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Behind the Scenes of Campsite scene - Framework movie. Framework written and directed by Sean Mckenna. Photo by Guy Blackett.
Congregative Realism
From Pentateuch to Arpanet, databases form our ethical foundation. They total to a framework by which we determine how to be nice, and how to ward off all that wishes to harm us. So a residency is a kind of safe haven, streamlined until secular/contemporary. Tomes we build churches around seem invincible, despite millions who are over it. You can’t just throw the bath water out and leave this really important baby right there, like in a shed outside for animals.
That said, even all-powerful texts are fragile in their way. Viewed from the right angle, they’ll have a lazy eye, a crooked facial feature, bad grooming, a chapter where two editors fought out their long-term grudge only to bewilder every reader. And one can hope that somewhere on this planet, reader, fan, and underwriter of the new museum wing all mean the same thing. One word says them all. You can call the entire faithful by name in just a breath. Hello, Goodbye, and Peace.
It’s in this “just took shelter + who wants to meet up” safe space that personal growth is a basic guarantee. Graceful acceptance of flaws and a ceasing of self-shame for having them is yours free online, in big groups of friends, and honestly in quite a bit of scripture. I’m going to back off from that last point though before it goes over the edge.
If you think of what a church is like, versus wherever you live now, and extend that to art practice, there’s a distinction between soothing and tolerated waking lives. A church has ceilings and windows. The windows are stained, with lots of red. So you’re literally seeing the world through rose-colored glasses. Also high ceilings – so far up they come to a point – supercharge your limitless certainty you’re worth everything.
Do it. Go for it. And since we’re going there, let’s say that artists can, if they feel like it, live as texts. A group show would be several translations happening all at once. A database of truths emerging through acerbic contradiction would bubble up. It would be the kind of thing a community flooring it down the left hand path, somewhere in the middle of a dérive-on blast road trip invents by accident. A close-knit crop of interfacing aims quite often does produce objects and events we feel such zealotry to protect. We cloak the events in oratory and marinate the objects in myth.
It’s just like parties broke New York creators threw twenty years ago wherever they wouldn’t be kicked out, only to be codified as Lifestyle we now will our puritanical best to simulate. There’s a recipe for disaster in there. Good thing we kept the evil out.
– Zach Smith, 6:06am June 6, 2014
Within the framework of Mikkel Carl’s and Pedro Wirz’ residencies, this exhibition is made possible with the support of the Danish Arts Council and the International Exchange and Studio Program Basel.
use a custom yutube player for a video as background on jQuery framework github.com/pupunzi/jquery.mb.YTPlayer pupunzi.com/#mb.components/mb.YTPlayer/YTPlayer.html
i'm not wearing contacts today since i have conjunctivitis. so i sampled an impulse response from my right eye, which i convolved against a screenshot of twitter. basically, this is what everything looks like to me right now.
www.sas.com/solutions/fraud/social-network/
Notes
SAS® Social Network Analysis An integral component of the SAS Fraud Framework * Overview * Benefits * Features * Screenshots Fraud is a growing problem for banks and insurance companies, in large part because it is so hard to detect. That's because fraudsters act much like legitimate customers, and they employ increasingly sophisticated fraud techniques that enable them to fly well below the radar. SAS Social Network Analysis helps institutions detect and prevent fraud by going beyond individual and account views to analyze all related activities and relationships at a network dimension. Benefits * Gain a holistic view of fraud. * Identify more fraud while greatly reducing false positives. * Double or triple investigator efficiency. * Prevent future fraud.
images for the AFLF eLearning08 showcase 4-5 Dec 2008, Round House, University of New South Wales, Sydney
My current project is the construction of a meter-scale modular origami tower using my ZEBRA construction system. This is the tip of the tower under construction, folded from 250 uncut sheets of 100 g/m² A4 office paper and assembled without glue or other means of fixation. Its base is built on top of the 47 cm x 47 cm framework segment shown here.
Presently, the tower measures 2.25 m from bottom to top (I'm not done yet, but this is as far as my living room allows me to go). Does this already set the world record for the tallest origami object built from standard small-scale paper formats? The tallest comparable object I'm aware of is Jeannine Moseley's business card cube model of Worcester Union Station (shown on this web page), which is less than 2 m high.
Comments and pointers to related work are welcome!
This workshop was organise to refine the Regional Indicator Framework for the project and to standardise/align the national indicator frameworks.
More at: www.aio-iwrm.org
Photo Credit: IWRM AIO SIDS