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THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
"Understand that the right to choose your own path is a sacred privilege."
My name is Lauren Ann! I am proud to say I made it all the way to senior year at Saint Joseph Academy. I am eighteen years old. My personality is loud and crazy and I am huge extravert! My dog, Tucker, is my best friend and I love him dearly. I take him on walks and runs and play in the backyard frequently because of my love of nature. Since I am a huge outdoors person, most of my photos that I take are outside in nature. Furthermore, since I love being creative with my art projects, I like to make all of my photos very unique in the placement of things, color schemes, subjects, etc. I think imperfection is beauty, because I know that I myself am not perfect and I think everyone and thing should take pride in that. Therefore, I find every unique and creative photo to be perfect and strive for those qualities. I also tend to make my photographs have a lot going on at once, rather than being plain or simple. I like the eye to travel all over the entirety of the picture without being bored.
I chose to take pictures of all different paths from the Cleveland Metropark area and around where I live. For each photograph I carefully combined manmade paths (such as footprints), with paths that humans created (such as bridges). i thought that combining nature with city life into one photograph would be really cool because they are complete opposites. Each and every photo in my set has three completely different paths in it. There are so many different choices we have to make in our everyday lives, and we ultimately chose the paths that we go down. Too many people are too afraid to stray from the path that they are currently on. Why not explore the other paths? Don't be plain or simple.
THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Photograph: SHAY ROWAN
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
Well, my friend "PRojekTKid" TAGGED me..... so here it goes.....16 Random Things About Me....
1. I've been married to my best friend/husband (Rodney) for over 27 years. Best decision I ever made.
2. I have two wonderful children, a 23 year old son (Michael) and a 15 year old daughter (Anna)
3. I love photography and just got my first DSLR (Nikon D90) in October 2008.... for my 50th birthday
4. I may be 50, but I feel like 30.... in my mind, at least....however, there are times when I act like I'm six
5. I'm an extravert..... I am very friendly and love being part of a big crowd and having a good time
6. I am also an intravert..... I can be perfectly happy for hours or a few days without people
7. I like order and simplicity, but struggle with it because I see value in many things and want to hold on to stuff I should throw or give away.... thus chaos ensues
8. I keep a dictionary handy ALL the time... I can't stand to spell something enkorectlee (ha! incorrectly)
9. I don't discuss politics or religion with others, I think everyone has the right to choose their own path in life. Let there be PEACE on EARTH! ♥
10. I rarely drink alcohol because 1/2 glass can put me to sleep! When I do, it will probably be a glass of my favorite wine, Soracco Moscato D'Asti (an Italian dessert wine)
11. I love music and can't go a day without it. I have [literally] thousands of songs in my iTunes
12. I absolutely LOVE to travel. The best vacation I've ever taken was a 3 week trip "Out West".
13. I love MOOSE and collect things with moose on them. But not the silly looking carvings, pictures... the realistic ones. Moose ROCK!
14. I decorated my entire recreation room with the Northwoods theme using photos I took Out West.... Yellowstone, Utah, Arizona, Montana, etc. You'll see many of the photos in my stream.
15. I can be pretty funny, love to be sarcastic, but also cry watching Little House on the Prairie re-runs. Note: One of my fav movies ever.... "Legends of the Fall" starring Brad Pitt. Ummmm, yeah. Brad's the stuff. And my husband has learned to accept it! Ha!
16. I am addicted to Flickr. I love seeing everyone's photographs, I love uploading my own, I love commenting others, I love reading comments on my stuff, I love learning new techniques... and I've met the most wonderful people from ALL OVER THE WORLD. I consider many of you to be my good friends, though we've never met in person. We all have more in common, than not. And it's important to remember, wherever we are.... we all share the same moon, the same sun
and I think we all want to live in Peace. ♥
I have just finished tagging 16 of my friends...Kathy, Donna, Ruthie, AnnMaxine, Arielle, Rod & Nancy, Chris, Amanda, Melissa, Robin, Ron, Lee, Charlotte, Anna, Michelle and Lisa ♥
Natacha Régnier est une actrice belge.
Enfant, Natacha Régnier rêve de cinéma en voyant Catherine Deneuve dans Peau d'âne. Après des cours de comédie dans des conservatoires de quartier, un ami lui propose en 1993 de tourner dans un court-métrage en noir et blanc, The Motorcycle girl. Deux ans plus tard, elle trouve un premier petit rôle dans Dis-moi oui d'Arcady et joue dans plusieurs téléfilms, mais c'est grâce à Encore (1996) de Pascal Bonitzer, où elle interprète une étudiante amoureuse de son prof de philo (Berroyer), que la comédienne est remarquée.
Natacha Régnier connaît très tôt la consécration : à 26 ans elle partage avec sa partenaire Elodie Bouchez le Prix d'interprétation à Cannes pour La Vie rêvée des anges d'Erick Zonca (1998), qui suit l'errance de deux adolescentes en galère dans le Nord de la France. Sourire angélique et regard buté, elle campe une Marie tout en violence contenue, à l'opposé de l'extravertie Isa. Enchaînant avec Les Amants criminels d'Ozon, aux côtés de son quasi-homonyme Jérémie Renier, elle donne la réplique à de grands comédiens dans des films où ceux-ci incarnent une figure paternelle : Piccoli dans Tout va bien, on s'en va, Berléand dans La Fille de son père, et Bouquet dans Comment j'ai tué mon père.
Comédienne subtile et exigeante, Natacha Régnier alterne premiers films et oeuvres de réalisateurs confirmés. Affichant une prédilection pour les univers très personnels, ceux de l'homme de théâtre Luc Bondy, du poète hors-mode Eugene Green (Le Pont des arts, 2004) ou de l'actrice Jane Birkin (Boxes), elle collabore avec ses brillants compatriotes Chantal Akerman (Demain on déménage) et Lucas Belvaux (le drame social La Raison du plus faible, 2006). Jeune auteur passionné par la manipulation et la confusion des sentiments, Emmanuel Bourdieu semble avoir trouvé son égérie, puisque l'actrice au teint diaphane apparaît dans ses trois longs métrages, Vert paradis (2003), Amitiés maléfiques et Intrusions (2008).
Par la suite, Natacha Régnier prête main forte à trois réalisateurs en début de carrière. Elle joue ainsi une mère en souffrance dans 1 journée de Jacob Berger (2009), vit une idylle à l'aéroport d'Orly devant la caméra de Angela Schanelec (id.) et incarne une épouse délaissée dans le drame de Pierre Vinour, Magma (2010). Compagne d'un redoutable tueur en série dans le thriller d'action La Proie en 2011, la comédienne tourne ensuite sous la houlette de prestigieux metteurs en scène comme Costa-Gavras (Le Capital) et Michel Gondry (L'Ecume des jours).
Discrète mais tournant tout de même, Natacha Régnier donne la réplique à Emmanuelle Devos dans La Vie domestique et incarne une mère célibataire dans le film Le Fils de Joseph. L'actrice goûte également aux joies du petit écran via le rôle principal de la série fantastique "Anomalisa" et rejoint en 2017 la distribution du Petit Spirou adapté de la célèbre bande-dessinée.
Date et lieu de naissance : 11 avril 1974, Ixelles, Belgique.
THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Photograph: SHAY ROWAN
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
Sometimes it takes a while for extraverts to understand us. For more about "The Happy
Introvert - A Wild and Crazy Guide to Celebrating Your True Self" visit www.wagele.com.
Behind the scenes of THE SÉANCE
In this play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
Iceland might be expensive, but here the waffles and the macaroons were free, the lamb and the shellfish soup in the bread (€16) could be refilled as often as you wanted, the coffee as well. Such a nice atmosphere there, thanks to the very extraverted owner :)
Donald Sutherland est un acteur producteur canadien.
Donald Sutherland s'illustre d'abord comme disc-jockey pour des radios locales canadiennes, puis fait du théâtre à l'université de Toronto. Encouragé par un critique local, Herb Whitaker, il part pour l'Angleterre où il suit les cours de la London Academy of Dramatic Arts.
Donald Sutherland débute sur grand écran en 1963 dans une série z italienne intitulée Le Château des morts-vivants. Après ces débuts pour le moins originaux, il obtient un petit rôle dans le film de guerre Aux postes de combat (1965) mais c'est en 1967, lorsque Robert Aldrich l'engage pour jouer l'un des Douze Salopards, qu'il obtient son premier grand rôle. Le public le découvre cependant en 1970 avec Mash, où il interprète un médecin extraverti. Sa carrière sera d'abord émaillée de prestations excentriques et décalées.
Avec le rôle de l'inspecteur dans Klute (1971) donne la réplique à Jane Fonda, Donald Sutherland s'impose dans le registre dramatique. Militant pacifiste, il collabore avec cette même Jane Fonda au scénario et à la réalisation de F.T.A (1972)énonce l'engagement américain au Vietnam. Très prolifique, le comédien accumule les compositions de tous genres : architecte dans Ne vous retournez pas (1973), notable pathétique dans Le Jour du fléau (1975), fasciste dans 1900 (1976), interprète du Casanova de Fellini, espion dans L' Aigle s'est envolé (id.) ou encore chasseur de mutants dans L'Invasion des profanateurs (1978), il prend même le temps de jouer sous la direction de Claude Chabrol (Les Liens du Sang, 1978).
On le voit parfois jouer des rôles d'hommes discrets, comme de professeur d'histoire afrikaner luttant contre l'apartheid dans Une saison blanche et seche, mais ce sont les rôles d'hommes odieux et extrêmes qui sont les plus récurrents dans sa carrière. Il est ainsi le corrompu et immoral directeur de prison de Haute sécurité, le militaire inquiétant et conspirateur d'Alerte ou encore le conseiller politique véreux de Haute Trahison.
Donald Sutherland marque certains films par des passages éclairs. Ses prestations d'incendiaire fou dans Backdraft et de témoin mystérieux et haut placé dans JFK démontrent ainsi sa force de composition et son charisme. En 2000, il retrouve Clint Eastwood trente ans après De l'or pour les braves dans Space Cowboys. Très éclectique, il passe récemment du film d'action Braquage à l'italienne, 2002) au drame historique (Retour à Cold Mountain, 2003) en passant par le film à costumes (Orgueil et préjugés, 2004).
Actif aussi sur le petit écran, Donald Sutherland interprète le président de la Chambre des représentants dans Commander in Chief, le patriarche redoutable en affaires Patrick "Tripp" Darling III dans Dirty Sexy Money ou encore Michel Dorn, un membre de la cour pénale internationale dans Crossing Lines. Parallèlement, l'acteur n'en oublie pas le cinéma et est ainsi à l'affiche de nombreux longs métrages, dont le film d'aventures L'Amour de l'or (2008), le film d'action Le Flingueur (2011), la comédie Comment tuer son boss ? ainsi que les quatre films liés à lucrative franchise adolescente Hunger Games où il campe le tyrannique Président Snow.
A plus de 80 ans, Donald Sutherland est toujours actif devant la caméra comme en témoignent ses prestations dans la série Ice ainsi que dans les films Basmati Blues, Measure of a Man et The Leisure Seeker.
Date et lieu de naissance : 17 juillet 1935 à Saint-Jean (Nouveau-Brunswick), Canada.
Mercedes-Benz G-Klasse in drie limited editions
Autonieuws • 6 november 2017 • Tekst: Ellen Kole
Mercedes-Benz G-Klasse 2018 - G 350d Professional Limited Edition
Mercedes-Benz G 350d Professional Limited Edition
Voordat Mercedes-Benz de G-Klasse uit productie neemt benadrukt het Duitse merk nog eens hoe veelzijdig de terreinwagen is. Dat doet het met drie 'limited editions'.
'Schöckl proved since 1979' staat op de middenarmsteun. Echte G-Klasse-fans weten wat dat betekent: Mercedes-Benz test de iconische terreinbeul G-Klasse op de 1.445 meter hoge berg Schöckl in de Oostenrijkse Alpen, op een behoorlijk uitdagend circuit.
Het Duitse merk wil nog eens benadrukken hoe veelzijdig de terreinwagen is en brengt daarom drie verschillende, speciale edities uit. Van alle drie worden slechts 463 modellen gebouwd, verwijzend naar de intern gebruikte modelcode 'W463'. De Nederlandse prijzen van de editions volgen nog.
G 350d Limited Edition
De Mercedes-Benz G 350d met drieliter V6-motor (245 pk) benadrukt de esthetische kant van de G-Klasse. De zwart metallic buitenkant, met een aluminium beschermingsstrip langs de flanken, is verfraaid met onder meer het Chroompakket en Sportpakket. Dat laatste omvat weer het Exterieur Roestvrijstaalpakket en 19 inch lichtmetalen AMG-wielen met vijf spaken.
Mercedes-Benz G-Klasse 2018 - G 350d Limited Edition
Mercedes-Benz G 350d Limited Edition
G 350d Professional Limited Edition
Deze robuuste offroader heeft dezelfde motor als bovengenoemd model. De aankleding is stoer, met het Professional Offroadpakket, Laadbeschermingspakket, dakrails, stalen voorbumper en spatlappen tegen de modder. De stof op de stoelen herinnert aan de ruitjesstof van vroegere G-Klasse-modellen.
G 500 Limited Edition
De zilverkleurige G 500 met zwarte accenten wordt door Mercedes-Benz omschreven als 'extravert'. Het topmodel, met een V8-motor van 422 pk, is uitgebreid aangekleed. Onder meer een Harman Kardon Logic 7-surround sound system, Blind Spot Assist, verwarmde voorruit, nappalederen stoelen, AMG Performance-stuurwiel, Chroompakket en Exclusiefpakket zijn standaard.
Listen to this interview on Soundcloud: soundcloud.com/gmfringe/kings-arms-interview
THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
14 NOV 13
In my boredom, but more so out of curiosity, I decided to take a personality test. I just wanted to see what it would come up with or rather what I'd come out as. Usually I take these things, pre rolling my eyes, but I really couldn't agree with the analysis more. It describes my modus operandi with pin point accuracy. The funny thing is, I took the first one of these things when I was in elementary, and a few over the years, and it always ends up the same I guess proving that we change, yes, but we really don't change as dramatically as we think we do as we age.
The Nurturer: ISFJ
Introverted Sensing Feeling Judging
(Introverted Sensing with Extraverted Feeling)
As an ISFJ, your primary mode of living is focused internally, where you takes things in via your five senses in a literal, concrete fashion. Your secondary mode is external, where you deal with things according to how you feel about them, or how they fit into your personal value system.
ISFJs live in a world that is concrete and kind. They are truly warm and kind-hearted, and want to believe the best of people. They value harmony and cooperation, and are likely to be very sensitive to other people's feelings. People value the ISFJ for their consideration and awareness, and their ability to bring out the best in others by their firm desire to believe the best.
ISFJs have a rich inner world that is not usually obvious to observers. They constantly take in information about people and situations that is personally important to them, and store it away. This tremendous store of information is usually startlingly accurate, because the ISFJ has an exceptional memory about things that are important to their value systems. It would not be uncommon for the ISFJ to remember a particular facial expression or conversation in precise detail years after the event occured, if the situation made an impression on the ISFJ.
ISFJs have a very clear idea of the way things should be, which they strive to attain. They value security and kindness, and respect traditions and laws. They tend to believe that existing systems are there because they work. Therefore, they're not likely to buy into doing things in a new way, unless they're shown in a concrete way why its better than the established method.
ISFJs learn best by doing, rather than by reading about something in a book, or applying theory. For this reason, they are not likely to be found in fields which require a lot of conceptual analysis or theory. They value practical application. Traditional methods of higher education, which require a lot of theorizing and abstraction, are likely to be a chore for the ISFJ. The ISFJ learns a task best by being shown its practical application. Once the task is learned, and its practical importance is understood, the ISFJ will faithfully and tirelessly carry through the task to completion. The ISFJ is extremely dependable.
The ISFJ has an extremely well-developed sense of space, function, and aesthetic appeal. For that reason, they're likely to have beautifully furnished, functional homes. They make extremely good interior decorators. This special ability, combined with their sensitivity to other's feelings and desires, makes them very likely to be great gift-givers - finding the right gift which will be truly appreciated by the recipient.
More so than other types, ISFJs are extremely aware of their own internal feelings, as well as other people's feelings. They do not usually express their own feelings, keeping things inside. If they are negative feelings, they may build up inside the ISFJ until they turn into firm judgments against individuals which are difficult to unseed, once set. Many ISFJs learn to express themselves, and find outlets for their powerful emotions.
Just as the ISFJ is not likely to express their feelings, they are also not likely to let on that they know how others are feeling. However, they will speak up when they feel another individual really needs help, and in such cases they can truly help others become aware of their feelings.
The ISFJ feels a strong sense of responsibility and duty. They take their responsibilities very seriously, and can be counted on to follow through. For this reason, people naturally tend to rely on them. The ISFJ has a difficult time saying "no" when asked to do something, and may become over-burdened. In such cases, the ISFJ does not usually express their difficulties to others, because they intensely dislike conflict, and because they tend to place other people's needs over their own. The ISFJ needs to learn to identify, value, and express their own needs, if they wish to avoid becoming over-worked and taken for granted.
ISFJs need positive feedback from others. In the absence of positive feedback, or in the face of criticism, the ISFJ gets discouraged, and may even become depressed. When down on themselves or under great stress, the ISFJ begins to imagine all of the things that might go critically wrong in their life. They have strong feelings of inadequacy, and become convinced that "everything is all wrong", or "I can't do anything right".
The ISFJ is warm, generous, and dependable. They have many special gifts to offer, in their sensitivity to others, and their strong ability to keep things running smoothly. They need to remember to not be overly critical of themselves, and to give themselves some of the warmth and love which they freely dispense to others.
1. I am extraverted and extremely sociable. I have managed to hide my identity for well over a year since being on Flickr. I hate having my picture taken, and am rarely in any!
Several of my Flickr contacts have tagged me and I don't want to be unsociable, so here we go!
2. Not a lot upsets me, but speeding motorists on the forest make my blood boil. Even with a speed restriction of Under 40 MPH I want to scream when people over take me. Each time I see a dead horse at the side of the road, it never ceases to amaze me how easily I cry with anger and frustration!
3. I am mad as a box of frogs, but being a Libra am quite well balanced too!
4. I am a biker (fair weather), and my Harley has a personalised number plate HD03 SAL, which I am very proud of
5. I don't have any kids but am a wonderful Aunt to my many nieces and nephews
6. I have found eternal happiness with a wonderful man called Steve and we live life to the absolute limit. He is very quiet and keeps my feet firmly on the ground as I have a tendency to act on the moment and am very impulsive
7. A true passion in life are my 3 horses and 3 dogs. We do also have 3 feral cats we rescued that live on our small holding, 3 ducks that give us eggs every day, and lots of gold fish that I also rescued from a horrid mucky pond!
8. I have been into photography all of my adult life and drive my partner Steve, family and friends MAD. I always have a camera on me and am constantly having to catch people up as I try to get the magic shot where ever I go. I am being left behind with the technology of digital and at the moment every picture you see on Fickr is straight out of the camera, with the exception of a bit of cropping here and there. I have recently got Photoshop CS4 and hope to get some tuition this year as I love some of the things my flickr friends do to their pictures and an envious of this treatment, layers and Fancy frames you always seem to delight me with.
I am constantly disappointed with my work and whilst I try my hardest when I get home my pictures never seem to be as good as I hoped. My job takes me all over the UK and I work joke hours. Therefore I have to grab what opportunities I can to take pictures and will get around to learning how to enhance my pics more. Who knows, I may decide to leave them as they are............
It is the encouragement of my great Flickr friends that keep me going and their own work that gives me inspiration
9. I have travelled to most parts of the world and try to get away at least 4 times a year. I get quite itchy feet if I haven't travelled for a few months. I still need to get to India though.
10. I have an affinity with Africa and have been to the continent more times than any other part of the world. My dream is to live in the Gambia one day and devote some of my time to charity.
11. I have sponsored children in the Gambia for many years and always send out gifts or money to aid them. More recently this has included an orphanage in Tanzania
12. I support animal charities. I would rescue rather than buy where ever possible. 2 of my three dogs were rescued.
13. I am extremely spiritual, and like to think there is life after death. My heart and soul always want to think the best in people and this has left them hurt or broken on many occasions. Humans have a canny way of doing that don't they? It's funny the only time my animals have broken my heart is when they have died or been hurt themselves..............
14. I truly believe that life is for living and push myself far more than I should do
15. I am passionate about rock music and dabble with the guitar myself (not very well). I like many forms of music, especially if it is live and loud. I try to get to at least 1-2 gigs a month.
16. Whilst I like to be with people, I am generally on my own when I go out on shoots and enjoy these moments to myself. There are also times when there is nothing better than being at home with Steve and the animals and not seeing another soul
17. Because I like breaking rules too; I am a strong believer in animal rights
nochesdepoesia.com/biographie/pedro_carbajal_bio
Pedro Hernán Carbajal Alvarado est né en 1978 en Uruguay. Poète, auteur-compositeur-interprète, il a commencé à écrire à l'âge de 12 ans, a grandi en Argentine et est récemment venu s'installer à Montréal. Pedro est à la fois poète, bédéiste, conteur, écrivain et scénariste. Ce personnage incroyablement rigolo et extraverti a eu un parcours des plus divers; à l'âge de 18 ans, il a tenté quelques expériences artistiques à Buenos Aires avec divers groupes de rock. À 22 ans, il a commencé à écrire des bandes dessinés et à réaliser des animations pour Internet. Ces dernières initiatives n'ont résultées en aucune célébrité internationale, mais lui ont tout de même valu quelques prix. Entre autres choses, Pedro a été vendeur, aministrateur et agent dans les domaines sportif, administratif et commercial. Il a également fait partie de l'équipe Disney et d'Endemol comme scénariste. La relation de Pedro avec la poésie est chaotique: ils s'entendent bien, ils se chicanent, ils s'haïssent, mais sourtout, ils s'aiment. En 2007, Pedro Carbajal a travaillé pour le Festival Metropolis Bleu à Montréal; il coupait les tickets... Arrivé depuis peu au Canada, Pedro apprend le français et travaille à la publication de son premier livre, lequel verra le jour en Argentine. Plus détails et un véritable portefolio vous attendent sur son site Web: www.pedrocarbajal.com.
Crédit photo: Marie-Claude Plasse, Artiste-photographe
The Postcard
A postcard bearing no studio name that was posted using a ½d. stamp on Thursday the 18th. June 1903. It was sent to:
Mrs. J. Land,
60, High Street,
Brompton,
Kent.
The back of the card is undivided, but the sender has nevertheless squeezed in an additional message at the side which refers to the message on the front of the card:
"Sorry but there's only
one 't' in bonnet. I've
put two.
Thanks for cards.
Love."
Jeanette MacDonald
So what else happened on the day that the card was posted?
Well, the 18th. June 1903 marked the birth in Philadelphia of the American singer and actress Jeanette MacDonald.
Jeanette is best remembered for her musical films of the 1930's with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime).
During the 1930's and 1940's she starred in 29 feature films, four nominated for Best Picture Oscars (The Love Parade, One Hour with You, Naughty Marietta and San Francisco).
Jeanette also recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th. century, introducing opera to film-going audiences and inspiring a generation of singers.
-- Jeanette MacDonald - The Early Years
MacDonald was born Jeannette Anna McDonald at her family's Philadelphia home at 5123 Arch Street.
She was the youngest of the three daughters of Anna May (née Wright) and Daniel McDonald, who was a factory foreman and also a salesman for a contracting household building company.
One of Jeanette's sisters was the character actress Blossom Rock (born Edith McDonald), who was most famous as "Grandmama" on the 1960's TV series The Addams Family.
Jeanette was of Scottish, English, and Dutch descent. The extra 'n' in her given name was later dropped for simplicity's sake, and 'a' was added to her surname in order to emphasize her Scottish heritage.
Jeanette began dancing lessons with local dance instructor Caroline Littlefield, mother of American ballerina/choreographer Catherine Littlefield, when very young. Jeanette performed in juvenile operas, recitals, and shows staged by Littlefield around the city, including at the Academy of Music.
Jeanette later took lessons with Al White and began touring in his kiddie shows, heading his "Six Little Song Birds" in Philadelphia at the age of nine.
-- Jeanette MacDonald's Acting Career
(a) Broadway
In November 1919, MacDonald joined her older sister Blossom in New York. She took singing lessons with Wassili Leps, and landed a job in the chorus of Ned Wayburn's The Demi-Tasse Revue, a musical entertainment presented between films at the Capitol Theatre on Broadway.
In 1920, she appeared in two musicals: Jerome Kern's Night Boat as a chorus replacement, and Irene on the road as the second female lead; future film star Irene Dunne played the title role during part of the tour, and Helen Shipman played the title role during the other part of the tour.
In 1921, MacDonald played in Tangerine as one of the "Six Wives." In 1922, she was a featured singer in the Greenwich Village revue Fantastic Fricassee, for which good press notices brought her a role in The Magic Ring the next year.
MacDonald played the second female lead in this long-running musical which starred Mitzi Hajos.
In 1925, MacDonald again had the second female lead opposite Queenie Smith in Tip Toes, a George Gershwin hit show.
The following year, 1926, found MacDonald still in a second female lead in Bubblin' Over, a musical version of Brewster's Millions.
She finally landed a starring role in Yes, Yes, Yvette in 1927. Planned as a sequel to producer H. H. Frazee's No, No, Nanette, the show toured extensively, but failed to please the critics when it arrived on Broadway.
MacDonald also played the lead in her next two plays: Sunny Days in 1928 in her first show for the producers Lee and J. J. Shubert, for which she received rave reviews; and Angela (1928), which the critics panned.
Jeanette's last play was Boom Boom in 1929, with her name above the title; the cast included young Archie Leach, who would later become Cary Grant.
While MacDonald was appearing in Angela, film star Richard Dix spotted her and had her screen-tested for his film Nothing but the Truth. The Shuberts, however, would not let her out of her contract in order to appear in the film, which starred Dix and Helen Kane (the "Boop-boop-a-doop girl").
In 1929, famed film director Ernst Lubitsch was looking through old screen tests of Broadway performers and spotted MacDonald. He cast her as the leading lady in The Love Parade, his first sound film, which starred Maurice Chevalier.
(b) Jeanette MacDonald's Film Career
MacDonald starred in six films - the first four for Paramount Studios. Her first, The Love Parade (1929), directed by Ernst Lubitsch and co-starring Maurice Chevalier, was a landmark of early sound films, and received a Best Picture nomination.
MacDonald's first recordings for RCA Victor were two hits from the score: "Dream Lover" and "March of the Grenadiers."
The Vagabond King (1930) was a lavish two-strip Technicolor film version of Rudolf Friml's hit 1925 operetta. Broadway star Dennis King reprised his role as 15th.-century French poet François Villon, and MacDonald was Princess Katherine.
Jeanette sang "Some Day" and "Only a Rose." The UCLA Film and Television Archive owns the only known color print of this production.
1930 was an extremely busy year for both Paramount and MacDonald. Paramount on Parade was an all-star revue, similar to other mammoth sound revues produced by major studios, in order to introduce their formerly silent stars to the public.
MacDonald's footage singing a duet of "Come Back to Sorrento" with Nino Martini was cut from the release print due to legal reasons with Universal Studios, which had recently acquired the copyright to the song for an upcoming movie, King of Jazz.
Let's Go Native was a desert-island comedy directed by Leo McCarey, co-starring Jack Oakie and Kay Francis.
Monte Carlo became another highly regarded Lubitsch classic, with British musical star Jack Buchanan as a count who disguises himself as a hairdresser in order to woo a scatterbrained countess (MacDonald).
MacDonald introduced "Beyond the Blue Horizon," which she recorded three times during her career, including performing it for the Hollywood Victory Committee film Follow the Boys.
In hopes of producing her own films, MacDonald went to United Artists to make The Lottery Bride in 1930. However despite music by Rudolf Friml, the film was not successful.
MacDonald next signed a three-picture deal with the Fox Film Corporation, a controversial move in Hollywood; every other studio was far superior in the eyes of many, from their budgets to the fantastical entertainment of their films.
Oh, for a Man! (1930) was more successful; MacDonald portrayed a temperamental opera singer who sings Wagner's "Liebestod" and falls for an Irish burglar played by Reginald Denny.
In 1931, Don't Bet on Women was a non-musical drawing-room comedy in which a playboy (Edmund Lowe) bets his happily married friend (Roland Young) that he can seduce his friend's wife (MacDonald).
Annabelle's Affairs (1931) was a farce, with MacDonald as a sophisticated New York playgirl who does not recognize her own miner husband, played by Victor McLaglen, when he turns up five years later. Although highly praised by reviewers at the time, only one reel of this film survives.
In 1931 MacDonald took a break from Hollywood in order to embark on a European concert tour, performing at the Empire Theater in Paris, and at London's Dominion Theatre. She was invited to dinner parties with British Prime Minister Ramsay MacDonald and French newspaper critics.
Jeanette returned to Paramount the following year for two films with Chevalier. One Hour with You in 1932 was directed by both George Cukor and Ernst Lubitsch, and simultaneously filmed in French with the same stars, but a French supporting cast.
Currently, no surviving print of Une Heure Près de Toi is known to exist.
Rouben Mamoulian directed Love Me Tonight (1932), considered by many film critics and writers to be the perfect film musical. Starring Chevalier as a humble tailor in love with a princess played by MacDonald, much of the story is told in sung dialogue.
Richard Rodgers and Lorenz Hart wrote the original score, which included the standards "Mimi," "Lover," and "Isn't It Romantic?"
On sets, MacDonald would never lip-sync, instead singing along to song playbacks during filming, which Lew Ayres discovered when he starred alongside her in Broadway Serenade, whereupon he was supplied with earplugs after the volume nauseated him.
(c) Jeanette MacDonald at MGM, and the Nelson Eddy Partnership
In 1933, MacDonald left again for Europe, and while there signed with Metro-Goldwyn-Mayer. Her first MGM film was The Cat and the Fiddle (1934), based on the Jerome Kern Broadway hit. Her co-star was Ramón Novarro.
The plot about unmarried lovers shacking up just barely slipped through the new Production Code guidelines that took effect on the 1st. July 1934.
However despite a Technicolor finale—the first use of the new three-color Technicolor process other than Disney cartoons—the film was not a huge success. It lost $142,000.
In The Merry Widow (1934), director Ernst Lubitsch reunited Maurice Chevalier and MacDonald in a lavish version of the classic 1905 Franz Lehár operetta. The film was highly regarded by critics and operetta lovers in major U.S. cities and Europe, but failed to generate much income outside urban areas, losing $113,000.
The Merry Widow had a huge budget of $1.6 million, partially because it was filmed simultaneously in French as La Veuve Joyeuse, with a French supporting cast and some minor plot changes.
Naughty Marietta (1935), directed by W. S. Van Dyke, was MacDonald's first film in which she teamed with newcomer baritone Nelson Eddy.
Victor Herbert's 1910 score, with songs like "Ah! Sweet Mystery of Life," "I'm Falling in Love with Someone," "'Neath the Southern Moon," "Tramp, Tramp, Tramp," and "Italian Street Song," enjoyed renewed popularity.
The film won an Oscar for sound recording, and received an Oscar nomination for Best Picture. It was voted one of the Ten Best Pictures of 1935 by the New York film critics. It was also awarded the Photoplay Gold Medal Award as Best Picture of 1935 (beating Mutiny on the Bounty, which won the Oscar).
MacDonald earned gold records for "Ah! Sweet Mystery of Life" and "Italian Street Song."
In 2004 it was selected to the National Film Registry.
The following year, MacDonald starred in two of the highest-grossing films of that year. In Rose-Marie, MacDonald played a haughty opera diva who learns her young brother (pre-fame James Stewart) has killed a Mountie, and is hiding in the northern woods; Eddy is the Mountie sent to capture him.
Nelson Eddy and Jeanette sang Rudolf Friml's "Indian Love Call" to each other in the Canadian wilderness (actually filmed at Lake Tahoe). Eddy's definitive portrayal of the steadfast Mountie became a popular icon.
When the Canadian Mounties temporarily retired their distinctive hat in 1970, photos of Eddy in his Rose Marie uniform appeared in thousands of U.S. newspapers.
San Francisco (1936) was also directed by W. S. Van Dyke. In this tale of the 1906 San Francisco earthquake, MacDonald played a hopeful opera singer opposite Clark Gable as the extra-virile proprietor of a Barbary Coast gambling joint, and Spencer Tracy as his boyhood chum who has become a priest and gives the moral messages.
In the summer of 1936, filming began on Maytime, co-starring Nelson Eddy, Frank Morgan, and Paul Lukas, produced by Irving Thalberg.
After Thalberg's untimely death in September, production was shut down, and the half-finished film scrapped. A new script was filmed with a different storyline and supporting actors (including John Barrymore, whose relationship with MacDonald was strained due to his alcoholism).
The 'second' Maytime (1937), was the top-grossing film worldwide of the year, and is regarded as one of the best film musicals of the 1930's.
"Will You Remember" by Sigmund Romberg brought MacDonald another gold record.
The Firefly (1937) was MacDonald's first solo-starring film at MGM with her name alone above the title. Rudolf Friml's 1912 stage score was borrowed, and a new song, "The Donkey Serenade," added, adapted from Friml's "Chanson" piano piece.
With real-life Americans rushing to fight in the ongoing revolution in Spain, this historical vehicle was constructed around a previous revolution in Napoleonic times. MacDonald's co-star was tenor Allan Jones, whom she demanded get the same treatment as she would, such as an equal number of close-ups.
The MacDonald/Eddy team had split after MacDonald's engagement and marriage to Gene Raymond, but neither of their solo films grossed as much as the team films, and an unimpressed Mayer used this to point out why Jones could not replace Eddy in the next project.
The Girl of the Golden West (1938) was the result, but the two stars had little screen time together, and the main song, "Obey Your Heart," was never sung as a duet.
The film featured an original score by Sigmund Romberg, and reused the popular David Belasco stage plot (also employed by opera composer Giacomo Puccini for La Fanciulla del West).
Mayer had promised MacDonald the studio's first Technicolor feature, and he delivered with Sweethearts (1938), co-starring Eddy.
In contrast to the previous film, the co-stars were relaxed onscreen and singing frequently together. The film integrated Victor Herbert's 1913 stage score into a modern backstage story scripted by Dorothy Parker and Alan Campbell.
MacDonald and Eddy played a husband-and-wife Broadway musical-comedy team who are offered a Hollywood contract. Sweethearts won the Photoplay Gold Medal Award as Best Picture of the Year.
Mayer dropped plans for the team to co-star in Let Freedom Ring, a vehicle first announced for them in 1935; only Eddy starred.
Instead MacDonald and Lew Ayres co-starred in Broadway Serenade (1939) as a contemporary musical couple who clash when her career flourishes while his founders.
MacDonald's performance was however subdued, and choreographer Busby Berkeley, just hired away from Warner Bros., was called upon to add an over-the-top finale in an effort to improve the film.
However, Broadway Serenade did not entice audiences in a lot of major cities, with Variety claiming that New York, Chicago, and Los Angeles' cinema attendances were "sad," "slow,"and "sour."
Following Broadway Serenade, and not coincidentally right after Nelson Eddy's surprise elopement with Ann Franklin, MacDonald left Hollywood on a concert tour and refused to renew her MGM contract.
Months later she summoned her manager Bob Ritchie from London to help her renegotiate. After initially insisting that she wanted to film Smilin' Through with James Stewart and Robert Taylor, MacDonald finally relented and agreed to film New Moon (1940) with Eddy, which proved to be one of MacDonald's more popular films.
Composer Sigmund Romberg's 1927 Broadway hit provided the plot and the songs: "Lover, Come Back to Me," "One Kiss," and "Wanting You," plus Eddy's version of "Stout Hearted Men."
This was followed by Bitter Sweet (1940), a Technicolor film version of Noël Coward's 1929 stage operetta, which Coward loathed, writing in his diary about how "vulgar" he found it.
Smilin' Through (1941) was MacDonald's next Technicolor project, the third adaptation filmed in Hollywood, with Brian Aherne and Gene Raymond. Its theme of reunion with deceased loved ones was enormously popular after the devastation of World War I, and MGM reasoned that it should resonate with audiences during World War II, but it failed to make a profit.
MacDonald played a dual role—Moonyean, a Victorian girl accidentally murdered by a jealous lover, and Kathleen, her niece, who falls in love with the son of the murderer.
I Married an Angel (1942), was adapted from the Rodgers & Hart stage musical about an angel who loses her wings on her wedding night. The script by Anita Loos suffered serious censorship cuts during filming that made the result less successful.
MacDonald sang "Spring Is Here" and the title song. It was the final film made by the team of MacDonald and Eddy. After a falling-out with Mayer, Eddy bought out his MGM contract (with one film left to make) and went to Universal, where he signed a million-dollar, two-picture deal.
MacDonald remained for one last film, Cairo (1942), a cheaply budgeted spy comedy co-starring Robert Young as a reporter and Ethel Waters as a maid, whom MacDonald personally requested.
Within one year, beginning in 1942, L. B. Mayer released his four highest-paid actresses from their MGM contracts; Norma Shearer, Joan Crawford, Greta Garbo, and Jeanette MacDonald. Of those four stars, MacDonald was the only one whom Mayer would rehire.
(d) Jeanette MacDonald's Final Roles
After opening the Metropolitan Opera's membership campaign, MacDonald appeared as herself in Follow the Boys (1944), an all-star extravaganza about Hollywood stars entertaining the troops.
The more than 40 guest stars included Marlene Dietrich, W. C. Fields, Sophie Tucker, and Orson Welles. MacDonald is shown during a concert singing "Beyond the Blue Horizon," and in a studio-filmed sequence singing "I'll See You in My Dreams" to a blinded soldier.
Jeanette returned to MGM after five years off the screen for two films. Three Daring Daughters (1948) co-starred José Iturbi as her love interest. MacDonald plays a divorcée whose lively daughters (Jane Powell, Ann E. Todd, and Elinor Donahue) keep trying to get her back with her ex, but she has secretly remarried.
The song "The Dickey Bird" made the hit parade.
The Sun Comes Up (1949) teamed MacDonald with Lassie in an adaptation of a short story by Marjorie Kinnan Rawlings. MacDonald played a widow who has lost her son, but warms to orphan Claude Jarman Jr. It would prove to be her final film.
Jeanette frequently attempted a comeback movie, even financing and paying a screenwriter. One of the possible film reunions with Nelson Eddy was to be made in England, but Eddy pulled out when he learned MacDonald was investing her own funds.
Eddy preferred to publicly blame the proposed project as mediocre, when in fact MacDonald was uninsurable due to her heart condition.
A reunion with Maurice Chevalier was also considered. Other thwarted projects with Eddy were The Rosary, The Desert Song, and a remake of The Vagabond King, plus two movie treatments written by Eddy for them, Timothy Waits for Love and All Stars Don't Spangle.
Offers continued to come in, and in 1962, producer Ross Hunter proposed MacDonald in his 1963 comedy The Thrill of It All, but she declined.
20th. Century Fox also toyed with the idea of MacDonald for the part of Mother Abbess in the film version of The Sound of Music. However it never moved beyond the discussion stages, partly because of MacDonald's failing health.
An annual poll of film exhibitors listed MacDonald as one of the top-10 box-office draws of 1936, and many of her films were among the top-20 moneymakers of the years in which they were released.
In addition, MacDonald was one of the top-10 box-office attractions in Great Britain from 1937 to 1942. During her 39-year career, MacDonald earned two stars on the Hollywood Walk of Fame (for films and recordings) and planted her feet in the wet concrete in front of Grauman's Chinese Theater.
(e) Jeanette MacDonald and Musical Theatre
MacDonald and her husband Gene Raymond toured in Ferenc Molnár's The Guardsman. The production opened at the Erlanger Theater in Buffalo, New York, on the 25th. January 1951, and played in 23 Northeastern and Midwestern cities until the 2nd. June 1951.
Despite less-than-enthusiastic comments from critics, the show played to full houses for virtually every performance. The leading role of "The Actress" was changed to "The Singer" to allow MacDonald to add some songs. While this pleased her fans, the show closed before reaching Broadway.
In the mid-1950's, MacDonald toured in summer-stock productions of Bitter Sweet and The King and I.
She opened in Bitter Sweet at the Iroquois Amphitheater, Louisville, Kentucky, on the 19th. July 1954. Her production of The King and I opened on the 20th. August 1956, at the Starlight Theatre.
While performing there, Jeanette collapsed. Officially, it was announced as heat prostration, but in fact it was a heart seizure. She began limiting her appearances, and a reprisal of Bitter Sweet in 1959 was her last professional stage appearance.
In the 1960's, MacDonald was approached about starring on Broadway in a musical version of Sunset Boulevard. Composer Hugh Martin also wrote a song for the musical, entitled "Wasn't It Romantic?"
(f) Jeanette MacDonald and Nightclubs
MacDonald also made a few nightclub appearances. She sang and danced at The Sands and The Sahara in Las Vegas in 1953, The Coconut Grove in Los Angeles in 1954, and again at The Sahara in 1957, but she never felt entirely comfortable in their smoky atmospheres.
(g) Jeanette MacDonald's Music Career
Starting in 1931 and continuing through the 1950's, MacDonald engaged in regular concert tours between films. Her first European tour was in 1931, where she sang in both France and England.
Her first American concert tour was in 1939, immediately after the completion of Broadway Serenade. MacDonald performed at the Mayo Civic Auditorium in Rochester, Minnesota on the 19th. April 1939, in order to open that venue before an audience.
She sang several times at the Hollywood Bowl and Carnegie Hall.
When America joined World War II in 1941, MacDonald co-founded the Army Emergency Relief and raised funds on concert tours.
When she was home in Hollywood, she held an open house at her home on Sunday afternoons for GIs. On one occasion, at the request of Lt. Ronald Reagan, she was singing for a large group of men in San Francisco who were due to ship out to the fierce fighting in the South Pacific.
She closed with "The Battle Hymn of the Republic," and 20,000 voices spontaneously joined in. She auctioned off encores for donations and raised almost $100,000 for the troops (over $1.5 million, adjusted for inflation).
President Franklin D. Roosevelt, who considered MacDonald and Eddy two of his favorite film stars, awarded her a medal. Jeanette also did command performances at the White House for President Dwight D. Eisenhower.
(h) Jeanette MacDonald and Opera
Unlike Nelson Eddy, who came from opera to film, MacDonald in the 1940's yearned to reinvent herself in opera. She began training for this goal with Lotte Lehmann, one of the leading opera stars of the early 20th century.
Lehmann later wrote:
"When Jeanette MacDonald approached me for
coaching lessons I was really curious how a
glamorous movie star, certainly spoiled by the
adoration of a limitless world, would be able to
devote herself to another, a higher level of art.
I had the surprise of my life. There couldn't have
been a more diligent, a more serious, a more
pliable person than Jeanette. The lessons which
I had started with a kind of suspicious curiosity
turned out to be sheer delight for me. She studied
Marguerite with me—and lieder. These were the
ones which astounded me most. I am quite sure
that Jeanette would have developed into a serious
and successful lieder singer if time would have
allowed it."
MacDonald made her opera debut singing Juliette in Gounod's Roméo et Juliette in Montreal at His Majesty's Theatre (8th. May 1943).
Jeanette quickly repeated the role in Quebec City, Ottawa, Toronto, and Windsor.
Her U.S. debut with the Chicago Opera Company in 1944 was in the same role. She also sang Marguerite in Gounod's Faust with the Chicago Opera.
In the summer of 1945, she appeared with the Cincinnati Opera as Juliette in two performances of Roméo et Juliette and one as Marguerite in Faust. That November, she did two more performances of Roméo et Juliette and one of Faust in Chicago.
In December 1951, Jeanette did one performance of Faust with the Philadelphia Civic Grand Opera Company at the Academy of Music.
Claudia Cassidy, the music critic of the Chicago Tribune wrote:
"Her Juliet is breathtakingly beautiful
to the eye and dulcet to the ear."
The same critic reviewed Faust:
"From where I sit at the opera, Jeanette
MacDonald has turned out to be one of
the welcome surprises of the season ...
her Marguerite was better than her Juliet ...
beautifully sung with purity of line and
tone, a good trill, and a Gallic inflection
that understood Gounod's phrasing ...
You felt if Faust must sell his soul to the
devil, at least this time he got his money's
worth."
(i) Jeanette MacDonald and Radio and Television
MacDonald's extensive radio career began on a 1929 radio broadcast of the Publix Hour. She was on the Academy Awards ceremony broadcast in 1931.
Jeanette hosted her own radio show, Vicks Open House, from September 1937 to March 1938, for which she received $5,000 a week.
However, the time demands of doing a weekly live radio show while filming, touring in concerts, and making records proved enormously difficult, and after fainting on-air during one show, she decided not to renew her radio contract with Vicks at the end of the 26-week season. Thereafter, she stuck to guest appearances.
MacDonald appeared in condensed radio versions of many of her films on programs such as Cecil B. DeMille's Lux Radio Theater, often with Nelson Eddy, and the Railroad Hour, which starred Gordon MacRae.
These included The Merry Widow, Naughty Marietta, Rose Marie, Maytime, Sweethearts, Bitter Sweet, Smilin' Through, and The Sun Comes Up.
She also featured in other operettas and musicals such as Victor Herbert's Mlle Modiste, Irene, The Student Prince, Tonight or Never with Melvyn Douglas, A Song for Clotilda, The Gift of the Magi, and Apple Blossoms.
Other radio shows included The Prudential Family Hour, Screen Guild Playhouse, and The Voice of Firestone, which featured the top opera and concert singers of the time.
In 1953, MacDonald sang "The Star-Spangled Banner" at the inauguration of President Dwight D. Eisenhower, broadcast on both radio and TV.
MacDonald sang frequently with Nelson Eddy during the mid-1940's on several Lux Radio Theater and The Screen Guild Theater productions of their films together.
Jeanette also appeared as his guest several times on his various radio shows such as The Electric Hour and The Kraft Music Hall. He was also a surprise guest when she hosted a war-bonds program called Guest Star, and they sang on other World War II victory shows together.
The majority of her radio work in the mid to late 1940's was with Eddy. Her 1948 Hollywood Bowl concert was also broadcast over the air, in which she used Eddy's longtime accompanist, Theodore Paxson.
MacDonald appeared on early TV, most frequently as a singing guest star. She sang on The Voice of Firestone on the 13th. November 1950. On the 12th. November 1952, she was the subject of Ralph Edwards' This Is Your Life.
Her surprise guests included her sisters, a sailor she danced with at the Hollywood Canteen, her former English teacher, her husband and the clergyman who married them.
Nelson Eddy also appeared as a voice from her past, singing the song he sang at her wedding; his surprise appearance brought her to tears.
Shortly thereafter, Jeanette appeared as the mystery guest on the 21st. December 1952 episode of What's My Line? After the panelists guessed her identity, she told John Daly that she was in New York for the holidays, and would have a recital at Carnegie Hall on the 16th. January.
On the 2nd. February 1956, MacDonald starred in Prima Donna, a television pilot for her own series, written for her by her husband Gene Raymond. The initial show featured guest stars Leo Durocher and Larraine Day, but it failed to find a slot.
In December 1956, MacDonald and Eddy made their first TV appearance as a team on the Lux Video Theatre Holiday Special.
In 1957, Eddy and Jeanette appeared on Patti Page's program The Big Record, singing several songs. On Playhouse 90 (28th. March 1957), MacDonald played Charley's real aunt to Art Carney's impersonation in "Charley's Aunt."
Jeanette MacDonald's Personal Life
When Jeanette was born, her father quickly doted on her. Although he had hoped for a son who would pursue "an American dream" life that he believed he had failed to live himself, he advised his three daughters to do this instead.
Jeanette MacDonald was the only daughter in the family that had inherited both her father's red hair and blue-green eyes, although she often admired her sisters' beauty, such as Blossom's dimples and her elder sister Elsie's (1893—1970) blonde hair and blue eyes.
Elsie could play the piano, and taught toddler Jeanette a variety of popular waltzes and Stephen Foster's compositions.
At this time, MacDonald discovered that she was an extravert who enjoyed socializing with friends and performing for others, admitting that:
"I needed people to watch and
applaud me as much as I needed
food and drink."
She recalled that at the end of her first performance in the local church as a child:
"I paused ever so slightly and then,
when I realized they needed prodding,
I promptly began clapping my hands
and said to the congregation: 'Now
everybody's got to clap!'"
Jeanette MacDonald and the Number Thirteen
MacDonald cited the number thirteen as her lucky number. Her characters always had a name beginning with M, the first letter of her surname, and the 13th. letter of the English alphabet, a ritual upon which she had insisted.
Thirteen became a recurring number throughout her life, such as the thirteen-year gap between her overseas tours in Europe. Principal photography for The Merry Widow took thirteen weeks to film, and her first movie, The Love Parade, was the number-one box-office draw for 13 weeks.
MacDonald performed opera for the first time for a screen test thirteen years after meeting Newell (who was also on set).
There was a thirteen-year gap between her death and that of her sister Blossom, and Jeanette's husband Gene Raymond's birthday was the 13th. August.
Jeanette MacDonald's Health
A recurrent issue throughout MacDonald's career was her health. A letter handwritten by Jeanette in August 1929 indicates that she had recently suffered a heart attack at the age of 26.
She also suffered from stage fright throughout her life, to the point that her therapist told her to imagine that all of the members of the audience were lettuce.
Due to her heart condition, Jeanette could not carry a pregnancy to term. She had blackouts and fainting spells, and became stressed to the point of not being able to eat.
She was frequently in and out of hospitals trying different treatments (one being massage therapy), which only worked for a limited time, if at all.
Jeanette's illnesses would not allow her to perform early morning filming shoots, much to her colleagues' annoyance.
Jeanette MacDonald's Religion and Politics
A few years before her death, MacDonald became a Religious Scientist.
Jeanette was a Republican, but she mostly avoided commenting on politics. When approached by the House Un-American Activities Committee about whether she had heard any gossip about Communist activity in Hollywood, she replied:
"As at any focal point, there are some
belligerents, but they are no more
numerous than in any other community."
Neither she nor Gene Raymond were ever considered or subpoenaed for a HUAC hearing. When Jeanette was asked during a radio interview how she felt about the investigations, she replied:
"Let he who is without sin
cast the first stone."
Jeanette fired her manager Charles Wagner for his anti-Semitic abuse of her Jewish friend Constance Hope.
She declared during the 1940 presidential election:
"I sing for Democrats and Republicans,
black and white, everyone, and I just
can't talk politics."
Jeanette MacDonald's Relationships
-- Jack Ohmeis
Jeanette MacDonald met Jack Ohmeis (1901-1967) at a party during her appearance in Tangerine. He was an architecture student at New York University, and the son of a successful bottle manufacturer.
His family was hesitant about the relationship, assuming that MacDonald was a gold-digger, but accepted her after they met.
She and Ohmeis became engaged a year later, but their future plans and aspirations forced them to go their separate ways. The sudden death of MacDonald's father was another factor in the break-up.
Unfortunately, the Ohmeis family lost a lot of their fortune after the Wall Street Crash, so MacDonald loaned money to Jack, and he repaid her as soon as he could, which was as late as the 1950's.
-- Irving Stone
MacDonald next dated Irving Stone (1901-1968) from around 1926–28; they met when she was touring in Chicago in The Magic Ring.
Stone, who lived in Milwaukee, was the nephew of the founder of the Wisconsin Boston Store, and worked in the family business.
Few details were known of Stone's romance with MacDonald until the discovery of hundreds of pages of handwritten love letters she wrote to him that were found in his apartment after his death, which happened three years after Jeanette had died.
-- Robert Ritchie
MacDonald eventually dated a Wall Street rep named Robert Ritchie (died 1972), 12 years her senior, who claimed that he was the son of a fallen millionaire.
They traveled with MacDonald's family to Hollywood, and he became a press agent for MGM. Rumors circulated that they were engaged and/or secretly married, since Ritchie was by MacDonald's side during her European tour and they lived together.
Jeanette even signed her return address as "JAR" (Jeanette Anna Ritchie) and referred to him as her "darling husband."
However despite Ritchie's family claiming that he had been married to MacDonald, but that the marriage was annulled in 1935, he never confirmed the claims.
Ritchie later relocated to Europe as an MGM representative, becoming responsible for recruiting Greer Garson, Hedy Lamarr, and Luise Rainer.
-- Gene Raymond
MacDonald married Gene Raymond in 1937. She had met him at a Hollywood party two years earlier at Roszika Dolly's home; MacDonald agreed to a date, as long as it was at her family's dinner table.
However despite the strong relationship, Raymond's mother did not like MacDonald, attempting to snub her a few times - she arranged her son to partner Janet Gaynor as a plus-one at a charity ball, and did not attend the wedding.
The Raymonds lived in a 21-room Mock Tudor mansion named Twin Gables with their pet dogs and their horse White Lady, which Raymond gave to MacDonald as a birthday present.
After MacDonald's death, White Lady was briefly owned by John Phillips and Michelle Phillips of The Mamas and Papas.
Jeanette MacDonald often worried about her husband's self-esteem; his acting career was constantly shaky, and RKO Pictures eventually sold out his contract when he had two movies left to make with them in the 1950's.
Although she appreciated his support, MacDonald wished that their success was equal.
Gene Raymond was sometimes mistaken for Nelson Eddy by MacDonald's fans and passersby, which MacDonald later admitted that she never liked:
"Of course we always laughed it off—sometimes
Gene even obliged by signing Nelson's name—
but no one will ever know the agonies I suffered
on such occasions.
More than anything else in the world those days,
I wanted to see him receive as much acclaim as I,
to spare him these humiliations."
When she re-united with Chevalier in 1957, he asked her why she had retired from films, to which she replied:
"Because for exactly twenty years
I've played my best role, by Gene's
side. And I'm perfectly happy."
The Death of Jeanette MacDonald
MacDonald died at the age of 61 at the Houston Methodist Hospital from heart failure on the 14th. January 1965, with Raymond by her hospital bed.
Two years before, she had been assigned Dr. Michael DeBakey, who had recently operated successfully on the Duke of Windsor, in the hope that he could save her.
However despite having surgery, MacDonald became ill with pleurisy a week later, and was in Houston Methodist Hospital for over a month.
In December 1964, her condition worsened, and she was rushed to UCLA Medical Center. DeBakey suggested open-heart surgery, and Raymond brought MacDonald into the hospital on the 12th. January.
On the afternoon of the 14th., Raymond was at her bedside massaging her feet when she died. He said that their last conversation was when MacDonald said, "I love you," and he replied, "I love you too;" she then sighed deeply, and her head hit the pillow.
The funeral took place on the 18th. January. Along with close family and widower Raymond, it was notably attended by a handful of MacDonald's co-stars (such as Eddy, Allan Jones, Chevalier, Joe E. Brown, Spencer Tracy, Lloyd Nolan, etc.), representatives of her fan club, former presidents Harry S. Truman and Dwight D. Eisenhower, Senator George Murphy, former vice-president Richard Nixon, future governor & president Ronald Reagan, and Mary Pickford.
Dr. Gene Emmet Clark of the Church of Religious Science officiated. Newsreel footage shows Nelson Eddy as the last person to exit the church, with Lauritz Melchior and other celebrities offering him condolences.
MacDonald was interred in a pink-marbled crypt at Forest Lawn Memorial Park, Glendale, which reads "Jeanette MacDonald Raymond." Her crypt is next to Nat King Cole, and George Burns and Gracie Allen.
When Raymond died in 1998, his remains were placed in the same crypt with hers, with his name added.
Jeanette MacDonald's Honors and Commemorations
MacDonald was crowned as the Queen of the Movies in 1939 with Tyrone Power as her king. The ceremony was filmed and presented by Ed Sullivan.
She was awarded an honorary doctor of music degree from Ithaca College in 1956.
For her contribution to the motion picture industry, MacDonald has a star on the Hollywood Walk of Fame at 6157 Hollywood Blvd.
For her contribution to recording, MacDonald has a star on the Hollywood Walk of Fame at 1628 Vine Street.
Jeanette was named Philadelphia's Woman of the Year in 1961. Of the award, she said:
"It is strange how awards, decorations,
doctorates, etc., can be conferred from
various parts of the country, and even
the world.
And yet, the funny satisfaction of being
recognized in one's home town seems to
be a more gratifying recognition than all."
Shortly after MacDonald's death, surviving classmates from her high school contributed a $150 donation in her name to the Children's Heart Hospital of Philadelphia.
The USC Thornton School of Music built a Jeanette MacDonald Recital Hall in her honor.
A bronze plaque for MacDonald was unveiled in March 1988 on the Philadelphia Music Alliance's Walk of Fame in Raymond's presence.
Controversy Associated WIth Jeanette MacDonald
-- Jeanette MacDonald's Autobiography
MacDonald began developing an autobiography in the 1950's. She wanted her readers to both be inspired by her career and understand how she had coped with balancing a public and personal life.
In one early version she intended to candidly discuss Nelson Eddy, but dropped that idea when Eddy feared public fallout.
Jeanette hired and fired ghostwriters and wrote a manuscript solo, but it was rejected by the publisher for being "too genteel." However MacDonald refused to include many personal details about Eddy, and she deleted already typed pages admitting to one single pregnancy that ended in miscarriage.
Her last ghost writer, Fredda Dudley Balling, noted that MacDonald was too ill to work more than a couple hours a day, so a final draft was never completed. The unfinished manuscript was published and annotated in 2004.
MacDonald said that publishers wanted her to spice up her story. She refused to gossip about her colleagues, and said she did not live that kind of life. In the last year of her life, despite declining health, she still was trying to find a publisher.
An early version of the book, written with James Brough, is in the Cinematic Arts Library, Doheny Memorial Library, University of Southern California.
-- Jeanette MacDonald's Relationship with Nelson Eddy
Despite public denials from the stars themselves of any personal relationship between Jeanette MacDonald and Nelson Eddy, documentation shows otherwise.
In a handwritten 1935 letter by Nelson to "Dearest Jeanette," written on his letterhead, Nelson Eddy writes:
"I love you and will always
be devoted to you."
In the biography Sweethearts by Sharon Rich, the author presents MacDonald and Eddy as continuing an adulterous affair after their marriages.
Rich, who was a close friend of MacDonald's older sister Blossom Rock, also knew Gene Raymond, and documents that the relationship lasted—with a few breaks—until MacDonald's death.
MacDonald had a reported eight pregnancies by Eddy, the first while they were filming Rose Marie. This was before she had an intimate relationship with Gene Raymond.
Raymond was physically unable to father children, and MacDonald alluded to this fact in her unfinished autobiography, writing that she returned from her Hawaii honeymoon with Raymond with the knowledge and accurate admittance that "The MacRaymonds had no children."
Nevertheless, MacDonald had additional, later, documented and visible pregnancies while married to Raymond, all of which ended in miscarriage.
Rich's findings also included documentation that Raymond physically and emotionally abused MacDonald, and had affairs as early as their honeymoon when MacDonald allegedly discovered Raymond in bed with Buddy Rogers.
Raymond was arrested three times, the first in January 1938, as verified by a court document, and also in England during his army service, for his behavior.
Raymond's wedding to MacDonald, orchestrated by Louis B. Mayer, forced MacDonald to become Raymond's "beard," and the 1938 arrest resulted in Mayer blacklisting him in Hollywood for almost two years.
Biographer E. J. Fleming also alleged that Eddy had confronted Raymond for abusing MacDonald, who was visibly pregnant with Eddy's child while filming Sweethearts, which ended with Eddy attacking him and leaving him for dead, though newspapers reported Raymond was recovering from a fall down the stairs.
At that time Mayer adamantly refused to allow MacDonald to annul her marriage and elope. The situation ended with MacDonald losing her baby at nearly 6 months. The boy was named Daniel Kendrick Eddy, and Nelson buried him (or his ashes) on private property in Ojai, California.
Other co-stars and friends verified the MacDonald/Eddy relationship.
Over the decades, MacDonald and Eddy privately occupied several homes together. In 1938, they had a small Burbank house located at 812 S. Mariposa Street in Burbank.
In the 1940's, Nelson leased and remodeled for himself and MacDonald the old cowboy bunkhouse at 1330 Angelo Drive, Beverly Hills.
Starting in 1947, they used 710 N. Camden Drive, which had been the home of MacDonald's mother until her death.
They also stayed at favorite hotels and homes across the country owned by celebrity friends, including Lily Pons and Irene Dunne.
In 1963, MacDonald and Raymond moved into two adjoining apartments at the Wilshire Comstock in Westwood, on the 8th. floor in the East building.
Nelson Eddy had his own apartment on the 7th. floor of the West building, and allowed MacDonald to decorate it; they used it as a rendezvous spot until she was too weak to walk the few yards over to his building. (After Eddy's death, his widow Ann learned of the apartment and moved into it.)
Forbidden to marry early on by MGM studio boss Louis B. Mayer, MacDonald and Eddy performed a mock wedding ceremony at Lake Tahoe while filming Rose Marie. They considered that "by God's laws" they were married, although they were never able to do so legally.
Every autumn, they returned to Lake Tahoe to renew their vows. After their 1943 visit, Eddy wrote a lengthy diary entry about their trip and his love for her, calling her "my wife," which he did in private to the end of her life. As late as 1948, MacDonald's desk diary has a "Lake Tahoe" entry.
I used to be so used to being this guy. I have spent most of my work life in shirts, sat in big offices, doing office stuff, like answering emails, timesheets, annual reviews. Now I'm being smart because I had to go present to a client. This is something I really hate to do. I'm no extravert, not by any means. I'm terrible at those first introductions but can get on well once I know the person. But standing up infront of a crowd kinda scares me.
In the evening I spent the night in a room full of nerds. I am a member of the BCS and their Birmingham meeting because of the speaker. I was clearly the youngest person there, and more than likely the only person working for a small company, and more than likely the only person who works with Macs. Everyone else was probably a .Net coder, or Exchange admin, or some other head of of a service delivery team. All real corporate stuff. And the speaker was a 'business coach' who had all the answers. It seemed like the usual business management stuff you hear from everyone, and he was very proud of his SEO skills, and the coffee shops he helped.
But the one thing I picked up was the DISC chart, showing how people can be graded based on extro/introvertness and whether they are goal or people orientated. I'm not an extrovert.
© Copyright collectif EKIP
[ les voisins ]
Résumé: dernier volet de la trilogie sur les terrains vagues intitulé "cohabitations: commune mesure?" conversion de terrains vagues en plateformes potentielles de rencontres opportunes.
Lieu: Centre d'artiste Axenéo7, 80 Hanson, Gatineau, Québec, Canada.
Date: 6 juin au 8 août 2004, vernissage 5 juin 2004 de 18h à 22h
Dimensions: 30 mètres linéaires
Budget: 2'200 cad
Cicatrices omniprésentes dans le paysage et dans le tissu social, les clôtures sont un dispositif universel de contrôle et de division de l’espace social. Avant même les lois écrites, la clôture s’identifiait comme la loi; une trace physique et symbolique d’un pacte social. De l’échelle de la clôture domestique banlieusarde, jusqu’aux dimensions du Mur de Berlin ou de la Palestine, ou des frontières hostiles, la clôture empêche, interdit, divise, isole, enclave, exclue, ferme, anéantissant les espaces avoisinants, rendus négatifs, inutiles, vagues. Protégé par sa clôture, de tout sauf de lui-même et de sa banale solitude, captif de son propre piège, l’humain se cherche.
L’herbe est cependant toujours plus verte de l’autre coté, chez les voisins. C’est l’être social en nous, sa curiosité, son envie et son désir de porosité communicationnelle qui nous pousse à sauter, déjouer et subvertir les clôtures depuis notre enfance.
[les voisins] tente de détourner la clôture en un espace social commun, positif, habitable, participatif et ludique. Au lieu de diviser, cette clôture devient un dispositif qui uni, créant un lieu d'interaction, d'échange et de partage; un lieu de cohabitation.
[les voisins] s’exprime comme une limite à la fois ambiguë et claire, extravertie et introvertie, qui sépare et connecte en même temps, suffisamment poreuse et ouverte, et suffisamment définie et fermé… ancrée autant dans la réalité que dans l’imaginaire.
L’obstacle engage la curiosité et l’intuition. Le passant s’y approche, y pénètre, flâne, le franchi, s’y promène, touche, monte, passe en dessous, s’y perd, s’assoit dedans, s’y couche, s’y repose, s’y cache du soleil, s’y oublie… Il expérimente les passages, les situations et les vues. [les voisins] est un dispositif de perception du paysage; à la fois fond neutre, cadreur de vues, du ciel, de la lumière, et à la fois articulateur du territoire, cet obstacle étrange vise à révéler les qualités paysagères du terrain vague. [les voisins] invite donc à interagir avec l’obstacle, avec le territoire et surtout avec les autres flâneurs; les côtoyer, écouter, échanger et s’ouvrir à l’expérience de l’autre… à cohabiter cette commune clôture.
… Pourquoi ne pas s’asseoir ensemble confortablement sur ce mur entre nous; je t’offrirai une cigarette et toi tu me donneras une bière, et on refera une petite partie du monde ensemble…!? Vive les Clôtures!
Après de grosses hésitations sur la couleur, Prisme a enfin des yeux corrects! ^^
-----------------------------------
Prisme est une peintre. D'allure extravertie et joyeuse elle cache doutes, peurs et fêlures sous ses airs déjantés. Elle aime faire danser ses pinceaux, valser avec les couleurs; l'inspiration est son seul maître. Qu'elle poursuit sans relâche, coûte que coûte, parfois même jusqu'à la folie...
🔖 Chapter 1.4 (b): The Universalia Problem in Scholasticism
📝 Type: eDucational book
🎨 Style: Psychology
️ Read by Owlivia
㊗️ Translated by Helton Godwin Baynes
📓 Book: Psychological Types: Or, the Psychology of Individuation
👩🏫 Psychological Types (German: Psychologische Typen) is a book by Carl Jung that was originally published in German by Rascher Verlag in 1921, and translated into English in 1923, becoming volume 6 of The Collected Works of C. G. Jung.
In the book, Jung proposes four main functions of consciousness: two perceiving or non-rational functions (Sensation and Intuition), and two judging or rational functions (Thinking and Feeling). These functions are modified by two main attitude types: extraversion and introversion.
Jung proposes that the dominant function, along with the dominant attitude, characterizes consciousness, while its opposite is repressed and characterizes the unconscious. Based on this, the eight outstanding psychological types are: Extraverted sensation / Introverted sensation; Extraverted intuition / Introverted intuition; Extraverted thinking / Introverted thinking; and Extraverted feeling / Introverted feeling. Jung, as such, describes in detail the effects of tensions between the complexes associated with the dominant and inferior differentiating functions in highly and even extremely one-sided types.
Extensive detailed abstracts of each chapter are available online
✔️ DOWNLOAD Audiobook & Book: www.dropbox.com/sh/zn7b7abvemgedra/AAC_GDjpJl86x0U4n0aMSO...
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You don't have to share this link, because the whole (video, book, and audiobook) belongs to the public domain.
- Book (📓) = COPY & PASTE [▭▭▭]
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📋 WHAT ?
🌟 Chapter 1.4 (b) - The Universalia Problem in Scholasticism (📓 Carl Jung - Psychological Types)
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📝 Type: Audio dictation
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WHO ?
📖 Read by Owlivia
📼 Video by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
📓Book by Carl Gustav Jung
️Video promoted by eDition
📼Video Link: youtu.be/Da0aiLsSGiQ
~~~ 🎥 VIDEO
Laurent Guidali
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👸 Owlivia
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Regarder Men in Black streaming vf HD gratuit 1997 :
Film américain réalisé par Barry Sonnenfeld, sorti en 1997. Il est l'adaptation cinématographique de la série de comics du même nom créée par Lowell Cunningham et publié par Aircel Comics en 1990. C'est le premier volet de la série de films Men in Black.
#MeninBlack #filmscultes #willsmith #filmgratuit
Les Men in Black (MIB) font partie d'une organisation ultra-secrète créée afin de réguler la présence sur Terre des extraterrestres. Grâce à leurs technologies avancées, ils sont virtuellement inexistants, effaçant la mémoire des témoins gênants. Ainsi, la population ignore la présence de vie extraterrestre au sein de notre planète. Le qualificatif d'« hommes en noir » vient des complets noirs et des lunettes sombres que les membres de l'organisation doivent porter en tout temps.
K (Tommy Lee Jones), agent de longue date du MIB, vient de perdre son mentor, qui a pris la décision de se retirer en raison de son âge avancé. Il tente donc de se dénicher une nouvelle recrue. Il finit par la trouver en l'officier du NYPD James Darrell Edwards III (Will Smith), jeune homme extraverti qui est capable de pourchasser un alien à pied, et qui possède par ailleurs une bonne intuition.
C'est ainsi que le jeune James devient l'agent J.
🔖 Chapter 1.4 (b): The Universalia Problem in Scholasticism
📝 Type: eDucational book
🎨 Style: Psychology
️ Read by Owlivia
㊗️ Translated by Helton Godwin Baynes
📓 Book: Psychological Types: Or, the Psychology of Individuation
👩🏫 Psychological Types (German: Psychologische Typen) is a book by Carl Jung that was originally published in German by Rascher Verlag in 1921, and translated into English in 1923, becoming volume 6 of The Collected Works of C. G. Jung.
In the book, Jung proposes four main functions of consciousness: two perceiving or non-rational functions (Sensation and Intuition), and two judging or rational functions (Thinking and Feeling). These functions are modified by two main attitude types: extraversion and introversion.
Jung proposes that the dominant function, along with the dominant attitude, characterizes consciousness, while its opposite is repressed and characterizes the unconscious. Based on this, the eight outstanding psychological types are: Extraverted sensation / Introverted sensation; Extraverted intuition / Introverted intuition; Extraverted thinking / Introverted thinking; and Extraverted feeling / Introverted feeling. Jung, as such, describes in detail the effects of tensions between the complexes associated with the dominant and inferior differentiating functions in highly and even extremely one-sided types.
Extensive detailed abstracts of each chapter are available online
✔️ DOWNLOAD Audiobook & Book: www.dropbox.com/sh/zn7b7abvemgedra/AAC_GDjpJl86x0U4n0aMSO...
💡HOW ? 🔽
You don't have to share this link, because the whole (video, book, and audiobook) belongs to the public domain.
- Book (📓) = COPY & PASTE [▭▭▭]
- Audio Book (📖) = COPY & PASTE [---]
- Video (🎥) = COPY & PASTE [~~~]
ℹ️ How to use Video ? (©️): creativecommons.org/share-your-work/public-domain/pdm
ℹ️ How to use the Book ? (©️): creativecommons.org/share-your-work/public-domain/pdm
📋 WHAT ?
🌟 Chapter 1.4 (b) - The Universalia Problem in Scholasticism (📓 Carl Jung - Psychological Types)
💫 Audiobook & Literature & eDition & Book & Individuation World
🌌 Public Domain Audiobook Galaxy
✨ Audiobook (📖)
📝 Type: Audio dictation
🎨 Style: Psychology
🔊 Language: 🇬🇧 English (🇩🇪 Original: Swiss German)
WHO ?
📖 Read by Owlivia
📼 Video by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
📓Book by Carl Gustav Jung
️Video promoted by eDition
📼Video Link: youtu.be/Da0aiLsSGiQ
~~~ 🎥 VIDEO
Laurent Guidali
~~~
--- 📖 AUDIOBOOK
👸 Owlivia
📌 Librivox: librivox.org/reader/14439?primary_key=14439&search_ca...
---
▭▭▭ 📓 BOOK
Carl Jung
📌 Wikipedia: en.wikipedia.org/wiki/Carl_Jung
▭▭▭
📍 WHERE ?
🇫🇷 France [Video]
🇨🇭 Switzerland [Book]
🇺🇸 United States of America [Audiobook]
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🎆 1923 (📓 Book)
🔖 React with official Hashtags:
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🔖 Chapter 1.4 (c): Abelard's Attempt at Conciliation
📝 Type: eDucational book
🎨 Style: Psychology
️ Read by Owlivia
㊗️ Translated by Helton Godwin Baynes
📓 Book: Psychological Types: Or, the Psychology of Individuation
👩🏫 Psychological Types (German: Psychologische Typen) is a book by Carl Jung that was originally published in German by Rascher Verlag in 1921, and translated into English in 1923, becoming volume 6 of The Collected Works of C. G. Jung.
In the book, Jung proposes four main functions of consciousness: two perceiving or non-rational functions (Sensation and Intuition), and two judging or rational functions (Thinking and Feeling). These functions are modified by two main attitude types: extraversion and introversion.
Jung proposes that the dominant function, along with the dominant attitude, characterizes consciousness, while its opposite is repressed and characterizes the unconscious. Based on this, the eight outstanding psychological types are: Extraverted sensation / Introverted sensation; Extraverted intuition / Introverted intuition; Extraverted thinking / Introverted thinking; and Extraverted feeling / Introverted feeling. Jung, as such, describes in detail the effects of tensions between the complexes associated with the dominant and inferior differentiating functions in highly and even extremely one-sided types.
Extensive detailed abstracts of each chapter are available online
✔️ DOWNLOAD Audiobook & Book: www.dropbox.com/sh/zn7b7abvemgedra/AAC_GDjpJl86x0U4n0aMSO...
💡HOW ? 🔽
You don't have to share this link, because the whole (video, book, and audiobook) belongs to the public domain.
- Book (📓) = COPY & PASTE [▭▭▭]
- Audio Book (📖) = COPY & PASTE [---]
- Video (🎥) = COPY & PASTE [~~~]
ℹ️ How to use Video ? (©️): creativecommons.org/share-your-work/public-domain/pdm
ℹ️ How to use the Book ? (©️): creativecommons.org/share-your-work/public-domain/pdm
📋 WHAT ?
🌟 Chapter 1.4 (c): Abelard's Attempt at Conciliation (📓 Carl Jung - Psychological Types)
💫 Audiobook & Literature & eDition & Book & Individuation World
🌌 Public Domain Audiobook Galaxy
✨ Audiobook (📖)
📝 Type: Audio dictation
🎨 Style: Psychology
🔊 Language: 🇬🇧 English (🇩🇪 Original: Swiss German)
WHO ?
📖 Read by Owlivia
📼 Video by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
📓Book by Carl Gustav Jung
️Video promoted by eDition
📼Video Link: youtu.be/0DfEmBSvokI
~~~ 🎥 VIDEO
Laurent Guidali
~~~
--- 📖 AUDIOBOOK
👸 Owlivia
📌 Librivox: librivox.org/reader/14439?primary_key=14439&search_ca...
---
▭▭▭ 📓 BOOK
Carl Jung
📌 Wikipedia: en.wikipedia.org/wiki/Carl_Jung
▭▭▭
📍 WHERE ?
🇫🇷 France [Video]
🇨🇭 Switzerland [Book]
🇺🇸 United States of America [Audiobook]
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🎆 1923 (📓 Book)
🔖 React with official Hashtags:
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From "The Happy Introvert; A Wild and Crazy Guide to Celebrating Your True Self" by Elizabeth Wagele. (Ulysses Press) visit www.wagele.com.
THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Photograph: SHAY ROWAN
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
THE SÉANCE
In this new play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Photograph: SHAY ROWAN
Twitter: @andous
More details: www.greatermanchesterfringe.co.uk
🔖 Chapter 1.4 (b): The Universalia Problem in Scholasticism
📝 Type: eDucational book
🎨 Style: Psychology
️ Read by Owlivia
㊗️ Translated by Helton Godwin Baynes
📓 Book: Psychological Types: Or, the Psychology of Individuation
👩🏫 Psychological Types (German: Psychologische Typen) is a book by Carl Jung that was originally published in German by Rascher Verlag in 1921, and translated into English in 1923, becoming volume 6 of The Collected Works of C. G. Jung.
In the book, Jung proposes four main functions of consciousness: two perceiving or non-rational functions (Sensation and Intuition), and two judging or rational functions (Thinking and Feeling). These functions are modified by two main attitude types: extraversion and introversion.
Jung proposes that the dominant function, along with the dominant attitude, characterizes consciousness, while its opposite is repressed and characterizes the unconscious. Based on this, the eight outstanding psychological types are: Extraverted sensation / Introverted sensation; Extraverted intuition / Introverted intuition; Extraverted thinking / Introverted thinking; and Extraverted feeling / Introverted feeling. Jung, as such, describes in detail the effects of tensions between the complexes associated with the dominant and inferior differentiating functions in highly and even extremely one-sided types.
Extensive detailed abstracts of each chapter are available online
✔️ DOWNLOAD Audiobook & Book: www.dropbox.com/sh/zn7b7abvemgedra/AAC_GDjpJl86x0U4n0aMSO...
💡HOW ? 🔽
You don't have to share this link, because the whole (video, book, and audiobook) belongs to the public domain.
- Book (📓) = COPY & PASTE [▭▭▭]
- Audio Book (📖) = COPY & PASTE [---]
- Video (🎥) = COPY & PASTE [~~~]
ℹ️ How to use Video ? (©️): creativecommons.org/share-your-work/public-domain/pdm
ℹ️ How to use the Book ? (©️): creativecommons.org/share-your-work/public-domain/pdm
📋 WHAT ?
🌟 Chapter 1.4 (b) - The Universalia Problem in Scholasticism (📓 Carl Jung - Psychological Types)
💫 Audiobook & Literature & eDition & Book & Individuation World
🌌 Public Domain Audiobook Galaxy
✨ Audiobook (📖)
📝 Type: Audio dictation
🎨 Style: Psychology
🔊 Language: 🇬🇧 English (🇩🇪 Original: Swiss German)
WHO ?
📖 Read by Owlivia
📼 Video by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
📓Book by Carl Gustav Jung
️Video promoted by eDition
📼Video Link: youtu.be/Da0aiLsSGiQ
~~~ 🎥 VIDEO
Laurent Guidali
~~~
--- 📖 AUDIOBOOK
👸 Owlivia
📌 Librivox: librivox.org/reader/14439?primary_key=14439&search_ca...
---
▭▭▭ 📓 BOOK
Carl Jung
📌 Wikipedia: en.wikipedia.org/wiki/Carl_Jung
▭▭▭
📍 WHERE ?
🇫🇷 France [Video]
🇨🇭 Switzerland [Book]
🇺🇸 United States of America [Audiobook]
🕓 WHEN ?
🎆 2023 (🎥 Video)
🎆 2021-06-15 (📖 Audiobook)
🎆 1923 (📓 Book)
🔖 React with official Hashtags:
#Etoile
#ETL
#eDition
💌 Contact: etoilecontactetl@gmail.com
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
Personality by Lloyd Price: Walk, talk, smile, charm, love – all with personality, plus you’ve got a great big heart. Each one of my siblings has at least one if not all of the song’s attributes. The younger two of us are very outgoing, the older two are a mix, and the middle sibling is the shy one. Photos were taken at Vern’s retirement party on November 5, 2016.
Vern on the left, the oldest brother, the retiree, is a mix, outgoing with his family & friends; reserved, in his profession as a policeman.
Carla, the youngest sister, is most definitely an extravert – is outgoing and bubbly in all settings, professional during work in her human resources post.
George, the baby brother, again most definitely an extravert – oh, he will tell you he is a homebody, but he is active in his church, checks in on each of his neighbors daily, dotes on his bloodhound and participates in a round robin of emails with Carla & I daily.
Vicki, the middle child and the middle sister, personifies shy. She is a self-starter, a problem solver and works well on her own. She has no shortage of self-esteem and self-worth. She can do pretty much anything she puts her mind to.
And me, on the right, the oldest, and like Vern, a mix, reserved in unfamiliar situations, engaging when discussing the familiar, infectious when speaking about my passions, including but not limited to: genealogy, find-a-grave volunteering, scrapbooking, basset hounds, and flower gardening.
Après avoir passé une grande partie de la journée à lire un roman captivant dans sa chambre, Starfire a décidé de s'accorder une balade aérienne en haute altitude au coucher du soleil en portant fièrement sa couche épaisse pour agir en coquine extravertie n'ayant aucune honte à se montrer ainsi publiquement tout en veillant à ne pas être vue par les habitants.
Après une heure de vol, sur le trajet du retour vers la tour de ses équipiers/amis, Starfire se met à subir un relâchement des sphincters salissant sa couche suivi d'une minute de projection d'urine la rendant complètement saturée. Heureusement, elle n'est plus qu'à deux minutes de sa résidence et elle va pouvoir se nettoyer puis enfiler une couche neuve.
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
🔖 Chapter 1.5: The Holy Communion Controversy between Luther and Zwingli
📝 Type: eDucational book
🎨 Style: Psychology
️ Read by Owlivia
㊗️ Translated by Helton Godwin Baynes
📓 Book: Psychological Types: Or, the Psychology of Individuation
👩🏫 Psychological Types (German: Psychologische Typen) is a book by Carl Jung that was originally published in German by Rascher Verlag in 1921, and translated into English in 1923, becoming volume 6 of The Collected Works of C. G. Jung.
In the book, Jung proposes four main functions of consciousness: two perceiving or non-rational functions (Sensation and Intuition), and two judging or rational functions (Thinking and Feeling). These functions are modified by two main attitude types: extraversion and introversion.
Jung proposes that the dominant function, along with the dominant attitude, characterizes consciousness, while its opposite is repressed and characterizes the unconscious. Based on this, the eight outstanding psychological types are: Extraverted sensation / Introverted sensation; Extraverted intuition / Introverted intuition; Extraverted thinking / Introverted thinking; and Extraverted feeling / Introverted feeling. Jung, as such, describes in detail the effects of tensions between the complexes associated with the dominant and inferior differentiating functions in highly and even extremely one-sided types.
Extensive detailed abstracts of each chapter are available online
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You don't have to share this link, because the whole (video, book, and audiobook) belongs to the public domain.
- Book (📓) = COPY & PASTE [▭▭▭]
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🌟 Chapter 1.5: The Holy Communion Controversy between Luther and Zwingli (📓 Carl Jung - Psychological Types)
💫 Audiobook & Literature & eDition & Book & Individuation World
🌌 Public Domain Audiobook Galaxy
✨ Audiobook (📖)
📝 Type: Audio dictation
🎨 Style: Psychology
🔊 Language: 🇬🇧 English (🇩🇪 Original: Swiss German)
WHO ?
📖 Read by Owlivia
📼 Video by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
📓Book by Carl Gustav Jung
️Video promoted by eDition
📼Video Link: youtu.be/0hz62qRyeyY
~~~ 🎥 VIDEO
Laurent Guidali
~~~
--- 📖 AUDIOBOOK
👸 Owlivia
📌 Librivox: librivox.org/reader/14439?primary_key=14439&search_ca...
---
▭▭▭ 📓 BOOK
Carl Jung
📌 Wikipedia: en.wikipedia.org/wiki/Carl_Jung
▭▭▭
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🇫🇷 France [Video]
🇨🇭 Switzerland [Book]
🇺🇸 United States of America [Audiobook]
🕓 WHEN ?
🎆 2023 (🎥 Video)
🎆 2021-06-15 (📖 Audiobook)
🎆 1923 (📓 Book)
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Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
www.partynu.nl/vijfde-editie-local-warriors-in-club-up/
De vijfde editie van Local Warriors staat alweer in de planning. Ditmaal op donderdag 23 mei 2013 in Club Up Amsterdam.
Local Warriors is een nieuw concept bedoeld voor muzieknerds én mooie meisjes, dansbaar en toegankelijk met een commercieel randje, zonder de muziekliefhebber te verliezen. Elke editie geeft Local Warriors nieuw Noord-Hollands talent de kans om zich op de kaart te zetten. Verwacht trap, bass, electro en moombahton!
Voor het eerst naar Local Warriors? Nog niet zeker van wat je kan verwachten? Een aantal begrippen om je verder op weg te helpen: extravert chicks, Moshpit dudes, muziek nerds, warfaced publiek en meiden met schuddende billen. Naast resident Synthesin Shane staan op Local Warriors in Club Up nog opkomende vier acts.
Kleine Dondersteen
Kleine Dondersteen begon op relatief late leeftijd met DJ'en. Met de juiste discipline en het doorzettingsvermogen heeft hij in korte tijd zichzelf bewezen op een aantal grote podiums en festivals in regio Haarlem en Amsterdam. Prop je hiphop, R&B, trap, en moombahton in een blender, dan krijg je Kleine Dondersteen.
BigSNoise dj's
BigSNoise dj's is ontstaan vanuit een muzikale blog. Vanuit het muzikale blog Big's'Noise Blogspot streven ze naar een specifieke doelgroep. Hierdoor zijn hun DJ-sets uniek en up-to-date. Nu rockt dit team catchy dj-sets die van electro naar moombahcore en trap gaan.
Ganzevour
Ganzevour is een lokaal dj-duo die met hun combinatie van glitch, hiphop en dubstep kraakheldere dj-set neerzetten. Met optredens op een aantal festivals en een goed ontvangen debut EP wordt Ganzevour steeds bekender in en buiten Noord-Holland.
Artstar
Artstar is een nieuw talent dat vanuit Crunk Kidz Blogspot doorgegroeid is naar een electro specialist! Ondanks de grote wereld van draaien is Artstar niet groot geworden in zijn eigen omgeving maar gelijk los gelaten in grote discotheken zoals Estrado (Harderwijk) Perron 55 (Venlo) en Hedon (Zwolle). Deze man weet als geen ander hoe een dansvloer gerockt moet worden.
Mercedes-Benz G-Klasse in drie limited editions
Autonieuws • 6 november 2017 • Tekst: Ellen Kole
Mercedes-Benz G-Klasse 2018 - G 350d Professional Limited Edition
Mercedes-Benz G 350d Professional Limited Edition
Voordat Mercedes-Benz de G-Klasse uit productie neemt benadrukt het Duitse merk nog eens hoe veelzijdig de terreinwagen is. Dat doet het met drie 'limited editions'.
'Schöckl proved since 1979' staat op de middenarmsteun. Echte G-Klasse-fans weten wat dat betekent: Mercedes-Benz test de iconische terreinbeul G-Klasse op de 1.445 meter hoge berg Schöckl in de Oostenrijkse Alpen, op een behoorlijk uitdagend circuit.
Het Duitse merk wil nog eens benadrukken hoe veelzijdig de terreinwagen is en brengt daarom drie verschillende, speciale edities uit. Van alle drie worden slechts 463 modellen gebouwd, verwijzend naar de intern gebruikte modelcode 'W463'. De Nederlandse prijzen van de editions volgen nog.
G 350d Limited Edition
De Mercedes-Benz G 350d met drieliter V6-motor (245 pk) benadrukt de esthetische kant van de G-Klasse. De zwart metallic buitenkant, met een aluminium beschermingsstrip langs de flanken, is verfraaid met onder meer het Chroompakket en Sportpakket. Dat laatste omvat weer het Exterieur Roestvrijstaalpakket en 19 inch lichtmetalen AMG-wielen met vijf spaken.
Mercedes-Benz G-Klasse 2018 - G 350d Limited Edition
Mercedes-Benz G 350d Limited Edition
G 350d Professional Limited Edition
Deze robuuste offroader heeft dezelfde motor als bovengenoemd model. De aankleding is stoer, met het Professional Offroadpakket, Laadbeschermingspakket, dakrails, stalen voorbumper en spatlappen tegen de modder. De stof op de stoelen herinnert aan de ruitjesstof van vroegere G-Klasse-modellen.
G 500 Limited Edition
De zilverkleurige G 500 met zwarte accenten wordt door Mercedes-Benz omschreven als 'extravert'. Het topmodel, met een V8-motor van 422 pk, is uitgebreid aangekleed. Onder meer een Harman Kardon Logic 7-surround sound system, Blind Spot Assist, verwarmde voorruit, nappalederen stoelen, AMG Performance-stuurwiel, Chroompakket en Exclusiefpakket zijn standaard.
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
THE SÉANCE
In this play written by Andrew Siddall, Danny is determined to make an honest woman out of his soul mate Kate even after his initial disastrous attempt at proposing. An attempt that accidentally killed him when he dropped the ring in the toaster. With Danny gone best friend Tom has declared his undying love for Kate. Will Danny be able to get through in time to make Kate his lawfully wedded widow?
Photograph: SHAY ROWAN
Twitter: @andous
For more details: www.greatermanchesterfringe.co.uk
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!
Episode 5 in the "What Shape Is Your Banana?" series. It's the turn of the Squiggle... the shape with no boundaries.
Doc Rowe has been engaged in "serial collecting" with annual visits to innumerable seasonal events in the British Isles and Ireland.
Regular attendance and continuous fieldwork has led to a positive relationship between `collector' and `collected' and the documentation of otherwise unrecorded aspects of many of our cultural traditions. The preparation of costume, guises, garlands, designs etc., shaped by local and individual aesthetics, are rarely recorded but film and photography go some way to redress this. Supplemented by taped interviews, bibliographic, photographic and historical source material provides social and historical background material. His material is constantly updated and more private and intimate encounters are counterbalanced by more extravert, risky and dangerous activities such as running with blazing tar barrels or being crushed in mass scrums in community sport!