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Modal: Kalie Long MM #1232184
Jonathan Guthridge MM#1243933
Strobist: Fl 32r on the top and sec flash on the left
We were trying to overpower the sun so we made a flash tree with 3x SB900's on the tri-flash bracket and 4x SB600's attached with Justin Clamps and a Maffer, triggered by CLS.
Inspired by Joe McNally's flash tree
I took part in the Manchester Weekender 2012 presents All in a Flash - a one day photography exhibition on the 14th october 2012.
Under the guidance of Len Grant, we tried to capture the characters of the Manchester Northern Quarter.
My theme was people at work within the Northern Quarter.
After taking photographs for a couple of hours, we each had a single shot printed out and took part in an exhibition flashmob - best described as a guerilla gallery.
Unfortunately only one shot was printed, so this gallery is an opportunity to say thank you to some of the other people that were kind enough to let me take their photograph.
A Flash is a water-filled hollow formed by subsidence.
Pennington Flash is a 70-hectare (170-acre) lake created at the turn of the 20th century by coal mining subsidence, mainly from Bickershaw Colliery. Before the flash the area contained two farms, both of which were abandoned in the early 1900s due to flooding.
During the 1960s and 1970s the idea to convert the flash for recreation was emerging and the country park was opened in 1981
Did a speed and flash position test this morning- just to show how easy these are, took the 14 shots that make up these pics in eight minutes including a flash dismantle/reposition. The first 4 shots are with the flash in the position I started with last year which ends up low and to the left- the idea was to minimise the flash reflection on the drops- think it succeeded. Last two shots are with the flash in my normal "macro" position- they are different -same drop but I moved the flower a bit behind them :)
see www.flickr.com/photos/lordv/231773479/ and www.flickr.com/photos/lordv/231773478/ for two of the individual shots
This is a screencapture of a cool background (for just the background check this pic and this other one in blue) together with a flash clock I made that tells the time through colors. I kept this set as my wallpaper for a really long time and I still like it.
The clock, an experiment, works as follows: At midnight it starts all grey, and throughout the next 10 minutes a (random) rectangle changes color (smoothly) to red. This repeats until at exactly 1AM the clock is all red, now every 10 min. a rectangle changes to blue, and so on.
There are 6 colors (in order): grey, red, blue, green, yellow and pink. So at 6AM, when the clock is all pink, what happens? It starts all over again, now every 10 min. a rectangle changes to grey and at 7AM all of them will be grey. This goes on and on, resulting in a day of 4 cycles: 0-6AM, 6AM-12AM, 12AM-6PM, 6PM-0.
No, you can't tell the time exactly just by looking at the clock. First, any state of the clock can represent 4 different times (as the example in the next paragraph illustrates). Besides this, you can't really tell exactly what minute it is since only every 10 minutes the clock changes state clearly. So until a rectangle completes changing color, you're left to guess at the exact time by checking how faded into the new color it already is. It is a context clock and in this sense it reminds me of the 120-words Toki Pona language.
Example: The pictured clock show's that it's either 3:30AM, 9:30AM, 3:30PM or 9:30PM because green is the fourth color and yellow the fifth one.
I like the clock because I think it's beautiful and simple (though difficult to explain in words), and because I like the idea of time as color and time as cycles (4 every day).
If it sounds interesting to you (it is), I'll be happy to send it to you.
Messing around with the lighting gear tonight. No model, so had to "improvise".
Not easy in a kitchen and just an old man as a model!
Weather cancelled my trip back today so I took advantage of an extra evening in Florida and did another sunset. Images and an animation of the omega sunset and subsequent green flash.
This is a test portrait I took of my friend with my O-Flash F155 ring flash adapter. I took this on my Canon EOS 550D with a Canon EF-S 17-85mm lens & Canon 430EXII.
I was really happy with this flash adapter for the price of just £25 including postage! I will be posting up more tests of this soon.
Candle smoke lit by a pair of SB-600s with colour gels bounced off white card, camera right and left.
Flash Gordon / Heft-Reihe
Tödliche Fracht
art: Alex Raymond
Zeitchriftenverlag Heinz Pollischansky (Wien / Österreich; 1975)
Copyright: King Features Syndicate (N.Y.) / Bulls Pressedienst (Frankfurt / Deutschland)
ex libris MTP
I had to have one! Shame we had to leave early because of Richards nephew being not well, but enjoyed the first part of the evening.
The foal was mesmerised as I knelt taking his pictuire and the mare was oblivious to me as she concentrated on eating the grass and swishing her tail to make the flies vanish. I thought I'd be clever to use a slow as I dare shutter to get the movement of the tail while he stayed still-ish.
Metz Mecablitz SCA 3000
Very nice Strobist Flash. Some even say the ideal strobist flash. Flash power can be reduced to 1/256th in 1/3rd stops. Guide Number is 40. Ready sound and zoom reflector.
Strobist info: Braun Ultrablitz 34 and Sunpak 36DX in a reflective umbrella from left. Minolta 200x and Bauer 5036SCA bounced for back and right side. Triggered with Yongnuo RF-603.
Flash Comics / Heft-Reihe
Hawkman
cover: Sheldon Moldoff
DC Comics / USA 1942
Reprint / Comic-Club NK 2010
ex libris MTP
en.wikipedia.org/wiki/Flash_(comics)
This is an unfinished demo for a computer graphics class that I took at SFSU a couple of years ago.
The music was stolen from a New Orleans Klezmer All Stars CD that I found at a local library.
The actual flash animation sucks a lot less than this resized and overcompressed AVI version does.