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A previously unpublished photo from 20 January 2016.
This incorrectly assembled RJ45 connector gave me the run around. I spent quite a while chasing my tail before finding the proud pin. This situation is highly unusual for factory assembled cables.
The RJ45 connector is a common sight in every business and home up and down the land.
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
WIKIPEDIA
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
WIKIPEDIA
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
WIKIPEDIA
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
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👑 Destiny : 👊 Mission 🔽 Clash of Clans Faulty Towers
⚠️ This is not the best method to perform the task.
ℹ️ The troops present in this video are of high levels. You will have to be a good strategist if you have low level troops.
ℹ️ The missions have already been carried out. The loot is therefore different from the one that normally wins.
🎮 Game : Clash of Clans
️ Platform : Mobile App
🎭 Style : + Mind Games + Real Time Strategy + Tactical Games + Strategy + Action
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📋 Clash of Clans is a freemium mobile strategy video game developed and published by Finnish game developer Supercell. The game was released for iOS platforms on August 2, 2012, and on Google Play for Android on October 7, 2013.
The game is set in a fantasy-themed persistent world where the player is a chief of a village. Clash of Clans tasks players to build their own town using the resources gained from attacking other players through the game's fighting features. The main resources are gold, elixir and dark elixir. Players can conjoin to create clans, groups of up to fifty people who can then partake in Clan Wars together, donate and receive troops, and talk with each other.
Clash of Clans was released to positive reviews, garnering high ratings from many critics.
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️ Video made by LG (Windows Movie Maker 2017)
© Etoile (Gaming)
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This origionally started life as a faulty (Meaning it came broken) Jing Gong M16A2, and has ever since become this beautiful thing. So far I have put the following into it:
Jing Gong M16A2-$150
G&P M16A2 Metal Body-$130
G&P Metal Front Handgaurd Ring-$15
King Arms Silencer (Works)-$10 (The market price is around $40, but my friend sold me his for $10.)
Echo 1 Steel Bushings-$15
Magazines-around $80
And for this DMR version:
Leapers scope-$25
UTG Clamp on Bipod-$20
Yup. This is my baby. I'm highly pleased with it so far. : )
Shoots a hard 370-380 FPS and has a great range of accuracy.
Hopefully the computer is up and running again...my son found a faulty cable and connection. He said that may have been my trouble over the past months! This time I lost all my hard drives, but all is back to normal..fingers crossed!
Ellerslie International Flower Show, Christchurch March 8, 2013 NZ.
The 2013 show – running from 6-10 March at Christchurch’s North Hagley Park – has attracted high-quality, world-class gardens from a selection of top international exhibitors along with New Zealand’s best gardeners and designers.
The best of British – top garden designer Andrew Fisher-Tomlin and multi award-winning young British brothers Tom and Paul Harfleet – will be exhibiting. Fisher-Tomlin is also Convenor of Judges.
The expanded fashion and food elements are also bound to be a hit and mean Ellerslie International Flower Show has something to tempt people of all ages with varying interests.
Ellerslie International Flower Show Exhibition Manager Kate Hillier says the line-up of exhibits is impressive.
“Ellerslie has built a reputation as New Zealand’s annual flower show and just like the famous Chelsea Flower Show in London forecasts the latest garden design trends and plant fashions. Visitors to Ellerslie get the first chance to see the hottest new plants, colours and looks by the country’s leading landscape architects and garden designers.”
A highlight of the show will be New Zealand’s legendary Weta Workshop featuring their fantasy sculptures in one of the key garden exhibits.
The sculptures will feature in former All Black Andy Ellis and landscape architect Danny Kamo’s exhibition garden – a re-enactment of their successful entry at the 2012 Singapore Garden Festival which won Gold in a field of 15 of the world’s top garden designers. After Singapore the garden was adapted to provide a stunning native bush setting for Johnny Fraser-Allen’s ‘The Gloaming’ exhibition, curated and presented by Weta Workshop’s Sir Richard Taylor and Tania Rodger in Wellington late last year.
The amazing feature garden exhibit will not be judged, it is there to entertain and delight and an opportunity for Christchurch to have Weta Workshop right here in the Garden City.
Fro More Info: www.ccc.govt.nz/cityleisure/eventsfestivals/iconicevents/...
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.
WIKIPEDIA
You see, assembling these things takes concentration and a delicate touch. Otherwise you'll end up with something like this...
Processing ==> Joons-renderer ==> Sunflow.
"cronichles from the lab"
-------
Optical microscope (Nikon eclipse ME600) image of a faulty lift-off of a thin gold film from a lithium niobate (crystal) surface.
Gold should have been removed completely from the areas where it's wrinkled because, by photolitography, a layer of photoresist should have protected that area on the crystal surface. But the photoresist was clearly not enough.
On the left, the IDTs which I wanted to fabricate can be seen.
-------
Immagine al microscopio ottico (Nikon eclipse ME600) del lift-off fallace di uno strato d'oro dalla superficie di niobato di litio (un cristallo).
L'oro sarebbe dovuto essere rimosso da tutte le aree in cui è increspato poiché, nella tecnica di litografia ottica, uno strato di photoresist avrebbe dovuto proteggere quelle aree del cristallo. Ma il photoresist è stato chiaramente troppo poco!
Sulla sinistra si possono vedere i trasduttori che stavo microfabbricando.
In the late afternoon I popped across to Beki's to see if I could shed some light on why she was getting TV reception upstairs and not downstairs.
Being a new build house I was hoping it was something as simple as the builders just not connecting the dropped cable to the back of the socket.
No such luck. What it seems is that whoever has fitted the cable has been a bit over enthusiastic and massively over tightened it, causing the coax to be crushed and possibly damaging the central core.
With a bit of wiggling we managed to get good reception on all channels except BBC1 and 2 which is a bit annoying. That's one for the housebuilders to fix in a few weeks I think.
Today was another chaotic start to the day as we had a fibre failure. Dave traced it to a faulty optical patch cable, which was a more effective solution than the bowl of All-Bran suggested by one wag. :)
Some of the kids had a really interesting day as they were in what looked like a fascinating workshop on urban design and the built environment. One of the first activities involved analysing the local area with a large scale map and identifying points of interest, good bits and bad bits. The points of interest were labelled with the flags that you see here.
Clearly, bus stops are interesting to 14 year old girls!
Here on the left is the faulty H7 477 headlight bulb that I have removed and a new boxed one ready to go in. Narva bulbs are made by Philips Germany.
Note the keyway at the top.
I have created a very detailed photographic guide that you should find useful :
This one is hopefully the final chapter in the Kenwood Chef revival story.
Viki said that it started pushing smoke out when she was using it, and this is most certainly where that smoke was coming from.
This is one of the capacitors, and is quite visibly blown. Dave was doing some soldering today building speaker crossovers, so it was timely to get him to swap out this faulty part and a couple of others that are likely to fail if left alone.
It's all reassembled and turning like a champ, so now it's a question of pressing it into active service and watching what happens!
Korean Airlines traces its lineage to Korean National Airlines, established in 1948 as the Republic of (South) Korea’s unofficial flag carrier, operating a mix of Stinson Reliants and Douglas DC-3s. Its first flight, on 30 October 1948, is today celebrated as “Air Day” in South Korea. Operations temporarily halted during the Korean War from 1950 to 1953, but it returned to the air after the war ended, with its first international routes established to Japan. (Due to the fact that the Korean War has not officially ever ended, Korean Air is forbidden from flying over North Korean or Russian airspace.) Despite resistance from the airline’s private owners, Korean National Airlines was nationalized in 1962 and renamed Korean Airlines, becoming the official national flag carrier; this situation only lasted until 1969, when it was sold to the Hanjin conglomerate. During this time period, Korean Airlines received its first turboprops (Fokker F.27 Friendships, in 1963) and its first jets (Douglas DC-9s, in 1967). Transpacific routes were introduced in 1970 with Boeing 707s, and the first wide-body airliners, 747s, were added in 1973.
Korean Airlines began to acquire an unfortunate reputation as an airline with one of the worst safety records, beginning in the mid-1970s. No less than 16 aircraft were lost, along with over 700 lives, over a period of 30 years until 1999. Several of these were due to hijackings or bombings by North Korean terrorists, but others were due to poor pilot training: most of Korean Airlines’ pilots were former Republic of Korea Air Force fighter pilots, who found the transition from high-performance fighters to airliners difficult. By far the worst accident in Korean Airlines’ history, however, was Korean Air Lines Flight 007: this flight, due to faulty navigation, strayed over Soviet airspace and was shot down by interceptors, with the loss of all 283 people aboard.
Following the downing of KAL Flight 007, there was some speculation that the Soviet fighters had confused the 747 with a US Air Force RC-135 surveillance aircraft, due to a broad similarity between Korean Airlines’ livery and the markings of USAF RC-135s. (As it was revealed in Soviet records after the end of the Cold War, this was not the case.) To ensure such confusion would not happen, and give the airline a makeover that might mitigate the fears of flying on Korean Airlines, a new livery was launched in 1984. This was completely different from the previous scheme, using light blue uppersurfaces over light gray, with the Taegeuk symbol of South Korea on the tail; the previous corporate identity of “Korean Air Lines” was dropped for large “Korean Air” titles.
After a 1999 crash of a Korean Air Cargo 747, Korean Air embarked on a revamping of its crew training as well as a modernization program. This paid dividends, as the airline has not suffered an accident since, and its aircraft are among the youngest fleet in Asia. Korean Air weathered both the 1997 Asian currency crisis and the post-9/11 airline downturn well, and today is one of the largest non-Chinese airlines in Asia, flying to all five continents. Low-cost subsidiary Jin Air was launched in 2007, while in 2013, Korean Air became the senior partner with Czech Airlines, providing aircraft and maintenance assistance in return for using Prague as a European hub. It also has diversified into prepackaged travel destinations (using hotels owned by the airline directly), and its manufacturing subsidiary, also named Korean Air, produces both licensed and indigenous aircraft, mainly for the ROKAF. Its modern fleet is very diverse, with the majority of international flights flown by Airbus A330s and Boeing 747s, and domestic routes by 737-800 variants.
This 747 shows Korean Air's older, pre-Flight 007 livery. This was a less colorful, more simple scheme with an all-white fuselage, blue cheatline, and a red, stylized aircraft as a tail logo. The Taegeuk was carried on the upper port wing and on the lower starboard wing, in the same fashion as USAF and ROKAF aircraft. HL7410 was only flown by Korean Air Lines, but unlike most of her brethren, it was preserved as a museum aircraft in Cheju, South Korea.
An accidental triple exposure (faulty 104!) on the Henry's Fork of the Snake River, Targhee NF, Idaho
The single exposure shot that I posted during 'Roid Week.
The only "faulty" item in the order.
It's actually fine, the heel is sturdy enough (I figured it might be too flimsy) and it can hold a Lego bar, but for one, it does not realy connect to a Lego stud (it will "wobble" when on a plate), which I can't understand, because it features the same dimensions as normal Lego feet, and even worse: the hole to connect to a minifig hip is not deep enough. I'll see if I can't drill it out, but that makees this product unable to be sold. If the interest is high enough, I might consider making it available (with a warning in the item description of course).
18/02/09
...but somebody has to do it! After paperwork/accounts replacing screens or more specifically replacing the CCFL’s (cold cathode florescent lamps) in laptop screens is one of my least favourite jobs. It's fiddly, fairly low margin for the time spent and often the display inverter is also faulty, or sometimes fails shortly afterwards. Which is difficult to explain to a customer who thinks that it should all be covered in the CCFL replacement.... ahh well it puts food on the table..
I would generally outsource jobs like this but I have had problems with previous suppliers. They often end up using cheap lamps that fail after a relatively short time. Which is particularly frustrating when the difference between cheap crap and top quality is only a few pounds. At least by doing it in house I can use quality assured suppliers!
I was determined to use my 50mm to take this shot.. so in order to get far enough away I had to stand on the desk...on a stool..! Anyway sorry for the lack of effort and slight motion blur this evening, I’m trying to get an early’ish night for once :D
Lightroom: auto levels, adjust curves, save to JPG.
I had no water in my toilet for a few days. The contractor used a faulty pipe joint and it finally cracked. They replaced it for free but I had to use the other toilet for 2 weeks.
The time: 2:00 PM December 1st. The place: Hwy 12 between Napa and Fairfield. I'm driving along happily minding my own business when I notice smoke coming out of the cigarette lighter where I plug in my iPod adapter. I immediately unplug the adapter but smoke continues to come out. The button next to the lighter is also smoking and melts away. Now I can see actual flames behind the lower dash. I'm swatting ineffectually at the smoke and flames while driving on the busy road. There is no place to pull over. It went from "I need to put this out" to "I need to bail out" in about as long a time as it takes you to read this. As flames begin licking up the dash and melting everything I finally spot a place to pull over. I hastily pull into someone's driveway. The dash is now engulfed in flames. The car is going to melt down to the tires if I don't do something so I did the classic thing: I began waving my arms to flag down some help. As I'm calling 911 on my cell I look up and here comes a truck driver running up with a fire extinguisher and he puts out the fire for me. Thanks dude! The Cordelia FD and the Highway Patrol arrive a few minutes later. I'm okay but my car is fucked.
I got home that night and did some research. Turns out there's a recall on the iPod adapter I was using due to fire danger from a faulty washer. I was not notified of any recall on the item. Because I was not injured I do not have the standing to file a product liability lawsuit. The way this works is that Allstate pays me off for my losses on the car and then turns around and goes after Belkin to recoup. I am working closely with my insurance agent to see that she takes a chunk out of Belkin's hide. See the attached pictures. The last picture is a closeup of the faulty washer. Notice the burn and scorch marks. And that's my story!
Paul
Corner stone 16 May 1848 by Rev J B Austin, local freestone, opened as Independent, became Congregational, extensions (vestry, porch & new roof) 1878-79, last service 1927. Then used by Oddfellows & Rechabites. The building was presented 1948 to the Congregational Youth Dept for use as a youth hostel, now privately owned. First services 1943 in Davenport’s home, then a tent until wooden church built 1844.
“Macclesfield. . . In December, 1843, the Rev. J. B. Austin arrived in Adelaide, and came hither the following week, and was kindly received by Mr. (now Sir) and Mrs. Samuel Davenport, who placed at the rev. gentleman's disposal what is now known as the old brewery for a place in which to hold services.” [Observer 25 Nov 1905]
“Rev. J. B. Austin . . . finding the people appeared shy of assembling in a dwelling house, Mr. Austin pitched a tent, brought with him from London, early every Sunday morning to serve as a place of worship for the day; it was unsafe to erect it over night, as the cattle would have chewed the ropes, and therefore it had to be put up in the morning and taken down at night. In the course of a few months a wooden structure was raised capable of holding some 50 people on a site containing one acre of land eligibly situated for the purpose and which was the generous gift of Robert Davenport, Esq., of Battunga. After the lapse of three years, during which time the congregation becoming more numerous it was deemed advisable to build a larger structure, the result of which was the erection in A.D. 1848 of the present stone building, capable of holding about 150 persons.” [Mount Barker Courier 17 Nov 1905]
“Mr Austin . . . made a very feeling speech, contrasting their present well-lighted and commodious chapel, and the large concourse assembled within its walls, with the time (six years and a-half ago) when he commenced preaching the Gospel in this district to a few individuals in a small room in an old wooden house standing on the bank of the creek.” [Register 29 May 1850]
“Macclesfield. . . This building, devoted to the worship of Almighty God, was raised for the use of Protestant Dissenters, called Independents, by a number of the earlier colonists, many of whom settled in this neighbourhood when the land was ‘in statu naturae’.” [Adelaide Observer 20 May 1848]
“tea meeting took place in the Congregational Chapel, Macclesfield. . . After tea, a public meeting was held with a view to devise means for the repair of the chapel which has become much dilapidated through the. ravages of the white ants and other causes . . . At present it was in a very uncomfortable state. It was the first place of worship erected in the neighbourhood.” [Register 17 Dec 1859]
“During the last two years the Macclesfield Church has undergone a number of important improvements, as well as having been thoroughly cleaned and repaired. First, a much-needed vestry was built, much to the satisfaction of ministers and gentlemen conducting the services; next, a new roof was put on the church in place of an old and faulty one; with this several minor improvements were also made; and last, a capital porch has been erected, and is now being fitted. This will be found of very great service, the church being situated in a very bleak quarter, having been hitherto a very cold and draughty one through the front door being continually exposed to the wind.” [Southern Argus 27 Nov 1879]
“Macclesfield Congregational Church Centenary, 1848 - 1948. Approximately 100 people attended the handing over of the old Congregational Church to the Young Peoples' Dept., by the Moderator of the Congregational Union, to the Rev. Peter Matthews (secretary of Youth Dept.). The church is to be renovated, the main portion to be used for study and conferences, and dormitories are to be built on the side.” [Southern Argus 21 Oct 1948]
“Macclesfield Congregational Church. . . A picture of the original church which later was used as a stable, was presented by Mr. Harris, whose grandfather and father were both ministers of the church. The picture will later be hung in the hostel.” [Mount Barker Courier 28 Oct 1948]
Looking at Faulty Towers, a hydrothermal vent field, in ONC's Endeavour observatory.
Credit: ONC/ CSSF-ROPOS
Don't you just hate it when you get nasty emails? I got six today from the SAN in work which did cause me to do a bit of a double take.
You can probably see lots of green LEDs in this pic, and one amber one. The amber one is bad. From what I can tell all of the emails related to this one faulty drive.
Blessedly we have a very, very comprehensive warranty on this so I've ordered the replacement drive and it should arrive pre 10:30 tomorrow.
Now I just need to hope that none of the other drives fail between now and then. Fingers crossed!
This is the source of the problem, a pair of rotten relay valves and a non standard Wabco 2 way check valve, which was wrongly letting air to feed past the internal shuttle causing air to bleed from the brake system.
Apologies for the blue tint - a faulty setting on the camera was not noticed until too late !
Tō-ji (東寺 Tō-ji) (East Temple) is a Buddhist temple of the Shingon sect in Kyoto, Japan. It once had a partner, Sai-ji (West Temple) and, together, they stood alongside the Rashomon, gate to the Heian capital. It was formally known as Kyō-ō-gokoku-ji (教王護国寺 The Temple for the Defense of the Nation by Means of the King of Doctrines)[1] which indicates that it previously functioned as a temple providing protection for the nation. Tō-ji is located in Minami-ku near the intersection of Ōmiya Street and Kujō Street, southwest of Kyoto Station.
Tō-ji was founded in the early Heian period.[2] The temple dates from 796, two years after the capital moved to Heian-kyō. Together with its partner Sai-ji, and the temple Shingon-in (located in the Heian Palace), it was one of only three Buddhist temples allowed in the capital at the time, and is the only of the three to survive to the present.
Tō-ji is often associated with Kōbō Daishi (Kūkai). Though Tō-ji began to decline in the end of Heian period, it came back into the spotlight with the rise of Daishi Shinko (worshipping of Kōbō Daishi) in Kamakura period. The well-known Buddhist priest was put in charge of Tō-ji in 823 by order of Emperor Saga. The temple's principal image is of Yakushi Nyorai, the Medicine Buddha. Many religious services for Daishi are held in Miei-dō (御影堂) (or Daishi-dō (大師堂), in another name), the residence of Kōbō Daishi.[3]
Five-story pagoda
The Five-story pagoda of Tō-ji stands 54.8 meters (180 feet) high, and is the tallest wooden tower in Japan. It dates from the Edo period, when it was rebuilt by order of the third Tokugawa Shogun, Iemitsu. The pagoda has been, and continues to be, a symbol of Kyoto. Entrance into the pagoda itself is permitted only a few days a year.
Kondo
The Kondo or Golden Hall is the main hall of the temple, and contains a statue of Yakushi from 1603.
Miedo
The Miedo is dedicated to Kobo Daishi, also called Kukai, the temple's founder. It stands on the location of his original residence. The hall is opened on the 21st of each month, when a memorial service is held for Kukai.
Temple grounds
The grounds feature a garden and pond, in which turtles and koi swim. The grounds also house an academically rigorous private school, Rakunan, from which many students are sent to elite universities.
Recognizing the historical and spiritual significance of Tō-ji, UNESCO designated it, along with several other treasures in Kyoto Prefecture, as part of the "Historic Monuments of Ancient Kyoto" World Heritage Site.
A faulty washing machine has been inherited from Sheffield Park and the minor wiring fault repaired, The fitter's overalls have been washed and hung out to dry.
PictionID:45281770 - Catalog:14_018673 - Title:Convair Equipment Details: Faulty Packaging; Heliax Cables Improper Handling Date: 11/14/1960 - Filename:14_018673.TIF - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
"Caught between the twisted stars
the plotted lines the faulty map
that brought Columbus to New York
Betwixt between the East and West
he calls on her wearing a leather vest
the earth squeals and shudders to a halt ....
.... Outside the street were steaming the crack
dealers were dreaming
of an Uzi someone had just scored
I betcha I could hit that light
with my one good arm behind my back ....
.... The perfume burned his eyes
holding tightly to her thighs
And something flickered for a minute
and then it vanished and was gone"
The faulty crane at Hotel La Tour site has been dismantled after the fault the previous day caused traffic problems in the City Centre.
After 5pm. From Moor Street Queensway.
By the time I was about to go home the crane had been fully dismantled. and it was back on the lorry, down on Albert Street.
Near Masshouse.
I wonder if they will replace the malfunctioning crane with a new one. As I don't know when construction on the hotel will resume.
These spider crabs and tubeworms were observed near the base of the Faulty Towers hydrothermal vent complex in the Mothra vent field, 20 May 2014.
Credit: ONC/CSSF-ROPOS
Banteay Kdei (Khmer: ប្រាសាទបន្ទាយក្តី; Prasat Banteay Kdei), meaning "A Citadel of Chambers", also known as "Citadel of Monks' cells", is a Buddhist temple in Angkor, Cambodia. It is located southeast of Ta Prohm and east of Angkor Thom. Built in the mid-12th to early 13th centuries AD during the reign of Jayavarman VII (who was posthumously given the title "Maha paramasangata pada"), it is in the Bayon architectural style, similar in plan to Ta Prohm and Preah Khan, but less complex and smaller. Its structures are contained within two successive enclosure walls, and consist of two concentric galleries from which emerge towers, preceded to the east by a cloister.
This Buddhist monastic complex is currently dilapidated due to faulty construction and poor quality of sandstone used in its buildings, and is now undergoing renovation. Banteay Kdei had been occupied by monks at various intervals over the centuries until the 1960s.
GEOGRAPHY
The Banteay Kdei, one of the many Angkor temples, is located in the Angkor Archaeological Park of 400 square kilometres area. The ancient city of Angkor during the Khmer Empire extended from Tonle Sap to the Kulen hills covering a vast area of 1,000 square kilometres. The temple is approached from the east gopura of Ta Prohm along a 600 metres path. This path leads to the west gate entrance gopura of Banteay Kdei. It is 3 kilometres east of Angkor Thom.
HISTORY
The Khmer Empire lasted from 802 to 1431, initially under Hindu religious beliefs up to the end of the 12th century and later under Buddhist religious practices. It was a time when temples of grandeur came to be built and reached a crescendo during the reign of Suryavarman II until 1191, and later in the 12th–13th centuries, under Jayavarman VII. Many Buddhist temples were built, including the Banteay Kdei, from middle of the 12th century to early 13th century. Though Jayavarman VII was credited with building many temples, he was also accused of squandering money on extravagant temple building projects at the expense of society and other duties. He built Buddhist temples in which Bodhisattva Avalokitesvara was the main deity. This temple built, conforming to the style of the Ta Prohm and Preah Khan temples in the vicinity during the same period by Jayavarman VII, but of a smaller size, was built as a Buddhist monastic complex on the site of a 10th-century temple built by Rajendravarman. Some small inscriptions attest to the building of this temple by Jayavarman VII and the royal architect, Kavindrarimathana.
Jayavarman VII had come to power at the age of 55 after defeating Chams who had invaded Angkor and subjected it to devastation. His "prodigious activity" resulted in the restoration of Cambodia from its ruins. He was chiefly the architect of the rebuilt capital at Angkor Thom and was called a "Great Builder". He was responsible for building many temples, which apart from Banteay Kdei, included the central temple of the Bayon, Prah Khan, Ta Prohm and many others, and also many rest houses for pilgrims. The reasons for building this temple at its present site is not known. However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir.
In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition. It is also the view of some archaeologists that the temple was built by Jayavarman II in honour of his religious teacher.
The temple, which for several centuries after the Khmer reign ended, remained neglected and covered with vegetation. It was exposed after clearing the surrounding overgrowth of vegetation in 1920–1922. This work was carried out under the guidance of Henri Marchal (then Conservator of Angkor) and Ch. Battuer, by adopting a conservation principle which was known as "the principle of anastylosis, which was being employed very effectively by the Dutch authorities in Indonesia". It was partially occupied by Buddhist monks till the 1960s.
For ten years till March 2002, Sophia University Mission or the Sophia Mission of Japan carried out several Archaeological research at the Banteay Kdei temple. During these investigations, a cache of fragments of 274 Buddhist statues made in sandstone, along with a few metal art pieces, were unearthed, in 2001. Plans to build a storage room to house the statues was also planned.
LAYOUT
The sacred temple complex is cloistered and packed in a space of 65×50 m with three enclosures within a large compound wall of size 700×300 m, made of laterite stones. The entry is from the east facing gopura, which is in a cruciform embellished with Lokesvara images. The temple is a treasure house of sculptures in the architectural styles of the Bayon and also of the Angkor Wat. The complex is on a single level.
EXTERNAL ENCLOSURE
The external enclosure with four concentric walls, has four gopuras similar to the Ta Brahm temple, and all are in some degree of preserved status. At the four corners, the gopuras have a fascia of Lokesvara (Buddhist deity, Avalokitesvara) mounted over Garuda images (it is also mentioned that the smiling faces are of King Jayavarman II, similar to those seen in the Beyan temple). The east facing gopura, in particular, has well-preserved garuda images on its corners. Two hundred meters from the west entrance of this enclosure leads to a moat, which is decorated with statues of lions and naga-balustrades mounted on garudas. The moat itself has in its precincts the third enclosure which measures 320×300 m, also enclosed with laterite walls. The Buddha image at the entrance to the moat, near the second interior gate, is well preserved, considering the fact that most of the other statues have been destroyed or stolen.
THIRD ENCLOSURE
The third enclosure has a gopura which has a cruciform plan. It has pillars which are crossed by vaults. There are three passages in this enclosure, two on either side are independent, with laterite walls. The niches here have small figurines, and large apsara devatas in single poses or in pairs of dancing poses. Large Buddha images, in an internal courtyard of this enclosure, have been defaced by vandals. A paved access from here leads to the main shrine, which comprises two galleried enclosures. At the entrance to these enclosures, from the eastern end, is the "Hall of Dancers", which has four open courtyards and the pillars have fine carvings of apsaras.
SECOND ENCLOSURE
The second enclosure, which is part of the main temple, measures 58×50 m. It has a gopura on its eastern side and also subsidiary gopura on the west. Entrance doors are at the northern and southern ends. The gopura is built like a gallery with one exterior wall and double row of pillars which open into a courtyard and which has mostly shored up walls with small openings at the bottom to allow air circulation. The niches here are decorated with images of apsaras, and a Buddha statue in the central hall has been defaced by vandals. Bayon style architectural features built-in are the "balustered false windows with lowered blinds and devatas with headdresses in the form of small flaming discs set in a triangle." The vaults built in sandstone and laterite have collapsed at several locations of the gallery. The inner enclosures contain library building to its north and south and also a central sanctuary.
INNER ENCLOSURE
The inner enclosure of the main temple is built on a 36×30 m layout plan. This enclosure has four corner towers abutted by small gopuras. Galleries running along an axis link these towers to the main sanctuary. The towers at the north-east and south-east are linked with the second gallery where a Buddha statue in a sitting posture is seen, in the backdrop of an open sky line. The sanctum which is 2.75 m square enclosure has some traces of statues of deities. This entire enclosure, however, is not built in Bayon style and hence conjectured to be of an earlier period. Remnants of wooden ceiling are also seen here. The entrance to the sanctum is flanked by dvarapalas surrounded by apsaras.
SRAH SRANG
Srah Srang or "The royal bathing pool" or "pool of ablutions" to the east of Banteay Kdei, which was dug to dimensions of 700x300 m during the reign of Rajendraverman in the 10th century, was beautified by Jayavarman VII with well laid out steps of laterite stones with external margin of sandstone, on the banks of the pond facing the Sun. It is set amidst large trees and has turquoise blue waters all the year round. The approaching steps to the water edge are flanked by two stone statues of lions with ornamented Nāga-balustrades. The pond was reserved for use by the king and his wives. A stone base seen at an island in the centre of the pond once housed a wooden temple where the king did meditation. At the lily filled lake, watching sunset reflections in the lake is quite an experience. The water from the lake is now used for rice cultivation by farmers of the area.
ARCHITECTURAL FEATURES
Some specific architectural features which evolved with the Bayon style are clearly discerned in this temple. The roof is supported on free-standing pillars in the eastern and western pavilions in the third enclosure, built in a cruciform plan with the inner row of pillars supporting the roof. The pillars are also tied to the wall by a tie beam using a "mortise–and–tenon join" patterned on wooden structures. Other features noted are of the four central pillars in the western pavilion which have been strengthened with temporary supports of laterite stone block pillars. Carvings of Buddha are seen on all these pillars but mostly defaced. The temporary support system provided to the roof built on free standing pillars is indicative of problems of design seen in the temples built during this period.
RESTAURATION
Laser scans and imaging of the Banteay Kdei and Angkor Wat Western Causeway were performed within a project launched in March 2004 by the University of California and Sophia University of Tokyo, in partnership with the nonprofit CyArk. The obtained information has facilitated restoration and reconstruction of these structures, which is funded by the Sophia University, and much publicly accessible data from the project is hosted on the CyArk Website. The APSARA Authority has achieved significant improvements in conservation and preservation of monuments in Angkor. Some of the towers and corridors are under restoration and as a result some locations have been cordoned off. Strengthening measures are seen in some parts of the interior temple area where structures in danger are tied together with cables.