View allAll Photos Tagged expose
Hidden within the vegetation, this female Boat-tailed Grackle methodically tore off pieces of flesh as she hungrily consumed her meal. While her prey no longer resembled a frog, if you look closely the tiny discs of the frog's spinal cord are visible.
Location: Wakodahatchee Wetlands, Florida, United States of America
Mixed Media on Smashed Bevage Can.
If you would like to know more about my artwork check out my flickr profile.
A developing story here on the West Coast . . . After months of elusive drone sightings on the East Coast, I have been fortunate enough to photograph one landing in San Francisco. The authorities immediately cordoned off the area from the public, escorting a figure that emerged from the spacecraft shortly after I took this solitary photo. I melted away into a small crowd as the officials attempted to confiscate all iPhone recordings of the landing. The young officers were unfamiliar with film cameras, apparently, and I was able to escape with evidence of one of the most significant news stories of the century on my medium format film camera.
This photographic evidence will force the government to finally stop the coverup. A Christmas Day landing obviously has great significance for humanity.
This photo was taken by a Kowa/SIX medium format film camera and Kowa 1:3.5/55mm lens with a Kowa L1A ø67 filter using Fuji Reala 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop,
Just in front of Mikasa primary school, Mikasa city.
Canon T70, NFD 50mm F1.4, F64D (negative for cinema ) exposed as ISO 50, processed with color paper developer.
Bigger sizes www.flickr.com/photos/threepinner/15626937214/sizes/l
In this city, schools in Misono, Horonai, Yayoi, and Ikushunbetsu were abolished some years ago. Children are gathered here. Every morning and evening a bus transport them to their houses.
Startrail, single-shot, one hour exposure, taken at night close to the northeast walls of the Tre Cime di Lavaredo (Dolomites), Italy.
Therefore my camera was pointed towards southwest. When you almost turn your back to the Polaris you get all these "parallel" lines, which are the trails of starlight recorded by the camera while the Earth rotates to the east.
I've been waiting to have the Milky Way completely shifted to the west, because, as I've already written some time ago, I do not like to see the light trail of our galaxy included in a strar trail, it is just a matter of personal taste of course, but I think it only generates confusion. Therefore, when my schedule and weather conditions allow, I definitely prefer to wait for the right time before to start such a demanding exposure.
It is only necessary to calculate that the exposure ends enough time before the appearance of the first faint light before the dawn.
All my startrails are always the result of one single exposure.
I want to have the shot in camera in the moment I leave the place I've visited, just to be sure I've really got what I was looking for.
So it is paramount to find out the perfect spot where to fix the equipment. It must be an area shielded by winds.
Fortunately in this alpine pass, always exposed to the winds, there are also some huge stones (taller than a person) that turned out to be very useful to protect my camera and tripod from any kind of vibration during the long exposure.
I've never particularly loved the startrails, and, telling the truth, neither I do now... anyhow, presently I have at my active 183 night shots, plus many other pending publication, so, the fact of coming out occasionally with a startrail, well, I guess is pratically statistically inevitable :-)
Actually, this shot comes from a very simple feeling: I was mounting my tent for the night, it was pitch black, with rather strong wind, so the process took a little more time than usual. Time to time I was watching these walls, huge, looming... beautiful, yes, but also somehow disturbing... black huge blocks of stone, ominous... a vision light years different from what you can see on a typical sunny day!
That's when I began to think about a possible startrail, in black and white, where these black monsters would have contrasted with the shining light of the cosmos. Huge mountains, dark, hopeless, death... pervaded by a cosmic breath of glorious otherworldly light.
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
.... roots from a fallen Redwood. Redwood roots are shallow relative to the size of the tree, extending only a few feet down into the soil, but they can grow near the surface out a hundred feet or more. The roots of adjacent trees intertwine and graft to one another helping to stabilize and hold each other up. Humboldt Redwoods State Park, CA, US
Exposed, eroded Upper Ordovician Queenston Formation shale
----
Niagara Escarpment UNESCO World Biosphere Reserve
_DSC1369 Anx2 Q90
Hi peepers, I hope you like my latest look? my body is getting too big for my clothes. Love Jane xx
ps my first and last pic look like 2 bookends xx
Rolleiflex K4A, Carl Zeiss Tessar 1:3,5 f=75mm
Ilford FP4 in Rodinal 1:50, 20' at 20°C, exposed at 200 ASA
Thank you for your comments and Fav's.
The other photograph from the night out in Leeds with Steve. I wasn't too sure on this one. The sky looks a tad HDR, even though it isn't an HDR. I liked the lights under the railway bridge but they're slightly over exposed.
A long exposure taken at Newcastle Beach, NSW, Australia.
A 6 stop Haida ND Filter used.
Thanks for any views, comments or favourites!
Have a great weekend!
Victory Liner 1856
Make and Model: Nissan Diesel SR Exfoh
Engine: Nissan Diesel PE6-T
Chassis: RB46S
Victory Liner 1859
Make and Model: Nissan Diesel SR Exfoh
Engine: Nissan Diesel PF6-A
Chassis: JA450SSN
Coachmaker: Santarosa Motorworks, Inc.
Operator: Victory Liner, Inc.
Shot Location:
~Marcus Aurelius
This is the last picture from the photowalk downtown. Took this one outside of Fifth Avenue place downtown that has a few little, albeit expensive shops; I've never venture in, but it just looked so lively inside compared to that of the gloomy sky!
Hope you enjoyed this series!!
Thanks for stopping by my friends!
I don't mind invitations, but please no big, shiny, flashing, glitter graphics, they will be deleted. Also, please contact me if you would like to use my pictures for any reason. Thanks!
Follow me on Twitter
My blog: HDR Exposed HDR Tutorial almost done!!
Long Shadows cast on the long exposed waves! taken a few weeks back on the trip to Holy Island with a fantastic group of Photographers "A Ramble With Amble"
Camera: Nikon D7000
Lens: Sigma 10.0-20.0 mm f/4.0-5.6
Focal Length: 13mm
Aperture: f/14
Exposure: 30 Sec
ISO: 100
Filters: Tiffen 10 stop
Tripod: 3 Legged Thing - Eddie
Head: 3 Legged Thing - Airhed 2
Eden, Arizona is on the edge of being a Ghost town. This capture of one of the old standing buildings which was the general store was a eye catcher for me.Hope you enjoy a taste of the Old West!
A single frame showing exposed bedrock and boulder detail at the northern end of Bar Beach, Newcastle. The concrete structure is an old stormwater pipe. Low tide.
12°F with a wind chill of 3°F. I managed to do five miles with much wool and vaseline on exposed skin. So far, only one day of missed riding this January, though with very suppressed mileage. Yesterday I crossed paths with a bobcat near this stretch (ie it’s always worth going out).
Teurihorn captured from the south. Totally snow-free and with the bright rock the mountain looked kind of naked to me, exposed and unprotected to the force of nature.