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Hier fahren insgesamt drei Autos vorbei. Die jeweilige Belichtungszeit beträgt 30 Sekunden. Überblendet wurde das ganze mit Photomatix. Zum Schluss hab ich dem Himmel noch etwas das Rauschen genommen. Blau isser ja trotzdem ;-)
Foto und Bea: www.waahnsinnsgestaltungen.de
Well as you may know, I got the Flash set today.
I quickly painted the face to look something like this: www.flickr.com/photos/mypeanut/12127669273/ , which was based off of JLU.
This picture has not been edited or tampered with (besides bumping the contrast slightly.) I captured this image by placing the camera on a tripod and using the timer. When the flash went off it captured all of our bodies, the background and the guns, before the recoil sent us realing backwards. As soon as we saw the flash we all pulled the triggers at the same time. The long shutter speed then gave us time to react but created minimal blur because it was quite dark out. The muzzle flash was the only thing that then got exposed in the post-camera-flash dark. Without using this technique it would be nearly impossible to time a shot like this.
Now the Flash is the only thing here that I'm too hyped about, even though he's my favorite DC hero! I don't know what it is about it, I just don't like the costume we've seen in the concept art so far. Well, at least it looks like we're in good hands with Ezra Miller, but it's going to be hard to be better than the TV Flash! Check out his introduction here: www.youtube.com/watch?v=NxiSV0d_6Vw
Reflections from buildings' glass throw the light back against the sunshine, creating a flash effect without an actual flash being used in the image...
The Eastern Towhee looks more sparrow-like as a juvenile than it does as an adult, and perhaps that is the only time that this bird of the underbrush sports a look that betrays its origins. They are, after all, truly oversized sparrows. A flash of its spotted tail and a hint of rufous coloring on its flanks are the only hints of a bird yet to come. Like Thrashers and mocking birds, these birds flash their tail and wing feathers under a variety of circumstances. It’s a practice that can be used to distract predators, scare of competitors, and to flush prey. #EasternTowhee
A car passing on the Blue Ridge Parkway created an unexpected flash effect behind the jeep and in front of the Milky Way.
Strobist info...
1 x Elinchrom D-Lite 2 flash head (200w) with red gel (background)
1 x Elinchrom D-Lite 4 flash head (400w). (forground)
Set up to achieve correct exposure at F11, 1/125s and ISO100/
Trigger was a Prolinca IR device on the hotshoe.
Taken with tamron 70-300 f4-5.6 vc with neewer ring light and triopo flash. No post. straight out of camera jpeg
Polli catching a treat.
Strobist Info:
A) Godox AD600BM / 110cm Octabox above subject pointing down, placed between camera and subject.
B) Godox AD200 / 180cm Stripbox with grid behind subject, left side from camera.
C) Godox AD200 / Tiny Reflector with grid above subject, pointing to the wall.
Model: Nea
Strobist setup: Quadra Ranger with a CL umbrella softbox model top. SB-900 bare behind model right. Triggered with Skyports.
I like my shots to appear trendy
My composition to look funky
The mess can make them junkie
It’s a line that I intentionally over cross
Every season I think of a theme
My cam and lenses work in a team
They act to put the style on a steam
That’s my design for which I m the boss
[] HaMeD!caL []
This shows my "Concave Diffuser" for Macro Lites. It is illustrated on the Yongnuo YN-14EX, and it is what I have used for all my higher magnification macro photos in 2015.
Whilst illustrated with the Canon MP-E 65mm, I have used this set up also on my Sigma 70mm f2.8 and Canon 100mm f2.8 L IS, including with Raynox close-up lenses.
Further information about this diffusion and the materials can be found here:
www.dpreview.com/forums/thread/3923663
And here: