View allAll Photos Tagged fool
When I was younger, I used to think fools gold was so cool. It was cheap, looked like gold (supposedly), and I could trick my friends into thinking I had found nuggets of gold. It ruled.
Locas por Amor.
Locas por la Pasta.
Locas por los Chevis.
Locas por el café solo.
Unas locas de Tarantino...
Modelo: Rosa
Fool for Love.
Fool for Cash.
Fool for the Chevis.
Fools for the Black Cofee.
Just a pair of Fools for Tarantino.
Model:Rosa
Amodiorekin txora-txora eginda.
Sosarekin txora-txora eginda.
Cheviekin txora-txora eginda.
Kafe hutsekin txora-txora eginda.
Tarantinorekin txora-txora eginda gaude.
Modelo: Rosa
Fools Paradise dress set, Percy the toy cat, HD-134 curly red wig, HD-191 open toe black boots, HD-175 Keeps hat
And a long Bird of Paradise's tail-
Though these when not in use to fly and trail
it drew back in its body like a snail-
Nor know that be might move it from the spot;
The harm was done, from having been star-shot,
the very nature of the soil was hot.
And burning to yield flowers instead of grain,
flowers fanned and not put out by all the rain
poured on them by his prayers prayed in vain.
[...]
Such as even poets would admit perforce,
more practical than Pegasus the horse,
if it could put a star back in its course.
[...]
Such as it is, it promises the prize
of the one world complete in any size
that I am like to compass, fool or wise.
- R. Frost
A youthful figure steps out onto a mountain cliff. It's fair hair is crowned with laurel and a feather. A little white dog is jumping up the wanderer's trousers and boots, who is wearing a flowing garment, embroidered with zodiac wheels, a half moon on it's left shoulder, a yellow sun on it's right shoulder and a triple flame at the front of the chest at the location of the heart. The dress is held together by a girdle.
The Fool's right hand holds a blooming white rose. The left hand holds a rod, placed casually over it's left shoulder supporting a wallet, which has the Eye of Horus and an eagle in flight on its flap.
The bright light of a white sun shines behind the traveller, who is gazing upwards into the distance of a yellow sky. Over the edge of the cliff, beneath it are the waters of a lake with the shimmering reflections of surrounding snow covered mountains and evergreen trees.
* Ship of Fools (1965): Stanley Kramer now steers the camera for real as the director in addition to being producer, and he steers a cruise liner full of a cross-section of society across the Atlantic toward 1933 Germany. Written by Abby Mann (Judgment at Nuremberg) from a novel by Katherine Anne Porter, Ship of Fools is a series of interlocked vignettes that travel the decks of the boat, showing the different levels of society, dissecting an international cast of characters. An Austrian anti-Semite philanderer (Jose Ferrer) rubs elbows with a deposed Spanish contessa (Simone Signoret), an alcoholic ex-baseball player (Lee Marvin), an idealistic but naïve painter (George Segal), a lonely middle-aged woman (Vivien Leigh), and many others. Each has their own shortcomings, usually enflamed by their shortsightedness, and putting them together, trapping them in one space for a specific period of time, only serves to call more attention to what ails them. Only two people are conscious of the humanity around them. The ship's doctor (Oskar Werner) is aware of the failings of others, and it makes him despair of his inability to exact change, causing him to pay the ultimate price. With him is the dwarf (Michael Dunn), the narrator who speaks to the audience on either side of the cruise. Being below most people's sight lines gives him a unique perspective, and the film being made in 1965 also allows Stanley Kramer to imbue the story with a sense of prescience for what is to come. The human tragedy that is only years away plays out on the ship. All the bad ideas, all of the selfishness, and all of the denial is right there for our viewing pleasure, and most of us may be disheartened to find ourselves somewhere in the population of the Ship of Fools. It may feel a little tidy or preachy today, but its truth holds strong.
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It was late August and suprisingly it was a still and warm day which is not to be expected in this location so late in the summer. We had the whole of Hnappavellir almost to ourselves so when taking a brake from the climb we were goofing around.
Elias wasn't really in the mood to have his picture taken tonight. He had the pillow over his face to hide from his dad's camera. I moved to the side and told him to block his dad's camera by holding the pillow out between him and the camera. The minute he did I started snapping away. He knew he had been fooled and was actually a good sport about it.