View allAll Photos Tagged fp4plus

Corn Exchange, Leeds.

14/9/16

Pentax K1000 28mm lens

With Yellow filter

Ilford FP4+ 125 at 100

Developed by me.

Ilfosol 3, 1+9, 4.5 mins, 20C, spiral tank.

Scanned with Epson Scan V550

021003

Minions: Tin and copper mining took place here until early in the last century, when the Prince of Wales Shaft closed around 1914. Many of the pump houses and spoil tips can still be seen ...

 

Camera: Mamiya C220 Professional F

Lens: Mamiya-Sekor 55mm F:4.5 (Seiko shutter) with yellow/green filter

Exposure: 1/125 @ F/8.0

Film: Ilford FP4+ dev. in Xtol 1+1 in the Jobo ATL-1500 film processor

Zeiss Ikon Contax Ⅰ Ver.7

Prewar Carl Zeiss Jena Sonnar 5cm f1.5

FP4PLUS

Another portrait at the cottage wooden gate. This time on large format (9x12) with the characteristic glow Aeroektar 178mm lens provides. Fp4plus film

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

Auto Revuenon 135mm 1:2.8

Hoya HMC K2

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

FP4 in LC29

Lith on Fomatone 133 (current)

SE5 35+35+730+10D+40OB. Selenium.

3 stops over 7.30 min

It's hard to get some colour out of this paper these days. This batch is from Foma direct so probably pretty up to date.

If you look carefully there is a Bee.

  

Fujifilm GA645Zi // Ilford FP4 Plus

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

Ilford FP4 Plus 125 reversed in PQ Universal and scanned with Plustek 7600i Ai.

Camera: Mamiya C220 Professional F

Lens: Mamiya-Sekor 55mm F:4.5 (Seiko shutter) with yellow/green filter

Exposure: 1/125 @ F/8.0

Film: Ilford FP4+ dev. in Xtol 1+1 in the Jobo ATL-1500 film processor

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

Winter afternoon.

 

Smena 8m Lomo 40mm

Ilford FP4 Plus 125 (expired)

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

On my regular dog walking circuit I pass, or in some cases go through on paths that are public rights of way, several fields. The gates are far from uniform and far from effective at retaining animals which they don't need to as all are holding back crops, just before harvest at the moment.

A mini series with the walkabout weight and size of the Ilford Advocate, FP4+, developed in Ilfotec HC and even using Ilford Rapid Fixer. A full Ilford production on the credits.

I think I varied the angle of view enough to keep interest but there are limited ways to approach this, at one point I thought of doing a Bernd Becher & Hilla Becher and may do some time.

www.tate.org.uk/art/artists/bernd-becher-and-hilla-becher...

I saw an exhibition of theirs at the 1990 Venice Biennale and was very impressed with the impact their work made, I have pictures of their pictures in my archive, somewhere :-)

 

Hemerocalle

 

jardin / garden - Jun 2018

FP4 Plus @ 125 Iso in Rodinal 1+25, 20°C, 9mn

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

coney island, brooklyn, new york

Feeling the sun of winter

35mmfilm, Nikon FM3a, Ilford fp4plus

#pentax67 #ilfordfilm #fp4plus

Camera: Pentax 645N

Lens: smc Pentax-FA 645 45-85mm F/4.5 @ 45mm

Exposure: 1/45 @ F/11

Film: Ilford FP4+ home dev. in Kodak XTOL 1+1

On my regular dog walking circuit I pass, or in some cases go through on paths that are public rights of way, several fields. The gates are far from uniform and far from effective at retaining animals which they don't need to as all are holding back crops, just before harvest at the moment.

A mini series with the walkabout weight and size of the Ilford Advocate, FP4+, developed in Ilfotec HC and even using Ilford Rapid Fixer. A full Ilford production on the credits.

I think I varied the angle of view enough to keep interest but there are limited ways to approach this, at one point I thought of doing a Bernd Becher & Hilla Becher and may do some time.

www.tate.org.uk/art/artists/bernd-becher-and-hilla-becher...

I saw an exhibition of theirs at the 1990 Venice Biennale and was very impressed with the impact their work made, I have pictures of their pictures in my archive, somewhere :-)

 

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

instagram: photo79_fotografie

 

Blick auf den nördlichen Teil des Tagebaus Inden, der bereits wieder verfüllt wird. Im Einsatz ist der Absetzer zum Verfüllen mit dem Erdreich, das am anderen Ende des Tagebaus gerade weggebaggert wird.

 

Im Hintergrund das RWE Kraftwerk Weisweiler.

 

Film: Ilford FP4 plus

Rodinal 1:50

Mamiya 645

150mm Brennweite

A garden snail makes his way along the path in Waterloo, Ontario, Canada. I believe this is a white-lipped snail (cepaea hortensis). They are quite common in our area and once we even kept a few as pets in a terrarium for about year. This was my first attempt to use some extension tubes that I acquired. I really had no idea how to adjust the exposure and the cell in the camera was dead. This is my best shot from several attempts. I was not taking notes that day, but I believe that I stacked all three #1, #2, and #3 under a 50 mm lens.

 

One day in June, I decided to load up a couple of old cameras with some 135 format, black and white, film. One was a Nikon FTn with a 35 mm lens that I gave to me daughters. They are seven and nine years old, and were interested in learning some photography. I loaded a Spotmatic 1 for myself. I planned to shoot the whole roll with a 300 mm lens, but some of the shots were taken with other lenses.

 

Unfortunately, you can see a gentle scratch that was picked up on the scan of the film. I hate to squeegee my film after processing, since I very frequently damage the film. However, I always seem to keep making the same mistakes anyway. Old habits die hard.

 

Check out an album containing more of my photos shot in 2018.

 

Asahi Pentax Spotmatic 1

Asahi Takumar f1.4 50 mm lens

Extension tubes

 

Manfrotto tripod and ball head.

Metered with a Sekonic L-358.

 

135 format Ilford FP4 Plus 125 ISO film.

 

Scanned using a Nikon Super CoolScan 9000 ED with the FH-835S 35mm strip film tray.

At dusk playing with the wet winds of the upcoming storm

#Pentax67 #fp4plus at 400 Iso Pushed +2

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

st. nicholas park, harlem, new york

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

Fredensborg Palace was built as a hunting seat for King Frederik IV of Denmark. Fredensborg Palace is often the setting for important events in the life of the Royal Family. It is here they celebrate weddings, silver wedding anniversaries and birthdays.

 

Camera: Pentax 67 II

Lens: smc Pentax-67 55mm F4.0

Exposure: 1/125 @ F/11

Film: Ilford FP4+ hand dev. in Kodak XTOL 1+1

Canonet QL17

Ilford FP4 Plus

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

MC Flektogon 2.4 / 35

Hoya HMC K2

Dimanche 5 avril 2020, Les quais de Montreux durant le confinement.

 

Kodak Retina IIIs

Schneider-Kreuznacht Retina-Curtagon 35mm f/1:2.8

Taken a few months ago, just had the roll developed.

 

Leica M5, Voigtländer 40mm/1.4 Nokton Classic S.C., using ILFORD FP4+ film.

There are the things that are out in the open and then there are the things that are hidden, and life has more to do, the real world has more to do with what is hidden, maybe. You think?

Saul Leiter

 

© www.markdanielphoto.com

 

5 mins Pre Wash

10 mins Bergger PMK - 1+2+100. Agitate 2 times every 15 secs

1 min wash

6 mins First Call Neutral Fixer

20 mins wash

wash aid

Ilford FP4+@80

D-76 1:2 14 min. @20C

Praktica MTL5

Auto Revuenon 135mm 1:2.8

Hoya HMC K2

The imposing building on the right is the now named "Principal Hotel". A five-storey building of yellow Scarborough brick completed in 1878, a year after the present station opened. Grade II listed.

"Support with support"

 

Vicino Corso Torino. Genova. 2008.

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