View allAll Photos Tagged facialexpression
"Harbor Seal Silliness" by Patti Deters. Two Harbor Seals (Phoca vitulina) rest on a bed of kelp and seaweed-covered rocks. If you look closely at their facial expressions, the pair appear to be sharing some sort of private joke - possibly at the expense of all the tourists on the "whale watching" boat! This fun scene is set against a backdrop of rugged stones and was spotted in the Bay of Fundy along the New Brunswick (Canada) coast at GPS 45°1'59.1348N 66°54'20.592W. If you like outdoor nature photography, please enjoy more animals and other wildlife images at patti-deters.pixels.com/featured/harbor-seal-silliness-pa....
Ethiopian little girl smiling, dressed with a hoody and wearing a christian cross- Simien Mountains (Samen tarara), Ethiopia
quote by German Proverb
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Beautiful Blue Behind Those Glasses
I was taking photos of her and her friend's bicycles beforehand and never thought that the owners will be my models, too... I knew it - a girl with a summer hat and a cool attitude would never say no for an answer!
I was taking down her name on paper when she said, "Actually, it's Molly with an IE." :)
Well, I must say, Mollie gave me two challenges that afternoon. First was name spelling and second, eye-color capturing.
In my other posts, I mentioned the eyes are primarily what my focus are. Here, as you can see, she had her eye glasses on. This being a street shot (as opposed to stylized portraiture), I didn't feel comfortable telling her to take them off. I was the one asking for a favor so whatever this young stranger was wearing, I shouldn't change that. Besides, the shot should be realistic; that is, whatever was there on the street, take it.
So, I brought this home and found out later that behind those Superman spectacles is a pair of beautiful blue eyes.
Mollie, by the way, was the first to wish me, "Good luck with your project!" as she biked away with her friend. I thought that was really sweet!
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Photo: Cool Sweetheart (Facebook version here)
by Nelonie Crelencia aka lancelonie
| lancelonie photography © All Rights Reserved. DO NOT COPY. |
Use without permission is illegal.
8th entry to the 100 Strangers group
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boston, 1957
shades of blue, no. 4
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
(for English scroll down)
Vernissage der ersten gemeinsamen Ausstellung von Ali Görmez (50 FACES & MORE) und Wolfgang Brückner (STRUKTUR-
FORSCHER) im Waldorf Astoria Berlin (19. Etage) - 27. März 2015
* Ali Görmez *
Ob im Fahrstuhl, auf der Straße, im Büro oder auf Veranstaltungen. Gesichter sind allerorts. Überall treffen wir auf sie und beginnen sie in unterschiedliche Situationen einzuordnen, Mimiken zu deuten und zu verstehen. In Gesichtern finden wir unser Verständnis, unsere Zugehörigkeit, unsere Abneigungen und eigene Tiefen.
Auch Pop Art Künstler Ali Görmez liebt Gesichter. Dabei geht es nicht um das Einschätzen und Zuordnen von Schönheit. Denn der Künstler weiß, dass sich Gesichter schnell verstellen können, um sich unverwundbar, stark oder kompetent zu zeigen. Er weiß auch, dass das, was vielleicht im ersten Moment gelingen mag, auf den zweiten verblasst.
Für Ali Görmez sind Gesichter Geschichten und Emotionen. Emotionen, in die er eintauchen möchte. Dabei sucht der Künstler die Tür, um hinter die Fassade blicken zu können, um die Geschichte und das Erlebte zu lesen und den Umgang mit diesem zu verstehen.
* Wolfgang Brückner *
Ausgangspunkt für das Projekt STRUKTURFORSCHER war u.a. die Beobachtung, dass die Identität und Besonderheiten der Lage von Gebäuden und Wohnanlagen meist in den Innenräumen schlagartig verschwindet. Selbst große prunkvolle Bauwerke verlieren in ihren Innenräumen schnell an Ausstrahlung. Und wenn Kunst Teil der Inneneinrichtung ist, hat sie selten einen logischen Zusammenhang mit den Gebäuden und der Umgebung. Wolfgang Brückners Bilder schaffen einerseits eine Identifikation und „Verbrüderung“ mit dem jeweiligen Gebäude, anderseits auch „Traum-Fenster“ in die nähere Umgebung, die eigentlich das zeigen, was z. B. hinter den Mauern zu sehen wäre, wenn der Architekt ein Fenster in eine erweiterte Wahrnehmung hätte bauen können.
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Opening NEUE HORIZONTE I - Waldorf Astoria, Berlin 2015
Opening of the first joint exhibition by Ali Görmez (50 FACES & MORE) and Wolfgang Brückner (STRUKTURFORSCHER) at Waldorf Astoria Berlin (19th floor) - March 27, 2015
* Ali Görmez *
Whether in the elevator, on the street, in the office or at events. Faces are everywhere. We encounter them everywhere and begin to categorize them in different situations, to interpret and understand facial expressions. In faces we find our understanding, our affiliation, our dislikes and our own depths.
Pop artist Ali Görmez also loves faces. But it is not about assessing and classifying beauty. The artist knows that faces can quickly disguise themselves in order to appear invulnerable, strong or competent. He also knows that what may be successful at first glance fades the second time around.
For Ali Görmez, faces are stories and emotions. Emotions that he wants to immerse himself in. In doing so, the artist seeks the door to be able to look behind the façade, to read the story and the experience and to understand how to deal with it.
* Wolfgang Brückner *
One of the starting points for the STRUKTURFORSCHER project was the observation that the identity and special features of the location of buildings and residential complexes usually disappear abruptly in the interiors. Even large, magnificent buildings quickly lose their charisma in their interiors.And when art is part of the interior design, it rarely has a logical connection with the buildings and their surroundings.Wolfgang Brückner's pictures create an identification and "fraternization" with the respective building on the one hand, but also "dream windows" into the immediate surroundings on the other, which actually show what could be seen behind the walls, for example, if the architect had been able to build a window into an expanded perception.
Paris, France - April 2020: during the COVID-19 lockdown, a couple is standing on the stairs on the paved forecourt of the Basilica of the Sacred Heart (Basilique du Sacré-Cœur) in Montmartre. They wear sunglasses, the man is drinking a can. The pediment of the basilica is on the background.
Model : Sofie Hairstyling : Carl Make-up Melissa tamronmacro objectif 90 mm natural light postwork CS3
(for English scroll down)
Vernissage der ersten gemeinsamen Ausstellung von Ali Görmez (50 FACES & MORE) und Wolfgang Brückner (STRUKTUR-
FORSCHER) im Waldorf Astoria Berlin (19. Etage) - 27. März 2015
* Ali Görmez *
Ob im Fahrstuhl, auf der Straße, im Büro oder auf Veranstaltungen. Gesichter sind allerorts. Überall treffen wir auf sie und beginnen sie in unterschiedliche Situationen einzuordnen, Mimiken zu deuten und zu verstehen. In Gesichtern finden wir unser Verständnis, unsere Zugehörigkeit, unsere Abneigungen und eigene Tiefen.
Auch Pop Art Künstler Ali Görmez liebt Gesichter. Dabei geht es nicht um das Einschätzen und Zuordnen von Schönheit. Denn der Künstler weiß, dass sich Gesichter schnell verstellen können, um sich unverwundbar, stark oder kompetent zu zeigen. Er weiß auch, dass das, was vielleicht im ersten Moment gelingen mag, auf den zweiten verblasst.
Für Ali Görmez sind Gesichter Geschichten und Emotionen. Emotionen, in die er eintauchen möchte. Dabei sucht der Künstler die Tür, um hinter die Fassade blicken zu können, um die Geschichte und das Erlebte zu lesen und den Umgang mit diesem zu verstehen.
* Wolfgang Brückner *
Ausgangspunkt für das Projekt STRUKTURFORSCHER war u.a. die Beobachtung, dass die Identität und Besonderheiten der Lage von Gebäuden und Wohnanlagen meist in den Innenräumen schlagartig verschwindet. Selbst große prunkvolle Bauwerke verlieren in ihren Innenräumen schnell an Ausstrahlung. Und wenn Kunst Teil der Inneneinrichtung ist, hat sie selten einen logischen Zusammenhang mit den Gebäuden und der Umgebung. Wolfgang Brückners Bilder schaffen einerseits eine Identifikation und „Verbrüderung“ mit dem jeweiligen Gebäude, anderseits auch „Traum-Fenster“ in die nähere Umgebung, die eigentlich das zeigen, was z. B. hinter den Mauern zu sehen wäre, wenn der Architekt ein Fenster in eine erweiterte Wahrnehmung hätte bauen können.
____________________________________________________
Opening NEUE HORIZONTE I - Waldorf Astoria, Berlin 2015
Opening of the first joint exhibition by Ali Görmez (50 FACES & MORE) and Wolfgang Brückner (STRUKTURFORSCHER) at Waldorf Astoria Berlin (19th floor) - March 27, 2015
* Ali Görmez *
Whether in the elevator, on the street, in the office or at events. Faces are everywhere. We encounter them everywhere and begin to categorize them in different situations, to interpret and understand facial expressions. In faces we find our understanding, our affiliation, our dislikes and our own depths.
Pop artist Ali Görmez also loves faces. But it is not about assessing and classifying beauty. The artist knows that faces can quickly disguise themselves in order to appear invulnerable, strong or competent. He also knows that what may be successful at first glance fades the second time around.
For Ali Görmez, faces are stories and emotions. Emotions that he wants to immerse himself in. In doing so, the artist seeks the door to be able to look behind the façade, to read the story and the experience and to understand how to deal with it.
* Wolfgang Brückner *
One of the starting points for the STRUKTURFORSCHER project was the observation that the identity and special features of the location of buildings and residential complexes usually disappear abruptly in the interiors. Even large, magnificent buildings quickly lose their charisma in their interiors.And when art is part of the interior design, it rarely has a logical connection with the buildings and their surroundings.Wolfgang Brückner's pictures create an identification and "fraternization" with the respective building on the one hand, but also "dream windows" into the immediate surroundings on the other, which actually show what could be seen behind the walls, for example, if the architect had been able to build a window into an expanded perception.
A fleeting moment of connection—offering food to a family in Boquete, meeting this Ngäbe girl for the first and last time. Her quiet gaze holding scissors stayed with me long after, a reminder of how brief yet powerful human encounters can be.
Ethiopian girl attending the True cross ceremony (religious event) in the middle of a crown of christian orthodox believers on Mount Abuna Yoseph, Lalibela, Ethiopia. She is wearing the Netela, a traditional handmade scarf-like two-layered cloth made of cotton
Out now: Big Mango, a 40-page book of colour and black and white photos, taken on random walks through Bangkok during the protests against the government of Yinluck Shinawatra in December 2013.
Still available: : Queen of the South: 57-pages of B&W-photographs of natural beauty, gritty cities and interesting people in the Visayas (Philippines).
Both are available through www.blurb.com.
I'll have to be too slow in reciprocating again my friends:)
You must be sick and tired of hearing this:)
Digger's Dungeon | Petting Zoo
(Home of the Grave Digger, Monster Truck)
Poplar Branch, North Carolina
Happy Fence Friday, Y'all!
Client: Sam
Project: 3D Animation
Category: TV Commercial
Country: Canada
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Dorothea Lange (1895-1965), often called the "compassionate recorder", used her photographic skills to draw America's attention to the poor and forgotten during the dark days of the "Great Depression". Her stirring images of migrant farmers and the unemployed, while working for the Farm Security Administration, have become universally recognized symbols of the Depression-era. Later photographs documenting the internment of Japanese Americans and her travels throughout the world extended her body of work. Lange was an influential photographer and photojournalist who profoundly influenced the development of documentary photography.
In this photograph, Lange was able to capture a striking look of anxiety on the face of her subject. Stranded in his car, the man's plight suggested the larger problems that society faced during the Great Depression. To add to the feeling of claustrophobia, Lange purposely cropped the photograph into this tighter composition, which originally included a woman sitting in the passenger's seat. Rather than suggesting he pose, Lange had caught him as if unaware, an effect which persuades us all the more of the truth of this image.
This shot taken from the original Lange photograph now displayed, as part of the vast collection owned by Andy Pilara and located at 'Pier 24 Photography' on the Embarcadero in San Francisco, California.
“As you know, I’m quite keen on comic books. Especially the ones about superheroes. I find the whole mythology surrounding superheroes fascinating.
Take my favorite superhero, Superman. Not a great comic book. Not particularly well-drawn. But the mythology… The mythology is not only great, it’s unique.
Now, a staple of the superhero mythology is, there’s the superhero and there’s the alter ego. Batman is actually Bruce Wayne, Spider-Man is actually Peter Parker. When that character wakes up in the morning, he’s Peter Parker. He has to put on a costume to become Spider-Man. And it is in that characteristic Superman stands alone.
Superman didn’t become Superman. Superman was born Superman. When Superman wakes up in the morning, he’s Superman. His alter ego is Clark Kent. His outfit with the big red “S” – that’s the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears – the glasses, the business suit – that’s the costume. That’s the costume Superman wears to blend in with us.
Clark Kent is how Superman views us. And what are the characteristics of Clark Kent? He’s weak… He’s unsure of himself… He’s a coward.
Clark Kent is Superman’s critique on the whole human race.”
- Bill’s Superman speech from Quentin Tarantino’s movie, “Kill Bill Volume 2”
Speaking of Superman I am going to be "Faster than a speeding bullet! More powerful than a locomotive! Able to leap tall buildings at a single bound!" with my Flickr posting. I’ll be posting more frequently with perhaps a photo a day since it will take me a decade to post all the photos from my six month sojourn to Southeast Asia at the rate I am going. Please do not feel obligated to comment at all my photos, but a fave would be nice just to let me know you stopped by.
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“We travel, initially, to lose ourselves; and we travel, next, to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches are differently dispersed. And we travel, in essence, to become young fools again.” - Pico Iyer
I photographed this little boy on my two day cruise on the Mekong River from Chiang Khong, Thailand to Luang Prabang, Laos. We stopped along the river to visit an ethnic minority village and this was one of many photographs I took of the photogenic children. It was very hard to see the poverty, living conditions and hardship of the village.
Yes, travel will open our hearts and eyes. It is the greatest cure for ignorance.
Check back for more of my adventures in Laos!
Happy Travels!
Text and photo copyright by ©Sam Antonio Photography
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