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A billboard advertising "Feedback", a radio call-in talk show hosted by Frank Matthews, co-director of the Mayor's Office of Citizen's Assistance in Birmingham, Alabama.
Feedback Festival in S.Casciano
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Interactive art, new media art, interactivity, curated by: Cristina Trivellin, Martina Coletti, Neri Torcello, artists: Marco Brianza, Armando Cornin, Max Coppeta, Ale Guzzetti, Salvatore Iaconesi, Gruppo Làbun, Shadi Lahham, Kirsten Julia Lockie, Molleindustria, Francesco Monico, Le Maleerbe, Tommaso Tozzi,Accademia Belle Arti di Carrara
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Interactive art, new media art, interactivity, curated by: Cristina Trivellin, Martina Coletti, Neri Torcello,
artists: Marco Brianza, Armando Cornin, Max Coppeta, Ale Guzzetti, Salvatore Iaconesi, Gruppo Làbun, Shadi Lahham, Kirsten Julia Lockie, Molleindustria, Francesco Monico, Le Maleerbe, Tommaso Tozzi,Accademia Belle Arti di Carrara
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Interactive art, new media art, interactivity, curated by: Cristina Trivellin, Martina Coletti, Neri Torcello,
artists: Marco Brianza, Armando Cornin, Max Coppeta, Ale Guzzetti, Salvatore Iaconesi, Gruppo Làbun, Shadi Lahham, Kirsten Julia Lockie, Molleindustria, Francesco Monico, Le Maleerbe, Tommaso Tozzi,Accademia Belle Arti di Carrara
I love to be creative !
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Project :
I combined two projects
ShootnShop.nl / SnS Wonderland
www.shootnshop.nl/shootnshop-forum/14-shootnshop-projecte...
The assignment is to make an illustration/photomanipulation for a children's book
Zoom.nl
zoom.nl/foto/1832753/bewerkte-fotografie/bewerkingsopdrac...
Using the picture in a manipulation
stock :
Scarecrow : own stock www.rgbstock.com/photo/nw0Vhfk/Scarecrow+3
Dofphin : zoom.nl/foto/1832753/bewerkte-fotografie/bewerkingsopdrac...
Water : browse.deviantart.com/?qh=§ion=&global=1&...
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
Saturday night in Lincoln was one of our best nights out there ever. We had such a great time, lots of interaction with other people.
We started out at the Skylight Bar in the Doubletree hotel on Brayford Wharf then went on to Popworld, which was a Fever Boutique last time we were there.
At Popworld we met the wonderful Ashliegh who was just great company all night! And we had a dance on the light-up dance floor too. A brill night all round!
At the Sylight Bar in the Doubletree.
Deutscher + Hackett present 149 diverse lots in their fine art auction on Wednesday, 29 August in Sydney (yes, the day after the Sotheby's sale).
It will be held in their now usual venue in Sydney at the Cell Block Theatre at the National Art School in Darlinghurst.
Almost 30 lots hail from the estate of Alan and Nola Geddes. Among many other things, Alan Geddes was a successful investor who became interested in art, first as investment, but went on to collect and enjoy art for its own sake.
The couple mostly bought in the late 1970s and early 80s, and were happy to lend works to the Art Gallery of New South Wales, including for international touring exhibitions. Eventually there was no more wall space at home, so they loaned paintings to companies where Alan served as director, saying that he liked this, as unlike other investments, he could enjoy his art every day.
The first 15 lots are drawn from this extraordinary collection of important Australian art of the 20th century and should see the D+H sale take off. Among them are a Blackman schoolchildren picture from the 1960s, a Nolan Kelly from the 1950s, a Brack nude from the 1950s (D+H's cover lot ) and two 1960s Jeffrey Smarts, to name a few.
There are also some outstanding gems in the lower priced offerings from various vendors in this carefully curated auction: for example a beautiful abstract Hinder from 1949, a surrealist Eric Thake from the 1940s, a rare Jessie Traill Melbourne street scene and a topical watercolour by John Russell (the current exhibition at the AGNSW dedicated to the artist is a must-see; it's on until 11 November).
Personal viewing is highly recommended, and you can see all artworks:
in Melbourne from 16 to 19 August, 105 Commercial Road, South Yarra
in Sydney from 23 to 29 August, at the D+H premises at 16 Goodhope Street, Paddington.
You can see all images and details in the Deutscher + Hackett catalogue online.
The auction is held on Wednesday, 29 August, 7 pm.
We will be attending the preview and also the auction, and can assist you with due diligence before the sale, and represent you on the night. Speak to us soon if you are interested in any of the lots, so we can research, analyse, and give you sound feedback in good time. You can reach us on 02 9977 7764 and info@bhfineart.com
And here are the Dave's Faves for the Deutscher + Hackett auction:
[caption id="attachment_5033" align="alignleft" width="300"] Lot 1 - Ralph Balson, Constructive Painting, 1955, 50.5 x 60.5 cm, est. $100,000-150,000. At least you can BANK on Balson[/caption]
[caption id="attachment_5034" align="alignleft" width="293"] Lot 3 - Charles Blackman, Playground, 1962, 153 x 150 cm, est. $100,000-150,00. Happy 90th Birthday, Charles[/caption]
[caption id="attachment_5035" align="alignleft" width="243"] Lot 7 - Jeffrey Smart, The Lighthouse, Fiumicino, 1968-69, 81 x 65 cm, est. $250,000-350,000. The Lighthouse Family[/caption]
[caption id="attachment_5036" align="alignleft" width="300"] Lot 15 - Danila Vassilieff, Trio (Monkey, Fruit and Flowers), 1935, 41.5 x 47.5 cm, est. $8,000-12,000. See no Evil, Hear no Evil[/caption]
[caption id="attachment_5037" align="alignleft" width="300"] Lot 16 - Frank Hinder, Painting, 1949, 44.5 x 60.5 cm, est. $25,000-35,000. Hinder in Complete Harmony[/caption]
[caption id="attachment_5038" align="alignleft" width="300"] Lot 18 - Eric Thake, Bass and Flinders, 1943, 25 x 34 cm, est. $20,000-30,000. Surrealism on the Sand[/caption]
[caption id="attachment_5039" align="alignleft" width="242"] Lot 19 - Albert Tucker, Self portrait, 1940, 37.5 x 30.5 cm, est. $60,000-90,000. A Portrait with Passion[/caption]
[caption id="attachment_5040" align="alignleft" width="300"] Lot 26 - Brett Whiteley, Nude and Necklace, 1978, 80.5 x 106 cm, est. $180,000-240,000.While away with Whiteley[/caption]
[caption id="attachment_5041" align="alignleft" width="300"] Lot 33 - Rupert Bunny, Odalisque, c1921, 24 x 34 cm, est. $9,000-12,000. Monolithic Figure in Monotype[/caption]
[caption id="attachment_5042" align="alignleft" width="300"] Lot 35 - Cressida Campbell, Wharfs (Woolloomooloo), 1984, 60.5 x 78 cm, est. $40,000-60,000. From Woodblock to Apartment Block[/caption]
[caption id="attachment_5043" align="alignleft" width="225"] Lot 41 - Emily Kngwarreye, Kame Colour, 1995, 120 x 90 cm, est. $18,000-25,000. Tickle Me Pink[/caption]
[caption id="attachment_5044" align="alignleft" width="220"] Lot 42 - Bill Whiskey Tjapaltjarri, Rockholes near the Olgas and Country, 2006, 202 x 148 cm, est. $30,000-40,000. Lots of Whiskey in this Tjapaltjarri[/caption]
[caption id="attachment_5045" align="alignleft" width="300"] Lot 51 - Philip Wolfhagen, A Short Journey No. 2, 2010, 46 x 49.5 cm, est. $8,000-12,000. The Journey's only just begun[/caption]
[caption id="attachment_5046" align="alignleft" width="184"] Lot 51 - Jeffrey Smart, Study for "New York (View from the Artist's Window)", 2004, 19.5 x 12.5 cm, est. $7,000-9,000. I'm in a New York State of Mind[/caption]
[caption id="attachment_5047" align="alignleft" width="300"] Lot 67 - Jessie Traill, Collins Street, Melbourne, 1936, 48 x 59 cm, est. $20,000-30,000. All Roads lead to this Traill[/caption]
[caption id="attachment_5048" align="alignleft" width="300"] Lot 69 - Hans Heysen, Cattle Grazing under the Leaning Gum, Hahndorf, 1925, 32 x 39.5 cm, est. $14,000-18,000. Do you really deserve this Tree-t?[/caption]
[caption id="attachment_5049" align="alignleft" width="300"] Lot 71 - Albert Namatjira, Mount Conway, McDonnell Ranges, Central Australia, 1950s, 28 x 39.5 cm, est. $18,000-25,000. Perspective Perfection[/caption]
[caption id="attachment_5063" align="alignleft" width="236"] Lot 76 - Sidney Nolan, Elephants in the Bush, 1963, 63 x 49.5 cm, est. $8,000-12,000. Might create a stampede[/caption]
[caption id="attachment_5050" align="alignleft" width="222"] Lot 80 - John Olsen, Darling River Landscape, 1979, 75 x 55.5 cm, est. $6,000-8,000. Jump for John[/caption]
[caption id="attachment_5051" align="alignleft" width="199"] Lot 85 - Sally Gabori, Dibirdibi Country, 2009, 151 x 100.5 cm, est. $8,000-12,000. Add this Sally to your Tally[/caption]
[caption id="attachment_5052" align="alignleft" width="300"] Lot 92 - Daniel Boyd, Yo Ho Ho, 2007, 66 x 66 cm, est. $6,000-9,000. No Rum Deals Here[/caption]
[caption id="attachment_5053" align="alignleft" width="300"] Lot 97 - William Robinson, Farmyard, c1984, 39 x 58.5 cm, est. $3,500-5,500. Love the Old Bill[/caption]
[caption id="attachment_5054" align="alignleft" width="203"] Lot 99 - Yvonne Audette, Light Grey, 1963, 31 x 21 cm, est. $3,000-4,000. Embrace the Abstract[/caption]
[caption id="attachment_5055" align="alignleft" width="300"] Lot 114 - John Russell, Bois de Boulogne, Paris, 1905, 24 x 33 cm, est. $6,000-8,000. Russell at his Bois de Boulogne Best[/caption]
[caption id="attachment_5056" align="alignleft" width="219"] Lot 119 - Ida Rentoul Outhwaite, Fairy and Water Baby, 45 x 33 cm, est. $8,000-12,000. You won't need $444 million for this reef[/caption]
[caption id="attachment_5057" align="alignleft" width="300"] Lot 124 - George Lawrence, Reservoir Street, 1941, 37 x 45 cm, est. $8,000-12,000. Sandwiches and Shoe Repairs[/caption]
[caption id="attachment_5058" align="alignleft" width="300"] Lot 125 - Julian Rossi Ashton, Shipping on the Yarra, Early Morning, c1880, 35.5 x 54 cm, est. $4,000-6,000. And here is the Shipping News[/caption]
[caption id="attachment_5059" align="alignleft" width="288"] Lot 134 - Donald Friend, Trojan Archers, 1962, 32 cm height, est. $4,000-6,000. As rare as can be[/caption]
The following post Dave’s Faves for the Deutscher + Hackett Auction on 29 August 2018 is republished from: BH Fine Art
~ Basics ~
Real Name: Dean Horace
Alias: Feedback
Age: 60, appears 30
Gender: Male
Height: 6’ 3”
Weight: 201
Eyes: Normally blue but red when channeling energy
Hair Color / Style: Red and flared up
Distinguishing Features: Wooden Sandals and Buddhist prayer beads
~ Attributes ~
Intelligence ***
Wits ***
Resolve *****
Strength **
Dexterity **
Stamina *****
Presence ***
Manipulation **
Composure *****
~ Skills ~
Academics ****
Computer
Crafts
Investigation
Medicine *
Science ***
Athletics *****
Brawl
Firearms
Larceny
Stealth
Weaponry
Empathy ****
Intimidation
Persuasion *****
Socialize ****
Streetwise ***
Subterfuge *
~ Self ~
Powers:
➢Healing Factor****
➢> Retributive Strike (Mirror Energy)***
➢> Retributive Strike (Force)***
Weakness : Pacifist, he will not willfully engage in combat. He would remain put and accept the ravages of hate others would bestow upon him. However altruistic in nature, he’s willing to use his own body to shield others from harm.
Personality: The dean is a very laid back individual, a by product of sorts from the hippy age and the time period that he grew up on. He abhors violence and looks down upon those that resort to it with great disappointment. Dean encourages the pupils of the school to seek less violent and alternative measures to solve situations. Though he is aware that not all share his peaceful viewpoints so he is careful not to come down too hard upon those that falter on the path of peace.
History:
Born in 1948, young dean had experience the end of the Second Great War and lived through the road to recovery. However, he was a happy boy with one minor difference compare to his childhood friends he healed abnormally fast. Dean’s healing factor has always been apart of him as far back as he could remember. His wounds always healed quicker than the other kids, which was a good thing since he loved to roughhouse with his friends and father growing up. His early year progressed normally and he was quite a happy content kid.
Upon growing older and graduating high school, Dean applied to and was accepted into Kent State University to study philosophy. Sadly, while he attended classes, the Vietnam War was progressing. Sickened by the violence and loss of human life on both sides, Dean couldn’t understand how the lessons of WWII could be ignored so soon. Who carried about the communists? Their philosophy didn’t matter. Knowing something had to be done, Dean along with others from the campus gathered to protest the war, the date was May 4 1970. The National Guard came in to stop the protest and all hell broke loose. Student’s forgetting why there were gathered began attacking the guards with rocks which prompted a volley of tear gas. Things continued to get out of hand and ended up with the horrifying sounds of gunfire erupting over campus.
Dean was in the midst of the carnage when it happened. A sudden burning pain tears its way through his chest. Falling onto his knees, blood began leaking from a bullet hole in his chest. By the graces of god, his wound began to close thanks to his healing factor. However, the man who fired the gun collapsed onto his knees as well, holding an identical spot on his chest. The man stared at dean with wide eyes a she was bleeding from a shallow bullet hole. The scary part was, no bullet had been fired at the guard.
Dean’s very own body had unleashed its own Eye for an Eye philosophy on the National Guard member. From that day on, any violence received by his body would be unleashed back upon the attacker. As time went on and Dean became the victim of other attacks for his protests and viewpoints, his body developed new ways to protect itself while lashing out on its own. In time, people recognized his abilities and dubbed him Feedback.
~ Additional Information ~[/b]
This Power comes in two variations, but in essence it is the ability to return punishment received to its sender. Although it does not function against overwhelming onslaughts of pure punishment, this Power can ensure that a mutant's attackers regret their decision to throw down. The Energy variant is a Social Power, while the Force variant is a Physical Power. No roll is required in most cases for either variant.
Variation: Mirror Energy- instead of returning the same sort of energy back to its source, this variation returns a different sort (the opposite, if possible)- thus Iceman would find himself blasted by heat, and Dagger would be struck by Balefire. If there is no obvious opposite, then use Energy Force or Heat. This variation costs two freebie or experience points per Rank.
* Force- this variant functions against physical attacks, including blunt force trauma, cutting attacks, and kinetic energy attacks such as Telekinesis, Energy Emission: Kinetic Force, and Sound Generation. Instead of the mutant suffering the damage from the attack, the source of the assault will suffer.
¥ The mutant can return up to 2 Health Levels of damage back to its source. The mutant need not soak this damage. If more than this amount is inflicted, then the mutant must soak ALL of the damage, and none of it is reflected.
¥¥ The mutant can return up to 3 Health Levels of damage.
¥¥¥ The mutant can return up to 4 Health Levels.
¥¥¥¥ The mutant can return up to 5 Health Levels.
¥¥¥¥¥ The mutant can return up to 6 Health Levels.
¥¥¥¥¥ ¥ The mutant can return up to 8 Health Levels.
¥¥¥¥¥ ¥¥ Ten Health Levels.
¥¥¥¥¥ ¥¥¥ Twelve Health Levels.
¥¥¥¥¥ ¥¥¥¥ Fourteen Health Levels.
¥¥¥¥¥ ¥¥¥¥¥ Twenty Health Levels.
Healing Factor (Physical) [AN]
This ability can be an extremely powerful one- although it is not a directly damaging power, it can allow a mutant to stay in the fight for the long haul. Variations of this power can even allow regeneration of limbs, etc. Wolverine, Sabretooth, Deadpool... all have Healing Factors. Usually, no roll is required apart from the occasional Stamina check.
¥ The character can heal one non-aggravated Health Level/round, with concentration.
¥¥ The character can heal one non-aggravated Health level per round involuntarily, so long as he is conscious.
¥¥¥ The character recovers one Health level of non-aggravated damage per round involuntarily, or either one level of aggravated damage or three levels of normal damage per round with concentration. If the character is unconscious, only one Health level per hour is healed (non-aggravated).
¥¥¥¥ The mutant recovers Health as per level three, except that the unconscious rate of healing is as the normal involuntary rate, and aggravated damage is healed at the rate of one level per day.
¥¥¥¥¥ Mutant recovers his Stamina in Health levels with concentration if damage is non-aggravated, or up to three levels of aggravated damage per round. He rolls his Stamina (diff 6) to determine the number of Health levels healed involuntarily per round (minimum of one). He will heal one Health level of aggravated damage per round involuntarily. Mutant will recover from death unless precautions are taken.
¥¥¥¥¥ ¥ Mutant recovers his Stamina in Health levels per round, voluntarily or involuntarily, if the damage is not aggravated, or up to three levels of aggravated damage the same way.
¥¥¥¥¥ ¥¥ The mutant does not require his brain and heart to recover from death, merely requiring a substantial (20%) portion of his body to do so. This portion cannot have been denatured by aggravated damage (heat, acid, etc.)
¥¥¥¥¥ ¥¥¥ So long as the mutant has at least 5% of his body, he can recover from death. This portion need not be all of one piece, so long as it is contiguous, and it can be any formerly living part, including blood or other body parts that contain the full genetic information.
¥¥¥¥¥ ¥¥¥¥ So long as the mutant has at least one undamaged cell, he can recover from death. The cell needs to contain all of the mutant's genetic information, so sperm or ova aren't going to get the job done.
¥¥¥¥¥ ¥¥¥¥¥ So long as a single, undamaged strand of DNA exists, the mutant can recover from death. This may take a while; the strand will act as a virus, roaming about until it finds some appropriate living matter. Once it finds that, the DNA will rebuild the mutant (to the detriment of the host).
www.youtube.com/watch?v=1YriVM8sC7M
................................ shot at Calas Galadhonpark sims
meu chão , meu monte, meu vale,
de folhas, flores, frutas de oiro
___________
My most grateful THANKS to all of you, each and everyone !!!
For your additions, comment & valuable feedback <3
___________
feedback with a slight zoom...
yes, my cusor says "what?".
you can blame a certain someone for that ^^
Please leave comments & feedback, and PLEASE dont leave the image awards without leaving REAL feedback.
So my friend Bailey is submitting some shots to Suicide Girls and came to me for some help. These arent the pictures that will be IN SG, just the ones to see if she's "good enough" (and she is).
AB800 through BD above center
ABR800 back left for rim
430ex back right for rim
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/2449019658
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Zoey's eye (better viewed in large size)
Her other eye is here.
Zoey has some of the most beautiful eyes that i've ever seen.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Feedback received for TEDxTempe 2010 from @heisenthought on Twitter: