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Olean, NY. August 2023.
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“Once social change begins, it cannot be reversed. You cannot uneducate the person who has learned to read. You cannot humiliate the person who feels pride. You cannot oppress the people who are not afraid anymore. We have seen the future, and the future is ours.”
Cesar Chavez
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Cocorosie (Future Feminism)
Webster Hall
New York City
September 7th, 2014
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Odd Future Wolf Gang Kill Them All (OFWGKTA), led by Tyler the Creator, play a sold out show at the Showbox Market in Seattle, WA. October 4th 2011. (Joshua Lewis)
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
I found this to be a pretty bleak, depressing, and difficult novel to read. It is written from a perpective of 70 years or so in the future, looking back on the lives of two half-brothers through the second half of the 20th century. Both men struggle to establish meaningful relationships with their peers, especially with women, and with each other. Both have been brought up by a different grandmother,having been abandoned by their parents. Houellebecq uses their dysfunctionality to examine the society in which they live - post-religious, sexually liberal, materialist - and finds it greatly wanting. Discussing science and philosophy in this context, with frequent references to French culture, Houellebecq's fictional world was, to me, opaque and obscure. Much of it went right over my head. Houellebecq's futuristic premise is that early 21st century society undergoes a 'metaphysical mutation', entering into a Huxleyan brave new world, but one which, due to the sociological and scientific changes what have taken place since Brave New World was written, offers a genuine utopia, rather then the dystopia that Huxley envisaged. I can't decide whether this is intended to be ironic or not. Is Houellebecq suggesting that humanity will, after all, ignore Huxley's warning and go down the path of genetically manufacturing its future? He spends 350 pages discussing the hopelessness of love, and the destructiveness of desire, finally making both redundant. The novel, on the face of it, celebrates this redundancy, but is Houellebecq actually warning us that the alternative to our painful, emotional lives is a sterile, cloned existence, and inviting us to choose?? Perhaps.
This is a relentlessly masculine novel, and one that, though compelling, I really didn't enjoy.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
Cocorosie (Future Feminism)
Webster Hall
New York City
September 7th, 2014
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Dialogue: THE EDUCATION REBATE. An early learning DVD for every high school dropout. "Harvard, here I come!" THE HUNGER HEALER. A peanut butter & jelly sandwich for every starving child. "“DISCLAIMER: USA not responsible for any allergic reactions to our generosity.” GIFT OF USA. THE NATURE STIMULATOR. A compact fluorescent bulb for every American household. "Let’s sodomize climate change!" THE PEACE PATCH. My husband might still be alive if he’d had one at that checkpoint! A swatch of Kevlar for each Iraqi civilian.
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Mikhaela B. Reid * Angry Cartoonist
cartoons@mikhaela.net * www.mikhaela.net
• Out now! | “ATTACK OF THE 50-FOOT MIKHAELA!” by Mikhaela Reid, with foreword by Ted Rall. See why Fun Home author Alison Bechdel says "Mikhaela Reid's cartoons are right *$%@ing on!" Buy now at: www.lulu.com/content/781402
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/