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Taken with a newly converted full spectrum Lumix DMC-GF2, with a 590nm 'Goldie' filter on the lens. R-B swapped in CS6 then Processed in LR5.

Harkers Island, NC

 

Full Spectrum Conversion, Hoya R72 filter (Infrared)

More flashy false-color IR madness 😜, I need to sprinkle in some regular photos soon, or we might risk loosing our imagined firm grip on conventional reality altogether. 😲 I might at least. 😝

  

Source for this is 42 photo mercator projection, 37857 x 21469px, ~812,8MP; I don't know the original size of this crop since I (have to) downscale the panorama after stitching; ..but it's huge, ~2,9:1 ratio and 360° angle of view.

 

Nikon D3300 (APS-C / DX, fullspectrum mod)

Tamron 10-24mm f/3.5-4.5 Di ll VC HLD

heliopan SH-PMC deep yellow 4x (15, G) filter

ISO100, 24mm, f/8, 1/500sec

(thus 36mm full frame equivalent)

tripod, panorama head, remote (ML-L3)

originally shot with my full spectrum xt-2 using an 850nm filter. sixteen minute exposure using a metal halide grow light in my basement near the washing machine (in case you were wondering).

While travelling for about three weeks across Namibia we encountered some wonderful landscapes and wildlife. Here's an infrared shot of an acacia tree somewhere in the Kalahari. Acacias are abundant in the desert country, presenting green leaves even in de driest of conditions. The leaves and pods provide food for large animals like giraffe and elephants. Processed in Lightroom for the typical blue-purple look of my preference, obtained with a full spectrum converted camera with 590 nm filter. Your comments are welcome!

InfraRed shot of a local church. Sony on Full Spectrum sony a7 + Samyang 18mm.

Okay, no masterpiece in terms of composition, but that's actually the single photo IRG algorithm (JW Wong et al.) I pulled off here.

www.flickr.com/photos/jw_wong/35117360304/

I think it's the first one I shared, took it end of February. I can't say I have the method down by any means, there are so many factors involved, I really would have to spend more / a lot of time with this to perhaps figure it out, but doesn't seem like it at the moment. At least that's one that turned out alright I guess, snow is neutral, the saturation of the trees (even in the shadow) is like, over the top in-your-face type of deal. 🔥

  

Technically it's a 4-piece panorama, plain cylindrical stitch, 10242 x 5666px, ~58MP. (Yes I do know, the UV cut-filter has most likely done nothing, but that's how I did it.)

 

Nikon D3300 (APS-C / DX, fullspectrum mod)

Tamron 10-24mm f/3.5-4.5 Di ll VC HLD

heliopan SH-PMC deep yellow 4x (15, G) filter

B+W 010 UV-Haze 1x MRC F-Pro filter

ISO100, 13mm, f/8, 1/250sec

(therefore 19,5mm full frame equivalent)

tripod, regular 3-way head, remote (ML-L3)

Filter IR CHROME.

Fotografía Infraroig. - (photography infrared).

Espectre Complet. - (fullspectrum).

Panoràmica de 3 preses verticals. - (Panorama).

 

Autopano PRO - Photoshop - Luminar Neo - Topaz.

 

a technical note: this panorama was made by stitching three frames together.

Okay, so I could not resist to produce another crop of this IR pano I already made:

www.flickr.com/photos/197010762@N05/53133392197/in/dateta...

I dig this particular development, the color scheme and framing overall, the shadow from the trees in the foreground give a sense of 'looking out' into the beautiful open rural landscape, into the blazzzzing midsummer infrared sunlight.

 

Writing about improvements and failures recently, I more or less discovered now (after years) that the hybrid-focus approach with this 3-row panoramic layout is pretty much a blunder! I focus all manual, and the bottom row - the foreground - a bit closer than the middle and top line.

Turned out, that this not only makes it more error prone as well as more cumbersome, it is also inferior to a uniform infinity focus all the way through! My initial tests that brought that about were not wrong per se, but more of a special case and then one thing lead to another. Photography is a cruel mistress.

 

★ I just need to remind myself, that it was good enough so far, otherwise I would not have done it all, and that mistakes bring progress which is often uncomfortable but ultimately good, and finally, that nothing will ever be perfect, that's just the nature of things (resp. the mind)! May peace be with you..★

  

Technically, the source of this is a 36-piece mercator projection (trimmed 20791 x 12375px yielding ~257,3MP) that I cropped to 8:5 aspect ratio, 8851 x 5532px, ~49MP.

 

Nikon D90 (APS-C, fullspectrum mod)

Tamron 10-24mm f/3.5-4.5 Di ll VC HLD

Hoya R72 (720nm infrared pass-filter)

ISO200, 24mm, f/6.3, 0,5sec

(therefore 36mm full frame equivalent)

tripod, panorama head, remote (ML-L3)

Taken with a full spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens.

 

Hoz del Huécar, Cuenca.

 

Fotografía Infraroig (photography infrared).

Especte Complet (fullspectrum).

Filtre IR 680nm.

Panoràmica de 6 preses verticals.

 

Josep Vidal.

This is another slightly odd panorama, it's a 360° multi-row thing: 3 rows with 14 photos each, makes 42 in total.

It was already afternoon, mid October, so the light and season were way past the prime for infrared. Which, together with the dark 720nm filter and the shadowy location, meant me ending up with a shutter speed of 30 seconds.

Including a couple of test shots and including a 30 second in-camera long exposure noise reduction per image, the result was an active recording time of 45min!

And I had to constantly dance around the tripod on sloping wet rock covered with leaves, because the D90's only remote sensor is on its front side but I also had to get myself out of the frame too. A single bump into the tripod and the pano would have been ruined, one slip, me and the whole rig would have landed in the stream. It was quite an interesting experience to say the least.

 

So what you see here is a monochrome development of the initial trimmed mercator projection with a resolution of 21828 x 12226px (~266,9MP).

 

I feel like sharing some context and technical background (for all you infrared and panorama aficionados out there):

 

Here is a "crystal-ball"-like projection, where one can see what's missing to a full spherical panorama:

www.flickr.com/photos/197010762@N05/52564488972/in/dateta...

Here is a display of the stitching work, and the two main crops I decided to make that look nice:

www.flickr.com/photos/197010762@N05/52564954771/in/dateta...

Here is a snapshot of the fullspectrum D90 at work in front of the waterfall:

www.flickr.com/photos/197010762@N05/52565484998/in/dateta...

  

Nikon D90 (APS-C, fullspectrum mod)

Tamron 10-24mm f/3.5-4.5 Di ll VC HLD

Hoya R72 (720nm infrared pass-filter)

ISO200, 24mm, f/6.3, 30sec

(therefore 36mm full frame equivalent)

tripod with panorama head, remote

I loved the curve of the main tree right in the center, and palm trees make such interesting subjects to false-color infrared shooting.

 

Full-spectrum Canon 6D

B+W 090 filter

NEX-5N Full spectrum converted / Rokkor MD 1.7/50mm + Zomei 720nm

Barcelona.

 

Fotografía Infraroig. - (photography infrared).

Espectre Complet. - (fullspectrum).

Filtre IR 630 nm. - (filter 630 nm).

HDR forquillat de 3 trets amb 2 passos EV - (braketing 3 shots with 2 EV step).

 

Aurora HDR - Photoshop - Topaz

La Barceloneta.

 

Fotografia Infraroig (photography infrared).

Espectre Complet (fullspectrum).

Filtre IR 680nm.

 

Josep Vidal.

So, ..for a change, some plain old facile stuff, very very simple. 😯

 

The mojo of the summer infrared panorama frenzy disappeared as sudden and complete as the summer itself did, not in the mood for photos for a good while, which is ..not a crime of course.

Was about to start a hike on the weekend and kinda kicked myself (mentally) to at least take a camera with me, just in case, but I was determined to not make it complicated, yet to remain faithful to my dear and near IR spectrum. So I dismantled the panorama rig, put the strap on (..the Nikon thong), popped my contemporary nifty fifty on, decided for 720nm only (AF works with this wavelength on the D3300) and switched my brain to monochrome.

It was a nice walk, some wind, some clouds, sun, clean air from all the rain, and back home on the computer, I succeeded in keeping it simple also, ..at least for a little bit. 😐

That's the result of a super old preset I made (LrC 3.4.1 and not with IR in mind): Plain stupid desaturation, no channel swap or WB adjustments at all!, basic tweaking (highlights, shadows, etc.) and subtle (non-split-y) split toning with something akin to an orange-ish yellow as finish. One click done.

I think it's okay, at least not a disgrace to the holy IR spectrum, it has the magic. But simple, basic, ..very straightforward (including randomness of the composition).

So maybe for folks eyeballing IR photography, yet a bit quenched regarding all the weird profiles white balance channel mutilation development shit: going monochrome in a rather simple way can yield something proper already. Or perhaps not, there is of course always the invitation / danger to make it full-on complicated and retarded right away too. 😜 Anyway..

  

Nikon D3300 (DX, fullspectrum mod)

AF-S NIKKOR 50mm f/1.8 G prime

Hoya R72 (720nm longpass filter)

ISO200, 50mm, f/7.1, 1/800sec

(thus 75mm full frame equivalent)

single photo, handheld, morning light..

Hawkes Bay Wilderness

New Zealand

 

Sigma 28mm f1.8 on full spectrum Sony A7R

Cólliga.

 

Fotografía Infraroig (photography infrared).

Espectre Complet (fullspectrum).

Filtre IR 720nm.

Mosaic de 2 preses horitzontals.

Cuenca.

 

Fotografia Infraroig (photography infrared).

Espectre Complet (fullspectrum).

Filtre IR 680nm.

Panoràmica de 7 preses verticals.

 

Josep Vidal.

Ciutat de Barcelona.

 

Fotografía Infraroig (photography infrared).

Espectre Complet (fullspectrum).

Filtre IR 720nm.

Panoràmica de 5 preses verticals.

Atenas, Grecia.

 

Fotografía Infraroig. - (photography infrared).

Espectre Complet. - (fullspectrum).

Filtre IR 630 nm. - (filter 630 nm).

HDR forquillat de 3 trets amb 2 passos EV - (braketing 3 shots with 2 EV step).

 

Aurora HDR - Photoshop - Topaz

Fujifilm xm1-Converted - full spectrum

Filter R72

Nikon 24mm 2.8 1971 version

Taken on the River Wey at Papercourt Lock, Surrey. Taken with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens. This image has been R-B swapped and is a composite of three images.

Ciutat de Barcelona

 

Espectre Complet (fullspectrum).

Sense Filtre.

Panoràmica 360º

Projecció Estereogràfica.

Taken on the River Wey near Guildford, Surrey. Taken with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens. This image has not been R-B swapped.

First attempt at processing a full spectrum image on my new laptop - assuming I keep it! screen and resolution a bit small, and really should have calibrated it before I came away, so sorry if it's a bit garish! :D

Taken on the River Wey near Guildford, Surrey. Taken with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens. This image has been R-B swapped.

This is the Lock-Keeper's house on the River Wey at Bowers Lock. Shot with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter fitted on the lens. This image is R-B swapped.

False color development of 720nm infrared composite of birches under turbulent summer sky in August.

 

This is a 16:10 crop of an infrared panorama (equirectangular projection) build from 33 individual images, originally 20151 x 10647px (214,5MP). The D90 itself delivers "just" 12,3MP.

 

Nikon D90 (APS-C, fullspectrum mod)

Tamron 10-24mm f/3.5-4.5 Di ll VC HLD

Hoya R72 (720nm infrared pass-filter)

ISO200, 24mm, f/6.3, 0,6sec

panorama head, tripod, remote

This was taken along the River Wey above Triggs Lock. Shot with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter fitted on the lens. This image is R-B swapped.

Sevilla.

 

Fotografia Infraroig (photography infrared).

Espectre Complet (fullspectrum).

Filtre IR 680nm.

Panoràmica de 6 preses horitzontals.

 

Josep Vidal.

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