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Definitely having issues with my fill flash. For some reason it's only lighting the top half of the frame, which happened to look cool for this shot, but absolutely terrible for everything else.
The Flash -- "Fast Enough" -- Image FLA123A_0257b -- Pictured (L-R): Danielle Panabaker as Caitlin Snow, Robbie Amell as Ronnie, Carlos Valdes as Cisco Ramon, Victor Garber as Professor Stein, and Grant Gustin as Barry Allen -- Photo: Diyah Pera/The CW -- é 2015 The CW Network, LLC. All rights reserved.
mitros flash manual 50mm, 1/8 power in 24x34 softbox 45 degree 1.5 feet away from subject, Canon 7d 70-200 shot 70mm @ f4.5 1/40 ISO 100
The youth Leadership Development Center was held at Loma Mar’s Redwood Glen Camp and Conference Center in Pescadaro, CA. The four-day camp provided opportunities for youth ages 13-18 to develop and cultivate leadership skills while learning about various Red Cross opportunities. Through generous donations, camp was free for everyone this year.
American Red Cross Photographers I Albert & Virginia Becker
1/250, f/22, ISO 100, flash A em 1/4, flash B em 1/4, sem cartão de cores
Teste de flash fora da câmera conforme explicado em texto no meu blog (link no álbum).
Esta foto pode ser utilizada em republicações do meu texto, desde que mantida a referência a foto original.
Não é permitida a utilização fora do descrito acima nem com finalidade comercial.
Dados da foto:
Câmera: Canon EOS 7D
Lente: Canon EF-S 17-55mm f/2.8 em 55mm
Flash: sim (2 ou 3 Canon 430 EX II com remoto YN-622C)
Abertura: f/22
Tempo: 1/250 (tempo de sincronismo do flash)
ISO: 100
Equilíbrio de Branco: Sol (*)
Esses arquivos JPEG foram gerados na câmera com ajuste personalizado do Picture Style: Sharpen no máximo (7), Contraste em +2, Saturação em +2 e Tom de Cor em 0 (zero).
(*) Foi proposital deixar em sol.
Olhando para o lado certo de novo. Desta vez sem o Ray Flash!
Strobist: Temos 3 flashes. O 580 EX II com um um Softbox III da Lumiquest à direita e acima. Um 430 EX II com outro Softbox III da Lumiquest à esqueda da modelo. Um 420 EX no chão, apontado para o fundo branco.
Una semplice prova di illuminazione con 2 soli flash. La luce principale da sinistra viene da una sorta di softbox artigianale grande circa il doppio del soggetto, con uno speedlite al centro. Un foglio di carta A4 a destra riflette la luce. La foto è stata fatta su treppiedi con un tempo di esposizione lungo (ma non abbastanza da avere qualche luce sul soggetto) in modo da poter illuminare lo sfondo con un piccolo flash fatto scattato manualmente. Purtroppo i cavetti che avevo non funzionano, così non riesco ancora a far funzionare più di 2 flash contemporaneamente, avrei voluto aggiungere una luce da dietro per far risaltare il contorno che è troppo scuro...
Intanto ho modificato il workflow in modo da avere i dati exif disponibili nella foto, che perdevo regolarmente facendo l'esportazione per il web di photoshop per inserire la cornice!
Ciao, Roberto!
tattoo flash
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Setup a remote flash on the other side of the street only to see a badass bike coming down the road i couldnt resist to snap the picture, lol im sure we scared the shit out of him at 11pm getting strobed randomly lol
I recently bought an Ålienbees flash unit and have been trying to figure it out. It's kind of hard to do solo. Lot's of shoot, get up and look, adjust, shoot get up and look, etc., etc.
Technical Notes: An SB800 on 1/32 power in a beauty dish with a translucent cover about 6 feet away and about 6 feet off the ground. I had a silver-side reflector below (at about chest level) and a 500 watt shop light slightly behind me. I used a the PC cord that came with the flash unit. I shot it it with a Nikon D80, 105/2.8 at 1/200 with an aperture of 7 on ISO 100. (check the properties for more). I shot this in a 36" wide hallway with cream colored walls, so that probably bounced all kind of light around. I was sitting at the end of the hall, just inside the door opening.
Strobist setup: SB-900 with a CL umbrella softbox camera left. Sun right of model. Triggered with Skyport. ND filter for 3 stops.
Placed necklace and earrings on the granite top in bathroom--it is a light pink--used a flash. I didn't edit because all that did was make the pearls seem yellow and muted the light pink. It's okay, but still not what I wanted. I didn't realize that shooting jewelry was so difficult.
Modern women require futuristic accessories! But the question is, how to get a modish item with a low budget? The job seems simple! What you need to do is buy Cat-eye sunglasses.
It is needless to say that the gold metal color always brings the most luxurious look. This shiny color can reflect lights to draw attention from other people. With these gold metal glasses on your ears, you will look much more attractive!
More than that, the pink lenses are built in cat-eye shape to enhance the elegant appearance. These retro cat-eye styles will add sharp features to the upper edges of your face and curves above your cheek. Hence, highlighting your look. Mirrored lenses do a lot more than just UV protection. With pink mirror eye-catching, this pair of sunglasses offers a stunning look and makes women's faces more appealing. These pink mirror shades are easy to style with other clothes. They can go well with various patterns or colors from your wardrobes to create stunning outfits.
General Information
The shape of lenses: Cat eyes
Width of lens: 60 millimeters
Width of the bridge: 16 millimeters
Color of frames: Shiny gold
Color of temples: Gold metal
Color of lens: Pink mirror.
25.365
A coworker recommended this one to me, and I'm really glad I read it.
Realistic depiction of todays teens. It could have had a sappy happy ending, but it didn't - I liked that. Life isn't so pretty or packaged neatly like so many books make it seem.
Blake is a great character - cocky, yet so unsure of himself.
I really liked the photography slant of the book too (of course!)
And the author didn't take the setting (Portland) and turn it into a trendy hipster bragging poing, like another book I tried to read last year and couldn't finish.
Highly recommended for mature 9th graders and older, who like current "real life" stories.