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Created by paper sculpture artist, Suhail Shaikh.
Blogged: www.allthingspaper.net/2013/12/paper-sculpture-artist-suh...
Or how off-camera-flash can even improve your holiday pictures. The forrest looked like crap at first, so I put a flash on a tree to the camera right and underexposed the background by 2 stops to get that "dark fortunetale forrest"-feeling.
learn to light at strobist.com
Nikon d200 with 70-200mm f2.8 VR
Using Nikon CLS:
first sb800 behind a piece of white computer paper
second sb800 hand held camera right aprox 2-3 feet away from glass (1 foot above)
This photo idea was taken from a member here in the strobist community. I apologize for losing his page/photo. if I find it I will link to it!
Butler, PA. February 2017.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
The Glocal Project is a massive contributive artwork. Two months before the launch of the project, we already have upwards of 8,000 submissions from more than 2,000 participants around the world.
One of the most challenging questions has been: how can we make sense of such a large collection of images?
These 'phylogenies' imagine how an anthropologist might attempt to build relationships between images in the Glocal Pool.
Through image analysis technology, each image in the pool is assigned a 'signature', which can be though of as the image's genome - the colours, composition, symmetry, etc. that define the image.
In these phylogenetic trees, pairs of images are 'bred' to produce offspring which could conceivably have been born from these parent images.
The result is a 'family tree' of images which attempts to invent a history inside of the large project pool.
For more information, check out my blog - http:blog.blprnt.com, or the Glocal website at www.glocal.ca.
Also, please consider joining the Glocal Project Pool - www.flickr.com/groups/glocal.
Set up info info: one bare flash on the lef side from model, another, more powerful, behind model. Camera flash is used as trigger flash and to add some fill ligh.
Rear flash here is not covered by model causing some artistic arеtefacts.
#flash #model #night #Kyiv #strobist #flash
O Lobinho No.2
1st Appearance Flash Brazil
Publisher Grande Consórcio Suplementos Nacionais, Brazil 1943
Strobist info: 580 ex on stand behind me bounced into wall, ceiling using lightsphere ... fired via Microsync.
...homeless dude with attitude
Fun dude having fun and entertaining the homeless recreating outside the Save-On memorial hockey rink temporary homeless shelter (soft incarceration jail).
The second Flash — Barry Allen — stored his costume inside a ring bearing his superheroic insignia.
Submitted to the Flickr group 7 Days of Shooting.
playing with the vivitar 2800 flash with diffuser, Pentax K1000 50mm 1.4 Kodak gold 200 pushed one stop.
Five flashes total. SB900 as the main and trigger for four Neewer slave flashes. Found the Neewer flashes on Amazon.com for $7.99 each.
Trying out a ring flash adaptor I recently acquired. Not a true ring flash, so the catch light is horeshoe shaped, not round.
Unedited image.
www.instructables.com/id/Flash-Mount/
For some time now, I've been looking for something more secure than the standard cold shoe setup for my strobes and triggers. I never had confidence on the little cold shoe holders, especially when a using a flash mounted on a hot shoe mounted trigger. I saw a few solutions commercially but they seemed a little expensive for something so simple. I talked it over with my brother and we came up with this.
We started with a plastic kitchen cutting board. It's a very strong material and easy to work with. Once the plates were cut to the desired size, he cut spacers to give room for the thumb screws. Holes were drilled for the various mounts. The version seen here is mounted to a standard umbrella swivel with the cold shoe removed. The plate was secured to the swivel using the original cold shoe screws and holes. Loctite was added to make sure the screws stay in place. The Velcro strap was sandwiched between the top plate and spacer. A layer of dense neoprene foam cut from a gardening cushion was then adhered to the plate. The second version is mounted to a standard brass spigot so that it can be used on any standard swivel.
This feels so much more secure now! There's less stress on the hot shoe of flash and trigger. It just feels more solid. It also places the flash closer to the center of the umbrella for a more even spread of light.
Total spent was about $30 for 4 mounts (two on swivels and two on spigots). All parts were sourced locally except for the swivels which I already had. The ready made ones run about $40 each so it was worth the effort. They are definitely more solid on the light stand then before.