Medium Format Architecture *FILM ONLY*
View allAll Photos Tagged formating
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
Le processus de formation des orgues basaltiques est similaire, dans le principe, à celui des surfaces de boue et d’argile craquelées après séchage au soleil. Les prismes se forment suite à la contraction de la matière – ici le basalte – lors de son refroidissement. :
• Lors d’une éruption volcanique sous-marine ou terrestre, une coulée de lave se répand directement à la surface, descendant par gravité jusqu’à être freinée et s’arrêter ;
• Au contact de l’eau ou de l’air, la lave refroidit rapidement. En refroidissant, la matière immobile se contracte et se fracture selon des prismes plus ou moins réguliers. Une fois refroidie en-deçà d’une certaine température, elle se solidifie pour former une roche basaltique organisée en colonnes prismatiques adoptant des formes de polygones, le plus souvent à 6 côtés, parfois à 5 ou 8 côtés.
La forme finale est souvent une série de colonnes polygonales de dimension comprise entre quelques centimètres et trois mètres de diamètre, parfois sur plusieurs dizaines de mètres de haut. Les colonnes peuvent être parallèles entre elles, parfois verticales « colonnades » ou parfois courbes (lorsque la lave continue à avancer à vitesse minimale tout en finissant de se solidifier), ou bien organisées de façon anarchique avec des angles différents « entablures ».
ƒ/10.0 24 mm 1/400s ISO 400
Lens: TS-E 24mm f/3.5 L (click to see all my photos with this lens)
morning light 06:55
stiching of two landscape format pics
that's the day i was born and hence, i had a birthday on april 9th, 2009! AHHHH!
it was a fun day. though it ended with bloatedness after drinking a soy chai at a restaurant. it was the powder mix chai, which, from experience, tends to be laden with dairy... Oh NOES! . . .
in any case, it was still fun. a guy gave me a HUGE purple cellophane wrapped basket of homemade peanut butter cookies he made himself, pretty white roses, funny balloons, and a card about BOOTYBUTTS (the card i received at work was about a toilet and poo... ironic much?)! his mom got me a to-die-for gift card to starbuck's (i whole-heartedly support the local coffee and tea shops, but sometimes, they just aren't around when you need 'em the most!)
then he and i went out to breakfast/lunch/brunch/whatever you wanna call it at T.C. Eggington's. they have great vegetarian choices... "portobellini"... yum! on the way to breakfast, we saw a mother and her tiny baby ducks by the freeway in the puddle-y canal/gutter/whatever you wanna call that. it was cool because it was my birthday and they were cute, yet odd because it was by a freeway and not in a park, or in my school's irrigation or something. them duckies must be suffering economically too, eh?
so after that, i contemplated going back home to work on a commedia dell'arte mask for theatre class, but decided to just veg and hang with this guy at his apartment (i find vegging out, doing nothing a bit difficult to do sometimes).
later on, we met up with my parents to eat dinner at the Euro Cafe in Gilbert, AZ. a great foodsie greeky place. and that's where, you know, *ahem*... the soy-chai-laden-with-dairy-omg-why-did-i-order-this fiasco happened. so after dinner, with all of us feeling like cows (even though i hardly ate anything and they ate like contestants in a hotdog eating contest), we went to Wal-Mart of all places. i'm particularly NOT a Wal-Mart fan, but since i was at Wal-Mart and it might be cheaper than at other places, i bought vanilla soy ice cream because i was magnetized/hankering for some.
we finally headed home around 11pm, after which i quickly shoved this guy out the door and kissed him goodbye, so i could heat up some of those peanut butter cookies and WHAM BAM!... inhale hot cookies n' ice cream. mmmmmmmmmm... no cake this year. and i wanted it that way. no one even sang to me either i noticed, but that's perfectly ok. it's not a crime. wait wait...i take that back: he played the weird al birthday song... so essentially, i was sung to in mp3 format. :)
oh yeah, and at work today for my 'employee birthday'... i made up fruit, granola, & yogurt parfaits for everyone. someone bought all the ingredients (i requested it instead of birthday cake), and i went right to work -- whipping up those babies during my lunch break. i was so amazed some people didn't know what a parfait was or how to make them.
well, now they know :)
suffice to say, i'm on a parfait kick now. i hadn't had one in a year before that day. soy yogurt though. yes, please. :)
p.s. thanks dude for taking these kickity arse photos!
Twop like a TwitterBunny
“Le monde ne sera jamais qu'un mélange contradictoire de Bien et de Mal, et il ne ressemblera jamais à quelque société idéale que ce soit.”
Jacques Attali
Thank you very much for your comments and for your faves.
(Please do not use without my written permission.)
“Quelquefois, il y a des sympathies si réelles que, se rencontrant pour la première fois, on semble se retrouver.”
Alfred de Musset
Thank you very much for your comments and for your faves.
(Please do not use without my written permission.)
I make this image public for getting an impression of the AVIF format (can be opened in the latest IrfanView, Chrome and Firefox): Link to AVIF in Google Drive
The AVIF image compression (in the HEIF container) is a very promising format as it provides good image quality in a very small package and is (in comparison to HEIC) free of any licenses. I hope Flickr as well as Google and Microsoft products will soon have full support for this innovation.
Besides the high compression efficiency the big advantage over JPEG is that a color depth per channel of 10 and even 12 bit is supported.
The uploaded JPEG is about 17MB in size, the AVIF 1.9MB.
This sample is generated using the avifenc.exe command line encoder for windows.
I used this parameters:
avifenc.exe --cicp 2/2/1 -r limited -y 420 -j 6 --min 30 --max 40 --minalpha 30 --maxalpha 40 in.png out.avif
The result is:
- 6 threads used (for my 6 CPU cores)
- to colorspace YUV420 (422 and 444 is not supported by the Windows AV1 extension)
- 12 bit per channel
“Le moteur est le cœur d’un avion, mais le pilote est son âme.”
Walter Alexandre Raleigh
Thank you very much for your comments and for your faves.
(Please do not use without my written permission.)
An outdoor automatic launderette at the "Old Fox" truck stop on the A1.
Voigtlander Bessa camera from 1937
Skopar 105 mm f/4.5 lens
Ilford HP5+ film
Lab develop & scan
000085320004_0001
A rather elegant flower that I spotted in a local park last fall. Have a great weekend, everyone!
Background texture from Topaz Studio 2.
Thank you for your visits and comments, they're all greatly appreciated.
Graflex Speed Graphic Large Format 4X5
Lens:Carl Zeiss Jena Tessar 1:4.5 F=21cm (1920-1930)
Fomapan 100 4x5 film
F16, 1/2"
HC110, 1+31, 6min30"
Fix 10mins
© All Rights Reserved
Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
© All Rights Reserved
square format of lightning and light trails. thanks for viewing
Buy Prints | Blog | Facebook
I was laden with bags, but when I saw this, I had to get a camera out!
_______
Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5
Exposure X7, Color Efex Pro 5, Silver Efex Pro 3
Hice equilibrios sobre una roca para ganar perspectiva y captar el reflejo de ese árbol desnudo. He invertido la imagen, para potenciar el efecto curioso de ese fondo de piedras y vegetación.
A pulso y con polarizador.
(Format reduced)
Die Pflanze stammt aus dem östlichen Mittelmeerraum. Der Samen kann als Nahrungsmittel sowie zur Ölgewinnung verwendet werden. Die kugeligen Kapselfrüchte enthalten hunderte Samen. Die relativ kleinen Samen sind nierenförmig, hart, erhaben netzartig geadert und grubig vertieft.
Die ölhaltigen, angenehm und nussig duftenden Samen des Schlafmohns werden als Lebensmittel vor allem für Süßspeisen, Gebäck oder damit bestreute Brötchen verwendet: Mohnkuchen, Mohnstrudel, Mohnpielen, Mohnzelten, Germknödel oder Mohnbrötchen, Mohnstangen und ähnliches. Quelle. Wikipedia
Best to be viewed in large size format.
According to Law 9.610/98, it is prohibited the partial or total commercial reproduction without the previous written authorization of the author (article 29). ® All rights are reserved. Conforme a Lei 9.610/98, é proibida a reprodução total e parcial ou divulgação comercial sem a autorização prévia e expressa do autor (artigo 29). ® Todos os direitos reservados.
Large format, home made pinhole camera: fearnphoto Model C (45A), Foma 100 film
Home developed in Rodinal 1+50 // 9:45/19
Accipiter Nisus : Pentax-K1 + Combined Optics HDPentax 630mmf/7.8 : Handheld , Distance 70mt , Focal Length 806mm ( 24x24mm Format )
Formato completo
"El relincho"
Por zonas abiertas con campos de cultivos alternando con zonas de monte arbolado, se puede encontrar algunos pícidos como este macho de Pito real (Picus sharpei).
Delimitando cada uno su feudo se escuchan cantar a todos los machos de Pito real con sus agudos relinchos desde alguna alta atalaya en en el verde y florido campo Gallego.
Exif: Canon 7d +Canon 400 L 5.6, Iso 800, f5,6 1/160
Composite: The background of this photo is an infrared image I took with my Canon Rebel XT using a Canon EFS 17-85 lens. The pose is based on a publicity photo of Lon Chaney for a now lost movie "London After Midnight." The face is mine manipulated in Photoshop. It made a journey through many filters to appear as it is now. I entered a square format version of this in a Halloween contest by BenQ.
I've been working on these for months now, having trouble finding supplies to finish them. Considering each one sports 6 buttons, two buckles and around 40cm of leather trim, making ten was quite a task.
The two on the middle will have special matching items and go as a set. The rest will come with a ruffle blouse as previous editions.
This one is shot on medium format film. Others in the series are shot on digital.
Technical data:
Camera: Bronica ETRSi
Lens: Zenzanon-PE 50mm f/3.5
Film: Kodak Tri-X 400
Developer: Kodak Xtol (Stock; 7 minutes at 68F/20C - reduced agitation)
Scan: Scanned with a Canon EOS R digital camera, a Sigma 105mm macro, and the Essential Film Holder