View allAll Photos Tagged expression
The "Expression" Exhibit at the Kelvingrove Art Gallery and Museum, Glasgow. I loved the whole heads on strings thing... especially if this is cross-referenced to the scientific work on "Emotions Revealed".
Bethany is a 7 year old Australian Sheppard / Boarder Collie rescue that we have had since she was a pup. She is incredibly smart, which means that she is incredibly stubborn. I had a planned shot and she wanted no part of my reindeer games.
It was her expressive eyes and eyebrows that made me drive halfway across the state to rescue her.
ODC: Expressions
hai,… i am biju, from kerala,…….digital sculpting artist,……… from the childhood itself i was very passionate towards drawings and sculptures. then they gradually became my playmates. later my passion turned towards computers and started sculpting with computer. instead of clay and mud i started sculpting with polygons and subdivision. photoshop, 3ds max, maya all are become my new playmates.when i met with zbrush i felt like my internal goal of life is full filled.
comaxdigitalsculping.blogspot.com/
Expressions in the character design process for a knock-off Super Mario for 'Rick and Morty Reanimated' for Connected Set
The limestone portrait head of a man—perhaps originally part of a full-figure statue—depicts a man of mature age with a penetrating and stern expression. The portrait, characterized by a solid and harmonious structure, demonstrates a meticulous attention to physiognomic individuation; this is evident not only in the rendering of physical details but also in the attempt to convey the moral qualities of the sitter—among which a particular strength of character seems to stand out. At the back, the head is treated summarily, and the ears are merely sketched in. The intended primary viewing angle appears to be the frontal one. The geometric modeling of the head, the expressionistic treatment of anatomical details, and the rough texture of the surfaces combine to create a sober, realistic, and unembellished appearance. This aesthetic approach results in a highly individualized psychological expression, situating this head within the series of Late Republican Roman portraits datable to the 1st century BC.
The marble portrait head of a woman is characterized by harmonious features and a hairstyle featuring a central parting across the forehead, with the hair gathered at the crown of the head into a high bun—of which a single braid remains. This particular hairstyle is characteristic of several portraits of Faustina the Elder, the wife of Antoninus Pius (105–141 AD). The soft, naturalistic modeling of the face—along with the use (albeit restrained) of the drill to define the details of the eyes and mouth—places this head within the stylistic current of "refined art" (arte colta); it is plausible to hypothesize that it was executed locally during the early decades of the Antonine era.