View allAll Photos Tagged extensor
Para fazer essa foto precisei utilizar a 18-55mm invertida com tubo extensor para aumentar a ampliação.
To make this picture needed to use 18-55mm inverted with extension tube to increase magnification.
Para ver algumas das melhores macros do flickr acesse:
To see some of the best macros on flickr visit:
Con las dificultades que significa hacer esto con un extensor que no me permite hacer foco automático.... Me gustó como quedó.
A veces considerar los detalles no es tan fácil.
Probando fotografia macro con tubo extensor
NIKON D7100, Lente 70-300 + Tubo extensor y Flash
El guardian del bosque
En la #LASELVA reserva agroecologica
en la vega
"Un mural nuevo es una experiencia nueva ,donde no solo se deja el alma y el cuerpo sino que pones a prueba tu propio trabajo."
Cada vez que nos enfrentamos a un muro en blanco dudamos del resultado final, y la exigencia nos aputan con el dedo gordo del pie, nos convertimos en acrobatas del extensor y combatimos con un pincel y rodillo a cada uno de los zancudos que nos asechan mientras una luz nos alumbra la espalda para no ser atacados por los murciélagos al song de una buenas pistas de jazz hardcore.
Lugar captura;Lago cerca de entrada del Mariposario del Jardìn Botánico de Santiago profesor Eugenio de Jesús Marcano.Cámara Nikon Mirroless Z6,Lente Nikon 500 mms y extensor 1.4.
Simbólicamente, la flor de loto se asocia con la figura de Buda y con sus enseñanzas, por eso es una planta de carácter sagrado para los pueblos de Oriente. Cuenta la leyenda que cuando el niño Buda dio sus primeros pasos, en todos los lugares que pisó crecieron flores de loto.Es una de las plantas sagrada de la India y China y de las más especiales y bonitas de todo el mundo. También conocida como rosa del Nilo o loto sagrado, su principal característica son las hojas olorosas y flotantes. En cuanto a su fruto, tiene una estructura que parecen ojos de pequeño tamaño.En la India esta planta representa un grupo de cualidades importantes entre las que se resaltan : riqueza, conocimientos, fertilidad y divinidad; además se relaciona con la diosa de la abundancia, quien logra conseguir prosperidad y belleza.La flor de loto mordada un color muy vivo y llamativo, además es condiderada la mística flor de loto. Es la menos común de todas, refiriéndonos a colores. Sus ocho pétalos simbolizan el noble óctuple sendero del budismo, por esto es muy apreciada, importante y valorada para la religión budista.
Kinda scattered brain today and feeling washed out. So I am taking it easy and having fun seeing my favorite skin in other peoples shapes. It really changes it alot in my eyes. This is the Anona bare skin with no freckles
slurl.com/secondlife/Extensor/104/230/22
The shape is Mana shape by EUREKA!
I used the Wuxia nights setting and had a glow screen infront of me. It really adds a nice fleshy tone to the skin. hmm something i need to try and aim for more in my skin tone in photoshop
"Aranha em Escala de Cinza", 03 fotos. Usei a Canon 60D, objetivas 70x300mm e a 70x200mm L com extensor tele 2x.
"Gray Scale Spider", 03 photos. I used the Canon 60D, 70x300mm lenses and 70x200mm L with 2x tele extender.
Todos os direitos reservados para Vivaldo Armelin Júnior
Almost the last one for the day
I guess you get the impression
But yeah. beep, its always fun to mess around and see how the look changes
This shape is by my good friend Zara, shes called it April cause err yeah its the month and umm she cant think straight right now as a matter of fact neither can I .. nanny nap time ! wooo
Tubo Extensor Macro de 13mm+31mm+ lente 50mm, flash em 1/8 em zoom 35mm.
O piolho de cobra é um animal invertebrado, muito parecido com a lacraia, porém, com algumas diferenças. Os dois animais possuem várias patas, corpo alongado cheio de anéis (segmentos), um par de olhos e de antenas.
Por insignificante que parezca, cada criatura en la tierra tiene su papel y aunque lo desconozcamos realiza una función en el ecosistema, esto es una muestra de ese pequeño mundo dificil de percibir a simple vista.
Uso un objetivo 35-105mm f/3,5 - 4,5 análogo con extensores para lograr este aumento, todo es manual !!
Canon 10D + 18-55 f/4-5.5 + tuno extensor macro 34mm + speedlight com sombrinha com +1ev medição via flashmeter.
Minhas primeiras tentativas de fotografia macro utilizando uma lente 50mm invertida, conjunto de tubos extensores, flash xing ling com difusor fabricado em casa e muita paciência.
My first attempts at macro photography using a reversed 50mm lens , extensor tubes, chinese flash with DIY diffuser and a lot of patience.
Macro of Spider.
Spiders (order Araneae) are air-breathing arthropods that have eight legs and chelicerae with fangs that inject venom. They are the largest order of arachnids and rank seventh in total species diversity among all other orders of organisms. Spiders are found worldwide on every continent except for Antarctica, and have become established in nearly every habitat with the exceptions of air and sea colonization. As of November 2015, at least 45,700 spider species, and 114 families have been recorded by taxonomists. However, there has been dissension within the scientific community as to how all these families should be classified, as evidenced by the over 20 different classifications that have been proposed since 1900.
Anatomically, spiders differ from other arthropods in that the usual body segments are fused into two tagmata, the cephalothorax and abdomen, and joined by a small, cylindrical pedicel. Unlike insects, spiders do not have antennae. In all except the most primitive group, the Mesothelae, spiders have the most centralized nervous systems of all arthropods, as all their ganglia are fused into one mass in the cephalothorax. Unlike most arthropods, spiders have no extensor muscles in their limbs and instead extend them by hydraulic pressure.
Their abdomens bear appendages that have been modified into spinnerets that extrude silk from up to six types of glands. Spider webs vary widely in size, shape and the amount of sticky thread used. It now appears that the spiral orb web may be one of the earliest forms, and spiders that produce tangled cobwebs are more abundant and diverse than orb-web spiders. Spider-like arachnids with silk-producing spigots appeared in the Devonian period about 386 million years ago, but these animals apparently lacked spinnerets. True spiders have been found in Carboniferous rocks from 318 to 299 million years ago, and are very similar to the most primitive surviving suborder, the Mesothelae. The main groups of modern spiders, Mygalomorphae and Araneomorphae, first appeared in the Triassic period, before 200 million years ago.
A herbivorous species, Bagheera kiplingi, was described in 2008, but all other known species are predators, mostly preying on insects and on other spiders, although a few large species also take birds and lizards. Spiders use a wide range of strategies to capture prey: trapping it in sticky webs, lassoing it with sticky bolas, mimicking the prey to avoid detection, or running it down. Most detect prey mainly by sensing vibrations, but the active hunters have acute vision, and hunters of the genus Portia show signs of intelligence in their choice of tactics and ability to develop new ones. Spiders' guts are too narrow to take solids, and they liquefy their food by flooding it with digestive enzymes and grinding it with the bases of their pedipalps, as they do not have true jaws.
Male spiders identify themselves by a variety of complex courtship rituals to avoid being eaten by the females. Males of most species survive a few matings, limited mainly by their short life spans. Females weave silk egg-cases, each of which may contain hundreds of eggs. Females of many species care for their young, for example by carrying them around or by sharing food with them. A minority of species are social, building communal webs that may house anywhere from a few to 50,000 individuals. Social behavior ranges from precarious toleration, as in the widow spiders, to co-operative hunting and food-sharing. Although most spiders live for at most two years, tarantulas and other mygalomorph spiders can live up to 25 years in captivity.
While the venom of a few species is dangerous to humans, scientists are now researching the use of spider venom in medicine and as non-polluting pesticides. Spider silk provides a combination of lightness, strength and elasticity that is superior to that of synthetic materials, and spider silk genes have been inserted into mammals and plants to see if these can be used as silk factories. As a result of their wide range of behaviors, spiders have become common symbols in art and mythology symbolizing various combinations of patience, cruelty and creative powers. An abnormal fear of spiders is called arachnophobia.
IN ENGLISH BELOW THE LINE
Estic enamora d'aquesta càmera. Poques vegades pots trobar una càmera antiga amb aquesta espectacularitat en aspectes molt diversos (aspecte, volum, detalls, sò) i a sobre funcionant. Per acabar-ho d'adobar no funcionaba bé del tot i això fou un extra d'amor-odi fins aconseguir reparar-la. I aprenent a soldar, entremig.
Aquesta meravellosa i no precisament petita càmera és la Revolving Back Auto Graflex, en format 4x5 polzades. Es tracta del model original de la RB Auto Graflex, molt més nombrós en variacions posteriors, també molt boniques, però just un punt menys que aquesta. En efecte, mentre que la majoria de RB Auto Graflex que es veuen per la xarxa son dels models de 1909 (en tinc una) o sobretot el fabricat entre 1916 i 1941 (amb apertura superior cap a darrera).
Aquesta càmera és la RB Auto fabricada entre 1906 i 1908, només en format 4x5, i de fet té un aspecte molt més arcaic que els models posteriors, asemblant-se a la original "Graflex" del 1901, o també a la inmensa Press Graflex del 1907. La millor informació al respecte és el llibre de R. P. Paine (1981): The All-American Cameras. A Review of Graflex.
Tant el visor de xemeneia amb el nom estampat, com l'extensor del objectiu estampat en acer li donen un aire unic. I a això cal sumar-hi el inconfusible so del obturador de pla focal Graflex, originariament amb velocitats de fins 1/1000 (tot i que no la penso forçar pas tant, que té més de 110 anys!). L'objectiu és un B&L Zeiss Protar f6.3 / 10".
L'unic però important problema que tenia era que el conector entre el moviment del mirall (i pertant el disparador) i l'obturador, estava desencaixat, i calia soldar-lo. Ha costat deu i ajuda, però crec que ara aguanta bé.
==============================================
I'm in love with this camera. Rarely can you find an old camera with this awesomeness in very diverse aspects (appearance, size, details, sound) and on top of that in working condition. The only minor glitch was that the link between release & shutter was damaged, but that was an extra love-hate issue until I managed to fix it. And learning to torch solder, in between.
This wonderful and not exactly small camera is the Revolving Back Auto Graflex, in glorious 4x5" format. This is the original model of the RB Auto Graflex, much more usual in later variations, also very beautiful, but just a point less than this one. In fact, all of the RB Auto Graflex that are seen on the net are models of 1909 (I have one of these) or especially the ones made between 1916 and 1941 (with rear-opening top). And remember, those are SLR, reflex cameras, like a modern DSLR, but huge and archaic.
This is the RB Auto Graflex made between 1906 and 1908, only in 4x5 format, and in fact has a much more archaic look than later models, resembling the original "Graflex" of 1901; or also the huge 5x7 Press Graflex of 1907. The best information in this regard is the book by R. P, Paine (1981): "The All-American Cameras. A Review of Graflex".
Both the chimney hood with gilded name & fur edge and the steel-stamped lens struts give it a unique air. Full steampunk. And to this must be added the unmistakable sound of the Graflex focal plane shutter, originally with speeds of up to 1/1000 (although I don't plan on forcing it so much, it's over 110 years old!). The lens is a Bausch&Lomb Zeiss Protar f6.3 / 10 ".
The only but important problem I had was that the link between the movement of the mirror (and therefore the release lever) and the shutter, was dislodged, and had to be soldered with a butane torch. I had to learn the trade a bit, and got several days nowhere, till I managed to assemble all again, but I think it holds up well now.
This is the typical later RB Auto Graflex:
www.earlyphotography.co.uk/site/entry_C299.html
www.camarassinfronteras.com/articulos/rochester/graflex.html
camera-wiki.org/wiki/Auto_Graflex
A lot of SLR Graflex here, but not a single one of the same model:
Nikon D-40 + TUBO EXTENSOR + Lente 18-55mm
Nossa, ando mesmo sem tempo.....só agora consegui usar o presente que ganhei do meu "amore" ; D
Ganhei o tubo extensor de presente de dia dos namorados.....AMEI \o/
Tudo a ver comigo né lindo???? hihi Agora posso transformar tudo o que é pequinho em gigante sem grandes recortes ^^
TE AMO, muito obrigada \o/
:: Barcelona /// España :: agosto 2011*
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Noche de rodillo, engrudo, extensor y conversación junto a Dj Broken*
Foto totalmente inesperada, estava a fazer macro das flores, quando vi essa pequena e registrei.
Extensor macro 13mm
Don't even get me started on how this happened.
OK. I was on my hands and knees scrubbing cat urine out of the carpet and as I pushed forward my knuckle bent under and SNAP - the tendon tore apart and took a chunk of bone with it.
On the bright side, I may have a picture with more Meaning and less Beauty to submit to my photography instructor. ;D
Explored March 3, 2015
IN ENGLISH BELOW THE LINE
La Folding Pocket Kodak és una càmera força important. En primer lloc, és una de les primeres càmeres de rodet del món, i molt en especial, la primera que realment es podia portar a la butxaca, com clàrament indica el seu nom. Hi havia ja aleshores càmeres més petites, però no de rodet de pel·licula.
La FPK es començà a produir el 1897, i inicià una gràn familia de càmeres plegables de la marca Kodak que s'allargaren fins poc abans de la Segona Guerra Mundial, amb infinitat de variants. És, pertant la "avia" de totes elles. Emprava el format 105, fent fotos de 2 1/4 x 3 1/4; de fet és molt similar al actual format 120, pel que amb certa traça, es pot fer servir en aquesta càmera.
L'obturador i l'objectiu eren molt senzills, integrats en l'estructura i que no permetien quasi cap variació en la fotografia. De fet, aquesta càmera no té gaires més possibilitats que una molt més senzilla i ubicua Brownie de caixa, però gràcies a la manxa, és molt més compacta.
El 1899, pràcticament sense canviar la estructura, la càmera canvià de nom, incorporant el No.1 davant de "Folding Pocket Kodak"; així es diferenciava de altres variants de mides diferents que s'anaven incorporant al cataleg, com la No.0 o la No.1A. Tot i que hi ha diversos "sub-models" de trancisió, crec que aquesta és encara una FPK original, ja que s'en fabricaren 75.000, i el seu nº de serie està entre els 44.000. Igualment, en el text al interior de la càmera no parla de cap patent posterior al 1894 (n'he vista altres que si ho fan), ni incorpora visors tipus "brilliant", tipics de les primeres "No.1". Tot plegat, dona una cronologia de fabricació del 1898-1899, just quan la Guerra de Cuba!
Algú, potser el primer propietari, gravà les lletres AP en un dels extensors cromats, segurament les seves inicials.
camerapedia.fandom.com/wiki/Folding_Pocket_Kodak
camera-wiki.org/wiki/Folding_Pocket_Kodak
www.kodaksefke.nl/folding-pocket-kodak.html
redbellows.co.uk/CameraCollection/Kodak/FoldingPocketKoda...
======================
The Folding Pocket Kodak is a very historically important camera. First and foremost, it is one of the first roll-film cameras in the world, and especially the first that could really be carried in your pocket, as the name implies. At that time there were smaller cameras, but using glass plates.
The FPK began production in 1897, and launched a large family of Kodak-branded folding cameras that lasted until shortly before World War II, with countless variants. It is, as such, the "grandmother" of all of them. It used the 105 format roll film, taking 2 1/4 x 3 1/4 photos; in fact it is very similar to the current format 120, so with some adaptations it can be used in this camera.
The shutter and lens were very simple, integrated in the structure and allowed almost no variation in photography. In fact, this camera does not have much more possibilities than a much simpler and ubiquitous Brownie box camera, but thanks to the bellows, it is much more compact.
In 1899, with almost no change in structure, the camera was renamed, incorporating No.1 in front of "Folding Pocket Kodak"; Thus it differed from other variants of different sizes that were being incorporated into the catalog, such as No.0 or No.1A. Although there are several trance "sub-models", I think this is still an original FPK and not a No.1, as 75,000 were manufactured, and its serial number is between the 44,000. Also, in the text inside the camera it does not speak of any patent since 1894 (I have seen others than they do), nor does it incorporate "brilliant" viewfinders, typical of the first "No.1". All in all, it gives a manufacturing timeline of 1898-1899, just when the Cuban War!
Someone, maybe the first owner, wrote the letters AP on one of the chromed struts, probably his initials.
camerapedia.fandom.com/wiki/Folding_Pocket_Kodak
camera-wiki.org/wiki/Folding_Pocket_Kodak
www.kodaksefke.nl/folding-pocket-kodak.html
redbellows.co.uk/CameraCollection/Kodak/FoldingPocketKoda...
Empilhamento de foco | Focus stacking
Combinação com aproximadamente 10 imagens.
Nikon D2X + nikkor micro 60mm 2.8 D + fole extensor
Inseto com aproximadamente 1 cm.
acrilico Satinado, extensor, rodillo - centro de lima
Mas Fotos: www.fiveforever.com/blog/02/16/decertor-in-lima-peru
IN ENGLISH BELOW THE LINE
Estic enamora d'aquesta càmera. Poques vegades pots trobar una càmera antiga amb aquesta espectacularitat en aspectes molt diversos (aspecte, volum, detalls, sò) i a sobre funcionant. Per acabar-ho d'adobar no funcionaba bé del tot i això fou un extra d'amor-odi fins aconseguir reparar-la. I aprenent a soldar, entremig.
Aquesta meravellosa i no precisament petita càmera és la Revolving Back Auto Graflex, en format 4x5 polzades. Es tracta del model original de la RB Auto Graflex, molt més nombrós en variacions posteriors, també molt boniques, però just un punt menys que aquesta. En efecte, mentre que la majoria de RB Auto Graflex que es veuen per la xarxa son dels models de 1909 (en tinc una) o sobretot el fabricat entre 1916 i 1941 (amb apertura superior cap a darrera).
Aquesta càmera és la RB Auto fabricada entre 1906 i 1908, només en format 4x5, i de fet té un aspecte molt més arcaic que els models posteriors, asemblant-se a la original "Graflex" del 1901, o també a la inmensa Press Graflex del 1907. La millor informació al respecte és el llibre de R. P. Paine (1981): The All-American Cameras. A Review of Graflex.
Tant el visor de xemeneia amb el nom estampat, com l'extensor del objectiu estampat en acer li donen un aire unic. I a això cal sumar-hi el inconfusible so del obturador de pla focal Graflex, originariament amb velocitats de fins 1/1000 (tot i que no la penso forçar pas tant, que té més de 110 anys!). L'objectiu és un B&L Zeiss Protar f6.3 / 10".
Un apunt, només: el visor "de xemeneia" és espectacular i molt util per veure la imatge fins i tot a ple sol... però si necessites ulleres o vols assegurar l'enfoc amb una lupa, ho dificulta molt.
L'unic però important problema que tenia era que el conector entre el moviment del mirall (i pertant el disparador) i l'obturador, estava desencaixat, i calia soldar-lo. Ha costat deu i ajuda, però crec que ara aguanta bé.
==============================================
I'm in love with this camera. Rarely can you find an old camera with this awesomeness in very diverse aspects (appearance, size, details, sound) and on top of that in working condition. The only minor glitch was that the link between release & shutter was damaged, but that was an extra love-hate issue until I managed to fix it. And learning to torch solder, in between.
This wonderful and not exactly small camera is the Revolving Back Auto Graflex, in glorious 4x5" format. This is the original model of the RB Auto Graflex, much more usual in later variations, also very beautiful, but just a point less than this one. In fact, all of the RB Auto Graflex that are seen on the net are models of 1909 (I have one of these) or especially the ones made between 1916 and 1941 (with rear-opening top). And remember, those are SLR, reflex cameras, like a modern DSLR, but huge and archaic.
This is the RB Auto Graflex made between 1906 and 1908, only in 4x5 format, and in fact has a much more archaic look than later models, resembling the original "Graflex" of 1901; or also the huge 5x7 Press Graflex of 1907. The best information in this regard is the book by R. P, Paine (1981): "The All-American Cameras. A Review of Graflex".
Both the chimney hood with gilded name & fur edge and the steel-stamped lens struts give it a unique air. Full steampunk. And to this must be added the unmistakable sound of the Graflex focal plane shutter, originally with speeds of up to 1/1000 (although I don't plan on forcing it so much, it's over 110 years old!). The lens is a Bausch&Lomb Zeiss Protar f6.3 / 10 ".
By the way, the "chimney" hood looks great and blocks the sunlight very well to focus with the ground glass... unless you neeed eye correction or want to use a loupe...
The only but important problem I had was that the link between the movement of the mirror (and therefore the release lever) and the shutter, was dislodged, and had to be soldered with a butane torch. I had to learn the trade a bit, and got several days nowhere, till I managed to assemble all again, but I think it holds up well now.
This is the typical later RB Auto Graflex:
www.earlyphotography.co.uk/site/entry_C299.html
www.camarassinfronteras.com/articulos/rochester/graflex.html
camera-wiki.org/wiki/Auto_Graflex
A lot of SLR Graflex here, but not a single one of the same model: