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Bangle made from corroded re-bar, silver, a key, a rusted ball-bearing, included quartzes and garnets.
PHOTO CREDIT: OONA MAE
Future Fires is an innovative programme designed to empower young artists by giving them the opportunity to design and deliver their own project with a community that they are part of or who they feel a special connection to.
The five young artists involved in the pilot project in 2008 were responsible for every aspect of their projects from fundraising to outreach – they underwent training, research trips and mentoring to develop the skills they needed in order to make their projects a success.
The five projects were totally different working with a number of different communities including young people at risk, refugees, female asylum seekers, elderly people and young people using everything from spoken word, carnival, film and hip-hop to create work, share stories and learn new skills.
The artists involved in the first year of the scheme were:
Samira Arhin-Acquah; age 23, spoken word and hip hop artist. At Contact she has been a member of Contact Young Actors Company, and was a performer-writer in Contact’s spoken word theatre production ‘I Hear Voices’. She was recently co-facilitator of Contact & QueerUpNorth’s queer Hip Hop project ‘Beyond the Box’.
Borhan Mohammedi; age 21, performer and director. Borhan is a Kurdish-Iranian refugee, who has been in Manchester since 2001. At Contact he has been a member of Contact Young Actors Company; he has trained as facilitator of the Drama Drop In programme and worked on the artistic team for the Arts United project which Contact ran for young refugees. Recently he was Assistant Director on the CYAC show Close Up and took part in the director training scheme ‘Live and Direct’.
Kelly Morgan; age 19, performer and choreographer. At Contact she has been a member of Contact Young Actors Company and has also worked as an assistant facilitator on Drama Drop In and as a choreographer on a range of projects.
Martin Stannage; age 22, writer and performer. Martin is experienced as a writer, spoken word artist and performer. At Contact he has been a Young Writer in Residence. He is one of the leaders of ‘Freestyle Mondays’ an informal weekly open session for local MCs and was a performer-writer in ‘I Hear Voices’. He also has experience as a youth worker.
Yusra Warsama; age 23. At Contact she has been part of Contact Young Actors Company, and has developed as a spoken word artist, recently touring with Apples and Snakes. Yusra was Assistant Director on CYAC show FreeFlow and is currently part of the Incubate programme.
Our future what will our nation be in another fifty years, what will this child experience as our nation progresses, what does the future holds for all of us as a nation?
The goal of the Laurissilva Futures Workshop was about possible endings of a Madeiran specific Transmedia Experience M-ITI designed in the context of Future Fabulators.
Jede Zeit hat ihr Material! Wurde in den 1960er-Jahren Plastik als das Wundermaterial schlechthin gefeiert, forschen wir heute an intelligenten (Kunst-)Stoffen. Wir träumen von Materialien, die unsere Bedürfnisse kennen und sich selbst an wechselnde Situationen und andere Umstände anpassen. In dem Workshop, bei dem lustvoll-kreatives Experimentieren mit programmierbaren Werkstoffen auf dem Plan steht, werdet ihr zu MaterialforscherInnen.
Credit: Martin Hieslmair
The future is bright, but also blurry and blinding. Straightforward, but full of ties crossing. You only have to keep on going, but it sometimes you just don't feel it's that easy.
Creative Commons photos from CNX 2014, the Future of Open Education (OER). Visit the CNX site at conference.cnx.org/ for more information.
The 2014 conference agenda is located here: conference.cnx.org/schedule-for-cnx-and-plw.html
All photos are Creative Commons Attribution of either "Photo by Tendenci" or "Photo by Ed Schipul". You are free to use them on your blog, web site, newspaper, in Print, etc, with attribution.
Is this the present or the future...!? Lets ask some kids around the world... Haven't they seen enough? Haven't they suffered enough? Lets pray we never ever get to see such a day in our country...
"Another head hangs lowly,
Child is slowly taken.
And the violence caused such silence,
Who are we mistaken?
But you see, it's not me, it's not my family.
In your head, in your head they are fighting,
With their tanks and their bombs,
And their bombs and their guns.
In your head, in your head, they are crying...
Another mother's breakin',
Heart is taking over.
When the vi'lence causes silence,
We must be mistaken.
It's the same old theme since nineteen-sixteen.
In your head, in your head they're still fighting,
With their tanks and their bombs,
And their bombs and their guns.
In your head, in your head, they are dying...
In your head, in your head,
Zombie, zombie, zombie,
Hey, hey, hey. What's in your head,
In your head,
Zombie, zombie, zombie?"
~ The Cranberries ~
He's putting in some drip irrigated garden terraces. Lots of work, but definitely an efficient use of space and water, of which there's not much to be had.
FORT IRWIN, Calif. -- A U.S. Army Soldier assigned to 4th Battalion, 23rd Infantry Regiment, provides security on an entry point while fighting opposing forces during Decisive Action Rotation 16-03 at the National Training Center, Jan. 23, 2016. DA Rotations prepare Soldiers for possible future contingency missions, worldwide (U.S. Army photo by Pfc. Lisa Orender, Operations Group, National Training Center)
Odd Future Wolf Gang - NYC Webster Hall 11/8/10 OFWGKTA Tyler Syd Domo Hodgy Left Brain Taco Mike Earl New Yrok City LA Cali
My new space! We close on our house at the end of the month (finally!) It was hard to get pictures of the room because there are 10ft. ceilings and not enough room to back up far enough to see everything. I'm trying to decide where to put my sewing table/desk. In front of the window? or on the wall to the right of the window?
drinks and food from the experimental Food Futures menu by FoAM
lib.fo.am/future_fabulators/future_fictions_recipes
photo (c) Kristof Vrancken / Z33