View allAll Photos Tagged faulty
very delicate electrical wiring on the CX !!
I just had a bunch of stuff done on the car (clutch, head gasket, heater core and a lot of small issues) - and now she wouldn't start !!
this big brown connector wasn't doing his job well. the electrical parts around the engine responded to manipulation of this connector. grrrrrrrrrrrrrr !!
I had this happen a few years ago also. so now it was time to cut is out. used regular insulated male-female connectors to make to car work again.
located right above the horn/battery section, left front engine bay. check yours one day ;-)
I just cut it out
Sometimes I think Flickr Stats are faulty as I cannot believe nobody saw my posts or commented on 18 June 2009 ..Sarka and Haunted Fleur De Lyz are always visiting me as I visit them regularly..each time I come towards the computer at home.
I dont have a lap top as yet.. this to Fred Miller.
I am trying to sell this hardy computer and buy a lap top in exchange ..I have told my tech about it..
I have not been out with Marziya since 18 June 2009 .
Business has not got up up from its slumber..I make ends meet.. so there is no photography these days..while coming back from Abhijeets Wedding at Dombivali I thought of getting down at Thane to meet Laxmi my Hijra Guru or my new Hijra friend the sexy Anamika from Mulund but I was too tired I gave it a skip.
I need to shoot Anamika last I shot her in the Maryamma procession at Mahim.She is a Tantric Hijda ..and can enter your dreams at will...she has a magnetic charm that has crushed me like a boulder ..a very husky voice when I talk to her on the phone..yes hijdas are very human in spite of their mystical androgynous aura..
Fortunately my sugar level has come down considerably , after Ramzan though I fasted for 30 days my sugar level was up..many folds...now I checked my sugar after Ramzan.
I have gone for a Ayurvedic treatment for Diabetes..I still take my insulin and a alopathic medicine but my Ayurvedic doctor, Dr Rekha Parulekar from Chembur has given me a guarantee that I will be normal in three months time...and can give up my insulin intake.
The Ayurvedic medicine is a green powder very bitter I take twice before meals.
My son in law Assad Dadan had huge stones in the kidney that she bought out in 3 days with Ayurvedic medicine ..its on his recommendation I have begun her treatment.
81,119 items / 441,198 views
Apologies for the blue tint - a faulty setting on the camera was not noticed until too late !
Tō-ji (東寺 Tō-ji) (East Temple) is a Buddhist temple of the Shingon sect in Kyoto, Japan. It once had a partner, Sai-ji (West Temple) and, together, they stood alongside the Rashomon, gate to the Heian capital. It was formally known as Kyō-ō-gokoku-ji (教王護国寺 The Temple for the Defense of the Nation by Means of the King of Doctrines)[1] which indicates that it previously functioned as a temple providing protection for the nation. Tō-ji is located in Minami-ku near the intersection of Ōmiya Street and Kujō Street, southwest of Kyoto Station.
Tō-ji was founded in the early Heian period.[2] The temple dates from 796, two years after the capital moved to Heian-kyō. Together with its partner Sai-ji, and the temple Shingon-in (located in the Heian Palace), it was one of only three Buddhist temples allowed in the capital at the time, and is the only of the three to survive to the present.
Tō-ji is often associated with Kōbō Daishi (Kūkai). Though Tō-ji began to decline in the end of Heian period, it came back into the spotlight with the rise of Daishi Shinko (worshipping of Kōbō Daishi) in Kamakura period. The well-known Buddhist priest was put in charge of Tō-ji in 823 by order of Emperor Saga. The temple's principal image is of Yakushi Nyorai, the Medicine Buddha. Many religious services for Daishi are held in Miei-dō (御影堂) (or Daishi-dō (大師堂), in another name), the residence of Kōbō Daishi.[3]
Five-story pagoda
The Five-story pagoda of Tō-ji stands 54.8 meters (180 feet) high, and is the tallest wooden tower in Japan. It dates from the Edo period, when it was rebuilt by order of the third Tokugawa Shogun, Iemitsu. The pagoda has been, and continues to be, a symbol of Kyoto. Entrance into the pagoda itself is permitted only a few days a year.
Kondo
The Kondo or Golden Hall is the main hall of the temple, and contains a statue of Yakushi from 1603.
Miedo
The Miedo is dedicated to Kobo Daishi, also called Kukai, the temple's founder. It stands on the location of his original residence. The hall is opened on the 21st of each month, when a memorial service is held for Kukai.
Temple grounds
The grounds feature a garden and pond, in which turtles and koi swim. The grounds also house an academically rigorous private school, Rakunan, from which many students are sent to elite universities.
Recognizing the historical and spiritual significance of Tō-ji, UNESCO designated it, along with several other treasures in Kyoto Prefecture, as part of the "Historic Monuments of Ancient Kyoto" World Heritage Site.
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
A faulty capacitor on a Dell Optiplex GX270 begins it's journey to the electronic componment afterlife. Dell's replacing this motherboard, which died right on the last day of it's warranty!
While I had the Nikon in the office with one of these, I put my 28-105mm macro, and then stacked my +4 and +5 closeup lens (filters) and fired the flash to fill in missing light in the case. There is also a desk lamp shining from above.
Screen not flush with the casing (right side), Apple are replacing (depending on stock in local store)
Unless my memory is faulty, this one probably comes from an old Marine, one of the survivors of the 2nd Raider Battalion's Makin Island Raid, who later became an arms specialist with the weapons company, 4th Marine Regiment.
Apparently the grip was replaced at some point, and the retaining pins were added.
It's been polished and the guard bent straight, but it's original and I suspect worth much more than was paid for it sixty years ago.
Copyrighted, all rights reserved.
FINALLY! A SHOT I NEVER THOUGHT I COULD GET!
VWH2106 (LK15CXE) is seen on the 214 at Moorgate, Finsbury Park on tube extra.
Apologies for the blue tint - a faulty setting on the camera was not noticed until too late !
Tō-ji (東寺 Tō-ji) (East Temple) is a Buddhist temple of the Shingon sect in Kyoto, Japan. It once had a partner, Sai-ji (West Temple) and, together, they stood alongside the Rashomon, gate to the Heian capital. It was formally known as Kyō-ō-gokoku-ji (教王護国寺 The Temple for the Defense of the Nation by Means of the King of Doctrines)[1] which indicates that it previously functioned as a temple providing protection for the nation. Tō-ji is located in Minami-ku near the intersection of Ōmiya Street and Kujō Street, southwest of Kyoto Station.
Tō-ji was founded in the early Heian period.[2] The temple dates from 796, two years after the capital moved to Heian-kyō. Together with its partner Sai-ji, and the temple Shingon-in (located in the Heian Palace), it was one of only three Buddhist temples allowed in the capital at the time, and is the only of the three to survive to the present.
Tō-ji is often associated with Kōbō Daishi (Kūkai). Though Tō-ji began to decline in the end of Heian period, it came back into the spotlight with the rise of Daishi Shinko (worshipping of Kōbō Daishi) in Kamakura period. The well-known Buddhist priest was put in charge of Tō-ji in 823 by order of Emperor Saga. The temple's principal image is of Yakushi Nyorai, the Medicine Buddha. Many religious services for Daishi are held in Miei-dō (御影堂) (or Daishi-dō (大師堂), in another name), the residence of Kōbō Daishi.[3]
Five-story pagoda
The Five-story pagoda of Tō-ji stands 54.8 meters (180 feet) high, and is the tallest wooden tower in Japan. It dates from the Edo period, when it was rebuilt by order of the third Tokugawa Shogun, Iemitsu. The pagoda has been, and continues to be, a symbol of Kyoto. Entrance into the pagoda itself is permitted only a few days a year.
Kondo
The Kondo or Golden Hall is the main hall of the temple, and contains a statue of Yakushi from 1603.
Miedo
The Miedo is dedicated to Kobo Daishi, also called Kukai, the temple's founder. It stands on the location of his original residence. The hall is opened on the 21st of each month, when a memorial service is held for Kukai.
Temple grounds
The grounds feature a garden and pond, in which turtles and koi swim. The grounds also house an academically rigorous private school, Rakunan, from which many students are sent to elite universities.
Recognizing the historical and spiritual significance of Tō-ji, UNESCO designated it, along with several other treasures in Kyoto Prefecture, as part of the "Historic Monuments of Ancient Kyoto" World Heritage Site.
It wasn't faulty. He explained it was only guaranteed for three wishes, but she was having none of it! More on the Arcadian centre can be found here.
"Affordable" homes on Folkestone seafront. Built almost on the beach and in front of the existing old Victorian homes. Unfortunately, when the wind gets up, they create this annoying high pitched whistling noise to the annoyance of the locals...
@dr_morepen
Recently bought your Glucometer online but I am disappointed it keeps showing Err4 and the lancet is not ok I tried your customer care no response 1800117600 I am being treated by Dr Manoj Chaddha #PDHindujaHospital Mahim.I was using #OneTouch earlier
Waiting for the shop to open. My computer became a right nuisance the last week. Freezing several times per day. And I thought it was the Ubuntu-update. But then I decided to run memtest and it even booted spontaneously in the middle of the tests. Now I understood it to be a RAM problem. So I took it to the shop who will probably replace the faulty RAM.
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
Apologies for the blue tint - a faulty setting on the camera was not noticed until too late !
Tō-ji (東寺 Tō-ji) (East Temple) is a Buddhist temple of the Shingon sect in Kyoto, Japan. It once had a partner, Sai-ji (West Temple) and, together, they stood alongside the Rashomon, gate to the Heian capital. It was formally known as Kyō-ō-gokoku-ji (教王護国寺 The Temple for the Defense of the Nation by Means of the King of Doctrines)[1] which indicates that it previously functioned as a temple providing protection for the nation. Tō-ji is located in Minami-ku near the intersection of Ōmiya Street and Kujō Street, southwest of Kyoto Station.
Tō-ji was founded in the early Heian period.[2] The temple dates from 796, two years after the capital moved to Heian-kyō. Together with its partner Sai-ji, and the temple Shingon-in (located in the Heian Palace), it was one of only three Buddhist temples allowed in the capital at the time, and is the only of the three to survive to the present.
Tō-ji is often associated with Kōbō Daishi (Kūkai). Though Tō-ji began to decline in the end of Heian period, it came back into the spotlight with the rise of Daishi Shinko (worshipping of Kōbō Daishi) in Kamakura period. The well-known Buddhist priest was put in charge of Tō-ji in 823 by order of Emperor Saga. The temple's principal image is of Yakushi Nyorai, the Medicine Buddha. Many religious services for Daishi are held in Miei-dō (御影堂) (or Daishi-dō (大師堂), in another name), the residence of Kōbō Daishi.[3]
Five-story pagoda
The Five-story pagoda of Tō-ji stands 54.8 meters (180 feet) high, and is the tallest wooden tower in Japan. It dates from the Edo period, when it was rebuilt by order of the third Tokugawa Shogun, Iemitsu. The pagoda has been, and continues to be, a symbol of Kyoto. Entrance into the pagoda itself is permitted only a few days a year.
Kondo
The Kondo or Golden Hall is the main hall of the temple, and contains a statue of Yakushi from 1603.
Miedo
The Miedo is dedicated to Kobo Daishi, also called Kukai, the temple's founder. It stands on the location of his original residence. The hall is opened on the 21st of each month, when a memorial service is held for Kukai.
Temple grounds
The grounds feature a garden and pond, in which turtles and koi swim. The grounds also house an academically rigorous private school, Rakunan, from which many students are sent to elite universities.
Recognizing the historical and spiritual significance of Tō-ji, UNESCO designated it, along with several other treasures in Kyoto Prefecture, as part of the "Historic Monuments of Ancient Kyoto" World Heritage Site.
Taken with a (faulty) Diana Baby 110 camera. THe shutter on this camera was stuck on "B" even when it was set for "I" which should be around 1/100th sec. As a result all the negatives are hopelessly over exposed and exhibit spectacular camera shake, they were virtually unscanable, but I've managed to rescue some very grungy images. The film is Lomochrome Metropolis, but it is hardly shown off to its best in these!
These were taken for to accompany an interview I gave to Lomography Magazine about using 110 film in 2021.
www.lomography.com/magazine/346937-analogue-advocate-tony...
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
The faulty crane at Hotel La Tour site has been dismantled after the fault the previous day caused traffic problems in the City Centre.
From James Watt Queensway after 1pm. Half the crane had been dismantled.
I wonder if they will replace the malfunctioning crane with a new one. As I don't know when construction on the hotel will resume.
While this may look like an ordinary landscape, this was taken on San Andreas fault. The little hill was created by movements deep in the earth over many years.
Hopefully the computer is up and running again...my son found a faulty cable and connection. He said that may have been my trouble over the past months! This time I lost all my hard drives, but all is back to normal..fingers crossed!
Ellerslie International Flower Show, Christchurch March 8, 2013 NZ.
The 2013 show – running from 6-10 March at Christchurch’s North Hagley Park – has attracted high-quality, world-class gardens from a selection of top international exhibitors along with New Zealand’s best gardeners and designers.
The best of British – top garden designer Andrew Fisher-Tomlin and multi award-winning young British brothers Tom and Paul Harfleet – will be exhibiting. Fisher-Tomlin is also Convenor of Judges.
The expanded fashion and food elements are also bound to be a hit and mean Ellerslie International Flower Show has something to tempt people of all ages with varying interests.
Ellerslie International Flower Show Exhibition Manager Kate Hillier says the line-up of exhibits is impressive.
“Ellerslie has built a reputation as New Zealand’s annual flower show and just like the famous Chelsea Flower Show in London forecasts the latest garden design trends and plant fashions. Visitors to Ellerslie get the first chance to see the hottest new plants, colours and looks by the country’s leading landscape architects and garden designers.”
A highlight of the show will be New Zealand’s legendary Weta Workshop featuring their fantasy sculptures in one of the key garden exhibits.
The sculptures will feature in former All Black Andy Ellis and landscape architect Danny Kamo’s exhibition garden – a re-enactment of their successful entry at the 2012 Singapore Garden Festival which won Gold in a field of 15 of the world’s top garden designers. After Singapore the garden was adapted to provide a stunning native bush setting for Johnny Fraser-Allen’s ‘The Gloaming’ exhibition, curated and presented by Weta Workshop’s Sir Richard Taylor and Tania Rodger in Wellington late last year.
The amazing feature garden exhibit will not be judged, it is there to entertain and delight and an opportunity for Christchurch to have Weta Workshop right here in the Garden City.
Fro More Info: www.ccc.govt.nz/cityleisure/eventsfestivals/iconicevents/...
Apologies for the blue tint - a faulty setting on the camera was not noticed until too late !
Tō-ji (東寺 Tō-ji) (East Temple) is a Buddhist temple of the Shingon sect in Kyoto, Japan. It once had a partner, Sai-ji (West Temple) and, together, they stood alongside the Rashomon, gate to the Heian capital. It was formally known as Kyō-ō-gokoku-ji (教王護国寺 The Temple for the Defense of the Nation by Means of the King of Doctrines)[1] which indicates that it previously functioned as a temple providing protection for the nation. Tō-ji is located in Minami-ku near the intersection of Ōmiya Street and Kujō Street, southwest of Kyoto Station.
Tō-ji was founded in the early Heian period.[2] The temple dates from 796, two years after the capital moved to Heian-kyō. Together with its partner Sai-ji, and the temple Shingon-in (located in the Heian Palace), it was one of only three Buddhist temples allowed in the capital at the time, and is the only of the three to survive to the present.
Tō-ji is often associated with Kōbō Daishi (Kūkai). Though Tō-ji began to decline in the end of Heian period, it came back into the spotlight with the rise of Daishi Shinko (worshipping of Kōbō Daishi) in Kamakura period. The well-known Buddhist priest was put in charge of Tō-ji in 823 by order of Emperor Saga. The temple's principal image is of Yakushi Nyorai, the Medicine Buddha. Many religious services for Daishi are held in Miei-dō (御影堂) (or Daishi-dō (大師堂), in another name), the residence of Kōbō Daishi.[3]
Five-story pagoda
The Five-story pagoda of Tō-ji stands 54.8 meters (180 feet) high, and is the tallest wooden tower in Japan. It dates from the Edo period, when it was rebuilt by order of the third Tokugawa Shogun, Iemitsu. The pagoda has been, and continues to be, a symbol of Kyoto. Entrance into the pagoda itself is permitted only a few days a year.
Kondo
The Kondo or Golden Hall is the main hall of the temple, and contains a statue of Yakushi from 1603.
Miedo
The Miedo is dedicated to Kobo Daishi, also called Kukai, the temple's founder. It stands on the location of his original residence. The hall is opened on the 21st of each month, when a memorial service is held for Kukai.
Temple grounds
The grounds feature a garden and pond, in which turtles and koi swim. The grounds also house an academically rigorous private school, Rakunan, from which many students are sent to elite universities.
Recognizing the historical and spiritual significance of Tō-ji, UNESCO designated it, along with several other treasures in Kyoto Prefecture, as part of the "Historic Monuments of Ancient Kyoto" World Heritage Site.
ROPOS buries a broadband seismometer in glass beads at our ODP 1027 location, during operations to replace a faulty seismometer, 6 October 2010. (N47° 45.769′, W127° 45.4673′; depth: 2659.159m)
The heat causes the heater pin's solder to soften and then connector springiness bends the pin off the pad and melts the connector. I'm going to try re-soldering the pin using high temp solder. A more indestructible but more complicated improvement can be found here: softsolder.com/2012/01/13/thing-o-matic-hbp-rebuild/
I've decided not to bother any more about our faulty comment box but see if it resolves itself as I gather sometimes happens. When posting new photos I will wait a few minutes to see if I get more that usual views and favours without comments. If I do I will know the box still isn't working. Then I will do the necessary to each individual photo to open the box. It is set alreaty for all to comment but they can't. By clicking the privacy icon without changing anything it works! Magic.
Thank you to those who have made me their contact. Due to poor health, eye problems and low energy I regret I can't take on any new contacts but nearly always manage to reply to your comments. Please no more than 1 invite.
State Senators Tim Larson and Cathy Osten told federal Housing and Urban Development Secretary Ben Carson that Connecticut residents need an immediate and massive infusion of federal aid of about $1 billion to repair their crumbling foundations, or risk losing their homes. Sens. Larson and Osten took part in an hour-long roundtable discussion at the Tolland Fire Training Center with federal, state and local authorities in hopes of convincing federal authorities to offer assistance to the nearly 1,000 Capitol-region residents who know or suspect their home foundations may have been made with faulty concrete. Secretary Carson said he would bring Connecticut's concerns to President Trump and the federal EPA "to help them understand the magnitude of what is going on." (June 4, 2018)