View allAll Photos Tagged frameable
No matter what your looking at, it's always framed by something. Sometimes it a physical frame, sometimes it's your frame of reference.
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Kodak Tri-X 400TX (Kodak HC-110 dil. B, Ilford rapid fixer). f/4.8, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
Tri-X and HC-110 is really a winning combination. I don't get why it's not more popular. Especially since D76 is just a disappointment, both in stock (fuzzy and non-sharp images) and diluted (bad tonality). The only reason why you use D76 is because somebody put it on your hand or it was told to use it by an instructor.
Model: Sara (Le Management) .
EQ: 5D mk2, 50mm, AL
Ein Rahmen aus Punkten … von tausenden Lichtern eingeschlossen … Stoff aus dem die Bücher sind, oder nicht? Wie auch immer. Ich wollte wieder ein “Abend und Lichter im Hintergrund” Bild machen, dies aber an einer ganz bestimmten Stelle mit Blick die Mönckebergstraße herunter. Die Blaue Stunde brach gerade an, es war schon recht dunkel und die Lichter der Stadt leuchteten, also perfekte Voraussetzungen für das heutige Foto.
Diese junge Frau wechselte gerade die Straßenseite und kam auf meine Seite, schon von weitem fielen mir die Haare auf, die bestens in meine Idee passten. Ich sprach sie auch gleich an und erzählte ihr von mir, meinem Projekt und der Idee. Sie war sofort einverstanden und wir gingen ein paar Meter zu der Stelle, die ich mir vorher ausgesucht hatte. Ich machte zwei Fotos und sah beim zweiten einen Bus im Hintergrund, der in unsere Richtung kam. Schnell erzählte ich ihr von dem Bus und schaute wieder durch den Sucher. Ich machte das Foto in dem Moment, als Bus direkt an uns vorbei fuhr. Das Bild war noch viel besser, als das in meinem Kopf und ich freute mich. Darauf meinte sie, es ist immer wieder schon, jemanden eine Freude zu machen; wahrhaftig
Viele Grüße
Markus
This framed photograph of my mum and dad is on the wall at the top of the stair in my house. I see it every day.
They've been gone a long time - mum died in 1986 and dad in 2000. Despite that, I often 'talk' to my mum and I think of her when I cook things she taught me to cook. I also think of her when I cook things she would never have heard of - and I wonder if she would have liked these 'new' foods.
Dad is the reason I moved to New Zealand. He lived here - in Wellington which is the city I live in - for about ten years in the late 40s and early 50s. I grew up hearing about what a wonderful country it was, how life was so much better in New Zealand than in east London. Dad said if he won the pools we would all move to New Zealand and he would buy a farm and his son (from his first marriage in New Zealand) would help him run it.
I met my brother when he went to England in December 1990. In 1993 I went out to visit him and to travel around the country. I loved it and didn't want to leave. I eventually made New Zealand my home in 2010.
For 52 Weeks 2024 Edition: Week 4 - Family First.
Saturday, 27 January 2024.
My first digital film experiment - 24 pictures shot with the camera in a mode that is most similar to what it was like shooting film. No editing has been done to these jpgs - just out of the camera using the Expressive creative filter.
Find out more about DFC here - wickeddarkphotography.com/2021/02/04/the-digital-film-cha...
Dissecting what I did right and wrong on this first "roll" - wickeddarkphotography.com/2021/02/09/digital-film-challen...
It was great fun shooting with this talented dancer as we made our way around our downtown area, using some of the scenery to frame her poses.
©2019 AP Gouge Photography
All Rights Reserved
Pentacon Six TL w/ Carl Zeiss Jena Biometar 80mm f/2.8 and Kodak TMax 400 (Kodak Xtol 1:0, Ilford rapid fixer). f/5.6, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
The location is Lund Central station.
Model: Clara (Nordic Models Agency)
I remember messing about with framing the pier with the railings. Best of the bunch.
Taken back in '09 with my old d50.
"Framed"
11mm, f2.8, ISO 1600, 30 segundos y 3200k
Iluminación con un foco fijo Yongnuo YN160III desde la derecha para la capilla y linterna cálida para primer plano.
Todo sobre este viaje en www.lightbrothers.es/2017/01/visita-asturias.html