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Here's 4 frames from a timelapse I shot on November 4th, 2013. I was inside working on older photos for most of the timelapse. Every time I went outside to check on the timelapse there was something interesting in the sky, so I kept letting it run longer. I ended up filling the card and took 1448 photos in total.
Things to note: In the top left photo there is a few holes in the clouds with sun beams shining through the one on the left. In the frame at the top right there's a big tear in the cloud cover, possibly from an airplane. In the bottom left frame the cloud cover is gone, exposing a partial double sun halo. In the bottom right frame the halo is still there as the sun sets and some more interesting clouds form. I might make this this into a stand alone timelapse video since it's so long and pretty interesting throughout.
Autumn Polaroid Week 2024
Camera: Polaroid I-2
Film: Polaroid 600 Monochrome frames
See more at linktr.ee/ale.di.gangi
An ongoing project of curating original art work in the public space. Members of the collective send framed works to one artist, and that artist installs the works on the streets.
... Θα θελα να σπάσω δεσμά, κλουβιά κ κάγκελα
σ αυτό τον κόσμο θα θελα να χτίσω ένα δικό μου παραμύθι
να σπάσω τη λήθη,
να κάνω ότι κάνουν οι λίγοι, όχι οι πολλοί,
να μην πηγαίνω με τα πλήθη,
να ορίσω το ταξίδι, τους κανόνες,
το παιχνίδι
μόνο την καρδιά μου ν ακούω, κανείς να μη με πείθει...
Project: Frames
B/W - 50mm - 16:9
Lisboa
Sony A7 + Minolta50mm1.7
More pictures of FRAMES
VISIT OUR PROJECT / VISITA NUESTRO PROYECTO: SOUTHERN PHOTOGRAPHERS
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None of my photos are HDR or blended images, they are taken from just one shot
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
An ongoing project of curating original art work in the public space. Members of the collective send framed works to one artist, and that artist installs the works on the streets.
Blogged here:
deeroodesigns.blogspot.com/2014/04/why-angled-frames.html Tutorial is here: deeroodesigns.blogspot.com/2014/04/round-15-orbc-quilt-al...
Should have shot two frames, Only down @1/30th which is no problem but I received a nudge, thought the shot had gone off and I was safe.
I did like the feet blur, proper street job.
The black lines and borders are not added - it is the film.
I have been playing with scanning negatives (positives in this case) that are split over two frames - as opposed to between frames. Then moving these "spliced" scans about into different sequences.
I have been doing it with shots that are linear in sequence - so down the same street or same place at different times. Or in this case, every few steps down the length of a city bus.
E-6 film goes pure black where not exposed which is included in the scan which is then usually cropped out at the area where the light fall off on the film plane starts. But Not here. ;-)
Style was inspired by a great shot on flickr where the photog shot 120 format film and exposed for 6x9, but advanced the film as if it was 6x4.5 - Giving one continuous overlapping story for the full length of the film.
www.flickr.com/photos/nicolai_g/62287070/
FM3a, Kodak E100VS, Nikkor 85 1.4@f/2, CoolScan 5000ED
The rather fine catalogue issued by the Smethwick, Birmingham concern of Henry Hope & Sons Ltd in 1926. The company, well known for their architecural metalwork and glazing systems, had introduced standard steel frames as a product in 1919 and thiscatalogue includes various improvements after use in the field and suggestions from builders and architects. It includes a range of standard casements with leaded windows.
The use of 'standard' type and dimensions of windows was eventaully widely adopted by architects and the building trade so as to help simplify specification and production whilst ensuring that a range of manufacturers could deliver to a known specification. As ever the catalogue matches Hope's high quality of publicity and advertising. The book is beautifully produced and printed - the printers being the nearby Birmingham based Kynoch Press, soon to be a division of and house printer for, ICI. At the time the Press was developing a reputation for high quality work for external clients such as Hope's.
This charming illustration, in period style, shows the 'happy' housemaid able to clean windows thanks to the patent cleaning hinges.
© 2008 by Joao Paglione - all rights reserved
1. Hit the Road, Jack!, 2. The sun sets in Bela Vista, 3. sun producing alcohol for cars, 4. another sunset, another tree
I´ve always seen this option on the Mosaic Maker but never opted for it.
Looking at my top 10 most viewed photos, I quickly picked these 4 photos imagining they might complement each other.