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The Federation of Victorian Bushwalking Group's Hut - Federation Hut - at the top of Bungalow Spur, near the summit of Victoria's second highest peak, Mt Feathertop.
Red Sticks Sculpture behind Fed Square. Dressed in all shiny black latex for a walk at Federation Square in April 2012. Photo by YouBeautie.
Moscow is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at over 13 million residents within the city limits, over 19.1 million residents in the urban area, and over 21.5 million residents in its metropolitan area. The city covers an area of 2,511 square kilometers (970 sq mi), while the urban area covers 5,891 square kilometers (2,275 sq mi), and the metropolitan area covers over 26,000 square kilometers (10,000 sq mi). Moscow is among the world's largest cities, being the most populous city in its entirety in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent.
First documented in 1147, Moscow grew to serve as the capital of the Grand Duchy of Moscow. When the Tsardom of Russia was proclaimed, Moscow remained the political and economic center for most of its history. Under the reign of Peter the Great, the Russian capital was moved to the newly founded city of Saint Petersburg in 1712, decreasing Moscow's influence. Following the Russian Revolution and the establishment of the Russian SFSR, the capital was moved back to Moscow in 1918, where it later became the political center of the Soviet Union. In the aftermath of the dissolution of the Soviet Union, Moscow remained the capital city of the newly established Russian Federation.
The northernmost and coldest megacity in the world, Moscow is governed as a federal city, where it serves as the political, economic, cultural, and scientific center of Russia and Eastern Europe. As a global city, Moscow has one of the world's largest urban economies. The city is one of the fastest-growing tourist destinations and is one of Europe's most visited cities. Moscow has the second-highest number of billionaires of any city (tied with Hong Kong). The Moscow International Business Center is one of the largest financial centers in the world and features the majority of Europe's tallest skyscrapers. Moscow was the host city of the 1980 Summer Olympics and one of the host cities of the 2018 FIFA World Cup.
The city contains several UNESCO World Heritage Sites and is known for its display of Russian architecture, particularly in areas such as the Red Square and buildings such as the Saint Basil's Cathedral and the Moscow Kremlin, the latter of which is the seat of power of the Government of Russia. Moscow is home to Russian companies in different industries and is served by a comprehensive transit network, which includes four international airports, ten railway terminals, a tram system, a monorail system, and the Moscow Metro, which is the busiest metro system in Europe and one of the largest rapid transit systems in the world. The city has over 40 percent of its territory covered by greenery, making it one of the greenest cities in the world.
Zakuski is the term for an assortment of cold hors d'oeuvres, entrées and snacks in Russian food culture. They are considered to be an integral part of any Russian festive meal, as well as often everyday meals.
Red caviar is a caviar made from the roe of salmonid fishes (various species of salmon and trout), which has an intense reddish hue. It is distinct from black caviar, which is made from the roe of sturgeon.
Although commonly referred to as caviar, red caviar is not considered "true caviar" under the traditional definition, which restricts the term to salted roe from sturgeon species (family Acipenseridae). In culinary and regulatory contexts, particularly in Europe, red caviar is classified as fish roe or caviar substitute. In North America, however, the term “caviar” may legally be used for non-sturgeon roe, provided the species name (e.g. "salmon caviar") is included on the label.
Red caviar is part of Russian and Japanese cuisine. In Japan, salmon caviar is known as ikura (イクラ) which derives from the Russian word ikra (икра) which means caviar or fish roe in general.
In Japanese cuisine, it is usually marinated in salt or soy sauce and sake. The seasoning used varies between households. Many families pickle red caviar using only soy sauce, but some use dashi instead of sake or mirin.
Russians enjoy red caviar appetizers (zakuski) on buttered bread or on a blini (Slavic crêpes). Caviar on blini may be paired with sliced salmon and champagne, especially on such occasions as Russian New Year's Eve.
Moscow is the capital and largest city of Russia, standing on the Moskva River in Central Russia. It has a population estimated at over 13 million residents within the city limits, over 19.1 million residents in the urban area, and over 21.5 million residents in its metropolitan area. The city covers an area of 2,511 square kilometers (970 mi2), while the urban area covers 5,891 square kilometers (2,275 mi2), and the metropolitan area covers over 26,000 square kilometers (10,000 mi2). Moscow is among the world's largest cities, being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent.
First documented in 1147, Moscow became the capital of the Grand Principality of Moscow, which led the unification of the Russian lands in the 15th century and became the center of a unified state. Following the proclamation of the Tsardom of Russia in 1547, Moscow remained the political and economic center for most of its history. During the reign of Peter the Great, the Russian capital was moved to the newly founded city of Saint Petersburg in 1712, leading to a decline in Moscow's importance throughout the imperial period. Following the Russian Revolution and the establishment of the Russian SFSR, the capital was moved back to Moscow in 1918. The city later became the political center of the Soviet Union and experienced significant population growth throughout the Soviet period. In the aftermath of the dissolution of the Soviet Union, Moscow remained the capital city of the newly reconstituted Russian Federation and has experienced continued growth.
The northernmost and coldest megacity in the world, Moscow is governed as a federal city, where it serves as the political, economic, cultural, and scientific center of Russia and Eastern Europe. Moscow has one of the world's largest urban economies. Moscow has the second-highest number of billionaires of any city (tied with Hong Kong). The Moscow International Business Center is one of the largest financial centers in the world and features the majority of Europe's tallest skyscrapers. Moscow was the host city of the 1980 Summer Olympics and one of the host cities of the 2018 FIFA World Cup.
The city contains several UNESCO World Heritage Sites and is known for its display of Russian architecture, particularly in areas such as Red Square and buildings such as Saint Basil's Cathedral and the Moscow Kremlin, the latter of which is the seat of power of the Government of Russia. Moscow is home to Russian companies in different industries and is served by a comprehensive transit network, which includes four international airports, ten railway terminals, a tram system, a monorail system, and the Moscow Metro, which is the busiest metro system in Europe and one of the largest rapid transit systems in the world. The city has over 40 percent of its territory covered by greenery, making it one of the greenest cities in the world.
More Speeder Bikes to come... thanks everybody for the nice comments (and faves) on the previous MOCs of this serie (which is as fun to build for me as Febrovery is, and that means a lot !)
Not really a rover, but still a planetary surface transport vehicle. These cars were used by officers and higher-ranking civilian staff on the larger colonies and were quite ubiquitous on the streets and byways of Federation worlds.
- Bonus upload for Febrovery 2016 Leap Day. Enjoy!
Korean Marinated Foods
Korean cuisine features a variety of marinated dishes that are flavorful and savory. These dishes not only enhance the ingredients but also offer a delightful balance of taste and texture. Here are some popular types of Korean marinated foods.
A MOC from ages ago, I've had it build for months in the hope that it'll become part of a bigger project (a Neo-Futuron project, ironically enough), but it never happened so here's this dio in case anyone wanted to see it.
More photos on Brickshelf, because I don't want to crowd my photostream with this meh. You may recognise the trailer - I posted it a few months back.
Now I've got this photographed, I can finally take it apart! Wahoo!
~John
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I need a larger photo set-up to get Voyager and Enterprise on the same picture plane to properly show their relative size. Voyager is in the foreground and through the magical properties of closer objects appearing larger, seems almost the same size as Enterprise. Voyager is 74 studs long and Enterprise is 100, and has at least twice the mass.
This set zooms in from a little distance away from the building to finally reveal detail of the domed ceiling.
Water from a trough in the ceiling reflects and nicely flickers on the tiles of the ceiling.
Check my home to see this building from the outside :-)
I've tried to shoot at federation square before but I've made the mistake of getting that god awful architecture in the background. It's a nice spot and there are plenty of people that go there to chill or use it as a rendezvous location. This strangers was one of those, she had a spot on the stairs and was waiting for her friend who was running terribly late. I believe the two of them where from Yorkshire in England and are over here backpacking down the east coast of Australia.
I told her about 100 strangers for a while, she seemed fairly interested. But couldn't get over my voice. She was convinced that I had an accent from somewhere and suggested perhaps Germany. I took some photos near the beginning of our encounter but having spotted this one and the one after, which was similar but with her eyes closed in a smile, I decided that I had what I wanted and stopped shooting.
We chatted for a fair while, and she told me about how in Kuala Lumpur she'd been approached by a few people who wanted to take her picture. But, as if she was a celebrity or something, they wanted to be in the picture with her. So they'd get a friend or a passer by to take a photo of them and her standing together. Eventually my knees got tired and I thanked her and headed off, saying I hoped her friend arrived soon. She said he'll be getting a punch when he does.
This is the sixty eigth portrait of my attempt at the 100 strangers project.
in the Capital city the filthy rich lives in Stratos-scrapers and levitating palaces, at ground level those with regular employment and some status lives...
Then at what is known to most as The cellar levels the poor and factory workers live in just above starvation and misery, if you travel even deeper to the grotto parts of the undercity hoards of savage mutants and outcast aliens and renegade droids live most people who doesn´t have to travel down here with out a platoon of bodyguard federations soldiers and 2-3 defense Bots and a dozen of pathfinders...
This is of cause not even the deepest levels, there are all sorts of rumors of different deep-city Abyssal levels...
since the contact between the different levels in the city, few above cellar-level knows anything about the deeper levels, some say there is huge mutated Dinos running around eating everything, some say a huge biological fleshy mutated mass spread it´s tentacles through the deepest levers incorporating all organic and some inorganic matter in to it´s huge swelling bloated mutant body... but the deepest levels are yet unexplored by "Civilized surface dwellers"
This picture depicts a common trap made by mutants and deep-level scum, the lure-trap goes like this, a mutant with special radio-active attributes such as tapping in to radio-messages or someone who has accidentally swallow a piece of communication tech and gotten this trait in that manner...
...anyway one of these gangers homes in on the radio of a random spacecraft and does his best to convince the victim pilot that they are ground control, then slowly lures the pilot down towards the landing strip which in reality is one of the vents leading deep in to the planet core...
before this the whole pack of underhivling scums have constructed a fake landing coarse and when the pilot lands they wait until the engines are turned off, then they all strike at once, coming from all corners with chains, hooks, chainsaws, pipes, magnets, tentacles and so on...
the pilot then usually tries to start his ship again, but since most spacecraft especially small fighter are lightweight because of economic reasons the pure mutant-body-weight is enough to pull it down, at the same time as they cling to the ship all starts bashing and hacking it, tearing it apart piece by piece in hope to maim it enough to prohibit flight, then at most time there will be fighting among the Hive-scum on which parts they are "the rightful" owners of, many are starving carnivores who see the pilot as a juicy pice of meat behind the thin crystal canopy...
Some pilots choose to eject themselves, with is an almost certain death at this cluttered level of the city, with metal and pipes sticking out everywhere and concrete wall, still the choose certain death rather than being ripped apart by brawling aliens and mutants fighting over dinner...
The atrium at Melbourne's Federation Square is a sea of rich colours in the evening.
HDR photo taken on a Canon EOS 350D and merged using 3 exposures 2.0 EV apart.
Xenia of St. Petersburg (Russian: Святая блаженная Ксения Петербургская, born as Xenia Grigoryevna Petrova (Russian: Ксения Григорьевна Петрова), c. 1719–1730 – c. 1803) is a patron saint of St. Petersburg, who according to tradition, gave all her possessions to the poor after her husband died.
Her husband had been Colonel Andrey Fyodorovich Petrov, a chanter at the Saint Andrew Cathedral. After his death, Xenia became a "fool-for-Christ" and for 45 years wandered around the streets of St. Petersburg, usually wearing her late husband's military uniform.
Xenia's grave is in the Smolensky Cemetery of St. Petersburg. It has been marked by an ornate chapel since 1902. She was canonized by the Russian Orthodox Church Outside Russia on September 24, 1978 (O. S. September 11, 1978) in the Synodal Cathedral of Our Lady of the Sign in New York, USA and by the Russian Orthodox Church on June 6, 1988, during the Local Council of the Russian Orthodox Church. Her feast day in the Old Style Calendar is January 24, which is February 6 in the New Calendar. In July 2020, the Holy Synod of the Romanian Orthodox Church also resolved to include Xenia of St. Petersburg in its calendar on January 24.
As a saint, she is noted for her intercessions in helping those with employment, marriage, the homeless, for fires, for missing children, and for a spouse. She is venerated in several countries. There are about 40 churches and chapels built in her name.
Alexander Yaroslavich Nevsky (Russian: Александр Ярославич Невский; monastic name: Aleksiy; 13 May 1221 – 14 November 1263) was Prince of Novgorod (1236–1240; 1241–1256; 1258–1259), Grand Prince of Kiev (1249–1263), and Grand Prince of Vladimir (1252–1263).
Commonly regarded as a key figure in medieval Russian history, Alexander was a grandson of Vsevolod the Big Nest and rose to legendary status on account of his military victories in northwestern Russia over Swedish invaders in the 1240 Battle of the Neva, as well as German crusaders in the 1242 Battle on the Ice. He preserved Eastern Orthodoxy, agreeing to pay tribute to the powerful Golden Horde. Metropolitan Macarius of Moscow canonized Alexander Nevsky as a saint of the Russian Orthodox Church in 1547.
The veneration of Alexander began almost immediately after his burial, when he reportedly extended his hand for the prayer of absolution. According to Orthodox tradition, Alexander foresaw his death and before this took strict Orthodox Christian monastic vows, called Great Schema, and took the name Alexey.[citation needed]
In 1380, Alexander's remains were uncovered in response to a vision before the Battle of Kulikovo and found to be incorrupt. The relics were then placed in a shrine in the church. Alexander was canonized as a saint of the Russian Orthodox Church by Metropolitan Macarius in 1547.
In 1695, a new wooden reliquary was made in Moscow, and the relics were placed in it in 1697. By order of Peter the Great, the relics were then removed from Vladimir on 11 August 1723 and transported to Shlisselburg, arriving there on 20 September. There they were kept until 1724, when they were brought to Saint Petersburg and installed in the Annunciation Church of the Alexander Nevsky Lavra on 30 August.
In 1753, a silver shrine with sarcophagus for the relics, made from 90 pounds of silver, was donated by Empress Elizabeth of Russia. With the completion of the Holy Trinity Cathedral of the Alexander Nevsky Lavra in 1790, the shrine and relics were translated there at its consecration on 30 August, one of the saint's feast days.
In May 1922, during the general confiscation of Russian Orthodox Church property, the sarcophagus was opened and the relics removed;[better source needed] and the elaborate silver shrine was transferred to the Hermitage Museum. The relics were put into storage at the Museum of the History of Religion and Atheism, before being returned to Holy Trinity Cathedral in 1989. On 10 May 2023, the Hermitage Museum and Alexander Nevsky Lavra signed a contract for the transfer of the shrine to Holy Trinity Cathedral of the Alexander Nevsky Lavra for a period of 49 years. On 12 September 2023, Patriarch Kirill of Moscow placed the relics back into the silver sarcophagus.
Alexander's principal feast day is 23 November. A secondary feast day was instituted on 30 August in commemoration of his relics being placed in the Annunciation Church. He is jointly commemorated with other saints of Rostov and Yaroslavl on 23 May.
Voronezh is a city and the administrative centre of Voronezh Oblast in southwestern Russia straddling the Voronezh River, located 12 kilometers (7.5 mi) from where it flows into the Don River. The city sits on the Southeastern Railway, which connects western Russia with the Urals and Siberia, the Caucasus and Ukraine, and the M4 highway (Moscow–Voronezh–Rostov-on-Don–Novorossiysk). In recent years the city has experienced rapid population growth, rising in 2021 to 1,057,681, up from 889,680 recorded in the 2010 Census, making it the 14th-most populous city in the country.
From 10 to 17 September 2011, Voronezh celebrated its 425th anniversary. The anniversary of the city was given the status of a federal scale celebration that helped attract large investments from the federal and regional budgets for development.
On December 17, 2012, Voronezh became the fifteenth city in Russia with a population of over one million people.
Today Voronezh is the economic, industrial, cultural, and scientific center of the Central Black Earth Region. As part of the annual tradition in the Russian city of Voronezh, every winter the main city square is thematically drawn around a classic literature. In 2020, the city was decorated using the motifs from Pyotr Ilyich Tchaikovsky's The Nutcracker. In the year of 2021, the architects drew inspiration from Hans Christian Andersen's fairy tale The Snow Queen as well as the animation classic The Snow Queen from the Soviet Union. The fairy tale replica city will feature the houses of Kai and Gerda, the palace of the snow queen, an ice rink, and illumination.
Parkes –the Early Years.
Like Forbes the Currajong district (later called Parkes after Sir Henry Parkes the politician and federalist) was first sighted and explored by white men in 1835 when Major Thomas Mitchell explored the areas from Parkes to the Bogan River which flows northwards from here to its junction with the Darling River near Bourke. Although not near Parkes Charles Sturt and Hamilton Hume had traced parts of the Bogan River north of Parkes in 1828. Mitchell’s explorations opened up the Parkes area but his conflict with the Wiradjuri Aboriginal people did not help later squatters. Richard Cunningham the noted botanist on Mitchell’s explorations was killed by Aboriginals on the Bogan River in 1835. As early as 1826 the “limits of settlement” were set where land could be bought and sold, or even squatted upon. Bathurst was the furthest point west at that time. In 1827 a road was surveyed to Wellington, 110 kms to the north east of Parkes and the town of Wellington was laid out in 1828. No settlement was permitted beyond Wellington or Orange or Molong or Cowra or Yass. But the new ordinance banning western settlement in 1829 did not stop the pastoralists who chased good open pasture lands with creeks and good pasturage. The men who settled on land beyond the legal limits called themselves squatters. In 1833 NSW passed the Protection of Crown Lands Act to stop this. But it too failed. The first settlement beyond the defined limits in the Parkes district was Eugowra in 1834. Mitchell’s explorations of 1836 and his favourable reports on the western lands open the flood gates to squatting. Acts of violence between Aboriginal people and the squatters was uncontrolled so in 1839 and act was passed to levy squatters an annual tax to pay on their stock for police and peace keeping forces with Commissioners to ensure the peace. In 1846 the government granted 14 year leases to the former squatters as their claim to the land was legalised. The nearest sheep station to what became Parkes was Bald Hill station run by Thomas Bolton but there were four other big station in the district by 1848. The pastoralists developed their properties over the years until the discovery of gold at Lambing Flat (Young) and Forbes in 1861.The routes the diggers followed bypassed Currajong (Parkes) but that was not to last. Currajong had been surveyed as a village site in 1853 but little had emerged there. In August 1862 James Pugh discovered gold in the hills at Currajong. Golden Bar Hill gold field was discovered nearby about the same time. The first ores were taken to Forbes to be crushed but by early 1863 crushing machinery was located near Currajong. By 1867 the gold mining was declining but 40,000 ounces had been extracted from shaft mines. But the village had police barracks and a school and a tent village. By 1871 it was almost deserted when another gold find was made at Bushman’s and more in 1872 and 1873. Bushmans was soon a village of 6,000 people. Some of the god found was easy alluvial gold but most was in deep lodes.
In August 1873, Henry Parkes (later Sir Henry Parkes from 1877) who was then the Premier of NSW, visited Bushmans gold fields and met with diggers and the local Gold Commissioner. A township was to be created called Coobang but this was changed to Parkes in December 1873. On the same day the largest gold nugget found on the fields was discovered – the Welcome nugget weighing 132 ounces. These gold field produced 50,000 ounces of gold between 1871 and 1873. A mail service was started from Orange and police patrolled the fields and a Union Church was built in 1872 near the present day Uniting Church in Court Street. At that time there was a general store, a hotel and some other commercial buildings in Bushman/Currajong. It was the gold Commissioner who laid out the streets of Parkes in 1873 with a dogleg in the main street because of the early buildings. After the gold declined the new land act ensured that farmers as well as pastoralists moved into the Parkes district. It was Henry Parkes who had championed the 1861 Robertson Act in NSW which allowed selection of land before survey for blocks of 40 to 320 acres at £1 per acre. 25 percent was due on occupation and the balance in three years’ time. This act remained in force until 1884. The earliest wheat crops were taken to Orange for milling into flour until the McGee and Quinn mill was erected in 1871. The mill and the two mill owning families were destroyed by a massive fire in 1895.A second mill was built near the railway line in 1911. In fact the railway from Orange opened up Parkes to markets beyond the district. It reached Molong in 1885 from Orange and Parkes in 1893. The line from Parkes was extended to Condobolin in 1898 and north to Peak Hill in 1914. The link across to Broken Hill (and Adelaide) via Condobolin was not completed until 1927. Parkes became a municipality in 1883 with its first mayor and the town was well established by the mid-1880s. The first Council Offices and library were erected in 1886.
The original Wesleyan/Union Methodist Church was erected in 1864 doubling as an early church school and then provisional government school from 1868. Compulsory education did not come about in NSW until 1880. The Currajong School in the Wesleyan Church closed in 1868 and another wooden school opened in 1872 until the Parkes Primary School was completed in 1875. It opened with 93 pupils and a few years later had 350 pupils! A new government school was built in 1933 and a high school established in 1941. The Sisters of Mercy built a convent school in Parkes in 1910 but the Sisters of St Joseph also had a two storey convent in Parkes. The Anglicans built a wooden church in 1875 but it burnt down in 1876. A parish hall was not built until 1889 and it was then used as a church until the new St George’s was completed in 1927. The Parkes Methodist Church was built in 1897 and the church hall added in 1913. At that time the original wooden Union/Wesleyan (1864) church was demolished to make room for the new church hall. The Presbyterians first met in the masonic Hall until they built a church around 1890. Their first church was started in 1916 and opened in 1919. The Catholics began masses in the early school in the 1870s until their church opened in 1889. This fine church was demolished in 1941 and replaced with a bigger Catholic Church in 1942. As a result of many German Lutherans moving from South Australia to Parkes a Lutheran congregation was established in 1892 but a church was not built until 1953. The Lutherans used various halls around the Parkes district for their services for around fifty years.
Some Historic Buildings in Parkes.
•The Royal Hotel. Built in 1881 by Mrs Fletcher whose husband established the first Royal hotel in 1871. Built with 20 guest rooms and staling for 23 horses. This is where Sir Henry Parkes used to stay when visiting the town. 217 Clarinda St. Clarinda St was named after Sir Henry Parkes wife.
•Methodist church hall. Built in 1913 in ochre red brick with buttresses and three thin spires in Gothic style. Ornate gable facing the street. Parkes Methodist Church built in 1897. It is an example of a Federation Gothic building in red brick with white stucco bandings and quoins.
•Parkes Post Office with the clock. The first Post Office was built in 1871 as a single storey structure. Rebuilt as a two storey structure in 1880 after the telegraph had reached Parkes in 1875.It has endured several major renovations since with rounded Art Deco style windows on the lower storey.
•The Courthouse in Currajong St. Earliest Courthouse was erected 1875.The current erected in 1896 and the architect was Walter Vernon. It has three layers of rooves up to a clerestory window apex.
•Parkes Convent Bed and Breakfast in Currajong St. Built in 1910 as the Catholic presbytery then it became the convent of the Sisters of St Joseph by 1918 as they ran their convent school. In 1923 it was remodelled and taken over by the Sisters of Mercy who ran the school and convent in it until 1986 but the convent was sold in 1983. 33 Currajong St.
•The Parkes Police Station was built earlier in 1872 at 2 Court St. Architect was Colonial Architects J Barnet. It is in a simple single storey style.
•Parkes Presbyterian Church. The first church was built between 1890 and 1893 when Reverend Smythe was the minister. The current tower church was built in 1919 at a cost of £3,000 and opened in May 1919. The 1890 church became the church hall. A new Memorial Hall was built in 1955.
•Anglican Church. An arts and crafts interwar years Gothic revival church. Built in 1926 at a cost of £14,000. It is one of the most significant buildings in Parkes architecturally as it has no arched Gothic windows but the mass and towers still give it a Gothic appearance. The architect was Louis Williams of Melbourne a devotee to the inter war Gothic style. It adjoins the parish hall 1889. North west end of the church added in 1955.
•Balmoral House. Built in the 1880s with proceeds from gold mining. It is a grand Italianate style two storey house with bay windows which were all the rage in the mid-1880s. Avoids symmetry and has fine cast iron lacework on the verandas. It was built by William Hazelhurst the towner of Phoenix gold mine one of the richest of the region. But alas Hazelhurst died almost penniless. In Hill St opposite the school.
•The NAB bank 230 Dalton St on Chamberlain Square. Red brick with classical features such as a balustrade around the roof line. A cube building with pilasters on the walls. Built in 1925 for the Commercial Banking Company of Sydney. Heritage listed as an interwar neo classical building.
•Sir Henry Parkes’ statue in Chamberlain Square in front of the NAB Bank.
•The railway station dates from 1893. May St. Opposite is the Railway Hotel built in 1915, silos and good shed.
•During World War Two the Telstra building was the Small Arms factory an offshoot of the Arms factory of Lithgow.
From Clarinda Street walk up Court Street.
On the left is the Royal hotel, on the right is the Methodist church and church hall; and on next corner left is the Post Office and on the right is the Courthouse. Next to the Courthouse is the Convent B & B (1910). If you continue along Currajong Street you will see the Catholic Church on the next corner.
Continuing along Court Street on the next corner is the old Police Station and cells. On the northern corner is the Presbyterian Church. Turn left here into Hill Street. On the next corner on your left is the Anglican Church. Continue along Hill St and next on your right is the beautiful Balmoral House. Return to the main street- Clarinda St. If you go north of the Royal Hotel you will see the old NAB bank on the right on a corner.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Moscow is the capital and largest city of Russia, standing on the Moskva River in Central Russia. It has a population estimated at over 13 million residents within the city limits, over 19.1 million residents in the urban area, and over 21.5 million residents in its metropolitan area. The city covers an area of 2,511 square kilometers (970 mi2), while the urban area covers 5,891 square kilometers (2,275 mi2), and the metropolitan area covers over 26,000 square kilometers (10,000 mi2). Moscow is among the world's largest cities, being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent.
First documented in 1147, Moscow became the capital of the Grand Principality of Moscow, which led the unification of the Russian lands in the 15th century and became the center of a unified state. Following the proclamation of the Tsardom of Russia in 1547, Moscow remained the political and economic center for most of its history. During the reign of Peter the Great, the Russian capital was moved to the newly founded city of Saint Petersburg in 1712, leading to a decline in Moscow's importance throughout the imperial period. Following the Russian Revolution and the establishment of the Russian SFSR, the capital was moved back to Moscow in 1918. The city later became the political center of the Soviet Union and experienced significant population growth throughout the Soviet period. In the aftermath of the dissolution of the Soviet Union, Moscow remained the capital city of the newly reconstituted Russian Federation and has experienced continued growth.
The northernmost and coldest megacity in the world, Moscow is governed as a federal city, where it serves as the political, economic, cultural, and scientific center of Russia and Eastern Europe. Moscow has one of the world's largest urban economies. Moscow has the second-highest number of billionaires of any city (tied with Hong Kong). The Moscow International Business Center is one of the largest financial centers in the world and features the majority of Europe's tallest skyscrapers. Moscow was the host city of the 1980 Summer Olympics and one of the host cities of the 2018 FIFA World Cup.
The city contains several UNESCO World Heritage Sites and is known for its display of Russian architecture, particularly in areas such as Red Square and buildings such as Saint Basil's Cathedral and the Moscow Kremlin, the latter of which is the seat of power of the Government of Russia. Moscow is home to Russian companies in different industries and is served by a comprehensive transit network, which includes four international airports, ten railway terminals, a tram system, a monorail system, and the Moscow Metro, which is the busiest metro system in Europe and one of the largest rapid transit systems in the world. The city has over 40 percent of its territory covered by greenery, making it one of the greenest cities in the world.
Voronezh is a city and the administrative centre of Voronezh Oblast in southwestern Russia, straddling the Voronezh River 12 kilometers (7.5 mi) from where it flows into the Don River. The city sits on the Southeastern Railway, which connects western Russia with the Urals and Siberia, the Caucasus and Ukraine, and the M4 highway (Moscow–Voronezh–Rostov-on-Don–Novorossiysk). In recent years the city has experienced rapid population growth, rising to 1,057,681 in the 2021 Census, up from 889,680 recorded in the 2010 Census, making it the 14th-most populous city in the country.
Hero City: Voronezh.
From 10 to 17 September 2011, Voronezh celebrated its 425th anniversary. The anniversary of the city was given the status of a federal scale celebration that helped attract large investments from the federal and regional budgets for development. On December 17, 2012, Voronezh became the fifteenth city in Russia with a population of over one million people. Today Voronezh is the economic, industrial, cultural, and scientific center of the Central Black Earth Region. As part of the annual tradition in the Russian city of Voronezh, every winter the main city square is thematically drawn around a classic literature. In 2020, the city was decorated using the motifs from Pyotr Ilyich Tchaikovsky's The Nutcracker. In the year of 2021, the architects drew inspiration from Hans Christian Andersen's fairy tale The Snow Queen as well as the animation classic The Snow Queen from the Soviet Union.
PHLUG SPACETEMBER
Orbital frame(not orbital frame cuz its not a mech in outerspace)
LT - 495 Taurus is the general purpose mass produce combat suit design by lift tech for the atlas federation space force. purposely build for outer space combat and can be equip with multiple weapon systems for any given combat situations
A soldier poses with the assortment of weapons commonly issued to Federation troops.
Although not issued the latest high-tech gear, to say that Federation soldier are outmatched would be far from the truth. Firm believers in the principle of 'If if isn't broke, don't fix it.", the weapons a Federation soldier carries are battle-proven and reliable. Much of the gear also has been extensively modified. For example, the MK. 9 plate carrier appears to be old fashioned, as it still uses the PALS system. However, on the inside the vest is outfitted with the Gen. 4 ceramic/composite plates, that are lighter than older versions and able to stop larger rounds of ammunition.
Photo WILL be replaced with a better one tomorrow.
epa07557232 Russian female military servicemen march during the Victory Day parade on Red square in Moscow, Russia, 09 May 2019. Russia marks on 09 May the 74th anniversary of the victory in the World War II over Nazi Germany and its allies. The Soviet Union lost 27 million people in the war. EPA/YURI KOCHETKOV
This monochrome image looking along Hickson Street, features an excellent example of the Federation Warehouse style with distinctive Romanesque and Art Nouveau detailing. It was designed by a very prominent Federation Period architect, Walter Liberty Vernon, who was the first NSW Government Architect.
Built originally in 1902 as a single-storey sandstone electrical power station, it is today a six-storey brick building with a detached 61m-high chimney stack, which has been recessed into the side of the rectangular plan of the building. It has a combination of sandstone, brick and rendered facades. Considerable bedrock had to be excavated from the former quarry site which had supplied the sandstone used to construct most of the early buildings in The Rocks. The George Street entrance is approximately three storeys above the Hickson Road entrance.
The original plans of the George Street Electric Light Power Station building submitted by Walter Liberty Vernon was for a six-level structure structure similar to the one we see today. The plans were down-sized first to two storeys, then a single storey building, which was the plan finally adopted.
The power station was built to supply power to the 1,000 dwellings in the Rocks/Millers Point area after the bubonic plague outbreak in 1900. Demand quickly outstripped supply and the power station was grossly inadequate. Furthermore, debate had been raging as to whether direct current (DC) or alternating current (AC) should be adopted as the world standard. In consequence of the leaning towards AC, a decision was made during its construction to change from DC to AC and the new station was not big enough to house the new equipment. Consequently, no machinery was ever installed, the chimney has never been used, the workshops were never completed and the shell was left roofless.
In June 1908, Vernon was asked to submit plans to convert the building into a mining museum and chemical laboratory. He reverted to his original plans, and recommended the addition of three extra floors similar in design to the large Federation woolstores and warehouses that were being built around Darling Harbour at the time. Vernon incorporated sandstone string courses into the dark red brickwork of the extensions with an attic level behind Romanesque style parapets and gabled roofs. - details from visitsydneyaustralia.com.au.
The building was erected on land originally occupied by Cunnyngehams shipyard in 1840s. At that time, the shoreline came right up to what is today the front of the building (I think that means George Street but happy to be corrected!). The power station was the first major public building in The Rocks Resumption area. When in 1908 the site is vested in the NSW Mines Department, the upper levels of the building constructed specifically for the mining museum and associated chemical laboratories, and a new entrance into George Street, with the Mining Museum opening in August 1909. Julian Ashton's Art School moved into the vacant first floor in 1930. The museum closed in 1995. In 2000-2001 the building reopened as the Arts Exchange with parts of it leased to the Australian Music Centre, the Sydney Opera House, and the organisers of the Sydney Festival. This use continues today.