View allAll Photos Tagged frames
no specific subject, just liked thge angles and shadows
from my visit to the Tangerine Tambourine www.facebook.com/shoptambourine
please also view → flic.kr/p/i8VUVa → one roller to rule them all
Project: Frames
B/W - 50mm - 16:9
Lisboa
Sony A7 + Minolta50mm1.7
More pictures of FRAMES
VISIT OUR PROJECT / VISITA NUESTRO PROYECTO: SOUTHERN PHOTOGRAPHERS
Also on FB / También en FB: Facebook of Southern Photographers
None of my photos are HDR or blended images, they are taken from just one shot
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Project: Frames
B/W - 50mm - 16:9
Lisboa
Sony A7 + Minolta50mm1.7
More pictures of FRAMES
VISIT OUR PROJECT / VISITA NUESTRO PROYECTO: SOUTHERN PHOTOGRAPHERS
Also on FB / También en FB: Facebook of Southern Photographers
None of my photos are HDR or blended images, they are taken from just one shot
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
The double decker lumbers past Crewe Toll, its wheels whispering against the darkening tarmac as November’s early evening wraps the city in a muted orange haze. Above, the sky bleeds the last of the day’s light, a burnt-orange curtain slowly surrendering to night, while the top deck catches the glow, almost suspended between two worlds.
Below, shadows swallow the lower deck and the roadside foliage, silhouettes of steel bridges and dark trees forming a quiet frame for the bus’s journey. Rush hour hums faintly in the distance, yet here, in this narrow slice of dusk, time seems to pause.
Through the telephoto lens, the scene compresses; the bus feels both monumental and intimate, a solitary thread of life weaving through the fading day. For a brief moment, city rhythm and evening calm meet one last glow before darkness takes the wheel.
Feel free to download and use my textures.
I would like to thank to SkeletalMess for his wonderful tutorials.
A view that already inspired young Salvador Dalí
Konica III M, Kodak Gold 200, stitched from 2 frames using Autostitch
My room, or what is left of it. After moving out it has turned into my room/storage. I took my real comforter to school so I have to make due with whatever blankets we have at home, like that ridiculous grandma one on my bed haha.
These frames adornates my lil girl's room. It reads: Illusion, Believe, Faith (I did notice Believe is misspelled and I'm fixing it now, hehehe)
TFL !!!
www.lockedcog.com/bikes/gazelle/
Clean. Real clean. Mmmm corima four spoke.
run over from tonniejansen's flickr.
Feel free to download and use my textures.
I would like to thank to SkeletalMess for his wonderful tutorials.
Project: Frames
B/W - 50mm - 16:9
Lisboa
Sony A7 + Minolta50mm1.7
More pictures of FRAMES
VISIT OUR PROJECT / VISITA NUESTRO PROYECTO: SOUTHERN PHOTOGRAPHERS
Also on FB / También en FB: Facebook of Southern Photographers
None of my photos are HDR or blended images, they are taken from just one shot
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
This is the framing system I have used for my tomatoes the last couple years. This year I remade the frames-- a bit sturdier and a couple feet longer to take advantage of the full bed. These provide great support to the tomato plants throughout the summer but the best part is that they are adjustable and can be quickly put up or taken down. They literally clip onto screws coming out of the fence and the chains are attached via hooks.
This year I have four plants-- two sungold cherry tomatoes and two larger tomato varieties, one a stupice, the other ominously called a bloody butcher.
Finally finished the last of the examples from my Angled Frames Tutorial....from last April!
Blogged here:
deeroodesigns.blogspot.com/2015/12/last-angled-frames-fin...
Originally taken for a photo challenge with the theme “within a frame” — even though it bends the idea a little. And I kind of like that.
What fascinates me is how every window tells a slightly different story: reflections from the outside, glimpses of the inside, fragments of everyday life layered on top of each other. The building becomes a grid of small, quiet worlds, each one worth a second look.
This image is also special to me on a technical level: shot with my Canon EOS-1Ds Mark II and the EF 20–35mm L. A camera and lens from another era, still perfectly capable of creating images with character and depth.
Sometimes it’s exactly these small deviations — conceptually and technically — that make a photograph feel right.