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A little experiment combining an analogue scan converted to B&W with a painting-on-canvas texture using PS layers. It doesn't bear a great deal of resemblance to the sunny scene depicted in the original scan but I like this result.
Medium format film photography
Rolleiflex 3.5F TLR
Schneider Kreuznach Xenotar 75mm f3.5
Kodak Ektar 100 colour film converted to B&W
Texture applied in post processing
Formato completo
"El relincho"
Por zonas abiertas con campos de cultivos alternando con zonas de monte arbolado, se puede encontrar algunos pícidos como este macho de Pito real (Picus sharpei).
Delimitando cada uno su feudo se escuchan cantar a todos los machos de Pito real con sus agudos relinchos desde alguna alta atalaya en en el verde y florido campo Gallego.
Exif: Canon 7d +Canon 400 L 5.6, Iso 800, f5,6 1/160
ZeroImage Zero 618B Infinite Multi-Format Pinhole Camera | Ilford Pan F Plus B&W
The foreground of the photo is Washington. The background is Oregon.
6x6 format photo, taken with a Lubitel 2 Russian TLR camera and scanned with my GX80. Picture is Bridge at Two Bridges Nr Princetown.
Finck , Fringuello , FringillaCoelebs : PentaxK1 + HDPentax-DA1,4xAFAWRC + HDPentax-DFA450mmf/5,6EDDCAW : Handheld , 24x24mm Format , Focal Length 806mm
Composite: The background of this photo is an infrared image I took with my Canon Rebel XT using a Canon EFS 17-85 lens. The pose is based on a publicity photo of Lon Chaney for a now lost movie "London After Midnight." The face is mine manipulated in Photoshop. It made a journey through many filters to appear as it is now. I entered a square format version of this in a Halloween contest by BenQ.
Hice equilibrios sobre una roca para ganar perspectiva y captar el reflejo de ese árbol desnudo. He invertido la imagen, para potenciar el efecto curioso de ese fondo de piedras y vegetación.
A pulso y con polarizador.
This one is shot on medium format film. Others in the series are shot on digital.
Technical data:
Camera: Bronica ETRSi
Lens: Zenzanon-PE 50mm f/3.5
Film: Kodak Tri-X 400
Developer: Kodak Xtol (Stock; 7 minutes at 68F/20C - reduced agitation)
Scan: Scanned with a Canon EOS R digital camera, a Sigma 105mm macro, and the Essential Film Holder
In my continuing battle with Mr. Cheeky and his squirrel cohorts, I decided to keep him off the feeder by putting a bit of corn in my unused flower boxes. He seems satisfied with this arrangement, but he sits in there and eats until the corn is gone and if one of his furry friends tries to share with him, he throws a hissy fit and goes after the other squirrel in a violent manner. I'm not sure he deserves the corn, but, hey, it keeps him off the feeder.
Format carré / Square format: www.flickr.com/photos/regisa/50709756186/in/photolist-2kR...
Version luminance / Added-luminance edit: www.flickr.com/photos/regisa/50703057383/in/photolist-2kR...
"Superbe contre-jour avec des nuances de couleurs et des reflets magnifiques !" (Gérard MARCONNET / www.flickr.com/photos/grard/)
"Ah mais que c'est beau ! Une ambiance magique avec ces couleurs que viennent rythmer les silhouettes." (SOPHIE C. / www.flickr.com/photos/sophie-clb/)
"Magnifique avec la silhouette élégante de beffroi et son reflet." (VINCENT / www.flickr.com/photos/58769600@N07/)
...wobei ich in diesem Fall das quadratische Format nicht so optimal finde. Es ist eher der Serie geschuldet.
...although in this case I don't think the square format is ideal. It's more due to the series.
A square format long exposure image taken on the beach at Fidar, Jbeil, Lebanon. Taken with a Canon 5D4 and a 16 - 35mm lens, edited in Lightroom.
IN ENGLISH BELOW THE LINE
Càmera Unger & Hoffmann, en format 18x24 cm., fabricada cap al 1920; objectiu combinable Trousse Parisienne (probablement fabricat per DeMaria) en format 200mm de profunditat de camp, d'entorn 1900; ADOX CHS100 II, caducat fa pocs mesos.
Sembla que les esglesies dedicades a Sant Cugat tenen certa vinculació amb el millor del romanic català. Aquesta NO és Sant Cugat del Vallès, pero tot i ser molt més petita, es una de les joies (desconegudes) del romanic a Catalunya.
Es tracta de Sant Cugat del Racó, a ponent de Navàs, al Bages. Inicialment coneguda com a Sant Cugat de Castelladrall o Sant Cugat Salou (perquè era un alou o establiment del monestir de Ripoll). No fou coneguda com "del Racó" fins al s. XVII.
Tot i estar només envoltada per dues o tres cases, és un temple espectacular, on clarament Ripoll hi invertí força. L'esglesia actual (la 2ª documentada) data del s. XI, en estil romanic llombard. Té planta de creu grega amb tres absides a llevant (un va desapareixer al s. XVII per fer-hi la sagristia), campanar de cadireta i un magnific cimbori cilindric, únic a Catalunya. La porta és d'època gòtica.
ca.wikipedia.org/wiki/Sant_Cugat_del_Rac%C3%B3
www.artmedieval.net/Barcelona/Sant Cugat del Raco.htm
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Unger & Hoffmann 18x24 large format camera, made c.1920; brass Trousse Parisienne (probably DeMaria) combine lens, in 200mm setting, made c.1900; ADOX CHS100 II, expired for some months.
This is Sant Cugat del Racó, west of Navàs, in central Catalonia. Initially known as Sant Cugat de Castelladrall or Sant Cugat Salou (because it was an "alou" or establishment of the monastery of Ripoll). It was not known as "del Racó" until the XVII Century.
Despite being surrounded by only two or three houses among the countryside, it is a spectacular temple, in which Ripoll clearly invested a lot. The current church (the 2nd documented) dates from the XI Century, in Lombard Romanesque style. It has a Greek cross plan with three apses to the east (one disappeared in the 17th century to make way for the sacristy), a steeple bell tower and a magnificent cylindrical dome, unique in Catalonia (all the others of this era are polygonal. The door is from the Gothic period.
ca.wikipedia.org/wiki/Sant_Cugat_del_Rac%C3%B3
www.artmedieval.net/Barcelona/Sant Cugat del Raco.htm
Un vol compacte de mouette à Sauvabelin. Actuellement, le site de Sauvabelin est en transformation et les oiseaux ont du trouver un autre endroit