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Camera: Mamiya 645
Lens: MAMIYA-SEKOR C 1:2.8 f=80mm No.155107
Film: EKTACHROME transprency film E100 G
Great copy. And I think this is the first time I've seen a Dopplr error message, which in itself is saying something.
Heath doing his guitar solo.
Senses Fail
One More Brick Tour
Starland Ballroom
Sayreville, NJ
10.31.2009
Photos are copyright and property of ©JasonIcker.com 2009
If you would like to use any of these photos, please contact me first.
I sort of had this in mind when I first learned of this week's assignment, but spent the weekend looking for a better opportunity. This is a self-portrait taken with the two second shutter release timer and a tripod. I connected a dead 386 laptop to the monitor to get an authentic display. If this had been an actual system failure the model (me) would have been tearing around the house throwing things rather than in the pose shown
Entry for Week 31, Fail (03/09/09) Staged at Studio Conpix, San Francisco, California.
I love the kind of things you can find in Ollies! I wish I knew a couple who was from Nebraska and Kansas who had a small child. Too bad it was $7.99. Seems a little expensive for as screwed up as it is.
Taken shortly before frogging, this shows detail of a scarf made from Wavy, a Knitty pattern. It did not look at all like the pattern photos. It was full of weird lumps and ridges. None of this is attributable to the yarn, which was Cascade 220 superwash in a lovely aqua. Photo by Kathy C.
FAIL BETTER, our exhibition exploring the beautiful, heroic and instructive side of failure, closes on Sunday 27th April. Take yourself on a virtual tour of the exhibition with these shots, then come and pay us a visit to get the full story from inspirational contributors like Sonia O'Sullivan, James Dyson, Robert Winston, Mark Pollock and Ranulph Fiennes – in their own words.
Somehow I lost you... somewhere along the way. I'm not sure how. One day we were happy, and the next, it was cold and empty.. distant. I've failed you, and I'm sorry.
Well, my swirls did not really turn out so swirly...but I think I know what I did wrong. I still love the rich colors of the soap and think it looks just fine for a first attempt at marbling. I just need to pour the soap into the molds at a thicker trace, then I believe I'll get better swirls. There's always next time, eh? I do like it though :D
This is a storm water control dam on the down hill side of the Development at Hull and Winterpock taken in August 2008 after a rain. The muddy water is not held by the dam and flows in to a stream that flows directly into the reservior. For Details on the difficulty of controlling Chesterfield's fine soils see the following weblink. The only thing that works to capture the soil and get the water back into the ground is a forrested buffer as used in Low Impact Development.
www.handsacrossthelake.com/index.php?option=com_content&a...
Pictures sent to Chesterfiled County and Mudbusters at www.cbf.org in April about failed sediment control.
The second side of the paper. I wasn't trying to seriously draw it with any of these, but I was trying to get the basic idea laid out.
The hilt, the knot, and then the blade.
I put footnotes, mentioning everything to know about the blade, although in this scan, I'm sure it's hard to read.
I know what the vine sword looks like in my head. As clear as day.
I KNOW there's nothing else like it, anywhere else, that it's my idea, completely and totally unique to me. (The name? 'Course not. The DESIGN? Yes, yes it is! :) )
I just can't draw it.
(Shame, considering how often I use it in my novels...)
FAIL BETTER, our exhibition exploring the beautiful, heroic and instructive side of failure, closes on Sunday 27th April. Take yourself on a virtual tour of the exhibition with these shots, then come and pay us a visit to get the full story from inspirational contributors like Sonia O'Sullivan, James Dyson, Robert Winston, Mark Pollock and Ranulph Fiennes – in their own words.
FAIL BETTER, our exhibition exploring the beautiful, heroic and instructive side of failure, closes on Sunday 27th April. Take yourself on a virtual tour of the exhibition with these shots, then come and pay us a visit to get the full story from inspirational contributors like Sonia O'Sullivan, James Dyson, Robert Winston, Mark Pollock and Ranulph Fiennes – in their own words.