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Brooklands Museum FBHVC Drive it Day ( Federation of British Historic Vehicle Clubs ) Weybridge, Surrey, UK. 2018/04/22

Voronezh is a city and the administrative centre of Voronezh Oblast in southwestern Russia straddling the Voronezh River, located 12 kilometers (7.5 mi) from where it flows into the Don River. The city sits on the Southeastern Railway, which connects western Russia with the Urals and Siberia, the Caucasus and Ukraine, and the M4 highway (Moscow–Voronezh–Rostov-on-Don–Novorossiysk). In recent years the city has experienced rapid population growth, rising in 2021 to 1,057,681, up from 889,680 recorded in the 2010 Census, making it the 14th-most populous city in the country.

 

The first chronicle references to the word "Voronezh" are dated 1177, when the Ryazan prince Yaropolk, having lost the battle, fled "to Voronozh" and there was moving "from town to town". Modern data of archeology and history interpret Voronezh as a geographical region, which included the Voronezh river (tributary of the Don) and a number of settlements. In the lower reaches of the river, a unique Slavic town-planning complex of the 8th – early 11th century was discovered, which covered the territory of the present city of Voronezh and its environs (about 42 km long, about 13 forts and many unfortified villages). By the 12th – 13th centuries, most of the old towns were desolate, but new settlements appeared upstream, closer to Ryazan.

 

For many years, the hypothesis of the Soviet historian Vladimir Zagorovsky dominated: he produced the toponym "Voronezh" from the hypothetical Slavic personal name Voroneg. This man allegedly gave the name of a small town in the Chernigov Principality (now the village of Voronizh in Ukraine). Later, in the 11th or 12th century, the settlers were able to "transfer" this name to the Don region, where they named the second city Voronezh, and the river got its name from the city. However, now many researchers criticize the hypothesis, since in reality neither the name of Voroneg nor the second city was revealed, and usually the names of Russian cities repeated the names of the rivers, but not vice versa.

 

The linguistic comparative analysis of the name "Voronezh" was carried out by the Khovansky Foundation in 2009. There is an indication of the place names of many countries in Eurasia, which may partly be not only similar in sound, but also united by common Indo-European languages: Varanasi, Varna, Verona, Brno, etc.

 

A comprehensive scientific analysis was conducted in 2015–2016 by the historian Pavel Popov. His conclusion: "Voronezh" is a probable Slavic macrotoponym associated with outstanding signs of nature, has a root voron- (from the proto-Slavic vorn) in the meaning of "black, dark" and the suffix -ezh (-azh, -ozh). It was not “transferred” and in the 8th - 9th centuries it marked a vast territory covered with black forests (oak forests) - from the mouth of the Voronezh river to the Voronozhsky annalistic forests in the middle and upper reaches of the river, and in the west to the Don (many forests were cut down). The historian believes that the main "city" of the early town-planning complex could repeat the name of the region – Voronezh. Now the hillfort is located in the administrative part of the modern city, in the Voronezh upland oak forest. This is one of Europe's largest ancient Slavic hillforts, the area of which – more than 9 hectares – 13 times the area of the main settlement in Kyiv before the baptism of Rus.

 

In it is assumed that the word "Voronezh" means bluing - a technique to increase the corrosion resistance of iron products. This explanation fits well with the proximity to the ancient city of Voronezh of a large iron deposit and the city of Stary Oskol. As well as the name of Voroneț Monastery known for its blue shade.

 

Folk etymology claims the name comes from combining the Russian words for raven (ворон) and hedgehog (еж) into Воронеж. According to this explanation two Slavic tribes named after the animals used this combination to name the river which later in turn provided the name for a settlement. There is not believed to be any scientific support for this explanation.

 

In the 16th century, the Middle Don basin, including the Voronezh river, was gradually conquered by Muscovy from the Nogai Horde (a successor state of the Golden Horde), and the current city of Voronezh was established in 1585 by Feodor I as a fort protecting the Muravsky Trail trade route against the slave raids of the Nogai and Crimean Tatars. The city was named after the river.

 

17th to 19th centuries

In the 17th century, Voronezh gradually evolved into a sizable town. Weronecz is shown on the Worona river in Resania in Joan Blaeu's map of 1645. Peter the Great built a dockyard in Voronezh where the Azov Flotilla was constructed for the Azov campaigns in 1695 and 1696. This fleet, the first ever built in Russia, included the first Russian ship of the line, Goto Predestinatsia. The Orthodox diocese of Voronezh was instituted in 1682 and its first bishop, Mitrofan of Voronezh, was later proclaimed the town's patron saint.

 

Owing to the Voronezh Admiralty Wharf, for a short time, Voronezh became the largest city of South Russia and the economic center of a large and fertile region. In 1711, it was made the seat of the Azov Governorate, which eventually morphed into the Voronezh Governorate.

 

In the 19th century, Voronezh was a center of the Central Black Earth Region. Manufacturing industry (mills, tallow-melting, butter-making, soap, leather, and other works) as well as bread, cattle, suet, and the hair trade developed in the town. A railway connected Voronezh with Moscow in 1868 and Rostov-on-Don in 1871.

 

20th century

During World War II, Voronezh was the scene of fierce fighting between Soviet and combined Axis troops. The Germans used it as a staging area for their attack on Stalingrad, and made it a key crossing point on the Don River. In June 1941, two BM-13 (Fighting machine #13 Katyusha) artillery installations were built at the Voronezh excavator factory. In July, the construction of Katyushas was rationalized so that their manufacture became easier and the time of volley repetition was shortened from five minutes to fifteen seconds. More than 300 BM-13 units manufactured in Voronezh were used in a counterattack near Moscow in December 1941. In October 22, 1941, the advance of the German troops prompted the establishment of a defense committee in the city. On November 7, 1941, there was a troop parade, devoted to the anniversary of the October Revolution. Only three such parades were organized that year: in Moscow, Kuybyshev, and Voronezh. In late June 1942, the city was attacked by German and Hungarian forces. In response, Soviet forces formed the Voronezh Front. By July 6, the German army occupied the western river-bank suburbs before being subjected to a fierce Soviet counter-attack. By July 24 the frontline had stabilised along the Voronezh River as the German forces continued southeast into the Great Bend of the Don. The attack on Voronezh represented the first phase of the German Army's 1942 campaign in the Soviet Union, codenamed Case Blue.

 

Until January 25, 1943, parts of the Second German Army and the Second Hungarian Army occupied the western part of Voronezh. During Operation Little Saturn, the Ostrogozhsk–Rossosh Offensive, and the Voronezhsko-Kastornenskoy Offensive, the Voronezh Front exacted heavy casualties on Axis forces. On January 25, 1943, Voronezh was liberated after ten days of combat. During the war the city was almost completely ruined, with 92% of all buildings destroyed.

 

Post-war

By 1950, Voronezh had been rebuilt. Most buildings and historical monuments were repaired. It was also the location of a prestigious Suvorov Military School, a boarding school for young boys who were considered to be prospective military officers, many of whom had been orphaned by war.

 

In 1950–1960, new factories were established: a tire factory, a machine-tool factory, a factory of heavy mechanical pressing, and others. In 1968, Serial production of the Tupolev Tu-144 supersonic plane was established at the Voronezh Aviation factory. In October 1977, the first Soviet domestic wide-body plane, Ilyushin Il-86, was built there.

 

In 1989, TASS published details of an alleged UFO landing in the city's park and purported encounters with extraterrestrial beings reported by a number of children. A Russian scientist that was cited in initial TASS reports later told the Associated Press that he was misquoted, cautioning, "Don't believe all you hear from TASS," and "We never gave them part of what they published", and a TASS correspondent admitted the possibility that some "make-believe" had been added to the TASS story, saying, "I think there is a certain portion of truth, but it is not excluded that there is also fantasizing".

 

21st century

From 10 to 17 September 2011, Voronezh celebrated its 425th anniversary. The anniversary of the city was given the status of a federal scale celebration that helped attract large investments from the federal and regional budgets for development.

 

On December 17, 2012, Voronezh became the fifteenth city in Russia with a population of over one million people.

 

Today Voronezh is the economic, industrial, cultural, and scientific center of the Central Black Earth Region. As part of the annual tradition in the Russian city of Voronezh, every winter the main city square is thematically drawn around a classic literature. In 2020, the city was decorated using the motifs from Pyotr Ilyich Tchaikovsky's The Nutcracker. In the year of 2021, the architects drew inspiration from Hans Christian Andersen's fairy tale The Snow Queen as well as the animation classic The Snow Queen from the Soviet Union. The fairy tale replica city will feature the houses of Kai and Gerda, the palace of the snow queen, an ice rink, and illumination.

  

Comissioned by the Federation, the Sirius Cyberdine CSP883 was a powerful low-altitude speeder used extensively as a ground support runner and sometimes as a police pursuit vehicle. Featuring prominent and groundbreaking (in its day) twin hydrogen ionization engines powering the magnetrons, this rather large bike was capable of incredible speeds up to 1500 km/hr on an open straightaway. Another unique feature was the side "jockey" shifter with pistol grip, a notable design reference to ancient wheel-and-tire bikes such as those made by Indian and Triumph. Decommisioned models were immediately snapped up by racers all across the galaxy, and to this day the CSP883 still holds several class surface-speed records. With Syrius Cyberdine holding exclusive patent on the engines in perpetuity, it became exceedingly difficult and finally impossible to acquire replacement parts, such that all surviving examples are now museum displays only and no functional models are known to exist.

Parkes –the Early Years.

Like Forbes the Currajong district (later called Parkes after Sir Henry Parkes the politician and federalist) was first sighted and explored by white men in 1835 when Major Thomas Mitchell explored the areas from Parkes to the Bogan River which flows northwards from here to its junction with the Darling River near Bourke. Although not near Parkes Charles Sturt and Hamilton Hume had traced parts of the Bogan River north of Parkes in 1828. Mitchell’s explorations opened up the Parkes area but his conflict with the Wiradjuri Aboriginal people did not help later squatters. Richard Cunningham the noted botanist on Mitchell’s explorations was killed by Aboriginals on the Bogan River in 1835. As early as 1826 the “limits of settlement” were set where land could be bought and sold, or even squatted upon. Bathurst was the furthest point west at that time. In 1827 a road was surveyed to Wellington, 110 kms to the north east of Parkes and the town of Wellington was laid out in 1828. No settlement was permitted beyond Wellington or Orange or Molong or Cowra or Yass. But the new ordinance banning western settlement in 1829 did not stop the pastoralists who chased good open pasture lands with creeks and good pasturage. The men who settled on land beyond the legal limits called themselves squatters. In 1833 NSW passed the Protection of Crown Lands Act to stop this. But it too failed. The first settlement beyond the defined limits in the Parkes district was Eugowra in 1834. Mitchell’s explorations of 1836 and his favourable reports on the western lands open the flood gates to squatting. Acts of violence between Aboriginal people and the squatters was uncontrolled so in 1839 and act was passed to levy squatters an annual tax to pay on their stock for police and peace keeping forces with Commissioners to ensure the peace. In 1846 the government granted 14 year leases to the former squatters as their claim to the land was legalised. The nearest sheep station to what became Parkes was Bald Hill station run by Thomas Bolton but there were four other big station in the district by 1848. The pastoralists developed their properties over the years until the discovery of gold at Lambing Flat (Young) and Forbes in 1861.The routes the diggers followed bypassed Currajong (Parkes) but that was not to last. Currajong had been surveyed as a village site in 1853 but little had emerged there. In August 1862 James Pugh discovered gold in the hills at Currajong. Golden Bar Hill gold field was discovered nearby about the same time. The first ores were taken to Forbes to be crushed but by early 1863 crushing machinery was located near Currajong. By 1867 the gold mining was declining but 40,000 ounces had been extracted from shaft mines. But the village had police barracks and a school and a tent village. By 1871 it was almost deserted when another gold find was made at Bushman’s and more in 1872 and 1873. Bushmans was soon a village of 6,000 people. Some of the god found was easy alluvial gold but most was in deep lodes.

 

In August 1873, Henry Parkes (later Sir Henry Parkes from 1877) who was then the Premier of NSW, visited Bushmans gold fields and met with diggers and the local Gold Commissioner. A township was to be created called Coobang but this was changed to Parkes in December 1873. On the same day the largest gold nugget found on the fields was discovered – the Welcome nugget weighing 132 ounces. These gold field produced 50,000 ounces of gold between 1871 and 1873. A mail service was started from Orange and police patrolled the fields and a Union Church was built in 1872 near the present day Uniting Church in Court Street. At that time there was a general store, a hotel and some other commercial buildings in Bushman/Currajong. It was the gold Commissioner who laid out the streets of Parkes in 1873 with a dogleg in the main street because of the early buildings. After the gold declined the new land act ensured that farmers as well as pastoralists moved into the Parkes district. It was Henry Parkes who had championed the 1861 Robertson Act in NSW which allowed selection of land before survey for blocks of 40 to 320 acres at £1 per acre. 25 percent was due on occupation and the balance in three years’ time. This act remained in force until 1884. The earliest wheat crops were taken to Orange for milling into flour until the McGee and Quinn mill was erected in 1871. The mill and the two mill owning families were destroyed by a massive fire in 1895.A second mill was built near the railway line in 1911. In fact the railway from Orange opened up Parkes to markets beyond the district. It reached Molong in 1885 from Orange and Parkes in 1893. The line from Parkes was extended to Condobolin in 1898 and north to Peak Hill in 1914. The link across to Broken Hill (and Adelaide) via Condobolin was not completed until 1927. Parkes became a municipality in 1883 with its first mayor and the town was well established by the mid-1880s. The first Council Offices and library were erected in 1886.

 

The original Wesleyan/Union Methodist Church was erected in 1864 doubling as an early church school and then provisional government school from 1868. Compulsory education did not come about in NSW until 1880. The Currajong School in the Wesleyan Church closed in 1868 and another wooden school opened in 1872 until the Parkes Primary School was completed in 1875. It opened with 93 pupils and a few years later had 350 pupils! A new government school was built in 1933 and a high school established in 1941. The Sisters of Mercy built a convent school in Parkes in 1910 but the Sisters of St Joseph also had a two storey convent in Parkes. The Anglicans built a wooden church in 1875 but it burnt down in 1876. A parish hall was not built until 1889 and it was then used as a church until the new St George’s was completed in 1927. The Parkes Methodist Church was built in 1897 and the church hall added in 1913. At that time the original wooden Union/Wesleyan (1864) church was demolished to make room for the new church hall. The Presbyterians first met in the masonic Hall until they built a church around 1890. Their first church was started in 1916 and opened in 1919. The Catholics began masses in the early school in the 1870s until their church opened in 1889. This fine church was demolished in 1941 and replaced with a bigger Catholic Church in 1942. As a result of many German Lutherans moving from South Australia to Parkes a Lutheran congregation was established in 1892 but a church was not built until 1953. The Lutherans used various halls around the Parkes district for their services for around fifty years.

 

Some Historic Buildings in Parkes.

•The Royal Hotel. Built in 1881 by Mrs Fletcher whose husband established the first Royal hotel in 1871. Built with 20 guest rooms and staling for 23 horses. This is where Sir Henry Parkes used to stay when visiting the town. 217 Clarinda St. Clarinda St was named after Sir Henry Parkes wife.

•Methodist church hall. Built in 1913 in ochre red brick with buttresses and three thin spires in Gothic style. Ornate gable facing the street. Parkes Methodist Church built in 1897. It is an example of a Federation Gothic building in red brick with white stucco bandings and quoins.

•Parkes Post Office with the clock. The first Post Office was built in 1871 as a single storey structure. Rebuilt as a two storey structure in 1880 after the telegraph had reached Parkes in 1875.It has endured several major renovations since with rounded Art Deco style windows on the lower storey.

•The Courthouse in Currajong St. Earliest Courthouse was erected 1875.The current erected in 1896 and the architect was Walter Vernon. It has three layers of rooves up to a clerestory window apex.

•Parkes Convent Bed and Breakfast in Currajong St. Built in 1910 as the Catholic presbytery then it became the convent of the Sisters of St Joseph by 1918 as they ran their convent school. In 1923 it was remodelled and taken over by the Sisters of Mercy who ran the school and convent in it until 1986 but the convent was sold in 1983. 33 Currajong St.

•The Parkes Police Station was built earlier in 1872 at 2 Court St. Architect was Colonial Architects J Barnet. It is in a simple single storey style.

•Parkes Presbyterian Church. The first church was built between 1890 and 1893 when Reverend Smythe was the minister. The current tower church was built in 1919 at a cost of £3,000 and opened in May 1919. The 1890 church became the church hall. A new Memorial Hall was built in 1955.

•Anglican Church. An arts and crafts interwar years Gothic revival church. Built in 1926 at a cost of £14,000. It is one of the most significant buildings in Parkes architecturally as it has no arched Gothic windows but the mass and towers still give it a Gothic appearance. The architect was Louis Williams of Melbourne a devotee to the inter war Gothic style. It adjoins the parish hall 1889. North west end of the church added in 1955.

•Balmoral House. Built in the 1880s with proceeds from gold mining. It is a grand Italianate style two storey house with bay windows which were all the rage in the mid-1880s. Avoids symmetry and has fine cast iron lacework on the verandas. It was built by William Hazelhurst the towner of Phoenix gold mine one of the richest of the region. But alas Hazelhurst died almost penniless. In Hill St opposite the school.

•The NAB bank 230 Dalton St on Chamberlain Square. Red brick with classical features such as a balustrade around the roof line. A cube building with pilasters on the walls. Built in 1925 for the Commercial Banking Company of Sydney. Heritage listed as an interwar neo classical building.

•Sir Henry Parkes’ statue in Chamberlain Square in front of the NAB Bank.

•The railway station dates from 1893. May St. Opposite is the Railway Hotel built in 1915, silos and good shed.

•During World War Two the Telstra building was the Small Arms factory an offshoot of the Arms factory of Lithgow.

 

From Clarinda Street walk up Court Street.

On the left is the Royal hotel, on the right is the Methodist church and church hall; and on next corner left is the Post Office and on the right is the Courthouse. Next to the Courthouse is the Convent B & B (1910). If you continue along Currajong Street you will see the Catholic Church on the next corner.

Continuing along Court Street on the next corner is the old Police Station and cells. On the northern corner is the Presbyterian Church. Turn left here into Hill Street. On the next corner on your left is the Anglican Church. Continue along Hill St and next on your right is the beautiful Balmoral House. Return to the main street- Clarinda St. If you go north of the Royal Hotel you will see the old NAB bank on the right on a corner.

 

Looking towards the iconic Flinders Street Station. Dressed in all shiny black latex for a walk at Federation Square in April 2012. Photo by YouBeautie.

Reisen im Süden von Ost-Sibirien in den Jahren 1855-1859, incl.

St. Petersburg,Buchdruckerei der K. Akademie der Wissenschaften,1862-63.

biodiversitylibrary.org/page/16012837

Beautiful Melbournian sunset with nascent city lights

A new batch of 4 Speeder Bikes. Hope you'll like them ;-)

Ballina. Population 16,500.

'Bullenah' in Bundjalung Aboriginal language means place where oysters are plentiful so it is not surprising that the town is the home of the Big Prawn located in Bunning’s carpark! The prawn was a commission given to Adelaide architects Glenn Industries and sculptor James Martin. He also did the Big Merino in Goulburn and the Big Oyster in Taree. He designed a 27 metre long and 20 metre high prawn in 1989. It eventually fell into disrepair and was due to be demolished but it has now been rescued. Ballina is located on the mouth of the Richmond River and its small lighthouse guards that entrance. A lighthouse was erected in 1866 but the current lighthouse was completed in 1880 on a 35 metre high headland. The government Colonial Architect James Barnet designed it. Although just 7 metres high the lighthouse has protected shipping since 1880. It was automated in 1926. Prior to its erection 90 ships were shipwrecked on the sand shoals in the estuary. The breakwater was completed in 1908 to ensure safety for shipping. The lighthouse is Ballina’s oldest structure. Apart from the Red Cedar cutters the first to want to settle in the region arrived in 1842 on board the ship called the Sally.

With the timber cutters came the need for saw mills and the first in Ballina opened in 1853. Timber was floated down the Wilson & Richmond Rivers ready for coastal shipping. In 1856 the government surveyed the town and the first town blocks were offered for sale in July 1857 at the Casino Police Station. The land sold slowly and not much developed in Ballina until the 1860s when Ballina became the major sea port and some gold was found in the estuary sands. The first Courthouse and police station opened in 1865. By then the Ballina Hotel was established. In the 1870s and 1880s sugar became the important industry of the district. Yeoman sugar farmers began cultivation of cane in the late 1860s and by 1875 there were 75 small sugar mills along the banks of the Richmond River. But the industry stabilised and only expanded in 1881 when the Colonial Sugary Refineries built their Broadwater sugar mill. By 1891 there were just 9 sugar mills in the district. Some South Sea Islander (Kanaks) labourers were employed on contracts in the Tweed and Richmond valleys but not many as NSW was never a region of large sugar plantations. Small sugar farms were the norm here. The northern rivers area still averages higher sugar yields than Queensland because the region does not have a pronounced dry season like many areas of QLD. The rich volcanic soils of the river flats are especially valuable sugar fields. Today NSW produces only 5% of Australia’s sugar but three sugar mills survive with the Condong mill near Murwillumbah, the Broadwater mill at Woodburn and another mill at Yamba towards Grafton. The NSW Sugar Milling Cooperative which has its office headquarters in Ballina was formed in 1978 when CSR sold their Broadwater mill to the cooperative. There are 600 sugar cane farms in the district growing cane on around 15,000 hectares or 30,000 aces.

Some of the more interesting and historic buildings in River Street are:

•The Courthouse at 16 River St. Designed by Colonial Architect James Barnet and completed in 1882 as the first Courthouse, cells and police station from 1865 burnt down in 1881. Like other Courthouse by Barnet the lofty court room is flanked by lower offices on each side in the Italianate style.

•Post Office 24 River St. This historic Post Office is used for other purposes now. Built in the Italianate style and designed by Colonial Architect Walter Liberty Vernon. This grand stuccoed two storey building has a prominent clock tower. It opened in 1888 but the clock tower was not completed until 1890.

•Behind the Information centre is the Maritime Museum. Its prized exhibits are a 12 metre long reed raft which sailed across the Pacific from Ecuador to Ballina in 1973; the port history; a tribute to women in the Navy; riverboat history and a dugout canoe etc. Admission about $5.

Cherry Street:

•Two blocks down is the Presbyterian Church. A small timber church was erected in 1885. The Federation style red brick church was built in 1915 and the original church became the church hall until 1960.

•Opposite the church is the former Council Offices which now house the Regional Art Gallery. The architect was Frederick Board and this building was erected in 1927 in the Art Deco style.

•Across the street from the Catholic Church is the Methodist Church - now a Uniting Church. The first church services were held in the Courthouse until the first church opened in 1888. In 1920 this timber church was moved to Cherry St. as a church hall. A new Methodist church costing £2,830 was here in 1920. It was due for demolition in 2016 but has since been repaired and reopened.

•Opposite the Methodist Church is the Catholic Presbytery built in 1912.

Norton Street where the Norfolk Island Pines were planted in 1915:

•Methodist North Coast Girls’ College. Architect designed by Frederick Board and erected in 1925. The grand building in brick with timber balconies faced financial difficulties during the great depression & closed 1930. It then became a guest house and was later converted to 16 flats. In 2000 it became Ballina Manor Hotel.

•Next corner on right is Brundah. Built in 1908 at great cost. For a stock and station agent named Roy Lang.

• Next corner left is the Anglican Church. The first wooden church built in 1877. A second church erected in 1906 when the date palms were planted. It was replaced in 1977 by current church.

•Next corner right is the former Marine View Hotel. Built in 1884. Later was the Tattersall Hotel. Closed 1919.

 

A jolly 18 metres in diameter chandelier! Four thousand bulbs and daylight as well! This is the former YUGOSLAVIA government conference room, looks great, yet the country collapsed anyway.

 

Palata Federacije

Palata Srbije

Moscow is the capital and largest city of Russia, standing on the Moskva River in Central Russia. It has a population estimated at over 13 million residents within the city limits, over 19.1 million residents in the urban area, and over 21.5 million residents in its metropolitan area. The city covers an area of 2,511 square kilometers (970 mi2), while the urban area covers 5,891 square kilometers (2,275 mi2), and the metropolitan area covers over 26,000 square kilometers (10,000 mi2). Moscow is among the world's largest cities, being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent.

 

First documented in 1147, Moscow became the capital of the Grand Principality of Moscow, which led the unification of the Russian lands in the 15th century and became the center of a unified state. Following the proclamation of the Tsardom of Russia in 1547, Moscow remained the political and economic center for most of its history. During the reign of Peter the Great, the Russian capital was moved to the newly founded city of Saint Petersburg in 1712, leading to a decline in Moscow's importance throughout the imperial period. Following the Russian Revolution and the establishment of the Russian SFSR, the capital was moved back to Moscow in 1918. The city later became the political center of the Soviet Union and experienced significant population growth throughout the Soviet period. In the aftermath of the dissolution of the Soviet Union, Moscow remained the capital city of the newly reconstituted Russian Federation and has experienced continued growth.

 

The northernmost and coldest megacity in the world, Moscow is governed as a federal city, where it serves as the political, economic, cultural, and scientific center of Russia and Eastern Europe. Moscow has one of the world's largest urban economies. Moscow has the second-highest number of billionaires of any city (tied with Hong Kong). The Moscow International Business Center is one of the largest financial centers in the world and features the majority of Europe's tallest skyscrapers. Moscow was the host city of the 1980 Summer Olympics and one of the host cities of the 2018 FIFA World Cup.

 

The city contains several UNESCO World Heritage Sites and is known for its display of Russian architecture, particularly in areas such as Red Square and buildings such as Saint Basil's Cathedral and the Moscow Kremlin, the latter of which is the seat of power of the Government of Russia. Moscow is home to Russian companies in different industries and is served by a comprehensive transit network, which includes four international airports, ten railway terminals, a tram system, a monorail system, and the Moscow Metro, which is the busiest metro system in Europe and one of the largest rapid transit systems in the world. The city has over 40 percent of its territory covered by greenery, making it one of the greenest cities in the world.

Voronezh is a city and the administrative centre of Voronezh Oblast in southwestern Russia, straddling the Voronezh River 12 kilometers (7.5 mi) from where it flows into the Don River. The city sits on the Southeastern Railway, which connects western Russia with the Urals and Siberia, the Caucasus and Ukraine, and the M4 highway (Moscow–Voronezh–Rostov-on-Don–Novorossiysk). In recent years the city has experienced rapid population growth, rising to 1,057,681 in the 2021 Census, up from 889,680 recorded in the 2010 Census, making it the 14th-most populous city in the country.

History of the Cathedral.

 

On August 28, 1998, Metropolitan Methodius (Nemtsov) of Voronezh and Lipetsk laid the first stone in the foundation of the new cathedral.

 

On November 15, 1998, His Holiness Patriarch Alexy II of Moscow and All Rus' arrived in Voronezh on a primatial visit, during which the consecration of the foundation stone of the cathedral took place.

 

On April 7, 2004, on the cathedral's patronal feast day - the Annunciation of the Most Holy Theotokos, the first Divine Liturgy was celebrated in the temporary lower church. Since then, regular services have begun in the church.

 

On November 4, 2009, on the day of the celebration in honor of the Kazan Icon of the Mother of God, the first Divine Liturgy was held in the upper church of the Annunciation Cathedral.

 

December 6, 2009 is the day of the official opening of the Annunciation Cathedral.

 

On September 18, 2011, Patriarch Kirill of Moscow and All Rus' performed the rite of great consecration of the Annunciation Cathedral.

 

On August 24, 2012, Metropolitan Sergius of Voronezh and Borisoglebsk performed the Great Consecration of the lower aisle of the Annunciation Cathedral.

 

From 2014 to 2021, with the blessing of Metropolitan Sergius of Voronezh, the Annunciation Cathedral was painted.

 

This is one of the largest Orthodox church buildings in Russia, reflecting the greatness of spiritual traditions.

 

The cathedral impresses with its size and monumentality. It is not only the spiritual center of the Voronezh Metropolitanate, but also an important cultural monument, open to all who wish to become acquainted with the history and traditions of Orthodoxy.

 

The design of the cathedral, executed in the Russian-Byzantine style, was created by the architect Vladimir Petrovich Shevelev. The external appearance of the temple resembles the destroyed Vladimir Cathedral, which was built in Voronezh by one of the students of the famous Konstantin Ton.

 

Church Stats:

Height to the top of the bell tower 97 metres.

 

12 Bells on the Belfry of the Annunciation Cathedral.

 

6.5 Tons is the weight of the largest bell "Blagovest". It was cast on March 23, 2002 by the Voronezh enterprise "Vera" (V. Anisimov's bell foundry).

 

The upper church of the Annunciation Cathedral can accommodate up to 6000 people.

 

The monument to Saint Mitrofan, the first Bishop of Voronezh, opened in 2003. It weighs 8 Tons & is 8.5 metres in height. The author of the sculpture is I. P. Dikunov. The monument was cast from bronze at the Comintern Plant in Voronezh.

 

Voronezh saints: St. Mitrofan, the first bishop of Voronezh; St. Tikhon, the miracle worker of Zadonsk; Hieromartyr Peter (Zverev). Have relics at the cathedral.

 

There are more than 150 relics in the icons and reliquaries of the upper and lower temples of the cathedral

Moscow is the capital and largest city of Russia, standing on the Moskva River in Central Russia. It has a population estimated at over 13 million residents within the city limits, over 19.1 million residents in the urban area, and over 21.5 million residents in its metropolitan area. The city covers an area of 2,511 square kilometers (970 mi2), while the urban area covers 5,891 square kilometers (2,275 mi2), and the metropolitan area covers over 26,000 square kilometers (10,000 mi2). Moscow is among the world's largest cities, being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent.

 

First documented in 1147, Moscow became the capital of the Grand Principality of Moscow, which led the unification of the Russian lands in the 15th century and became the center of a unified state. Following the proclamation of the Tsardom of Russia in 1547, Moscow remained the political and economic center for most of its history. During the reign of Peter the Great, the Russian capital was moved to the newly founded city of Saint Petersburg in 1712, leading to a decline in Moscow's importance throughout the imperial period. Following the Russian Revolution and the establishment of the Russian SFSR, the capital was moved back to Moscow in 1918. The city later became the political center of the Soviet Union and experienced significant population growth throughout the Soviet period. In the aftermath of the dissolution of the Soviet Union, Moscow remained the capital city of the newly reconstituted Russian Federation and has experienced continued growth.

 

The northernmost and coldest megacity in the world, Moscow is governed as a federal city, where it serves as the political, economic, cultural, and scientific center of Russia and Eastern Europe. Moscow has one of the world's largest urban economies. Moscow has the second-highest number of billionaires of any city (tied with Hong Kong). The Moscow International Business Center is one of the largest financial centers in the world and features the majority of Europe's tallest skyscrapers. Moscow was the host city of the 1980 Summer Olympics and one of the host cities of the 2018 FIFA World Cup.

 

The city contains several UNESCO World Heritage Sites and is known for its display of Russian architecture, particularly in areas such as Red Square and buildings such as Saint Basil's Cathedral and the Moscow Kremlin, the latter of which is the seat of power of the Government of Russia. Moscow is home to Russian companies in different industries and is served by a comprehensive transit network, which includes four international airports, ten railway terminals, a tram system, a monorail system, and the Moscow Metro, which is the busiest metro system in Europe and one of the largest rapid transit systems in the world. The city has over 40 percent of its territory covered by greenery, making it one of the greenest cities in the world.

PHLUG SPACETEMBER

  

Orbital frame(not orbital frame cuz its not a mech in outerspace)

  

LT - 495 Taurus is the general purpose mass produce combat suit design by lift tech for the atlas federation space force. purposely build for outer space combat and can be equip with multiple weapon systems for any given combat situations

A soldier poses with the assortment of weapons commonly issued to Federation troops.

 

Although not issued the latest high-tech gear, to say that Federation soldier are outmatched would be far from the truth. Firm believers in the principle of 'If if isn't broke, don't fix it.", the weapons a Federation soldier carries are battle-proven and reliable. Much of the gear also has been extensively modified. For example, the MK. 9 plate carrier appears to be old fashioned, as it still uses the PALS system. However, on the inside the vest is outfitted with the Gen. 4 ceramic/composite plates, that are lighter than older versions and able to stop larger rounds of ammunition.

 

Photo WILL be replaced with a better one tomorrow.

Diwali Festival of Lights 2007

Federation Square, Melbourne

BCWF Wrestling - Summer Breakdown 2022 - Legion Von Creed Vs MBM

 

Legion Von Creed Def. (Pin) MBM

 

Info on the match : MBM a jete sa chemise BWS au milieu du ring et l'a pietinee, manquant encore plus de respect au lieu de naissance de LEGION. Un match violent s'ensuit, LEGION remportant la victoire avec un gros Chokeslam. Agissant comme s'il voulait s'excuser, MBM est alle serrer la main de son adversaire, mais plutot il lui a donne un doigt ! La reaction de LEGION ? Un Chokeslam encore plus grand, bien sur !

 

( Le 3 juin, la BWS vous presente un spectacle de catch en plein ete 2022 a GRIVEGNEE ! Preparez votre creme solaire, car ca va etre CHAUD ! )

Author : @Kiri Karma

BCWF Wrestling - Battons-nous pour les sinistres - MBM Vs Matt Scorpion

 

MBM Def. (Pin) Matt Scorpion

 

Type of match : No Disqualification

 

For : La valise contenant un contrat pour n'importe quel championnat, n'importe quand!

 

( La bws est de retour. Et cette fois c'est pour une bonne cause! Les benefices gagnes pour ce show seront verse pour aider les sinistres du 14, 15 et 16 juillet. )

Erin relaxing at Federation Square in Melbourne overlooking the Flinders

Street Station.

Diorama Museum

Opened at the beginning of this century, the Diorama Museum was created interested ub history, the veterans of the Great Patriotic War and their descendants. The main spotlight of the exposition is the mini-diorama dedicated to the battles of 1942-1943, which took place at the Chizhovsky foothold. The second floor offers visitors the chance to get acquainted with the history of the Voronezh aeroclub, which later became the foundational unit of the Airborne Troops. Also in one of the exposition halls, you can find a collection of all the documents and items of the Navy of the period of the reign of Peter the Great. Guests can see the anchor of a Turkish frigate and the ordinances of the king himself. Next to the museum building, you can also find some real military equipment (tanks, cannons and even a real helicopter). The official website of the Diorama Museum is diorama-vrn.ru.

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ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

In hindsight I probably should've made the Avenger a tad bit beefier.

 

This chart represents only those fighters that won their design competitions and were put into production and active service for the Federation. To get an idea of how limited the resources of the Federation were, see the Alliance of Free Worlds, a sort of DOOP in my universe.

 

The Federation fared as well as it did because these fighters were generally superior in design (with a few notable exceptions) and their pilots were better trained.

A new batch of 4 Speeder Bikes. Hope you'll like them ;-)

Our Daily Challenge ... arch.

Today I had to go to Alstonville, which is described as an "historic village on the plateau". There are a lot of old homes which have been maintained or restored in their original Federation style.

 

This is a beautiful old place with a lovely arched walkway between the house and front gate. Not sure if the sepia or faded photo works best so I'm including both. Your opinions are welcome.

 

52 in 2015 Challenge ... #32 ... Gateway

Pykhtino is a Moscow Metro station of the Kalininsko-Solntsevskaya line. It was opened on 6 September 2023.

 

The station serves Solncevo-Park residential complex. Its design features an escalator incline decorated by a scale model of TU-144 plane.

 

The station's walls are decorated with drawings of Tupolev passenger airplanes.

Voronezh is a city and the administrative centre of Voronezh Oblast in southwestern Russia straddling the Voronezh River, located 12 kilometers (7.5 mi) from where it flows into the Don River. The city sits on the Southeastern Railway, which connects western Russia with the Urals and Siberia, the Caucasus and Ukraine, and the M4 highway (Moscow–Voronezh–Rostov-on-Don–Novorossiysk). In recent years the city has experienced rapid population growth, rising in 2021 to 1,057,681, up from 889,680 recorded in the 2010 Census, making it the 14th-most populous city in the country.

 

From 10 to 17 September 2011, Voronezh celebrated its 425th anniversary. The anniversary of the city was given the status of a federal scale celebration that helped attract large investments from the federal and regional budgets for development.

 

On December 17, 2012, Voronezh became the fifteenth city in Russia with a population of over one million people.

 

Today Voronezh is the economic, industrial, cultural, and scientific center of the Central Black Earth Region. As part of the annual tradition in the Russian city of Voronezh, every winter the main city square is thematically drawn around a classic literature. In 2020, the city was decorated using the motifs from Pyotr Ilyich Tchaikovsky's The Nutcracker. In the year of 2021, the architects drew inspiration from Hans Christian Andersen's fairy tale The Snow Queen as well as the animation classic The Snow Queen from the Soviet Union. The fairy tale replica city will feature the houses of Kai and Gerda, the palace of the snow queen, an ice rink, and illumination.

A note from the maker: I am a lifelong fan of science fiction. My imagination has always been drawn to space, with a particular love for the ships.

 

My first obsession was obviously Star Wars, but over-saturation and lousy prequels spoiled the subject matter for me. I usually build from imagination, but not always. I haven't built too many vessels as iconic as the Enterprise, and I hope to do it justice, but I am not a Trekkie! My Enterprise is not from a particular movie. It isn't a particular model, rather, what I can come up with using my imagination and the parts I have. I will end up BLing a bit to clean up the colors.

 

Growing up, I avoided the Star Trek television series and missed most of the movies. I don't know why, I suppose not enough action to get my attention. I am rewatching all of the first seasons on Hulu now, and I'm really getting into it. Along comes J.J. Abrams. I have high hopes for the upcoming movie, the last one was great, I own it and it's in the rotation.

 

Federation square in Melbourne Australia

The British Electrical Federation logo, cast in stone over the entrance to the former headquarters building on Kingsway, Holborn, London. 22nd November 2017.

 

Remembrance Sunday, 8 November 2015

 

Bill Speakman VC in the first wheelchair.

 

He was born in 1927 and brought up in Altrincham, Cheshire, and educated at Wellington School.

 

On 4 November 1951, William Speakman, a 25-year-old Private serving with 1st Battalion The King’s Own Scottish Borderers (KOSB), displayed one of the most outstanding examples of leadership and courage in British military history, recognised with the award of the Victoria Cross. His was one of only four awarded for the Korean War and the first VC to be invested by Queen Elizabeth II.

 

The Battalion had taken over the defence of a tactically important hill, nicknamed “United”, which had been captured by the Australians. The KOSB quickly set about improving the defences, taking in a plentiful supply of ammunition, particularly grenades, to withstand the expected Chinese counter attack. Following a heavy artillery barrage, a full scale assault from a Chinese Division of 6,000 men was pressed forward with great ferocity reports. For over four hours of intense fighting, Speakman rallied a group of five other soldiers, most senior to himself, and repeatedly charged the attacking waves of Chinese infantry. Outnumbered by at least ten to one, Speakman was reckoned to have thrown or rolled over 100 grenades at the enemy.

 

Having exhausted their ammunition and taken considerable casualties, the company was ordered to retire under cover of artillery and mortar fire, whilst in a final charge Speakman threw smoke grenades. The withdrawal with as many wounded as possible was accomplished in an orderly manner. Speakman and his Company Sergeant Major, both badly wounded, helped each other down the hill, before being evacuated by field ambulance.

 

The remainder of his military career was spent with the KOSB. He rose to the rank of Sergeant, serving in Malaya, Aden, Borneo, Germany and the UK. He retired from the Army in 1968.

 

After various false starts in ill-suited jobs, he joined the Merchant Navy where he had a successful second career as a Master at Arms with the Union Castle Line.

 

He emigrated to South Africa and took up flying microlights over game reserves. He later returned to Britain and spent a year as a pensioner at the Royal Hospital, Chelsea, before going back to South Africa for a second time. Eventually he returned to Altrincham before retiring permanently as a Chelsea pensioner in 2015.

 

He died on 20 June 2018 in Chelsea, aged 90. His Victoria Cross is displayed in the National War Museum of Scotland in Edinburgh Castle. His ashes were buried in the United Nations Memorial Cemetery, South Korea on 19 February 2019.

 

In the United Kingdom, Remembrance Sunday is held on the second Sunday in November, which is the Sunday nearest to 11 November, Armistice Day, the anniversary of the end of hostilities in the First World War at 11 a.m. on 11 November 1918. Remembrance Sunday is held to commemorate the contribution of British and Commonwealth military and civilian servicemen and women in the two World Wars and later conflicts.

 

Remembrance Sunday is marked by ceremonies at local war memorials in most cities, towns and villages, attended by civic dignitaries, ex-servicemen and -women, members of local armed forces regular and reserve units, military cadet forces and uniformed youth organisations. Two minutes’ silence is observed at 11 a.m. and wreaths of remembrance poppies are then laid on the memorials.

 

The United Kingdom national ceremony is held in London at the Cenotaph in Whitehall. Wreaths are laid by Queen Elizabeth II, principal members of the Royal Family normally including the Duke of Edinburgh, the Prince of Wales, the Duke of Cambridge, the Duke of York, the Princess Royal, the Earl of Wessex and the Duke of Kent, the Prime Minister, leaders of the other major political parties, the Secretary of State for Foreign and Commonwealth Affairs, Commonwealth High Commissioners and representatives from the Royal Navy, Army and Royal Air Force, the Merchant Navy and Fishing Fleets and the civilian services, and veterans’ groups. Two minutes' silence is held at 11 a.m., before the laying of the wreaths. This silence is marked by the firing of a field gun on Horse Guards Parade to begin and end the silence, followed by Royal Marines buglers sounding Last Post.

 

The parade consists mainly of an extensive march past by veterans, with military bands playing music following the list of the Traditional Music of Remembrance.

 

Other members of the British Royal Family watch from the balcony of the Foreign and Commonwealth Office.

 

After the ceremony, a parade of veterans and other related groups, organised by the Royal British Legion, marches past the Cenotaph, each section of which lays a wreath as it passes. Only ticketed participants can take part in the march past.

 

From 1919 until the Second World War remembrance observance was always marked on 11 November itself. It was then moved to Remembrance Sunday, but since the 50th anniversary of the end of the Second World War in 1995, it has become usual to hold ceremonies on both Armistice Day and Remembrance Sunday.

 

Each year, the music at the National Ceremony of Remembrance remains the same, following a programme finalised in 1930:

 

Rule, Britannia! by Thomas Arne

Heart of Oak by William Boyce

The Minstrel Boy by Thomas Moore

Men of Harlech

The Skye Boat Song

Isle of Beauty by Thomas Haynes Bayly

David of the White Rock

Oft in the Stilly Night by John Stevenson

Flowers of the Forest

Nimrod from the Enigma Variations by Edward Elgar

Dido's lament by Henry Purcell

O Valiant Hearts by Charles Harris

Solemn Melody by Walford Davies

Last Post – a bugle call

Beethoven's Funeral March No. 1, by Johann Heinrich Walch

O God, Our Help in Ages Past – words by Isaac Watts, music by William Croft

Reveille – a bugle call

God Save The Queen

 

Other pieces of music are then played during the march past and wreath laying by veterans, starting with Trumpet Voluntary and followed by It's A Long Way To Tipperary, the marching song of the Connaught Rangers, a famous British Army Irish Regiment of long ago.

 

The following is complied from press reports on 8 November 2015:

 

"The nation paid silent respect to the country's war dead today in a Remembrance Sunday service. Leading the nation in remembrance, as ever, was the Queen, who first laid a wreath at the Cenotaph in 1945 and has done so every year since, except on the four occasions when she was overseas.

 

Dressed in her customary all-black ensemble with a clutch of scarlet poppies pinned against her left shoulder, she stepped forward following the end of the two-minute silence marked by the sounding of Last Post by 10 Royal Marine buglers.

 

The Queen laid her wreath at the foot of the Sir Edwin Lutyens Portland stone monument to the Glorious Dead, then stood with her head momentarily bowed.

 

She was joined by King Willem-Alexander of the Netherlands, who was invited to the Cenotaph for the first time to lay a wreath marking the 70th anniversary of the liberation of the Netherlands by British troops.

 

Watched by his wife Queen Maxima, who stood next to the Duchess of Cambridge in the Royal Box, the King laid a wreath marked with the simple message, 'In remembrance of the British men and women who gave their lives for our future.'

 

Wreaths were then laid by members of the Royal Family, all wearing military uniform: Prince Philip; then Prince Andrew, Prince Harry and Prince William at the same time ; then Prince Edward, Princess Anne and the Duke of Kent at the same time.

 

Three members of the Royal Family laying wreaths at the same time was an innovation in 2015 designed to slightly reduce the amount of time of the ceremony and thereby reduce the time that the Queen had to be standing.

 

Prince Charles attended a remembrance service in New Zealand.

 

The Prime Minister then laid a wreath. The Leader of the Opposition and Leader of the Labour Party, Jeremy Corbyn, appeared at the Cenotaph for the first time. He wore both a suit and a red poppy for the occasion.

 

His bow as he laid a wreath marked with the words 'let us resolve to create a world of peace' was imperceptible – and not enough for some critics. Yet unlike the 75th anniversary of the Battle of Battle service earlier this year, Mr Corbyn did join in with the singing of the national anthem.

 

Following the end of the official service at the Cenotaph, a mammoth column more than 10,000-strong (some 9,000 of whom were veterans) began marching along Whitehall, saluting the Cenotaph as they passed, Parliament Street, Great George Street, Horse Guards Road and back to Horse Guard Parade. The Duke of Cambridge took the salute from the column on Horse Guards Parade.

 

Time takes its inevitable toll on even the most stoic among us, and this year only a dozen World War Two veterans marched with the Spirit of Normandy Trust, a year after the Normandy Veterans' Association disbanded.

 

Within their ranks was 95-year-old former Sapper Don Sheppard of the Royal Engineers. Sheppard was of the eldest on parade and was pushed in his wheelchair by his 19-year-old grandson, Sam who, in between studying at Queen Mary University, volunteers with the Normandy veterans.

 

'It is because of my admiration for them,' he says. 'I see them as role models and just have the utmost respect for what they did.'

 

While some had blankets covering their legs against the grey November day, other veterans of more recent wars had only stumps to show for their service to this country during 13 long years of war in Afghanistan.

 

As well as that terrible toll of personal sacrifice, the collective losses – and triumphs - of some of the country’s most historic regiments were also honoured yesterday.

 

The Gurkha Brigade Association - marking 200 years of service in the British Army – marched to warm ripples of applause. The King’s Royal Hussars, represented yesterday by 126 veterans, this year also celebrate 300 years since the regiment was raised.

 

They were led by General Sir Richard Shirreff, former Deputy Supreme Allied Commander of Nato and Colonel of the regiment who himself was marching for the first time.

 

'We are joined by a golden thread to all those generations who have gone before us,” he said. “We are who we are, because of those that have gone before us.' "

 

Cenotaph Ceremony & March Past - 8 November 2015

Summary of Contingents

 

Column Number of marchers

B (Lead) 1,754

C 1,298

D 1,312

E 1,497

F 1,325

A 1,551

Ex-Service Total 8,737

M (Non ex-Service) 1,621

Total 10,358

 

Column B

Marker Detachment Number

1 Reconnaissance Corps 18 Anniversary

2 43rd Reconnaissance Regiment Old Comrades Assoc 10

3 3rd Regiment Royal Horse Artillery Association 60

4 Royal Artillery Association 18

5 Royal Engineers Association 37

6 Royal Engineers Bomb Disposal Association 65 Anniversary

7 Airborne Engineers Association 24

8 Royal Signals Association 48

9 Army Air Corps Association 42

10 Royal Army Service Corps & Royal Corps Transport Assoc 54

11 RAOC Association 18

12 Army Catering Corps Association 48

13 Royal Pioneer Corps Association 54 Anniversary

14 Royal Army Medical Corps Association 36

15 Royal Electrical & Mechanical Engineers Association 48

16 Royal Military Police Association 100

17 The RAEC and ETS Branch Association 12

18 Royal Army Pay Corps Regimental Association 36

19 Royal Army Veterinary Corps & Royal Army Dental Corps 18

20 Royal Army Physical Training Corps 24

21 Queen Alexandra's Royal Army Nursing Corps Assoc 48

22 Royal Scots Dragoon Guards 30

23 Royal Dragoon Guards 78

24 Queen's Royal Hussars (The Queen's Own & Royal Irish) 12

25 Kings Royal Hussars Regimental Association 126

26 16/5th Queen's Royal Lancers 36

27 17/21 Lancers 30

28 The Royal Lancers 24 New for 2015

29 JLR RAC Old Boys' Association 30

30 Association of Ammunition Technicians 24

31 Beachley Old Boys Association 36

32 Arborfield Old Boys Association 25

33 Gallipoli & Dardenelles International 24

34 Special Observers Association 24

35 The Parachute Squadron Royal Armoured Corps 24 New

36 Intelligence Corps Association 48

37 Women's Royal Army Corps Association 120

38 656 Squadron Association 24

39 Home Guard Association 9

40 British Resistance Movement (Coleshill Research Team) 12

41 British Limbless Ex-Service Men's Association 48

42 British Ex-Services Wheelchair Sports Association 24

43 Royal Hospital Chelsea 30

44 Queen Alexandra's Hospital Home for Disabled Ex-Servicemen & Women 30

45 The Royal Star & Garter Homes 20

46 Combat Stress 48

Total 1,754

 

Column C

Marker Detachment Number

1 Royal Air Force Association 150

2 Royal Air Force Regiment Association 300

3 Royal Air Forces Ex-Prisoner's of War Association 20

4 Royal Observer Corps Association 75 Anniversary

5 National Service (Royal Air Force) Association 42

6 RAFLING Association 24

7 6 Squadron (Royal Air Force) Association 18

8 7 Squadron Association 25

9 8 Squadron Association 24

10 RAF Habbaniya Association 25

11 Royal Air Force & Defence Fire Services Association 30

12 Royal Air Force Mountain Rescue Association 30

13 Units of the Far East Air Force 28 New

14 Royal Air Force Yatesbury Association 16

15 Royal Air Force Airfield Construction Branch Association 12

16 RAFSE(s) Assoc 45 New

17 Royal Air Force Movements and Mobile Air Movements Squadron Association (RAF MAMS) 24

18 Royal Air Force Masirah & Salalah Veterans Assoc 24 New

19 WAAF/WRAF/RAF(W) 25

19 Blenheim Society 18

20 Coastal Command & Maritime Air Association 24

21 Air Sea Rescue & Marine Craft Sections Club 15

22 Federation of RAF Apprentice & Boy Entrant Assocs 150

23 Royal Air Force Air Loadmasters Association 24

24 Royal Air Force Police Association 90

25 Princess Mary's Royal Air Force Nursing Service Association 40

Total 1,298

 

Column D

Marker Detachment Number

1 Not Forgotten Association 54

2 Stoll 18

3 Ulster Defence Regiment 72

4 Army Dog Unit Northern Ireland Association 48

5 North Irish Horse & Irish Regiments Old Comrades Association 78

6 Northern Ireland Veterans' Association 40

7 Irish United Nations Veterans Association 12

8 ONET UK 10

9 St Helena Government UK 24

10 South Atlantic Medal Association 196

11 SSAFA 37

12 First Aid Nursing Yeomanry (Princess Royal's Volunteers Corps) 12

13 Association of Jewish Ex-Servicemen & Women 48

14 British Nuclear Test Veterans Association 48

15 War Widows Association 132

16 Gurkha Brigade Association 160 Anniversary

17 British Gurkha Welfare Society 100 Anniversary

18 West Indian Association of Service Personnel 18

19 Trucial Oman Scouts Association 18

20 Bond Van Wapenbroeders 35

21 Polish Ex-Combatants Association in Great Britain 25

22 Stowarzyszenie Polskich Kombatantów Limited 18 New

23 Royal Hong Kong Regiment Association 12

24 Canadian Veterans Association 10

25 Hong Kong Ex-Servicemen's Association (UK Branch) 24

26 Hong Kong Military Service Corps 28

27 Foreign Legion Association 24

28 Undivided Indian Army Ex Servicemen Association 11 New

Total 1,312

 

Column E

Marker Detachment Number

1 Royal Marines Association 198

2 Royal Naval Association 150

3 Merchant Navy Association 130

4 Sea Harrier Association 24

5 Flower Class Corvette Association 18

6 HMS Andromeda Association 18

7 HMS Argonaut Association 30

8 HMS Bulwark, Albion & Centaur Association 25

9 HMS Cumberland Association 18

10 HMS Ganges Association 48

11 HMS Glasgow Association 30

12 HMS St Vincent Association 26

13 HMS Tiger Association 25

14 Algerines Association 20

15 Ton Class Association 24

16 Type 42 Association 48

17 Queen Alexandra's Royal Naval Nursing Service 36

18 Association of WRENS 90

19 Royal Fleet Auxiliary Association 10

20 Royal Naval Communications Association 30

21 Royal Naval Medical Branch Ratings & Sick Berth Staff Association 24

22 Royal Naval Benevolent Trust 18

23 Yangtze Incident Association 24

24 Special Boat Service Association 6

25 Submariners Association 30

26 Association of Royal Yachtsmen 30

27 Broadsword Association 36

28 Aircraft Handlers Association 36

29 Aircrewmans Association 40 Anniversary

30 Cloud Observers Association 10

31 The Fisgard Association 40

32 Fleet Air Arm Armourers Association 36

33 Fleet Air Arm Association 25

34 Fleet Air Arm Bucaneer Association 24

35 Fleet Air Arm Field Gun Association 24

36 Fleet Air Arm Junglie Association 18

37 Fleet Air Arm Officers Association 30

38 Fleet Air Arm Safety Equipment & Survival Association 24

39 Royal Navy School of Physical Training 24

Total 1,497

 

Column F

Marker Detachment Number

1 Blind Veterans UK 198

2 Far East Prisoners of War 18

3 Burma Star Association 40

4 Monte Cassino Society20

5 Queen's Bodyguard of The Yeoman of The Guard 18

6 Pen and Sword Club 15

7 TRBL Ex-Service Members 301

8 The Royal British Legion Poppy Factory 4

9 The Royal British Legion Scotland 24

10 Officers Association 5

11 Black and White Club 18

12 National Pigeon War Service 30

13 National Service Veterans Alliance 50

14 Gallantry Medallists League 46

15 National Malaya & Borneo Veterans Association 98

16 National Gulf Veterans & Families Association 30

17 Fellowship of the Services 100

18 Memorable Order of Tin Hats 24

19 Suez Veterans Association 50

20 Aden Veterans Association 72

21 1st Army Association 36

22 Showmens' Guild of Great Britain 40

23 Special Forces Club 12

24 The Spirit of Normandy Trust 28

25 Italy Star Association, 1943-1945, 48

Total 1,325

 

Column A

Marker Detachment Number

1 1LI Association 36

2 Royal Green Jackets Association 198

3 Parachute Regimental Association 174

4 King's Own Scottish Borderers 60

5 Black Watch Association 45

6 Gordon Highlanders Association 60

7 Argyll & Sutherland Highlanders Regimental Association 12

8 Queen's Own Highlanders Regimental Association 48

9 London Scottish Regimental Association 30

10 Grenadier Guards Association 48

11 Coldstream Guards Association 48

12 Scots Guards Association 48

13 Guards Parachute Association 36

14 4 Company Association (Parachute Regiment) 24

15 Princess of Wales's Royal Regiment 72

16 Royal East Kent Regiment (The Buffs) Past & Present Association 30

17 Prince of Wales' Leinster Regiment (Royal Canadians) Regimental Association 24

18 Royal Hampshire Regiment Comrades Association 14

19 The Royal Hampshire Regimental Club 24 New for 2015

20 Royal Northumberland Fusiliers 48 New

21 Royal Sussex Regimental Association 12

22 Green Howards Association 24

23 Cheshire Regiment Association 24

24 Sherwood Foresters & Worcestershire Regiment 36

25 Mercian Regiment Association 30

26 Special Air Service Regimental Association 4

27 The King's Own Royal Border Regiment 100

28 The Staffordshire Regiment 48

29 Rifles Regimental Association 40

30 The Rifles & Royal Gloucestershire, Berkshire & Wiltshire Regimental Association 30

31 Durham Light Infantry Association 60

32 King's Royal Rifle Corps Association 50

33 King's African Rifles 14 New for 2015

Total 1,551

 

Column M

Marker Detachment Number

1 Transport For London 48

2 Children of the Far East Prisoners of War 60

3 First Aid Nursing Yeomanry (Princess Royal's Volunteers Corps) 24

4 Munitions Workers Association18

5 Evacuees Reunion Association48

6 TOC H 20

7 Salvation Army 36

8 Naval Canteen Service & Expeditionary Force Institutes Association 12 Previously NAAFI

9 Royal Voluntary Service 24

10 Civil Defence Association 8

11 National Association of Retired Police Officers 36

12 Metropolitan Special Constabulary 36

13 London Ambulance Service NHS Trust 36

14 London Ambulance Service Retirement Association 18

15 St John Ambulance 36

16 British Red Cross 12

17 St Andrew's Ambulance Association 6

18 The Firefighters Memorial Trust 24

19 Royal Ulster Constabulary (GC) Association 36

20 Ulster Special Constabulary Association 30

21 Commonwealth War Graves Commission 12

22 Daniel's Trust 36

23 Civilians Representing Families 180

24 Royal Mail Group Ltd 24

25 Royal Society for the Prevention of Cruelty to Animals 24

26 The Blue Cross 24

27 PDSA 24

28 HM Ships Glorious Ardent & ACASTA Association 24 Anniversary

29 Old Cryptians' Club 12

30 Fighting G Club 18 Anniversary

31 Malayan Volunteers Group 12

32 Gallipoli Association 18

33 Ministry of Defence 20

34 TRBL Non Ex-Service Members 117

35 TRBL Women's Section 20

36 Union Jack Club 12

37 Western Front Association 8

38 Shot at Dawn Pardons Campaign 18

39 Royal Antediluvian Order of Buffaloes 24

40 National Association of Round Tables 24

41 Lions Club International 24

42 Rotary International 24

43 41 Club 6

44 Equity 12

45 Romany & Traveller Society 18

46 Sea Cadet Corps 30

47 Combined Cadet Force 30

48 Army Cadet Force 30

49 Air Training Corps 30

50 Scout Association 30

51 Girlguiding London & South East England 30

52 Boys Brigade 30

53 Girls Brigade England & Wales 30

54 Church Lads & Church Girls Brigade 30

55 Metropolitan Police Volunteer Police Cadets 18

56 St John Ambulance Cadets 18

57 YMCA 12

Total 1,621

1 2 4 6 7 ••• 79 80