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questa volta è stato montato senza staffa direttamente sulla lente
in questa versione ho usato del polistirolo forato per adattarlo al paraluce del 35mm pentax
tattoo flash
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The sun sets after a day of flash flood warnings and heavy rainfall moved across the area in Hampton, Virginia on Nov 12, 2020. (Photo by Aileen Devlin | Virginia Sea Grant)
It's really hard to find a consistent logo for The Flash, so this might not be perfect. I don't know much about the character, but he seems to have the best logo so far. There are four colors charted, but if you want a red background that's a fifth.
If you would like the original (larger!) Excel file, send me a message with your email.
The Flash - The Scarlet Speedster, The Crimson Blur, The Fastest Man Alive. Many have shared this most honorable of titles and all of had ridden the lightning to ensure swift justice.
Taken at Aftermath II - Metropolis - shops, clubs and RP *unsafe sims*, Unabated (222, 77, 2023)
I contemplated a friends only picture so I could be direct in the caption, but I decided against it. So you get the cryptic caption. Just...getting caught up in things I forgot about. And today I had a constant reminder. I'd even explain, but I don';t know that anyone else would understand. It's hard. From the outside it seems easy. It never is, really. I'm going to keep this to myself, I think. What a novel idea! Anyway.
This is NOT MY design for the Flash. An amazing artist by the name of Evan Shaner designed this flash, I just painted it on the iphone.. This is my homage to Evans incredible work! THE VIDEO PROCESS IS NOW POSTED ON MY BLOG www.elartedejaviermolina.blogspot.com. soon ...Meanwhile Check him out, www.evanshaner.com
09/01/2015
Yasha - Subject. One of Two painting on brown paper.
Graphite, acrylic paint - paintbrush and knife.
250 WORD STATEMENT:
Flash of colour is my most recent completed project. After a recent trip to Tate Britain and Tate Modern, I drew ideas and influences from Karel Appel’s Hip Hip Hoorah! And Allen Jones’ to be or not to be. I’ve always been an admirer of neo-expressionism so I had no doubt of where this short weeklong project was going to take me. Jean-Michel Basquiat and Georg Baselitz also came into play with my research, their subliminal messages of social battles and illness seep through their use of clashing colours and painfully distorted figures.
Andrew Salgado was my main influence in terms of my technique. After countless YouTube videos and extensive research into his work, his unique, fresh way of paint application was nothing short of magical. Impasto through knives works beautifully to emphasise the curving surfaces of the anatomy. His use of flesh tones remind me of the overbearing corpulent figures of Jenny Saville, yet the blemishes of colour scream through Salgado’s paintings like they were part of the subjects skin tone. Photorealistic body parts give way to faded limbs, inviting explosive splashes of colour and shapes; stars, diamonds and numbers.
If I were to go back to this project, I would definitely distort the silhouette of the painted figure, adding many more layers of paint and perhaps tone down my use of colour. I think I focused on the skin tones too much and forgot to be free with my painting technique. The bigger the brush strokes the better!