswerk Recklinghausen der VHS Marl, dem Areopag Recklinghausen der VHS Dorsten oder der Familienbildungsstätte Recklinghausen Goldschmiedekurse für Erwachsene, Kinder und Jugendliche.
Das Kurprogramm wird durch Intensivkurse mit wenigen Teilnehmern, Pastoralkursen oder Beauty&Wellness Kursen ergänzt. Regelmässig treffen Sie die Goldschmiedin zum Beispiel beim Moonlight Shopping Seppenrade und anderen Veranstaltungen.
Buchen Sie auch Ihren Platz in einem Goldschmiedekurse bei der Goldschmiedemeisterin Ihnen mit Rat und Tat zur Seite steht.
Kurstermine und weitere Informationen gibt es auf der Internetseite: www.mobile-goldschmiedekurse.de
"Se algumas dessas palavras cruzarem os seus caminhos, quero que saiba que eu não era uma menina de sentir medo, eu só perdia todas as rédeas quando meu próprio coração vinha contra mim."
Almazuela sobre una foto realizada durante la sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
Students practice taping wrist injuries in Jerome Genz's human kinetics class on Wednesday, Dec. 4, 2017.
"A generation that does the impossible, challenges the limits, shuns the basic & designs the future.
Await the all-new #VivoZ1Pro #FullyLoaded for the GenZ. Coming soon.
Know more: bit.ly/2ImmUPA
Source: Vivo India | Vivo India Youtube"
© Genz, Lindner / transmediale
www.transmediale.de/content/liquid-state-machine-wolfgang...
Borrowing terms from the cognitive and computer sciences, Liquid State Machine usually describes a soup of connected nodes, a situation with inputs, nonlinear functions and outputs which computes something or assists in its computation.
In this instance, the performance space becomes the computational soup bucket, an experimental Space-Noise-Continuum based on the connections between the plentiful nodes of both the kinetic-electromagnetic-noise apparatus of Martin Howse and the analogue/digital projection-machines of Wolfgang Spahn.
The performance begins with the subtle influence across these two distinct systems, arriving at an ultimate feedback between light (waves) and sound. LSM presents a play with transformations between distinct physical system domains.
© Genz, Lindner / transmediale
Presentation of the reSource for transmedial culture
With: Tatiana Bazzichelli (transmediale), Stéphane Bauer (Kunstraum Kreuzberg /Bethanien, Berlin), Oliver Baurhenn (CTM, Berlin), Clemens Apprich and Oliver Lerone Schultz (Post-Media Lab, Leuphana University Lüneburg). Introduced by Kristoffer Gansing.
The reSource for transmedial culture is an initiative of transmediale, which aims to create a distributed platform and a peer-production context of research, knowledge and artistic practices throughout 2012 and beyond. The reSource works in partnership with CTM/DISK, Kunstraum Kreuzberg/Bethanien and the Post-Media Lab of the Leuphana University Lüneburg. Within the aegis of facilitating collaboration and the sharing of resources and knowledge between the transmediale festival in Berlin and the local and translocal scene engaged with art and digital culture, the reSource acts as a link between the cultural production of art festivals and collaborative networks in the field of art and technology, hacktivism and politics. The launch of the reSource takes place at transmediale with a dissemination of workshops, talks and performances, looking into the future through a series of events scheduled in the course of 2012, leading to the next transmediale festival in 2013.
© Genz, Lindner / transmediale
www.transmediale.de/node/20557
Year: 2011
Duration: 23:28 min
Format: film/video
With his work Realigning My Thoughts On Jasper Johns, JK Keller has devised a “glitch” version of The Simpsons episode “Mom and Pop Art” (Season 10, Episode 19), in which the seminal pop-artist Jasper Johns appears as himself. Recalling Johns’ ongoing series of ecaustic collages begun in the 1950s, Keller handles The Simpsons as mass-produced pop-cultural object and intentionally distorts image and sound of the episode through the misappropriation of standardised software tools. The distortion effect results from digitally saving and converting into vectors every single frame of The Simpsons episode. The files are then processed further in Adobe Illustrator using the “Alignment and Distribution” tool, before finally being reassembled into a continuous video.
Nell’ Anno Internazionale delle Foreste, la tradizionale manifestazione dell’Infiorata di Genzano, divenuta negli ultimi anni un appuntamento internazionale d’arte e di cultura, dedica alla campagna Deforestazione Zero di Greenpeace un quadro di fiori.
© Genz, Lindner / transmediale
Any kind of media installation based on electronic systems or micro controllers requires some sort of printed circuit board (PCB). To get a PCB one has to manufacture them. Industrial standards are a challenge and it takes some time and money to get them ready, ending up with a lot of dangerous chemicals, not to mention the hundreds of tiny holes one has to drill. Paperboards or PaperPCBs are a smart way to spare you the trouble. Wolfgang Spahn developed them as an open hardware system that allows everyone to create PCBs quite easily (dernulleffekt.de). One can design and modify them on any computer using a simple drawing programme like Gimp or Photoshop. After printing the circuit design, one just sticks it on a standard protoboard – and voilá: a proper and solid PCB has come into existence. PaperPCBs are a perfect extension to the already existing Arduino system and they are a perfect substitute if one likes to create an individual paper version of the Arduino. In the workshop Wolfgang Spahn will teach how to create and modify PaperPCBs. As an outcome of the workshop every participant will have designed and build his or her own Paperduino-Uno. Please bring your laptop (complete with Arduino IDE) and an Arduino. You may also choose a picture beforehand that you like to print on your circuit board.