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Vecinos de Flores y de Villa Urquiza próximos a las nuevas estaciones recibirán el aumento. También, en un largo plazo, afectarían a las oficinas y vecinos del bajo porteño, donde están trabajando en la prolongación de la línea E, cuando ésta sea habilitada al público y a la ampliación de la línea H.
Texto: Por Ángeles Castro
Foto: Propia
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La reciente extensión de la línea B de subtes y la inminente inauguración de un nuevo tramo de la A no sólo impactarán en los tiempos de viaje de los vecinos de Villa Urquiza y de Flores, sino también en sus bolsillos.
A partir del año próximo, quienes residan a 400 metros a la redonda de las bocas de subte habilitadas sufrirán un aumento en la boleta del impuesto de Alumbrado, Barrido y Limpieza (ABL) por la incorporación de una tasa específica relacionada con las obras bajo tierra.
Voceros de la Agencia Gubernamental de Ingresos Públicos (AGIP) no pudieron precisar de cuánto será el monto a pagar ni cuántos serán los contribuyentes alcanzados. La ley nacional 23.514 estableció una "contribución de mejoras a cargo de los propietarios de los inmuebles comprendidos dentro de la zona de influencia de cada línea o tramo de línea que se habilite".
El área alcanzada será de cuatro manzanas a la redonda desde las bocas de acceso al subte.
En rigor, la ley 23.514 creó el Fondo Permanente para la Ampliación de la Red de Subterráneos, destinado exclusivamente a las inversiones que originen los proyectos, construcciones, instalaciones, material rodante, gastos financieros y demás erogaciones necesarias para el tendido de nuevas líneas.
Ese fondo se alimenta a través de diversos flujos, entre ellos la contribución dispuesta para los vecinos de las estaciones recién inauguradas.
El monto de la tasa, según la norma, "se calculará prorrateando entre todos los inmuebles el costo total del tramo o línea que se habilite", que se estimará "actualizando cada una de las sumas invertidas desde la fecha en que se realizó la inversión" hasta la de la inauguración.
Sin precisiones
Voceros de Subterráneos de Buenos Aires (Sbase) dijeron a LA NACION que el nuevo tramo de la línea B costó 1200 millones de pesos, mientras que la suma fue de 807 millones de pesos en las estaciones San José de Flores y San Pedrito, de la línea A.
Todavía se desconoce cuál será el impacto final para cada contribuyente. Lo que sí se sabe, pues surge de la ley 23.514, es que la tasa no podrá exceder en ningún caso el 15% del valor fiscal de la propiedad y no superar anualmente el 20% del impuesto territorial.
También se sabe que podrá ser cobrada "durante cinco años, o bien hasta que el costo total sea cubierto, si ello se produjera en un plazo menor".
Los números de la extensión
Inversión, nuevos usuarios y tiempo de recorrido
2007
Fin de la obra civil
En ese año se terminó la obra de la estación San José de Flores, cuando Jorge Telerman era jefe de gobierno (aunque no llamó a licitación para la construcción de la Subestación Flores, al costado de la homónima estación, tampoco hizo la Cochera - Taller posterior a est. San Pedrito ni compró nuevo material rodante, factores necesarios para poder inaugurar estaciones que, por mas que estén terminadas, no pueden ser operadas bajo ningún punto de vista)
$ 807
millones
Es el costo total de las dos nuevas estaciones de la línea A, más la Cochera y Taller en la cabecera, luego de la avenida Nazca (esta obra, postergada y dejada de lado por Telerman, tuvo que ser afrontada por Mauricio Macri, demandándole a la obra mas tiempo de plazo)
35.000
pasajeros
Con el estreno de San José de Flores y San Pedrito, la línea sumará esa cantidad de usuarios.
4 h y 55 m
Tiempo de conducción
Es lo que les tomará a los maquinistas hacer una "vuelta completa" en su servicio, entre Plaza de Mayo y San Pedrito (Av. Nazca). Hoy, entre Plaza de Mayo y Carabobo son 4h y 25m.
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Mathew Brooks throwing a lap on the awesome Junkyard Dog Extension 27, one of his many new routes at the Junkyard Cave.
Sydney, Australia
Published in Rock Magazine Issue #94
Cannock Extension Canal ran from the "Wyrley and Essington Canal" at Pelsall to Hednesford.
For more information about the Cannock Extension Canal visit my www.thehodgkinsons.org.uk/wyrley.htm web page.
South extension of my in-laws' family house, seen from the entrance drive.
The house is at Spanish Point, Pembroke Parish, Bermuda.
On the L is part of the original house (c 1951) prior to later additions. This original part was built to one of several plans by the architect Wil Onions (1908-1959), local to Bermuda, which were offered to my in-laws when they bought their plot. Onions was a key influence in reviving Bermuda's vernacular cottage style.
The part of the house facing the camera is a room extension to the original house, and is built on stilts because of the steep slope of the hillside. It was cantilevered over the drive so that the room itself could be on the same floor as the rest of main living space of the house. Although the house has a garage, this area is always used as a car port and sometimes as a patio area. The main living room is in this extension. (The wide angle of my lens setting has 'stretched' the extension.) The view looks SE.
The roof is in traditional stepped stone style with hipped gables and a water catchment system. This can be seen as the bigger 'step' in the roof near the eave. This is the 'glide' and it directs rain water from the roof via pipes into a storage tank. Most Bermuda buildings have their own catchment system or share a local communal one.
Wikipedia gives a useful summary of Bermuda's distinctive traditional architecture, including information about Wil Onions' styles and influence.
PLANTS
1.
The conspicuous red catkin-like flowers, lower R, are growing on the shrub known as the chenille plant (Acalypha hispida Burm.f.) in Bermuda. Globally it has no known native area, and is known only as a garden plant thought to have originated somewhere in the Pacific (Oceania) region. More on this plant at: flic.kr/p/Eht8q3
2.
The tree bearing the pink flower-like fruits (upper centre) belong to the golden rain tree (Koelreuteria paniculata Laxm.). Other common names for this tree are: pride of India, varnish tree, shrimp tree, China tree. It is a native of China and Korea. The fruits proper are berries inside these pink flower-like 'shells' that turn to this colour before fading. They appear darker than they really are here because they are casting their own shade.
--- Ogden, G., 2002. Bermuda; a gardener's guide. The Garden Club of Bermuda, 225 pp.
--- Watlington, Christine, 1996. Bermuda's botanical wonderland. Macmillan Education Limited, London & Basingstoke, 128 pp.
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Photo
Brian Roy Rosen
Uploaded to Flickr December 13, 2015
© Darkroom Daze Creative Commons.
If you would like to use or refer to this image, please link or attribute.
ID: DSC_4822 - Version 2
Another toy just arrived...extension tubes, my first tryout, seems a bit finicky. Any one have any suggestions?
Extension was built by Domitian (emperor 81 to 96 CE) to supply water to the rapidly expanding palace complex on the Palatine Hill.
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www.romanaqueducts.info/aquasite/romaclaudia/
_DSC4580 Anx2 Q90
Fuji Macro Extension Tubes MCEX-11 sample shot
more about pcfoto.biz/blog-281334-fuji-macro-extension-tubes-mcex-11
Moss and fungus on a tree stump
Lane Poole Reserve
Canon 6D
OM 50 f1.8 @ f11, 2 cheap extension tubes
Yongnuo Flash with Lambency diffuser attached
Model: Zsa zsa Padilla
Client: Razzle Dazzle Salon
Make-up and Hair by: Roger of Razzle Dazzle Salon
Photographed by: Karen Kho
Butterfly Park - Castelló d'Empúries, Girona (Spain).
ENGLISH
The Atlas moth (Attacus atlas) is a large saturniid moth found in the tropical and subtropical forests of Southeast Asia, and common across the Malay archipelago. In India, Atlas moths are cultivated for their silk in a non-commercial capacity; unlike that produced by the related Silkworm moth (Bombyx mori), Atlas moth silk is secreted as broken strands. This brown, wool-like silk is thought to have greater durability and is known as fagara. Atlas moth cocoons have been employed as purses in Taiwan.
Atlas moths are considered the largest moths in the world in terms of total wing surface area [upwards of c. 400 cm2 (62 sq in)]. Their wingspans are also amongst the largest, from 25–30 cm (10–12 in). Females are appreciably larger and heavier.
More info: en.wikipedia.org/wiki/Attacus_atlas
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CASTELLANO
La mariposa atlas (Attacus atlas) es una especie de lepidóptero ditrisio de la familia Saturniidae. Es el representante de mayor tamaño de la familia y la mariposa más grande del mundo tomando en cuenta el área total de sus alas (más de 400cm2). La envergadura de sus alas también está dentro de las más grandes, de 25 a 30 cm. Los especímenes femeninos son más grandes y más fuertes. El lepidóptero de mayor envergadura es el diablo blanco (Thysania agrippina). Su nombre científico deriva del nombre del titán Atlas de la mitología griega. En Hong Kong, en idioma cantonés, su nombre común se traduce como "mariposa cabeza de serpiente", en referencia a la extensión apical de las alas, que tiene un parecido con tal cabeza de ofidio.
Habita en los bosques tropicales del sudeste de Asia, el sur de China, pasando por el archipiélago malayo hasta Indonesia. En India, las mariposas atlas son cultivadas por la seda en proporciones no comerciales. A diferencia de la seda producida por el gusano de seda (Bombyx mori), la seda de la oruga de la mariposa atlas es secretada en hilos no continuos. Esta seda (llamada "fagara") de color café y parecida a la lana es apreciada por su gran durabilidad. En Taiwán, las crisálidas de la mariposa atlas se emplean para hacer carteras.
Más info: es.wikipedia.org/wiki/Attacus_atlas
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La reflexión: santimbphotos.blogspot.com
Noe was very willing to climb, crawl, and get down to some nitty gritty work for getting the shot. This series of dead trees along the shore made for a great playground, exploring poses and positioning. I like things like this because it sort of dictates the moment. You can only really stand on objects like this, in a way that it allows. Makes you move in certain ways to setup your balance, and your positioning lends itself to becoming a certain character.
When Noe got balanced on the branch/roots I asked her to start moving as if she was stretching, mirroring the extension of the tree's reach. The sunset was present, and there was even a beautiful sailboat in the background upon the horizon. I'm not much for just doing traditional sunset portraits, not that I won't, but I get bored easily of looking at shots like that. As I dove into exploring this image further, it felt like the post-work needed to match the mood I felt while shooting it. A little funky, a little avant garde, was definitely how it felt. Between her stretchy lycra leotard and the dead lightning formed trees, I knew I wanted to make this more graphical than traditional.
Post processing was done in photoshop which is really a mix of Exclusion and Selective Color tone blending. Then simply replicating that toning with a hard-geometric mask to make this poster like design treatment in the negative space of the piece. It interested me, and it helped create a unique flow to the grid in my eye.
The image was shot with a single flash, SB800 triggered wirelessly with my Nikon SU800 commander. The flash was at 45° right of the subject, about 25' back set to full power and opened wide. I dialed down exposure to allow the detail in the clouds and sun to show in the image and then balanced it all by varying my ISO.
I always love the look of images like this, they feel like they are one step beyond photography, but also not full blown graphic design. It's something that sort of lives in the middle-ground. There are some others from this tree that we experimented with that feel like they should be more traditional, perhaps some black and white contrasting the outfit against the whiteness of the tree. We'll see how I feel when I start working on those, I more or less let the image dictate to me it's final design when I went into a shoot with no concept to start with. So this is all reactionary.
@lifebypixels
Strobist, Two Flashguns at a very low Angle on the subject, A sunpak Flash Filtered Yellow Camera Left, and Vivitar Flash Behind the subject for Fill in Light on a Slave.
Camera Olympus OM2N 50mm Lens fitted with 21MM and 13MM ext tubes.
Film is Agfachrome Slide Film. Canoscan 800F.
I put a film through my old Chinon CM3 back in the summer. I always liked using extension tubes with a 35mm SLR and I was just messing about for the retro experience here. I think I ordered Kodak T-Max 400 from my usual supplier of photographic materials, but they sent this ...the same manufacturer's Tri-X. There was no explanation, so I don't know whether they'd substituted for an item out of stock, or if it was a simple mistake. But I'm not fussy: all the mainstream films are good. The only black & white films at which I'd turn up my nose are Foma Retropan 320 "Soft" (too soft) and Fomapan 200 "Creative" (full of black specks). I've never found anything wrong with Foma's other films mind you. Grain can be nasty, but when it's just right it is a thing of beauty and I like the graininess here. My missus tells me there are male and female bell peppers, identifiable by the number of "lobes". I don't know which this is ...or was: it underwent the horrors of digestion towards the end of July.
February 2008 sees the work well underway to provide Milton Keynes Centra with extra platforms as Desiro 350 123 heads for London
A recently completed gem of an extension in deep Buckinghamshire. Why don't we see more housing additions as good as this?
Architects; Chris Bannister & Barbara Dunsire, 2011.
One of the winner of RIBA South-East Downland Awards 2012.