The Château de Montrichard is a ruined 11th-century castle at the heart of the commune of Montrichard in the Loir-et-Cher department of France. The property of the commune, it has been listed since 1877 as a historic monument by the French Ministry of Culture .

The castle was constructed by Foulques Nerra , Count of Anjou , and rebuilt in the 12th century. Henri IV ordered it to be dismantled in 1589. From the top of the keep visitors have a good view of the town of Montrichard and the Cher valley.

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The Church of Saint Solomon and Saint Gregory is a Catholic church located in Pithiviers , France

The church is located in the French department of Loiret , in the commune of Pithiviers

Built at the junction of the 11th and 12th centuries . It was remodeled following several destructions and partial reconstructions in the 15th , 16th , 17th and mid- 19th centuries . The entire church was classified as a Historic Monument by decree on May 2, 1912. A decree on March 7, 1920 removes the spire and the upper part of the bell tower; these are added again by an order om October 22, 1998, then re-declassified by order on September 8, 2000. Of the church consecrated in 1080 by the Bishop of Orléans, Raynier de Flandreselle, today only the apse remains, which became a side chapel, the crossing supporting the bell tower, and the south arm of the transept, which has served as a sacristy since the 17th century . In 1428 it was destroyed by fire. Rebuilt during the 16th century , it was mutilated in 1562 by the Protestants. A new fire destroyed the bell tower in 1594. Restorations followed in 1596 (right arm portal), 1608-1610 (steeple in the bell tower), 1627 (left arm portal), 1635 (western portal), 1650 (vaults rebuilt in wood), 1656-1660 (Antoine Charpentier rebuilt the high altar). The current appearance of the church therefore dates from the 17th century. In 1784-1789 , Jean-Baptiste Isnard created a large organ. The 19th century saw the burning of the wooden frame of the spire in 1853, a reconstruction project by Pierre Adolphe Foulon (architect-surveyor) in 1855, the inauguration of the new metal spire by Romuald Dufour (Parisian entrepreneur) in 1862, a report on the poor condition of the tower and the bell tower, and around 1870 a false plaster triforium and the installation of neo-Gothic joinery were added to the left chapels of the nave . Nowadays, Renaissance and classical elements are therefore added to its Gothic structure

Etretat

The Eiffel Tower is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed and built the tower from 1887 to 1889.

Locally nicknamed "La dame de fer" (French for "Iron Lady"), it was constructed as the centrepiece of the 1889 World's Fair, and to crown the centennial anniversary of the French Revolution. Although initially criticised by some of France's leading artists and intellectuals for its design, it has since become a global cultural icon of France and one of the most recognisable structures in the world. The tower received 5,889,000 visitors in 2022. The Eiffel Tower is the most visited monument with an entrance fee in the world: 6.91 million people ascended it in 2015. It was designated a monument historique in 1964, and was named part of a UNESCO World Heritage Site ("Paris, Banks of the Seine") in 1991.

The tower is 330 metres (1,083 ft) tall, about the same height as an 81-storey building, and the tallest structure in Paris. Its base is square, measuring 125 metres (410 ft) on each side. During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest human-made structure in the world, a title it held for 41 years until the Chrysler Building in New York City was finished in 1930. It was the first structure in the world to surpass both the 200 meters and 300 meters mark in height. Due to the addition of a broadcasting aerial at the top of the tower in 1957, it is now taller than the Chrysler Building by 5.2 metres (17 ft). Excluding transmitters, the Eiffel Tower is the second tallest free-standing structure in France after the Millau Viaduct.

The tower has three levels for visitors, with restaurants on the first and second levels. The top level's upper platform is 276 m (906 ft) above the ground—the highest public observation deck in the European Union. Tickets can be purchased to ascend by stairs or lift to the first and second levels. The climb from ground level to the first level is over 300 steps, as is the climb from the first level to the second, making the entire ascent a 600-step climb. Although there is a staircase to the top level, it is usually accessible only by lift. On this top, third level, is a private apartment built for Gustave Eiffel, who decorated it with furniture made by Jean Lachaise and invited friends such as Thomas Edison.

Meung-sur-Loire (French pronunciation: [mœ̃ syʁ lwaʁ]) is a commune in the Loiret department, north-central France.

It was the site of the Battle of Meung-sur-Loire in 1429.

Meung-sur-Loire lies 15 km to the west of Orléans on the north bank of the river Loire at the confluence with the Mauves. The Mauves, actually three rivers, have their source in the water table of the productive agricultural region of the Beauce.

There is evidence of mesolithic settlements at "Mousseau" and "La Haute-Murée".

A Gallo-Roman fortified village recorded as Magdunum was built in the marais adjoining the river, which in 409 was fired by the invading Alans. The marais was drained, according to tradition by Saint Liphard around the year 520. The canalisation formed the watercourses known as the mauves. He went on to build the chapel which was to become the monastery and the abbey. His relics were deposited in the church in 1104, the year after Louis VI had founded as fortress.

During the 12th century the church was rebuilt in the gothic style, and fortified accommodation for the abbot built alongside. Jeanne d'Arc visited in 1429, and this was the site of the Battle of Meung-sur-Loire. The complex was restored in 1570, again during the 19th century and again in 1985.

The river defined the town, in 1857, 38 mills had the right to use the waters of the rivers to power themselves.

The Château de Chenonceau is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.

The estate of Chenonceau is first mentioned in writing in the 11th century. The current château was built in 1514–1522 on the foundations of an old mill and was later extended to span the river. The bridge over the river was built (1556–1559) to designs by the French Renaissance architect Philibert de l'Orme, and the gallery on the bridge, built from 1570 to 1576 to designs by Jean Bullant.

An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, it is the most visited château in France.

The château has been designated as a Monument historique since 1840 by the French Ministry of Culture. Today, Chenonceau is a major tourist attraction and in 2007 received around 800,000 visitors.

In the 13th century, the fief of Chenonceau belonged to the Marques family. The original château was torched in 1412 to punish the owner, Jean Marques, for an act of sedition. He rebuilt a château and fortified mill on the site in the 1430s. Jean Marques' indebted heir Pierre Marques found it necessary to sell.

Thomas Bohier, Chamberlain to King Charles VIII of France, purchased the castle from Pierre Marques in 1513 and demolished most of it (resulting in 2013 being considered the 500th anniversary of the castle: MDXIII–MMXIII), though its 15th-century keep was left standing. Bohier built an entirely new residence between 1515 and 1521. The work was overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.

In 1535 the château was seized from Bohier's son by King Francis I of France for unpaid debts to the Crown. After Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river. In 1555 she commissioned Philibert de l'Orme to build the arched bridge joining the château to its opposite bank. Diane then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.

Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555 when years of delicate legal manoeuvres finally yielded possession to her.

After King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici forced Diane to exchange it for the Château Chaumont.[9] Queen Catherine then made Chenonceau her own favourite residence, adding a new series of gardens.

As Regent of France, Catherine spent a fortune on the château and on spectacular nighttime parties. In 1560, the first-ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577. Catherine also added rooms between the chapel and the library on the east side of the corps de logis, as well as a service wing on the west side of the entry courtyard.

Catherine considered an even greater expansion of the château, shown in an engraving published by Jacques Androuet du Cerceau in the second (1579) volume of his book Les plus excellents bastiments de France. If this project had been executed, the current château would have been only a small portion of an enormous manor laid out "like pincers around the existing buildings."

On Catherine's death, in January 1589, the château went to her daughter-in-law, Louise of Lorraine, wife of King Henry III. Louise was at Chenonceau when she learned of her husband's assassination, in August 1589, and she fell into a state of depression. Louise spent the next 11 years, until her death in January 1601, wandering aimlessly along the château's corridors dressed in mourning clothes, amidst sombre black tapestries stitched with skulls and crossbones.

Henry IV obtained Chenonceau for his mistress Gabrielle d'Estrées by paying the debts of Catherine de' Medici, which had been inherited by Louise and were threatening to ruin her. In return, Louise left the château to her niece Françoise de Lorraine, at that time six years old and betrothed to the four-year-old César, Duke of Vendôme, the natural son of Gabrielle d'Estrées and Henry IV. The château belonged to the Duke of Vendôme and his descendants for more than a hundred years. The Bourbons had little interest in the château, except for hunting. In 1650, Louis XIV was the last king of the ancien régime to visit.

The Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles.

In 1733 the estate was sold for 130,000 livres to a wealthy squire named Claude Dupin. His wife, Louise Dupin, was the natural daughter of the financier Samuel Bernard and the actress Manon Dancourt, whose mother was also an actress who had joined the Comédie Française in 1684. Louise Dupin was "an intelligent, beautiful, and highly cultivated woman who had the theatre in her blood." Claude Dupin, a widower, had a son, Louis Claude, from his first wife Marie-Aurore de Saxe, who was the grandmother of George Sand (born Aurore Dupin).

Louise Dupin's literary salon at Chenonceau attracted such leaders of the Enlightenment as the writers Voltaire, Montesquieu, and Fontenelle, the naturalist Buffon, the playwright Marivaux, the philosopher Condillac, as well as the Marquise de Tencin and the Marquise du Deffand. Jean-Jacques Rousseau was Dupin's secretary and tutored her son. Rousseau, who worked on Émile at Chenonceau, wrote in his Confessions: "We played music there and staged comedies. I wrote a play in verse entitled Sylvie's Path, after the name of a path in the park along the Cher."

The widowed Louise Dupin saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionaries because "it was essential to travel and commerce, being the only bridge across the river for many miles."

In 1864 Marguerite Pelouze, a rich heiress, acquired the château. Around 1875 she commissioned the architect Félix Roguet to restore it. He almost completely renewed the interior and removed several of Catherine de' Medici's additions, including the rooms between the library and the chapel and her alterations to the north façade, among which were figures of Hercules, Pallas, Apollo, and Cybele that were moved to the park. With the money Marguerite spent on these projects and elaborate parties, her finances were depleted, and the château was seized and sold.

José-Emilio Terry, a Cuban millionaire, acquired Chenonceau from Madame Pelouze in 1891. Terry sold it in 1896 to a family member, Francisco Terry. In 1913, the château was acquired by Henri Menier, a member of the Menier family, famous for their chocolates, who still own it to this day.

During World War I Gaston Menier set up the gallery to be used as a hospital ward. During the Second World War, the château was bombed by the Germans in June 1940. It was also a means of escaping from the Nazi-occupied zone on one side of the River Cher to the "free" zone on the opposite bank. Occupied by the Germans, the château was bombed by the Allies on 7 June 1944, when the chapel was hit and its windows destroyed.

In 1951, the Menier family entrusted the château's restoration to Bernard Voisin, who brought the dilapidated structure and the gardens (ravaged in the Cher flood in 1940) back to a reflection of its former glory.

The Château de Sully-sur-Loire is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings

The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

8: Gate Tower

A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

9: The Petit Chateau

South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

7: The Louis XV Wing

North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

10 & 11: Tour d'Artillery and Tour de Béthune

At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

3: The Keep

The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland

The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

Sully-sur-Loire, literally Sully on Loire) is a commune in the Loiret department, north-central France. It is the seat of the canton of Sully-sur-Loire. It lies on the left bank of the river Loire.

The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river. The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560–1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

Maximilien de Béthune Sully, 1st Prince of Sully, Marquis of Rosny and Nogent, Count of Muret and Villebon, Viscount of Meaux (13 December 1560 – 22 December 1641) was a nobleman, soldier, statesman, and counselor of King Henry IV of France. Historians emphasize Sully's role in building a strong centralized administrative system in France using coercion and highly effective new administrative techniques. While not all of his policies were original, he used them well to revitalize France after the European Religious Wars. Most, however, were repealed by later monarchs who preferred absolute power. Historians have also studied his Neostoicism and his ideas about virtue, prudence, and discipline.

Biography

He was born at the Château de Rosny near Mantes-la-Jolie into a branch of the House of Béthune a noble family originating in Artois, and was brought up in the Reformed faith, a Huguenot. In 1571, at the age of eleven, Maximilien was presented to Henry of Navarre and remained permanently attached to the future king of France. The young Baron of Rosny was taken to Paris by his patron and was studying at the Collège de Bourgogne at the time of the St Bartholomew's Day Massacre, from which he escaped by discreetly carrying a Catholic book of hours under his arm. He studied mathematics and history at the court of Henry of Navarre.

A warrior with Henry

On the renewed outbreak of civil war in 1575, he enlisted in the Protestant army. In 1576 he accompanied the Duke of Anjou, younger brother of king Henri III, on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange. Later, rejoining Henry of Navarre in Guyenne, he displayed bravery in the field and particular ability as a military engineer. In 1583 he acted as Henry's special agent in Paris, and during a respite in the Wars of Religion he married an heiress who died five years later.

On the renewal of civil war, Rosny again joined Henry of Navarre, and at the battle of Ivry (1590) he was seriously wounded. He counselled Henry IV's conversion to Roman Catholicism (made official on 25 July 1593) but steadfastly refused to become a Catholic himself. Once Henry IV of France's succession to the throne was secured (c. 1594), the faithful and trusted Rosny received his reward in the shape of numerous estates and dignities.

Sully in power

From 1596, when he was added to Henry's finance commission, Rosny introduced some order into France's economic affairs. Acting as sole Superintendent of Finances at the end of 1601, he authorized the free exportation of grain and wine, reduced legal interest, established a special court to try cases of speculation, forbade provincial governors to raise money on their own authority, and otherwise removed many abuses of tax-collecting. Rosny abolished several offices, and by his honest, rigorous conduct of the country's finances, he was able to save between 1600 and 1610 an average of a million livres a year.

His achievements were not solely financial. In 1599, he was appointed grand commissioner of highways and public works, superintendent of fortifications and grand master of artillery; in 1602, governor of Nantes and of Jargeau, captain-general of the Queen's gens d'armes and governor of the Bastille; in 1604, he was governor of Poitou; and in 1606, made first duke of Sully and a pair de France, ranking next to princes of the blood. He declined the office of constable of France because he would not become a Roman Catholic.

Sully encouraged agriculture, urged the free circulation of produce, promoted stock-raising, forbade the destruction of the forests, drained swamps, built roads and bridges, planned a vast system of canals and actually began the Canal de Briare. He strengthened the French military establishment; under his direction, the construction of a great line of defences on the frontiers began. Abroad, Sully opposed the king's colonial policy as inconsistent with French interests, in opposition to men like Champlain who urged greater colonial efforts in Canada and elsewhere. Neither did Sully show much favor toward industrial pursuits but, on the urgent solicitation of the king, he established a few silk factories. He fought together with Henry IV in Savoy (1600–1601) and negotiated the treaty of peace in 1602; in 1603, he represented Henry at the court of James I of England; and throughout the reign, he helped the king to put down insurrections of the nobles, whether Roman Catholic or Protestant. It was Sully, too, who arranged the marriage between Henry IV and Marie de' Medici.

Fall from power and last years

The political role of Sully effectively ended with the assassination of Henry IV on 14 May 1610. The king was on his way to visit Sully, who lay ill in the Arsenal; his purpose was to make final preparations for imminent military intervention in the disputed succession to Jülich-Cleves-Berg after the death of Duke John William. The intervention on behalf of a Calvinist candidate would have brought the king in conflict with the Catholic Habsburg dynasty.

Although a member of the Queen's council of regency, his colleagues were not inclined to put up with his domineering leadership, and after a stormy debate he resigned as superintendent of finances on 26 January 1611, retiring into private life.

The queen mother gave him 300,000 livres for his long services and confirmed him in possession of his estates. He attended the meeting of the Estates-General in 1614, and on the whole was in sympathy with the policy and government of Richelieu. He disavowed the Blockade of La Rochelle, in 1621, but in the following year was briefly arrested.

The baton of marshal of France was conferred on him on 18 September 1634. The last years of his life were spent chiefly at Villebon, Rosny and his château of Sully. He died at Villebon at the age of 81.

Family

By his first wife, Anne de Courtenay (1564-1589), daughter of François, Lord of Bontin, he had one son, Maximilien, Marquess of Rosny (1587–1634), who led a life of dissipation and debauchery. By his second wife, Rachel de Cochefilet (1566–1659), the widow of François Hurault, Lord of Chateaupers, whom he married in 1592 and who turned Protestant to please him, he had nine children, of whom six died young. Their son François (1598–1678) was created first Duke of Orval. The elder daughter Marguerite (1595–1660) in 1605, married Henri, Duke of Rohan, while the younger Louise in 1620 married Alexandre de Lévis, Marquess of Mirepoix.

His brother, Philippe de Béthune, was sent as ambassador to James VI of Scotland in May 1599. He was given a good welcome and invited to Falkland Palace. He went on a progress with James VI to Inchmurrin and Hamilton Palace, after the king had written to the Laird of Wemyss for the loan of his best hackney horse and saddle.

Accomplishments

Sully was very unpopular because he was a favorite and was seen as selfish, obstinate, and rude. He was hated by most Catholics because he was a Protestant, and by most Protestants because he was faithful to the king. He amassed a large personal fortune, and his jealousy of all other ministers and favorites was extravagant. Nevertheless, he was an excellent man of business, inexorable in punishing malversation and dishonesty on the part of others, and opposed to ruinous court expenditures that was the bane of almost all European monarchies in his day. He was gifted with executive ability, with confidence and resolution, with fondness for work, and above all with deep devotion to his master. He was implicitly trusted by Henry IV and proved himself the most able assistant of the king in dispelling the chaos into which the religious and civil wars had plunged France. After Henry IV, Sully was a major driving force behind the happy transformation in France between 1598 and 1610, in which agriculture and commerce benefitted, and peace and internal order were reestablished.

After the death of Henry IV Sully published, in the deceased king's name, his ‘Grand Design’, a plan to stop the religious wars. His starting point was that the three churches (Catholic, Lutheran and Calvinist) were there to stay. He planned an international organization, consisting of a Europe of 15 more or less equally strong powers, incidentally dissolving the Habsburg empire and thus making France Europe’s strongest state. A balance of power mechanism and a permanent assembly of ambassadors should prevent wars in Europe. Military power would only be needed towards the Muslim Ottoman Empire.

Titles

During his life, Sully inherited or acquired the following titles:

Duke of Sully

Peer of France

Marshal of France

Sovereign Prince of Henrichemont and Boisbelle

Marquess of Rosny

Marquess of Nogent-le-Béthune

Count of Muret

Count of Villebon

Viscount of Meaux

Viscount of Champrond

Baron of Conti

Baron of Caussade

Baron of Montricoux

Baron of Montigny

Baron of Breteuil

Baron of Francastel

Lord of La Falaise

Lord of Las

Lord of Vitray

Lord of Lalleubellouis

Lord of various other places

Works

Sully left a collection of memoirs (Mémoires, otherwise known as the Économies royales, 1638) written in the second person. They are very valuable sources for the history of their time and as an autobiography, in spite of their containing many fictions, such as a mission undertaken by Sully to Queen Elizabeth I of England in 1601. One his most famous works was perhaps the idea of a Europe composed of 15 roughly equal states, under the direction of a "Very Christian Council of Europe", charged with resolving differences and disposing of a common army. This famous "Grand Design", a utopian plan for a Christian republic, is often cited as one of the first grand plans and ancestors for the European Union. Two folio volumes of the memoirs were splendidly printed, nominally at Amsterdam, but really under Sully's own eye, at his château of Sully in 1638; two other volumes appeared posthumously in Paris in 1662.

Legacy

The Pavillon Sully (Pavillon de l'Horloge) of the Palais du Louvre is named in honor of the Duc de Sully.

The Ormeau Sully, an ancient field elm Ulmus minor, reputedly planted by Sully, survives (2016) in the village of Villesequelande near Carcassonne.

Ormeau Sully, Villesequelande

In the independent principality of Boisbelle, which he acquired in 1605, he started construction of a capital at Henrichemont.

Many buildings at Paris, including the Place Royale, the Hopital Saint-Louis and the Arsenal

The beautiful old walled city of Saint-Malo in Brittany France. A very easy place for me to visit from Portsmouth England

The Château de Sully-sur-Loire is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings

The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

8: Gate Tower

A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

9: The Petit Chateau

South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

7: The Louis XV Wing

North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

10 & 11: Tour d'Artillery and Tour de Béthune

At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

3: The Keep

The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland

The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

Sully-sur-Loire, literally Sully on Loire) is a commune in the Loiret department, north-central France. It is the seat of the canton of Sully-sur-Loire. It lies on the left bank of the river Loire.

The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river. The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560–1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

Maximilien de Béthune Sully, 1st Prince of Sully, Marquis of Rosny and Nogent, Count of Muret and Villebon, Viscount of Meaux (13 December 1560 – 22 December 1641) was a nobleman, soldier, statesman, and counselor of King Henry IV of France. Historians emphasize Sully's role in building a strong centralized administrative system in France using coercion and highly effective new administrative techniques. While not all of his policies were original, he used them well to revitalize France after the European Religious Wars. Most, however, were repealed by later monarchs who preferred absolute power. Historians have also studied his Neostoicism and his ideas about virtue, prudence, and discipline.

Biography

He was born at the Château de Rosny near Mantes-la-Jolie into a branch of the House of Béthune a noble family originating in Artois, and was brought up in the Reformed faith, a Huguenot. In 1571, at the age of eleven, Maximilien was presented to Henry of Navarre and remained permanently attached to the future king of France. The young Baron of Rosny was taken to Paris by his patron and was studying at the Collège de Bourgogne at the time of the St Bartholomew's Day Massacre, from which he escaped by discreetly carrying a Catholic book of hours under his arm. He studied mathematics and history at the court of Henry of Navarre.

A warrior with Henry

On the renewed outbreak of civil war in 1575, he enlisted in the Protestant army. In 1576 he accompanied the Duke of Anjou, younger brother of king Henri III, on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange. Later, rejoining Henry of Navarre in Guyenne, he displayed bravery in the field and particular ability as a military engineer. In 1583 he acted as Henry's special agent in Paris, and during a respite in the Wars of Religion he married an heiress who died five years later.

On the renewal of civil war, Rosny again joined Henry of Navarre, and at the battle of Ivry (1590) he was seriously wounded. He counselled Henry IV's conversion to Roman Catholicism (made official on 25 July 1593) but steadfastly refused to become a Catholic himself. Once Henry IV of France's succession to the throne was secured (c. 1594), the faithful and trusted Rosny received his reward in the shape of numerous estates and dignities.

Sully in power

From 1596, when he was added to Henry's finance commission, Rosny introduced some order into France's economic affairs. Acting as sole Superintendent of Finances at the end of 1601, he authorized the free exportation of grain and wine, reduced legal interest, established a special court to try cases of speculation, forbade provincial governors to raise money on their own authority, and otherwise removed many abuses of tax-collecting. Rosny abolished several offices, and by his honest, rigorous conduct of the country's finances, he was able to save between 1600 and 1610 an average of a million livres a year.

His achievements were not solely financial. In 1599, he was appointed grand commissioner of highways and public works, superintendent of fortifications and grand master of artillery; in 1602, governor of Nantes and of Jargeau, captain-general of the Queen's gens d'armes and governor of the Bastille; in 1604, he was governor of Poitou; and in 1606, made first duke of Sully and a pair de France, ranking next to princes of the blood. He declined the office of constable of France because he would not become a Roman Catholic.

Sully encouraged agriculture, urged the free circulation of produce, promoted stock-raising, forbade the destruction of the forests, drained swamps, built roads and bridges, planned a vast system of canals and actually began the Canal de Briare. He strengthened the French military establishment; under his direction, the construction of a great line of defences on the frontiers began. Abroad, Sully opposed the king's colonial policy as inconsistent with French interests, in opposition to men like Champlain who urged greater colonial efforts in Canada and elsewhere. Neither did Sully show much favor toward industrial pursuits but, on the urgent solicitation of the king, he established a few silk factories. He fought together with Henry IV in Savoy (1600–1601) and negotiated the treaty of peace in 1602; in 1603, he represented Henry at the court of James I of England; and throughout the reign, he helped the king to put down insurrections of the nobles, whether Roman Catholic or Protestant. It was Sully, too, who arranged the marriage between Henry IV and Marie de' Medici.

Fall from power and last years

The political role of Sully effectively ended with the assassination of Henry IV on 14 May 1610. The king was on his way to visit Sully, who lay ill in the Arsenal; his purpose was to make final preparations for imminent military intervention in the disputed succession to Jülich-Cleves-Berg after the death of Duke John William. The intervention on behalf of a Calvinist candidate would have brought the king in conflict with the Catholic Habsburg dynasty.

Although a member of the Queen's council of regency, his colleagues were not inclined to put up with his domineering leadership, and after a stormy debate he resigned as superintendent of finances on 26 January 1611, retiring into private life.

The queen mother gave him 300,000 livres for his long services and confirmed him in possession of his estates. He attended the meeting of the Estates-General in 1614, and on the whole was in sympathy with the policy and government of Richelieu. He disavowed the Blockade of La Rochelle, in 1621, but in the following year was briefly arrested.

The baton of marshal of France was conferred on him on 18 September 1634. The last years of his life were spent chiefly at Villebon, Rosny and his château of Sully. He died at Villebon at the age of 81.

Family

By his first wife, Anne de Courtenay (1564-1589), daughter of François, Lord of Bontin, he had one son, Maximilien, Marquess of Rosny (1587–1634), who led a life of dissipation and debauchery. By his second wife, Rachel de Cochefilet (1566–1659), the widow of François Hurault, Lord of Chateaupers, whom he married in 1592 and who turned Protestant to please him, he had nine children, of whom six died young. Their son François (1598–1678) was created first Duke of Orval. The elder daughter Marguerite (1595–1660) in 1605, married Henri, Duke of Rohan, while the younger Louise in 1620 married Alexandre de Lévis, Marquess of Mirepoix.

His brother, Philippe de Béthune, was sent as ambassador to James VI of Scotland in May 1599. He was given a good welcome and invited to Falkland Palace. He went on a progress with James VI to Inchmurrin and Hamilton Palace, after the king had written to the Laird of Wemyss for the loan of his best hackney horse and saddle.

Accomplishments

Sully was very unpopular because he was a favorite and was seen as selfish, obstinate, and rude. He was hated by most Catholics because he was a Protestant, and by most Protestants because he was faithful to the king. He amassed a large personal fortune, and his jealousy of all other ministers and favorites was extravagant. Nevertheless, he was an excellent man of business, inexorable in punishing malversation and dishonesty on the part of others, and opposed to ruinous court expenditures that was the bane of almost all European monarchies in his day. He was gifted with executive ability, with confidence and resolution, with fondness for work, and above all with deep devotion to his master. He was implicitly trusted by Henry IV and proved himself the most able assistant of the king in dispelling the chaos into which the religious and civil wars had plunged France. After Henry IV, Sully was a major driving force behind the happy transformation in France between 1598 and 1610, in which agriculture and commerce benefitted, and peace and internal order were reestablished.

After the death of Henry IV Sully published, in the deceased king's name, his ‘Grand Design’, a plan to stop the religious wars. His starting point was that the three churches (Catholic, Lutheran and Calvinist) were there to stay. He planned an international organization, consisting of a Europe of 15 more or less equally strong powers, incidentally dissolving the Habsburg empire and thus making France Europe’s strongest state. A balance of power mechanism and a permanent assembly of ambassadors should prevent wars in Europe. Military power would only be needed towards the Muslim Ottoman Empire.

Titles

During his life, Sully inherited or acquired the following titles:

Duke of Sully

Peer of France

Marshal of France

Sovereign Prince of Henrichemont and Boisbelle

Marquess of Rosny

Marquess of Nogent-le-Béthune

Count of Muret

Count of Villebon

Viscount of Meaux

Viscount of Champrond

Baron of Conti

Baron of Caussade

Baron of Montricoux

Baron of Montigny

Baron of Breteuil

Baron of Francastel

Lord of La Falaise

Lord of Las

Lord of Vitray

Lord of Lalleubellouis

Lord of various other places

Works

Sully left a collection of memoirs (Mémoires, otherwise known as the Économies royales, 1638) written in the second person. They are very valuable sources for the history of their time and as an autobiography, in spite of their containing many fictions, such as a mission undertaken by Sully to Queen Elizabeth I of England in 1601. One his most famous works was perhaps the idea of a Europe composed of 15 roughly equal states, under the direction of a "Very Christian Council of Europe", charged with resolving differences and disposing of a common army. This famous "Grand Design", a utopian plan for a Christian republic, is often cited as one of the first grand plans and ancestors for the European Union. Two folio volumes of the memoirs were splendidly printed, nominally at Amsterdam, but really under Sully's own eye, at his château of Sully in 1638; two other volumes appeared posthumously in Paris in 1662.

Legacy

The Pavillon Sully (Pavillon de l'Horloge) of the Palais du Louvre is named in honor of the Duc de Sully.

The Ormeau Sully, an ancient field elm Ulmus minor, reputedly planted by Sully, survives (2016) in the village of Villesequelande near Carcassonne.

Ormeau Sully, Villesequelande

In the independent principality of Boisbelle, which he acquired in 1605, he started construction of a capital at Henrichemont.

Many buildings at Paris, including the Place Royale, the Hopital Saint-Louis and the Arsenal

Meung-sur-Loire is a commune in the Loiret department, north-central France.

It was the site of the Battle of Meung-sur-Loire in 1429.

Meung-sur-Loire lies 15 km to the west of Orléans on the north bank of the river Loire at the confluence with the river Mauves. The Mauves, actually three rivers, have their source in the water table of the productive agricultural region of the Beauce.

There is evidence of mesolithic settlements at « Mousseau » and « La Haute-Murée ».

A Gallo-Roman fortified village recorded as Magdunum was built in the marais adjoining the river, which in 409 was fired by the invading Alans. The marais was drained, according to tradition by Saint Liphard around the year 520. The canalisation formed the watercourses known as the mauves. He went on to build the chapel which was to become the monastery and the abbey. His relics were deposited in the church in 1104, the year after Louis VI had founded as fortress.

During the 12th century the church was rebuilt in the gothic style, and fortified accommodation for the abbot built alongside. Jeanne d'Arc visited in 1429, and this was the site of the Battle of Meung-sur-Loire. The complex was restored in 1570, again during the 19th century and again in 1985.

The river defined the town, in 1857, 38 mills had the right to use the waters of the rivers to power themselves.

The Panthéon is a monument in the 5th arrondissement of Paris, France. It stands in the Latin Quarter (Quartier latin), atop the Montagne Sainte-Geneviève, in the centre of the Place du Panthéon, which was named after it. The edifice was built between 1758 and 1790, from designs by Jacques-Germain Soufflot, at the behest of King Louis XV of France; the king intended it as a church dedicated to Saint Genevieve, Paris's patron saint, whose relics were to be housed in the church. Neither Soufflot nor Louis XV lived to see the church completed.

By the time the construction was finished, the French Revolution had started; the National Constituent Assembly voted in 1791 to transform the Church of Saint Genevieve into a mausoleum for the remains of distinguished French citizens, modelled on the Pantheon in Rome which had been used in this way since the 17th century. The first panthéonisé was Honoré Gabriel Riqueti, comte de Mirabeau, although his remains were removed from the building a few years later. The Panthéon was twice restored to church usage in the course of the 19th century—although Soufflot's remains were transferred inside it in 1829—until the French Third Republic finally decreed the building's exclusive use as a mausoleum in 1881. The placement of Victor Hugo's remains in the crypt in 1885 was its first entombment in over 50 years.

The successive changes in the Panthéon's purpose resulted in modifications of the pedimental sculptures and the capping of the dome by a cross or a flag; some of the originally existing windows were blocked up with masonry in order to give the interior a darker and more funereal atmosphere, which compromised somewhat Soufflot's initial attempt at combining the lightness and brightness of the Gothic cathedral with classical principles. The architecture of the Panthéon is an early example of Neoclassicism, surmounted by a dome that owes some of its character to Bramante's Tempietto.

In 1851, Léon Foucault conducted a demonstration of diurnal motion at the Panthéon by suspending a pendulum from the ceiling, a copy of which is still visible today. As of December 2021 the remains of 81 people (75 men and six women) had been transferred to the Panthéon. More than half of all the panthéonisations were made under Napoleon's rule during the First Empire.

Amboise is a commune in the Indre-et-Loire department in central France. Today a small market town, it was once home of the French royal court.

Amboise lies on the banks of the river Loire, 27 kilometres (17 mi) east of Tours. It is also about 18 kilometres (11 mi) away from the historic Château de Chenonceau, situated on the river Cher near the small village of Chenonceaux. Amboise station, on the north bank of the Loire, has rail connections to Orléans, Blois and Tours.

Clovis I (c. 466 – 511) and the Visigoths signed a peace treaty of alliance with the Arvernians in 503, which assisted him in his defeat of the Visigothic kingdom in the Battle of Vouillé in 507.

Joan of Arc passed through in 1429 on her way to Orleans to the Battle of Patay.

Château du Clos Lucé was the residence of Leonardo da Vinci between 1516 and his death in 1519. Da Vinci died in the arms of King Francis I, and he was buried in a crypt near the Château d'Amboise. The house has lost some of its original parts, but it still stands today containing a museum of da Vinci's work and inventions, and overlooks the river Loire.

The Amboise conspiracy was the conspiracy of Condé and the Huguenots in 1560 against Francis II, Catherine de' Medici and the Guises.

The Château at Amboise was home to Mary Stewart, Queen of Scots, for much of her early life, being raised there at the French court of Henry II. She arrived in France from Scotland in 1548, aged six, via the French king's favourite palace at Saint-Germain-en-Laye near Paris, and remained in France until 1561, when she returned to her homeland—sailing up the Firth of Forth to Edinburgh on 15 August that year.

The Edict of Amboise (1563) conceded the free exercise of worship to the Protestants.

Here was born in 1743 Louis Claude de Saint-Martin, French philosopher, known as Le Philosophe Inconnu (d. 1803).

Abd el Kader Ibn Mouhi Ad-Din (c. 1807 – 1883) was imprisoned at the Château d'Amboise.

In 2019, the 500th anniversary of da Vinci's death, Amboise held many events celebrating the master's life and his work completed in the town. The number of visitors to Château du Clos Lucé, for example, was estimated as 500,000 in 2019, a 30% increase over the typical annual number.

The city is known for the Clos Lucé manor house where Leonardo da Vinci lived (and ultimately died) at the invitation of King Francis I of France, whose Château d'Amboise, which dominates the town, is located just 500 m (1,640 feet) away. The narrow streets contain some good examples of timbered housing.

Just outside the city is the Pagode de Chanteloup, a 44-metre-tall (144 ft) Chinese pagoda built in 1775 by the Duke of Choiseul. The pagoda is seven levels high, with each level slightly smaller than the last one. An interior staircase to reach all levels is open to the public.

The Musée de la Poste (in the Hôtel Joyeuse) is a museum tracing the history of the postal delivery service.

A 20th-century fountain by Max Ernst stands in front of the market place.

Economy

Amboise has a thriving tourism-related business community. Until 2021, it had also the headquarters of Mecachrome, a precision engineering company that operates in the aerospace, motor racing, energy and defence sectors.

International relations

Amboise is twinned with:

Germany Boppard, Germany

Mali Fana, Mali

Japan Suwa (prefecture of Nagano), Japan

Italy Vinci, Italy

Romania Băleni (province of Galați), Romania

The Château de Chenonceau is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.

The estate of Chenonceau is first mentioned in writing in the 11th century. The current château was built in 1514–1522 on the foundations of an old mill and was later extended to span the river. The bridge over the river was built (1556-1559) to designs by the French Renaissance architect Philibert de l'Orme, and the gallery on the bridge, built from 1570 to 1576 to designs by Jean Bullant.

An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, it is the most visited château in France.

The château has been designated as a Monument historique since 1840 by the French Ministry of Culture. Today, Chenonceau is a major tourist attraction and in 2007 received around 800,000 visitors.

In the 13th century, the fief of Chenonceau belonged to the Marques family. The original château was torched in 1412 to punish the owner, Jean Marques, for an act of sedition. He rebuilt a château and fortified mill on the site in the 1430s. Jean Marques' indebted heir Pierre Marques found it necessary to sell.

Thomas Bohier, Chamberlain to King Charles VIII of France, purchased the castle from Pierre Marques in 1513 and demolished most of it (resulting in 2013 being considered the 500th anniversary of the castle: MDXIII–MMXIII), though its 15th-century keep was left standing. Bohier built an entirely new residence between 1515 and 1521. The work was overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.

In 1535 the château was seized from Bohier's son [fr] by King Francis I of France for unpaid debts to the Crown. After Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river.[8] In 1555 she commissioned Philibert de l'Orme to build the arched bridge joining the château to its opposite bank. Diane then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.

Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555 when years of delicate legal manoeuvres finally yielded possession to her.

After King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici forced Diane to exchange it for the Château Chaumont. Queen Catherine then made Chenonceau her own favourite residence, adding a new series of gardens.

As Regent of France, Catherine spent a fortune on the château and on spectacular nighttime parties. In 1560, the first-ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577. Catherine also added rooms between the chapel and the library on the east side of the corps de logis, as well as a service wing on the west side of the entry courtyard.

Catherine considered an even greater expansion of the château, shown in an engraving published by Jacques Androuet du Cerceau in the second (1579) volume of his book Les plus excellents bastiments de France. If this project had been executed, the current château would have been only a small portion of an enormous manor laid out "like pincers around the existing buildings."

On Catherine's death, in January 1589, the château went to her daughter-in-law, Louise of Lorraine, wife of King Henry III. Louise was at Chenonceau when she learned of her husband's assassination, in August 1589, and she fell into a state of depression. Louise spent the next 11 years, until her death in January 1601, wandering aimlessly along the château's corridors dressed in mourning clothes, amidst sombre black tapestries stitched with skulls and crossbones.

Henri IV obtained Chenonceau for his mistress Gabrielle d'Estrées by paying the debts of Catherine de' Medici, which had been inherited by Louise and were threatening to ruin her. In return, Louise left the château to her niece Françoise de Lorraine, at that time six years old and betrothed to the four-year-old César de Bourbon, duc de Vendôme, the natural son of Gabrielle d'Estrées and Henri IV. The château belonged to the Duc de Vendôme and his descendants for more than a hundred years. The Bourbons had little interest in the château, except for hunting. In 1650, Louis XIV was the last king of the ancien régime to visit.

The Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles.

In 1733 the estate was sold for 130,000 livres to a wealthy squire named Claude Dupin. His wife, Louise Dupin, was the natural daughter of the financier Samuel Bernard and the actress Manon Dancourt, whose mother was also an actress who had joined the Comédie Française in 1684. Louise Dupin was "an intelligent, beautiful, and highly cultivated woman who had the theatre in her blood." Claude Dupin, a widower, had a son, Louis Claude, from his first wife Marie-Aurore de Saxe, who was the grandmother of George Sand (born Aurore Dupin).

Louise Dupin's literary salon at Chenonceau attracted such leaders of the Enlightenment as the writers Voltaire, Montesquieu, and Fontenelle, the naturalist Buffon, the playwright Marivaux, the philosopher Condillac, as well as the Marquise de Tencin and the Marquise du Deffand. Jean-Jacques Rousseau was Dupin's secretary and tutored her son. Rousseau, who worked on Émile at Chenonceau, wrote in his Confessions: "We played music there and staged comedies. I wrote a play in verse entitled Sylvie's Path, after the name of a path in the park along the Cher."

The widowed Louise Dupin saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionary Guard because "it was essential to travel and commerce, being the only bridge across the river for many miles."

In 1864 Marguerite Pelouze [fr ], a rich heiress, acquired the château. Around 1875 she commissioned the architect Félix Roguet to restore it. He almost completely renewed the interior and removed several of Catherine de' Medici's additions, including the rooms between the library and the chapel and her alterations to the north facade, among which were figures of Hercules, Pallas, Apollo, and Cybele that were moved to the park. With the money Marguerite spent on these projects and elaborate parties, her finances were depleted, and the château was seized and sold.

José-Emilio Terry, a Cuban millionaire, acquired Chenonceau from Madame Pelouze in 1891. Terry sold it in 1896 to a family member, Francisco Terry. In 1913, the château was acquired by Henri Menier, a member of the Menier family, famous for their chocolates, who still own it to this day.

During World War I Gaston Menier set up the gallery to be used as a hospital ward. During the Second World War, the château was bombed by the Germans in June 1940.[20] It was also a means of escaping from the Nazi-occupied zone on one side of the river Cher to the "free" zone on the opposite bank. Occupied by the Germans, the château was bombed by the Allies on 7 June 1944, when the chapel was hit and its windows destroyed.

In 1951, the Menier family entrusted the château's restoration to Bernard Voisin, who brought the dilapidated structure and the gardens (ravaged in the Cher flood in 1940) back to a reflection of its former glory.

Chenonceaux is a commune in the French department of Indre-et-Loire, and the region of Centre-Val de Loire, France.

It is situated in the valley of the river Cher, a tributary of the Loire, about 26 km (16 mi) east of Tours and on the right bank of the Cher.

The population of permanent residents hovers about 350, but there is a large influx of tourists during the summer months because the village adjoins the former royal Château de Chenonceau, one of the most popular tourist destinations in France. The château is distinctive in being built across the river. The village is also situated in Touraine-Chenonceaux wine-growing area, and bordered on its northern edge by the Forest of Amboise.

Name

The difference in spelling between the Château's name (Chenonceau) and the village (Chenonceaux) is attributed to Louise Dupin de Francueil, owner of the château during the French Revolution, who is said to have dropped the "x" at the end of its name to differentiate what was a symbol of royalty from the Republic. As a result of her good relations with the village, the Château was spared the iconoclastic damage suffered by many other monuments during the Revolution. Although no official sources have been found to support this claim, the Château has ever since been referred to and spelled as Chenonceau.

Mme Dupin hosted the philosopher Jean-Jacques Rousseau in Chenonceau as tutor to her children, and among her descendants was the writer George Sand, born Aurore Dupin.

Philibert de l'Orme (pronounced [filibɛːʁ də lɔʁm]) (3-9 June 1514 – 8 January 1570) was a French architect and writer, and one of the great masters of French Renaissance architecture. His surname is also written De l'Orme, de L'Orme, or Delorme.

Biography

Early career

Philbert de l'Orme was born between 3 and 9 June 1514 in Lyon. His father was Jehan de L'Orme, a master mason and entrepreneur, who, in the 1530s, employed three hundred workers and built prestigious buildings for the elite of the city.[3] When Philibert was nineteen he departed Lyon for Italy, where he remained for three years, working on building projects for Pope Paul III. In Rome he was introduced to Cardinal Jean du Bellay, the Ambassador of King François I to the Vatican, who became his protector and client. Du Bellay was also the patron of his friend Francois Rabelais. In about 1540 de l'Orme moved to Paris, and was soon occupied with royal projects.

Royal architect of Henry II (1548-1559)

On April 3, 1548 he was a named architect of the King by Henry II. For a period of eleven years, he supervised all of the King's architectural projects, with the exception of changes to the Louvre, which were planned by another royal architect, Pierre Lescot. His major projects included the Château de St Maur-des-Fossés, the Château d'Anet, the Château de Chenonceau in the Loire Valley; the royal Château de Madrid in the Bois de Boulogne; the Château de Vincennes, and major modifications to the Palace of Fontainebleau.

He also made a reputation as a writer and theorist, and as an innovator in building techniques. He invented a new system for making the essential wooden frameworks for constructing stone buildings, called charpente à petits bois, which was quicker and less expensive than previous methods and used much less wood. He demonstrated it before the King in 1555, and put it to work in construction at the new royal Château de Montceaux and at the royal hunting lodge La Muette [fr] in the Forest of Saint-Germain-en-Laye.

Out of favor - architectural theorist (1559-1563)

The death of Henry II of France on July 10, 1559 suddenly left him without a patron and at the mercy of rival architects who resented his success and his style. Two days later, on 10 July, he was dismissed from his official posts, and replaced by an Italian artist and architect, Francesco Primaticcio, whose work was much in fashion. He had joined a religious order, and decided to turn his attention to meditation, scholarship and writing. He made another trip to Rome to inspect the new works of Michelangelo. Beginning in 1565 wrote the first volume of a work on architectural theory, which was scientific and philosophical. It was published in 1567, and was followed by new editions after his death in 1576, 1626 and 1648.

Royal architect again (1563-1570)

Under Charles IX and Catherine de Medici, he returned to royal favor. He was employed on the enlargement of the Chateau of Saint Maur (1563) and, along with Jean Bullant, on additions to the Tuileries Palace (1564). He died in Paris in 1570, while this project was underway.

Reputation

In the 17th century, during the period of Louis XIV style that followed his death, his reputation suffered. The grand stairway that he built at the Tuileries Palace was demolished in 1664, as was his Château de Saint-Léger in 1668, to make way for classical structures. In 1683, he was denounced by François Blondel of the Royal Academy for his "villainous Gothic ornaments" and his "petty manner". Nonetheless, his two major theoretical works on construction and design continued to be important textbooks, and were regularly republished and read.

His reputation rose again in the 18th century, through the writings of Dezallier d'Argenville, who wrote in 1787 that he had "abandoned the Gothic covering in order to redress French architecture in the style Ancient Greece." D'Argenville wrote the first biography and catalog of works. Though few of his building survived to be studied carefully, later important academic works on de l'Orme were written in the 19th and 20th centuries by art historians including H. Clouzot and Anthony Blunt.

One of De l'Orme's primary accomplishments was to change the way architects trained and studied. He insisted that architects needed formal education in classical architecture, as well as in geometry and astronomy and the sciences, but also needed practical experience in construction. He himself was an accomplished scholar of ancient Greek and Roman architecture, as well as a humanist scholar. He argued that architects needed to be able to design and manage every aspect of the building, from the volumes to the lambris to adding up the cost, making detailed three-dimensional drawings of vaults, judging if wood was dry enough, and knowing to stop digging the foundation when the first sand was encountered. He had scorn for those architects who could design a facade but had no knowledge actual construction. His opponents scorned him for his background as the son of a masonry contractor. He was referred to by Bernard Palissy as "The god of the stone masons", which deeply offended him.

His other major accomplishment was to resist the tendency to simply copy Italian architectural styles; he traveled and studied in Italy, and borrowed much, but he always added a distinctly French look to each of his projects.

The first major building of de l'Orme was the Château of Saint Maur (1541), built for the Cardinal Jean du Bellay, whom de l'Orme had met during his time in Rome. Its plan showed the influence of the Italian villas; and, like the Italian buildings, it was decorated with frescoes.

Much of his work has disappeared, but his fame remains. He was an ardent humanist and student of the antique, he yet vindicated resolutely the French tradition in opposition to Italian tendencies; he was a man of independent mind and a vigorous originality. His masterpiece was the Château d'Anet (1552–1559), built for Diane de Poitiers, the plans of which are preserved in Jacques Androuet du Cerceau's Plus excellens bastimens de France, though only part of the building remains. His designs for the Tuileries (also given by Androuet du Cerceau), begun by Catherine de' Medici in 1565, were magnificent. His work is also seen at Chenonceau and other famous châteaux; and his tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art.

The most easily viewed work of de l'Orme in Paris is the court facade of the Chateau d'Anet, which was moved to Paris after a major portion of the chateau was demolished, to illustrate for students the major works of the French Renaissance. It is attached to the front wall of the chapel of the Ecole des Beaux-Arts, and is visible from Rue Bonaparte.

Partial list of works

Château de Saint-Maur (1541), demolished in 1796

Tomb of François Ie in the Basilica of Saint-Denis, Paris (1547)

Château d'Anet (1547-1555), built for Diane de Poitiers. Only one wing remains.

Plans of the Chapel of Saint-Éloi, Paris (1550-1566), (Long attributed, but not documented. Only a portion of the facade remains)

Attribution du château d'Acquigny

Facade of the residence of the Vicomte of the Duchy of Uzès (attributed)

Completion of Sainte-Chapelle at the Château de Vincennes (1552)

Château de Villers-Cotterêts, southern portion( 1547-1559)

Chapel of the Château of Villers-Cotterêts (1552-1553)

Royal Château of Saint-Léger-en-Yvelines (demolished)

Château de Meudon (attributed)

Château de Montceaux

Château de Thoiry (1560s)

The bridge upon which the Château de Chenonceau is constructed

Portions of the Louvre

Portions of the new Chateau of Saint-Germain-en-Laye

Portal of Château d'Écouen, now the National Museum of the French Renaissance (mid 16th century). The wing he designed was destroyed in 1787, but vestiges are displayed inside the Chateau.

Roofs of the towers of the Château de Bonnemare.

The beautiful old walled city of Saint-Malo in Brittany France. A very easy place for me to visit from Portsmouth England

Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture.

His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France.

Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood.

In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted the formal program. In 1884, at the age of twenty-four, he earned second place in the competition to enter the École des Beaux-Arts in Paris. There he worked in the studio of Alexandre Falguière and frequented the studio of Jules Dalou, who was his neighbor.

In 1885 he participated in the annual Salon of artists and won an honorable mention for his work, The First Victory of Hannibal. He rented a studio at 16 Impasse du Main, next to the painters Eugène Carrière and Jean-Paul Laurens. He worked in this studio until his death.

In 1887, he quit the studio of Falguièr, and, moved by the music of Beethoven, he made his first of what would eventually be some forty sculptures of the composer. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902.

In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long.

In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.

In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent.

In 1913 the Théâtre des Champs-Élysées was inaugurated, with decoration on the facade and the interior atrium designed by Bourdelle. This work announced the debut of the Art Deco style, and was an important step towards modernism. He was a participant in the 1913 Armory Show in New York, a founder and vice-president of the Parisian Salon des Tuileries. He remained in Paris during the First World War, working on a commission for an art patron from Argentina, Rodolfo Acorta, a monument to General Alvear, which was inaugurated in Buenos Aires in 1925. In 1929, his first major public sculpture in Paris, the monument to the Polish hero Mickiewicz, was inaugurated on Place d'Alma.

Bourdelle, in poor health, died at Le Vésinet, near Paris, on 1 October 1929 and was interred in the Cimetière du Montparnasse, Paris, France.

Henri-Louis Duhamel du Monceau (20 July 1700, Paris – 13 August 1782, Paris), was a French physician, naval engineer and botanist. The standard author abbreviation Duhamel is used to indicate this person as the author when citing a botanical name.

Henri-Louis Duhamel du Monceau was born in Paris in 1700, the son of Alexandre Duhamel, lord of Denainvilliers. In his youth he developed a passion for botany, but at his father's wish he studied law from 1718 to 1721.

After inheriting his father's large estate, he expanded it into a model farm, where he developed and tested new methods of horticulture, agriculture and forestry. The results of this work, he published in numerous publications. Commission by the French Academy of Sciences in 1728 Duhamel investigate the saffron cultivation in Gâtinais. In the following years continued to investigate physiological problems of crops. He also investigated growth of the trees in cooperation with Georges-Louis Leclerc de Buffon. From 1740 he also started focusing on meteorological problems, in particular their impact on agricultural production.

In 1738 he was elected to the French Academy of Sciences, and served three times as its president. He was appointed Inspector-General of the Marine in 1739, and made scientific studies of shipbuilding, the conservation of wood, the paramedical and fair of sailors, etc. In 1741 he co-founded a school of Marine science, which in 1765 became the Ecole des Ingénieurs-Constructeurs, the forerunner of the modern Ecole du Génie Maritime. He was also involved in the foundation of the "Académie de marine de Brest", on 31 July 1752.

Following the work of Réaumur, in 1757 he released the Description des Arts et Métiers and opposed the writers of the Encyclopédie. His fondness for concrete problems, experimentation and popularization made him one of the forerunners of modern agronomy and silviculture.

In 1767, du Monceau was elected a member of the Royal Swedish Academy of Sciences. He died in Paris on 13 August 1782.

It was in 2009, on the occasion of the 500th anniversary of Calvin's birth, that this lost-wax bronze statue, the work of Orléans sculptor Daniel Leclercq (1946-2020), was erected opposite the temple.

It represents Calvin as a young student. It is a reminder that Calvin is an integral part of the city's history, because he studied at the internationally renowned Orléans Faculty of Law, the only one at the time to teach civil law.

The Château de Sully-sur-Loire is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings

The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

8: Gate Tower

A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

9: The Petit Chateau

South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

7: The Louis XV Wing

North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

10 & 11: Tour d'Artillery and Tour de Béthune

At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

3: The Keep

The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland

The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

Sully-sur-Loire, literally Sully on Loire) is a commune in the Loiret department, north-central France. It is the seat of the canton of Sully-sur-Loire. It lies on the left bank of the river Loire.

The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river. The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560–1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

Maximilien de Béthune Sully, 1st Prince of Sully, Marquis of Rosny and Nogent, Count of Muret and Villebon, Viscount of Meaux (13 December 1560 – 22 December 1641) was a nobleman, soldier, statesman, and counselor of King Henry IV of France. Historians emphasize Sully's role in building a strong centralized administrative system in France using coercion and highly effective new administrative techniques. While not all of his policies were original, he used them well to revitalize France after the European Religious Wars. Most, however, were repealed by later monarchs who preferred absolute power. Historians have also studied his Neostoicism and his ideas about virtue, prudence, and discipline.

Biography

He was born at the Château de Rosny near Mantes-la-Jolie into a branch of the House of Béthune a noble family originating in Artois, and was brought up in the Reformed faith, a Huguenot. In 1571, at the age of eleven, Maximilien was presented to Henry of Navarre and remained permanently attached to the future king of France. The young Baron of Rosny was taken to Paris by his patron and was studying at the Collège de Bourgogne at the time of the St Bartholomew's Day Massacre, from which he escaped by discreetly carrying a Catholic book of hours under his arm. He studied mathematics and history at the court of Henry of Navarre.

A warrior with Henry

On the renewed outbreak of civil war in 1575, he enlisted in the Protestant army. In 1576 he accompanied the Duke of Anjou, younger brother of king Henri III, on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange. Later, rejoining Henry of Navarre in Guyenne, he displayed bravery in the field and particular ability as a military engineer. In 1583 he acted as Henry's special agent in Paris, and during a respite in the Wars of Religion he married an heiress who died five years later.

On the renewal of civil war, Rosny again joined Henry of Navarre, and at the battle of Ivry (1590) he was seriously wounded. He counselled Henry IV's conversion to Roman Catholicism (made official on 25 July 1593) but steadfastly refused to become a Catholic himself. Once Henry IV of France's succession to the throne was secured (c. 1594), the faithful and trusted Rosny received his reward in the shape of numerous estates and dignities.

Sully in power

From 1596, when he was added to Henry's finance commission, Rosny introduced some order into France's economic affairs. Acting as sole Superintendent of Finances at the end of 1601, he authorized the free exportation of grain and wine, reduced legal interest, established a special court to try cases of speculation, forbade provincial governors to raise money on their own authority, and otherwise removed many abuses of tax-collecting. Rosny abolished several offices, and by his honest, rigorous conduct of the country's finances, he was able to save between 1600 and 1610 an average of a million livres a year.

His achievements were not solely financial. In 1599, he was appointed grand commissioner of highways and public works, superintendent of fortifications and grand master of artillery; in 1602, governor of Nantes and of Jargeau, captain-general of the Queen's gens d'armes and governor of the Bastille; in 1604, he was governor of Poitou; and in 1606, made first duke of Sully and a pair de France, ranking next to princes of the blood. He declined the office of constable of France because he would not become a Roman Catholic.

Sully encouraged agriculture, urged the free circulation of produce, promoted stock-raising, forbade the destruction of the forests, drained swamps, built roads and bridges, planned a vast system of canals and actually began the Canal de Briare. He strengthened the French military establishment; under his direction, the construction of a great line of defences on the frontiers began. Abroad, Sully opposed the king's colonial policy as inconsistent with French interests, in opposition to men like Champlain who urged greater colonial efforts in Canada and elsewhere. Neither did Sully show much favor toward industrial pursuits but, on the urgent solicitation of the king, he established a few silk factories. He fought together with Henry IV in Savoy (1600–1601) and negotiated the treaty of peace in 1602; in 1603, he represented Henry at the court of James I of England; and throughout the reign, he helped the king to put down insurrections of the nobles, whether Roman Catholic or Protestant. It was Sully, too, who arranged the marriage between Henry IV and Marie de' Medici.

Fall from power and last years

The political role of Sully effectively ended with the assassination of Henry IV on 14 May 1610. The king was on his way to visit Sully, who lay ill in the Arsenal; his purpose was to make final preparations for imminent military intervention in the disputed succession to Jülich-Cleves-Berg after the death of Duke John William. The intervention on behalf of a Calvinist candidate would have brought the king in conflict with the Catholic Habsburg dynasty.

Although a member of the Queen's council of regency, his colleagues were not inclined to put up with his domineering leadership, and after a stormy debate he resigned as superintendent of finances on 26 January 1611, retiring into private life.

The queen mother gave him 300,000 livres for his long services and confirmed him in possession of his estates. He attended the meeting of the Estates-General in 1614, and on the whole was in sympathy with the policy and government of Richelieu. He disavowed the Blockade of La Rochelle, in 1621, but in the following year was briefly arrested.

The baton of marshal of France was conferred on him on 18 September 1634. The last years of his life were spent chiefly at Villebon, Rosny and his château of Sully. He died at Villebon at the age of 81.

Family

By his first wife, Anne de Courtenay (1564-1589), daughter of François, Lord of Bontin, he had one son, Maximilien, Marquess of Rosny (1587–1634), who led a life of dissipation and debauchery. By his second wife, Rachel de Cochefilet (1566–1659), the widow of François Hurault, Lord of Chateaupers, whom he married in 1592 and who turned Protestant to please him, he had nine children, of whom six died young. Their son François (1598–1678) was created first Duke of Orval. The elder daughter Marguerite (1595–1660) in 1605, married Henri, Duke of Rohan, while the younger Louise in 1620 married Alexandre de Lévis, Marquess of Mirepoix.

His brother, Philippe de Béthune, was sent as ambassador to James VI of Scotland in May 1599. He was given a good welcome and invited to Falkland Palace. He went on a progress with James VI to Inchmurrin and Hamilton Palace, after the king had written to the Laird of Wemyss for the loan of his best hackney horse and saddle.

Accomplishments

Sully was very unpopular because he was a favorite and was seen as selfish, obstinate, and rude. He was hated by most Catholics because he was a Protestant, and by most Protestants because he was faithful to the king. He amassed a large personal fortune, and his jealousy of all other ministers and favorites was extravagant. Nevertheless, he was an excellent man of business, inexorable in punishing malversation and dishonesty on the part of others, and opposed to ruinous court expenditures that was the bane of almost all European monarchies in his day. He was gifted with executive ability, with confidence and resolution, with fondness for work, and above all with deep devotion to his master. He was implicitly trusted by Henry IV and proved himself the most able assistant of the king in dispelling the chaos into which the religious and civil wars had plunged France. After Henry IV, Sully was a major driving force behind the happy transformation in France between 1598 and 1610, in which agriculture and commerce benefitted, and peace and internal order were reestablished.

After the death of Henry IV Sully published, in the deceased king's name, his ‘Grand Design’, a plan to stop the religious wars. His starting point was that the three churches (Catholic, Lutheran and Calvinist) were there to stay. He planned an international organization, consisting of a Europe of 15 more or less equally strong powers, incidentally dissolving the Habsburg empire and thus making France Europe’s strongest state. A balance of power mechanism and a permanent assembly of ambassadors should prevent wars in Europe. Military power would only be needed towards the Muslim Ottoman Empire.

Titles

During his life, Sully inherited or acquired the following titles:

Duke of Sully

Peer of France

Marshal of France

Sovereign Prince of Henrichemont and Boisbelle

Marquess of Rosny

Marquess of Nogent-le-Béthune

Count of Muret

Count of Villebon

Viscount of Meaux

Viscount of Champrond

Baron of Conti

Baron of Caussade

Baron of Montricoux

Baron of Montigny

Baron of Breteuil

Baron of Francastel

Lord of La Falaise

Lord of Las

Lord of Vitray

Lord of Lalleubellouis

Lord of various other places

Works

Sully left a collection of memoirs (Mémoires, otherwise known as the Économies royales, 1638) written in the second person. They are very valuable sources for the history of their time and as an autobiography, in spite of their containing many fictions, such as a mission undertaken by Sully to Queen Elizabeth I of England in 1601. One his most famous works was perhaps the idea of a Europe composed of 15 roughly equal states, under the direction of a "Very Christian Council of Europe", charged with resolving differences and disposing of a common army. This famous "Grand Design", a utopian plan for a Christian republic, is often cited as one of the first grand plans and ancestors for the European Union. Two folio volumes of the memoirs were splendidly printed, nominally at Amsterdam, but really under Sully's own eye, at his château of Sully in 1638; two other volumes appeared posthumously in Paris in 1662.

Legacy

The Pavillon Sully (Pavillon de l'Horloge) of the Palais du Louvre is named in honor of the Duc de Sully.

The Ormeau Sully, an ancient field elm Ulmus minor, reputedly planted by Sully, survives (2016) in the village of Villesequelande near Carcassonne.

Ormeau Sully, Villesequelande

In the independent principality of Boisbelle, which he acquired in 1605, he started construction of a capital at Henrichemont.

Many buildings at Paris, including the Place Royale, the Hopital Saint-Louis and the Arsenal

The Port of Calais in northern France is the fourth largest port in France and the largest for passenger traffic. It accounts for more than a third of economic activity in the town of Calais.

The Port of Calais was the first cable ship port in Europe and is the fourth largest port in France and the largest for passenger traffic.

After the Treaty of Le Touquet was signed by France and the UK on 4 February 2003, juxtaposed controls were established in the port. Passengers travelling from the port to Dover, UK go through French exit checks (conducted by the French Border Police and French Customs) as well as UK immigration entry checks (by the UK Border Force) before embarkation. UK Border Force officers have the power to arrest and detain individuals in the immigration control zone in the port. Customs checks remain unaffected by the Treaty. Therefore, on arrival in Dover, travellers might still be stopped by UK Border Force customs officers for a customs inspection.

The Château de Sully-sur-Loire is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings

The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

8: Gate Tower

A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

9: The Petit Chateau

South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

7: The Louis XV Wing

North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

10 & 11: Tour d'Artillery and Tour de Béthune

At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

3: The Keep

The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland

The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

Sully-sur-Loire, literally Sully on Loire) is a commune in the Loiret department, north-central France. It is the seat of the canton of Sully-sur-Loire. It lies on the left bank of the river Loire.

The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river. The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560–1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

Maximilien de Béthune Sully, 1st Prince of Sully, Marquis of Rosny and Nogent, Count of Muret and Villebon, Viscount of Meaux (13 December 1560 – 22 December 1641) was a nobleman, soldier, statesman, and counselor of King Henry IV of France. Historians emphasize Sully's role in building a strong centralized administrative system in France using coercion and highly effective new administrative techniques. While not all of his policies were original, he used them well to revitalize France after the European Religious Wars. Most, however, were repealed by later monarchs who preferred absolute power. Historians have also studied his Neostoicism and his ideas about virtue, prudence, and discipline.

Biography

He was born at the Château de Rosny near Mantes-la-Jolie into a branch of the House of Béthune a noble family originating in Artois, and was brought up in the Reformed faith, a Huguenot. In 1571, at the age of eleven, Maximilien was presented to Henry of Navarre and remained permanently attached to the future king of France. The young Baron of Rosny was taken to Paris by his patron and was studying at the Collège de Bourgogne at the time of the St Bartholomew's Day Massacre, from which he escaped by discreetly carrying a Catholic book of hours under his arm. He studied mathematics and history at the court of Henry of Navarre.

A warrior with Henry

On the renewed outbreak of civil war in 1575, he enlisted in the Protestant army. In 1576 he accompanied the Duke of Anjou, younger brother of king Henri III, on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange. Later, rejoining Henry of Navarre in Guyenne, he displayed bravery in the field and particular ability as a military engineer. In 1583 he acted as Henry's special agent in Paris, and during a respite in the Wars of Religion he married an heiress who died five years later.

On the renewal of civil war, Rosny again joined Henry of Navarre, and at the battle of Ivry (1590) he was seriously wounded. He counselled Henry IV's conversion to Roman Catholicism (made official on 25 July 1593) but steadfastly refused to become a Catholic himself. Once Henry IV of France's succession to the throne was secured (c. 1594), the faithful and trusted Rosny received his reward in the shape of numerous estates and dignities.

Sully in power

From 1596, when he was added to Henry's finance commission, Rosny introduced some order into France's economic affairs. Acting as sole Superintendent of Finances at the end of 1601, he authorized the free exportation of grain and wine, reduced legal interest, established a special court to try cases of speculation, forbade provincial governors to raise money on their own authority, and otherwise removed many abuses of tax-collecting. Rosny abolished several offices, and by his honest, rigorous conduct of the country's finances, he was able to save between 1600 and 1610 an average of a million livres a year.

His achievements were not solely financial. In 1599, he was appointed grand commissioner of highways and public works, superintendent of fortifications and grand master of artillery; in 1602, governor of Nantes and of Jargeau, captain-general of the Queen's gens d'armes and governor of the Bastille; in 1604, he was governor of Poitou; and in 1606, made first duke of Sully and a pair de France, ranking next to princes of the blood. He declined the office of constable of France because he would not become a Roman Catholic.

Sully encouraged agriculture, urged the free circulation of produce, promoted stock-raising, forbade the destruction of the forests, drained swamps, built roads and bridges, planned a vast system of canals and actually began the Canal de Briare. He strengthened the French military establishment; under his direction, the construction of a great line of defences on the frontiers began. Abroad, Sully opposed the king's colonial policy as inconsistent with French interests, in opposition to men like Champlain who urged greater colonial efforts in Canada and elsewhere. Neither did Sully show much favor toward industrial pursuits but, on the urgent solicitation of the king, he established a few silk factories. He fought together with Henry IV in Savoy (1600–1601) and negotiated the treaty of peace in 1602; in 1603, he represented Henry at the court of James I of England; and throughout the reign, he helped the king to put down insurrections of the nobles, whether Roman Catholic or Protestant. It was Sully, too, who arranged the marriage between Henry IV and Marie de' Medici.

Fall from power and last years

The political role of Sully effectively ended with the assassination of Henry IV on 14 May 1610. The king was on his way to visit Sully, who lay ill in the Arsenal; his purpose was to make final preparations for imminent military intervention in the disputed succession to Jülich-Cleves-Berg after the death of Duke John William. The intervention on behalf of a Calvinist candidate would have brought the king in conflict with the Catholic Habsburg dynasty.

Although a member of the Queen's council of regency, his colleagues were not inclined to put up with his domineering leadership, and after a stormy debate he resigned as superintendent of finances on 26 January 1611, retiring into private life.

The queen mother gave him 300,000 livres for his long services and confirmed him in possession of his estates. He attended the meeting of the Estates-General in 1614, and on the whole was in sympathy with the policy and government of Richelieu. He disavowed the Blockade of La Rochelle, in 1621, but in the following year was briefly arrested.

The baton of marshal of France was conferred on him on 18 September 1634. The last years of his life were spent chiefly at Villebon, Rosny and his château of Sully. He died at Villebon at the age of 81.

Family

By his first wife, Anne de Courtenay (1564-1589), daughter of François, Lord of Bontin, he had one son, Maximilien, Marquess of Rosny (1587–1634), who led a life of dissipation and debauchery. By his second wife, Rachel de Cochefilet (1566–1659), the widow of François Hurault, Lord of Chateaupers, whom he married in 1592 and who turned Protestant to please him, he had nine children, of whom six died young. Their son François (1598–1678) was created first Duke of Orval. The elder daughter Marguerite (1595–1660) in 1605, married Henri, Duke of Rohan, while the younger Louise in 1620 married Alexandre de Lévis, Marquess of Mirepoix.

His brother, Philippe de Béthune, was sent as ambassador to James VI of Scotland in May 1599. He was given a good welcome and invited to Falkland Palace. He went on a progress with James VI to Inchmurrin and Hamilton Palace, after the king had written to the Laird of Wemyss for the loan of his best hackney horse and saddle.

Accomplishments

Sully was very unpopular because he was a favorite and was seen as selfish, obstinate, and rude. He was hated by most Catholics because he was a Protestant, and by most Protestants because he was faithful to the king. He amassed a large personal fortune, and his jealousy of all other ministers and favorites was extravagant. Nevertheless, he was an excellent man of business, inexorable in punishing malversation and dishonesty on the part of others, and opposed to ruinous court expenditures that was the bane of almost all European monarchies in his day. He was gifted with executive ability, with confidence and resolution, with fondness for work, and above all with deep devotion to his master. He was implicitly trusted by Henry IV and proved himself the most able assistant of the king in dispelling the chaos into which the religious and civil wars had plunged France. After Henry IV, Sully was a major driving force behind the happy transformation in France between 1598 and 1610, in which agriculture and commerce benefitted, and peace and internal order were reestablished.

After the death of Henry IV Sully published, in the deceased king's name, his ‘Grand Design’, a plan to stop the religious wars. His starting point was that the three churches (Catholic, Lutheran and Calvinist) were there to stay. He planned an international organization, consisting of a Europe of 15 more or less equally strong powers, incidentally dissolving the Habsburg empire and thus making France Europe’s strongest state. A balance of power mechanism and a permanent assembly of ambassadors should prevent wars in Europe. Military power would only be needed towards the Muslim Ottoman Empire.

Titles

During his life, Sully inherited or acquired the following titles:

Duke of Sully

Peer of France

Marshal of France

Sovereign Prince of Henrichemont and Boisbelle

Marquess of Rosny

Marquess of Nogent-le-Béthune

Count of Muret

Count of Villebon

Viscount of Meaux

Viscount of Champrond

Baron of Conti

Baron of Caussade

Baron of Montricoux

Baron of Montigny

Baron of Breteuil

Baron of Francastel

Lord of La Falaise

Lord of Las

Lord of Vitray

Lord of Lalleubellouis

Lord of various other places

Works

Sully left a collection of memoirs (Mémoires, otherwise known as the Économies royales, 1638) written in the second person. They are very valuable sources for the history of their time and as an autobiography, in spite of their containing many fictions, such as a mission undertaken by Sully to Queen Elizabeth I of England in 1601. One his most famous works was perhaps the idea of a Europe composed of 15 roughly equal states, under the direction of a "Very Christian Council of Europe", charged with resolving differences and disposing of a common army. This famous "Grand Design", a utopian plan for a Christian republic, is often cited as one of the first grand plans and ancestors for the European Union. Two folio volumes of the memoirs were splendidly printed, nominally at Amsterdam, but really under Sully's own eye, at his château of Sully in 1638; two other volumes appeared posthumously in Paris in 1662.

Legacy

The Pavillon Sully (Pavillon de l'Horloge) of the Palais du Louvre is named in honor of the Duc de Sully.

The Ormeau Sully, an ancient field elm Ulmus minor, reputedly planted by Sully, survives (2016) in the village of Villesequelande near Carcassonne.

Ormeau Sully, Villesequelande

In the independent principality of Boisbelle, which he acquired in 1605, he started construction of a capital at Henrichemont.

Many buildings at Paris, including the Place Royale, the Hopital Saint-Louis and the Arsenal

The Château de Sully-sur-Loire is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings

The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

8: Gate Tower

A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

9: The Petit Chateau

South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

7: The Louis XV Wing

North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

10 & 11: Tour d'Artillery and Tour de Béthune

At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

3: The Keep

The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland

The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

Sully-sur-Loire, literally Sully on Loire) is a commune in the Loiret department, north-central France. It is the seat of the canton of Sully-sur-Loire. It lies on the left bank of the river Loire.

The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river. The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560–1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

Maximilien de Béthune Sully, 1st Prince of Sully, Marquis of Rosny and Nogent, Count of Muret and Villebon, Viscount of Meaux (13 December 1560 – 22 December 1641) was a nobleman, soldier, statesman, and counselor of King Henry IV of France. Historians emphasize Sully's role in building a strong centralized administrative system in France using coercion and highly effective new administrative techniques. While not all of his policies were original, he used them well to revitalize France after the European Religious Wars. Most, however, were repealed by later monarchs who preferred absolute power. Historians have also studied his Neostoicism and his ideas about virtue, prudence, and discipline.

Biography

He was born at the Château de Rosny near Mantes-la-Jolie into a branch of the House of Béthune a noble family originating in Artois, and was brought up in the Reformed faith, a Huguenot. In 1571, at the age of eleven, Maximilien was presented to Henry of Navarre and remained permanently attached to the future king of France. The young Baron of Rosny was taken to Paris by his patron and was studying at the Collège de Bourgogne at the time of the St Bartholomew's Day Massacre, from which he escaped by discreetly carrying a Catholic book of hours under his arm. He studied mathematics and history at the court of Henry of Navarre.

A warrior with Henry

On the renewed outbreak of civil war in 1575, he enlisted in the Protestant army. In 1576 he accompanied the Duke of Anjou, younger brother of king Henri III, on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange. Later, rejoining Henry of Navarre in Guyenne, he displayed bravery in the field and particular ability as a military engineer. In 1583 he acted as Henry's special agent in Paris, and during a respite in the Wars of Religion he married an heiress who died five years later.

On the renewal of civil war, Rosny again joined Henry of Navarre, and at the battle of Ivry (1590) he was seriously wounded. He counselled Henry IV's conversion to Roman Catholicism (made official on 25 July 1593) but steadfastly refused to become a Catholic himself. Once Henry IV of France's succession to the throne was secured (c. 1594), the faithful and trusted Rosny received his reward in the shape of numerous estates and dignities.

Sully in power

From 1596, when he was added to Henry's finance commission, Rosny introduced some order into France's economic affairs. Acting as sole Superintendent of Finances at the end of 1601, he authorized the free exportation of grain and wine, reduced legal interest, established a special court to try cases of speculation, forbade provincial governors to raise money on their own authority, and otherwise removed many abuses of tax-collecting. Rosny abolished several offices, and by his honest, rigorous conduct of the country's finances, he was able to save between 1600 and 1610 an average of a million livres a year.

His achievements were not solely financial. In 1599, he was appointed grand commissioner of highways and public works, superintendent of fortifications and grand master of artillery; in 1602, governor of Nantes and of Jargeau, captain-general of the Queen's gens d'armes and governor of the Bastille; in 1604, he was governor of Poitou; and in 1606, made first duke of Sully and a pair de France, ranking next to princes of the blood. He declined the office of constable of France because he would not become a Roman Catholic.

Sully encouraged agriculture, urged the free circulation of produce, promoted stock-raising, forbade the destruction of the forests, drained swamps, built roads and bridges, planned a vast system of canals and actually began the Canal de Briare. He strengthened the French military establishment; under his direction, the construction of a great line of defences on the frontiers began. Abroad, Sully opposed the king's colonial policy as inconsistent with French interests, in opposition to men like Champlain who urged greater colonial efforts in Canada and elsewhere. Neither did Sully show much favor toward industrial pursuits but, on the urgent solicitation of the king, he established a few silk factories. He fought together with Henry IV in Savoy (1600–1601) and negotiated the treaty of peace in 1602; in 1603, he represented Henry at the court of James I of England; and throughout the reign, he helped the king to put down insurrections of the nobles, whether Roman Catholic or Protestant. It was Sully, too, who arranged the marriage between Henry IV and Marie de' Medici.

Fall from power and last years

The political role of Sully effectively ended with the assassination of Henry IV on 14 May 1610. The king was on his way to visit Sully, who lay ill in the Arsenal; his purpose was to make final preparations for imminent military intervention in the disputed succession to Jülich-Cleves-Berg after the death of Duke John William. The intervention on behalf of a Calvinist candidate would have brought the king in conflict with the Catholic Habsburg dynasty.

Although a member of the Queen's council of regency, his colleagues were not inclined to put up with his domineering leadership, and after a stormy debate he resigned as superintendent of finances on 26 January 1611, retiring into private life.

The queen mother gave him 300,000 livres for his long services and confirmed him in possession of his estates. He attended the meeting of the Estates-General in 1614, and on the whole was in sympathy with the policy and government of Richelieu. He disavowed the Blockade of La Rochelle, in 1621, but in the following year was briefly arrested.

The baton of marshal of France was conferred on him on 18 September 1634. The last years of his life were spent chiefly at Villebon, Rosny and his château of Sully. He died at Villebon at the age of 81.

Family

By his first wife, Anne de Courtenay (1564-1589), daughter of François, Lord of Bontin, he had one son, Maximilien, Marquess of Rosny (1587–1634), who led a life of dissipation and debauchery. By his second wife, Rachel de Cochefilet (1566–1659), the widow of François Hurault, Lord of Chateaupers, whom he married in 1592 and who turned Protestant to please him, he had nine children, of whom six died young. Their son François (1598–1678) was created first Duke of Orval. The elder daughter Marguerite (1595–1660) in 1605, married Henri, Duke of Rohan, while the younger Louise in 1620 married Alexandre de Lévis, Marquess of Mirepoix.

His brother, Philippe de Béthune, was sent as ambassador to James VI of Scotland in May 1599. He was given a good welcome and invited to Falkland Palace. He went on a progress with James VI to Inchmurrin and Hamilton Palace, after the king had written to the Laird of Wemyss for the loan of his best hackney horse and saddle.

Accomplishments

Sully was very unpopular because he was a favorite and was seen as selfish, obstinate, and rude. He was hated by most Catholics because he was a Protestant, and by most Protestants because he was faithful to the king. He amassed a large personal fortune, and his jealousy of all other ministers and favorites was extravagant. Nevertheless, he was an excellent man of business, inexorable in punishing malversation and dishonesty on the part of others, and opposed to ruinous court expenditures that was the bane of almost all European monarchies in his day. He was gifted with executive ability, with confidence and resolution, with fondness for work, and above all with deep devotion to his master. He was implicitly trusted by Henry IV and proved himself the most able assistant of the king in dispelling the chaos into which the religious and civil wars had plunged France. After Henry IV, Sully was a major driving force behind the happy transformation in France between 1598 and 1610, in which agriculture and commerce benefitted, and peace and internal order were reestablished.

After the death of Henry IV Sully published, in the deceased king's name, his ‘Grand Design’, a plan to stop the religious wars. His starting point was that the three churches (Catholic, Lutheran and Calvinist) were there to stay. He planned an international organization, consisting of a Europe of 15 more or less equally strong powers, incidentally dissolving the Habsburg empire and thus making France Europe’s strongest state. A balance of power mechanism and a permanent assembly of ambassadors should prevent wars in Europe. Military power would only be needed towards the Muslim Ottoman Empire.

Titles

During his life, Sully inherited or acquired the following titles:

Duke of Sully

Peer of France

Marshal of France

Sovereign Prince of Henrichemont and Boisbelle

Marquess of Rosny

Marquess of Nogent-le-Béthune

Count of Muret

Count of Villebon

Viscount of Meaux

Viscount of Champrond

Baron of Conti

Baron of Caussade

Baron of Montricoux

Baron of Montigny

Baron of Breteuil

Baron of Francastel

Lord of La Falaise

Lord of Las

Lord of Vitray

Lord of Lalleubellouis

Lord of various other places

Works

Sully left a collection of memoirs (Mémoires, otherwise known as the Économies royales, 1638) written in the second person. They are very valuable sources for the history of their time and as an autobiography, in spite of their containing many fictions, such as a mission undertaken by Sully to Queen Elizabeth I of England in 1601. One his most famous works was perhaps the idea of a Europe composed of 15 roughly equal states, under the direction of a "Very Christian Council of Europe", charged with resolving differences and disposing of a common army. This famous "Grand Design", a utopian plan for a Christian republic, is often cited as one of the first grand plans and ancestors for the European Union. Two folio volumes of the memoirs were splendidly printed, nominally at Amsterdam, but really under Sully's own eye, at his château of Sully in 1638; two other volumes appeared posthumously in Paris in 1662.

Legacy

The Pavillon Sully (Pavillon de l'Horloge) of the Palais du Louvre is named in honor of the Duc de Sully.

The Ormeau Sully, an ancient field elm Ulmus minor, reputedly planted by Sully, survives (2016) in the village of Villesequelande near Carcassonne.

Ormeau Sully, Villesequelande

In the independent principality of Boisbelle, which he acquired in 1605, he started construction of a capital at Henrichemont.

Many buildings at Paris, including the Place Royale, the Hopital Saint-Louis and the Arsenal

The Château de Sully-sur-Loire is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

Outer Courtyard Today there is a two-meter-high statue of white Carrara marble representing the first Duke of Sully, Maximilien de Béthune. The figure was originally made for Villebon Castle in 1642 by Pierre II. Biard on behalf of Rachel de Conchefilet. It shows the Minister of Henry IV wearing a laurel wreath and holding a marshal's staff.

Castle buildings

The buildings are grouped around the Inner Courtyard with a narrow gallery to the South - the so-called Galérie d'Agréement - of two storeys and a steep roof from the 17th century and a curtain wall to the west from the 19th C. All built in Sandstone, the roofs are covered with slate.

8: Gate Tower

A stone arched bridge on the west side of the Outer Courtyard leads to the square Gate Tower from the 15th C. Its three storeys rise on a square plan and are completed by a bent hipped roof. To the courtyard side, the building has a narrow, pentagonal stair tower with five floors. The coat of arms of the de Béthune family can be seen above the arched entrance.

9: The Petit Chateau

South of the portal tower is the Petit Château, a three-storey steep-roofed building. Its top floor has a battlement on a cantilever stone console on the northeast façade. On the ground floor of the building is the former study of Maximilien de Béthunes, while on the first floor his bedroom can be visited. Both rooms were restored in the second half of the 20th century and show the building stock of the 18th century. However, their painted beamed ceilings date back to the 16th century.

7: The Louis XV Wing

North of the portal tower is an unfurnished two-storey steep-roofed building, called the wing of Louis XV. and borders at its northern end to the Keep. The Wing accidentally burnt down in 1918 and rebuilt in 1923, as a basic shell of only 2 floors (it was 4).

10 & 11: Tour d'Artillery and Tour de Béthune

At the southern corner of the courtyard stands as a link between the western curtain wall and southern gallery of the Tour d'Artillerie (Artillery Tower), which owes its name to its use as a platform for cannon. The round tower has five-meter-thick walls and an outer diameter of 15 meters. Built in 1606 on the site of a previous tower from 1363, it has always had only one above-ground floor with a flat roof used originally to house cannon.

The southern end of the Petit Château joins a high round tower with four floors and a conical hipped roof. Its present name, Tour de Béthune, commemorates Maximilien de Béthune, originally it was called Tour de la Sange. With a diameter of twelve meters, it has in the attic a cantilevered, all-round battlement on stone consoles and machicolation rows and dates from 1440.

3: The Keep

The Keep from the end of the 14th century is the oldest preserved part of the castle complex. It has three above-ground levels, which are completed by a pitched roof. At each of the four corners of the 39 x 16-meter building, there is a projecting four-story round tower with a diameter of 11.50 meters. Only the two eastern corner towers still show their original shape. Crowned by a bent cone helmet, its fourth story features a projecting battlement with small windows, machicolations and loopholes. The two western corner towers, however, lack the fourth floor; while the northwestern tower has a flat cone helmet, the southwestern is completely roofless. All have in common, however, that they have in the Keep facing wall section a narrow spiral staircase and their floors have no vaulted ceilings, but flat wooden ceilings. The Keep, also called Grand Château, is accessed via a ground-level entrance on its south side. In earlier times, the entrance was only accessible via a drawbridge, as the keep was additionally protected from the courtyard by a moat filled today. The gatehouse is flanked on its west and east sides by two narrow round towers, the eastern contains the staircase to the keeps three floors, while on the ground floor of the western tower contains the chapel. The top floor of the keep has a cantilevered battlement with loopholes on all sides, although that to the west is rudimentary. The interior of the keep and its towers have been heavily modified throughout its life. Inside, all three floors are divided by a partition to the west a 300 m2 hall and a slightly smaller salon to the east. On the ground floor there is the Watch room, which has a coffered wooden ceiling painted partly with ducat gold and to the east a museum space and shop.

The second floor has the Grand Hall, which has served several times as a theatre. Its chimney on the south-east wall dates from the 15th century and has a wall painting in its upper mantelpiece, showing the Rosny Castle. East of the Great Hall is the so-called ceremonial room, the bedroom of the Dukes of Sully with Flemish tapestry and wooden beamed ceiling in the Italian style and wallpaper in blue Damask.

In the southern wall, behind a wood panelling is a hidden heavy iron door from the 16th Century, which leads to a small study in the first floor of the western tower in the entrance building. Originally the drawbridge was operated from there, the room later served as a study and then as a treasury of the lords of the castle. Today there is an oratory with a copy of the tomb of Maximilien de Béthune and his second wife Rachel de Conchefilet, which houses the mortal remains of the couple. The third, 16m high floor of the Keep is primarily known for its extraordinary roof truss, called the Grand Galetas. The tall chestnut woodwork has the shape of a ship's keel turned upside down and today remains free from woodworm or other termites without the use of chemical means. It is considered a great masterpiece of medieval carpentry and is one of the few examples that are completely preserved from that time. The good condition of the roof truss results partly from a special processing method of the wood used, which came from the shipbuilding. After being placed in salt water, the wood was dried for years and treated with alum. In addition, the unusual construction of the roof truss ensured lasting and good ventilation of the beams, so that they still require no modern intervention for their preservation. From an art-historical point of view, a tapestry series of the 17th century is worth mentioning in addition to the beams. The six wall hangings from a Parisian workshop called Tenture de Psyché depict the myth of Psyche and were kept in Rosny-sur-Seine until March 1994.

Garden and Parkland

The 25-hectare garden lies to the east of the Outer Courtyard reached via a stone bridge. However, the symmetrical beds of the former Baroque garden are no longer preserved. Instead, the area is now almost completely occupied by trees with only the paths ways indicating the original layout.

Château de Sully-sur-Loire is listed as a monument historique by the French Ministry of Culture. Now a property of the Département du Loiret it has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries (including a set of six seventeenth-century hangings, the Tenture de Psyché), paintings of Sully's ancestors and heirs, and seventeenth-century furnishings. Here is also the tomb of Sully and that of his second wife.

Sully-sur-Loire, literally Sully on Loire) is a commune in the Loiret department, north-central France. It is the seat of the canton of Sully-sur-Loire. It lies on the left bank of the river Loire.

The château of Sully-sur-Loire dates from the end of the 14th century and is a prime example of a medieval fortress. It was built at a strategic crossing of the Loire river. The château was expanded by Maximilien de Béthune, first duke of Sully and prime minister of King Henry IV of France (1560–1641), who is buried on the grounds of his château. The family of the dukes of Sully retained ownership of the château until the 20th century.

King Louis XIV, his mother Queen Anne of Austria and prime minister Cardinal Mazarin sought refuge in the château of Sully-sur-Loire in March 1652 after they were driven out of Paris during the revolt of the French nobility known as the Fronde.

Maximilien de Béthune Sully, 1st Prince of Sully, Marquis of Rosny and Nogent, Count of Muret and Villebon, Viscount of Meaux (13 December 1560 – 22 December 1641) was a nobleman, soldier, statesman, and counselor of King Henry IV of France. Historians emphasize Sully's role in building a strong centralized administrative system in France using coercion and highly effective new administrative techniques. While not all of his policies were original, he used them well to revitalize France after the European Religious Wars. Most, however, were repealed by later monarchs who preferred absolute power. Historians have also studied his Neostoicism and his ideas about virtue, prudence, and discipline.

Biography

He was born at the Château de Rosny near Mantes-la-Jolie into a branch of the House of Béthune a noble family originating in Artois, and was brought up in the Reformed faith, a Huguenot. In 1571, at the age of eleven, Maximilien was presented to Henry of Navarre and remained permanently attached to the future king of France. The young Baron of Rosny was taken to Paris by his patron and was studying at the Collège de Bourgogne at the time of the St Bartholomew's Day Massacre, from which he escaped by discreetly carrying a Catholic book of hours under his arm. He studied mathematics and history at the court of Henry of Navarre.

A warrior with Henry

On the renewed outbreak of civil war in 1575, he enlisted in the Protestant army. In 1576 he accompanied the Duke of Anjou, younger brother of king Henri III, on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange. Later, rejoining Henry of Navarre in Guyenne, he displayed bravery in the field and particular ability as a military engineer. In 1583 he acted as Henry's special agent in Paris, and during a respite in the Wars of Religion he married an heiress who died five years later.

On the renewal of civil war, Rosny again joined Henry of Navarre, and at the battle of Ivry (1590) he was seriously wounded. He counselled Henry IV's conversion to Roman Catholicism (made official on 25 July 1593) but steadfastly refused to become a Catholic himself. Once Henry IV of France's succession to the throne was secured (c. 1594), the faithful and trusted Rosny received his reward in the shape of numerous estates and dignities.

Sully in power

From 1596, when he was added to Henry's finance commission, Rosny introduced some order into France's economic affairs. Acting as sole Superintendent of Finances at the end of 1601, he authorized the free exportation of grain and wine, reduced legal interest, established a special court to try cases of speculation, forbade provincial governors to raise money on their own authority, and otherwise removed many abuses of tax-collecting. Rosny abolished several offices, and by his honest, rigorous conduct of the country's finances, he was able to save between 1600 and 1610 an average of a million livres a year.

His achievements were not solely financial. In 1599, he was appointed grand commissioner of highways and public works, superintendent of fortifications and grand master of artillery; in 1602, governor of Nantes and of Jargeau, captain-general of the Queen's gens d'armes and governor of the Bastille; in 1604, he was governor of Poitou; and in 1606, made first duke of Sully and a pair de France, ranking next to princes of the blood. He declined the office of constable of France because he would not become a Roman Catholic.

Sully encouraged agriculture, urged the free circulation of produce, promoted stock-raising, forbade the destruction of the forests, drained swamps, built roads and bridges, planned a vast system of canals and actually began the Canal de Briare. He strengthened the French military establishment; under his direction, the construction of a great line of defences on the frontiers began. Abroad, Sully opposed the king's colonial policy as inconsistent with French interests, in opposition to men like Champlain who urged greater colonial efforts in Canada and elsewhere. Neither did Sully show much favor toward industrial pursuits but, on the urgent solicitation of the king, he established a few silk factories. He fought together with Henry IV in Savoy (1600–1601) and negotiated the treaty of peace in 1602; in 1603, he represented Henry at the court of James I of England; and throughout the reign, he helped the king to put down insurrections of the nobles, whether Roman Catholic or Protestant. It was Sully, too, who arranged the marriage between Henry IV and Marie de' Medici.

Fall from power and last years

The political role of Sully effectively ended with the assassination of Henry IV on 14 May 1610. The king was on his way to visit Sully, who lay ill in the Arsenal; his purpose was to make final preparations for imminent military intervention in the disputed succession to Jülich-Cleves-Berg after the death of Duke John William. The intervention on behalf of a Calvinist candidate would have brought the king in conflict with the Catholic Habsburg dynasty.

Although a member of the Queen's council of regency, his colleagues were not inclined to put up with his domineering leadership, and after a stormy debate he resigned as superintendent of finances on 26 January 1611, retiring into private life.

The queen mother gave him 300,000 livres for his long services and confirmed him in possession of his estates. He attended the meeting of the Estates-General in 1614, and on the whole was in sympathy with the policy and government of Richelieu. He disavowed the Blockade of La Rochelle, in 1621, but in the following year was briefly arrested.

The baton of marshal of France was conferred on him on 18 September 1634. The last years of his life were spent chiefly at Villebon, Rosny and his château of Sully. He died at Villebon at the age of 81.

Family

By his first wife, Anne de Courtenay (1564-1589), daughter of François, Lord of Bontin, he had one son, Maximilien, Marquess of Rosny (1587–1634), who led a life of dissipation and debauchery. By his second wife, Rachel de Cochefilet (1566–1659), the widow of François Hurault, Lord of Chateaupers, whom he married in 1592 and who turned Protestant to please him, he had nine children, of whom six died young. Their son François (1598–1678) was created first Duke of Orval. The elder daughter Marguerite (1595–1660) in 1605, married Henri, Duke of Rohan, while the younger Louise in 1620 married Alexandre de Lévis, Marquess of Mirepoix.

His brother, Philippe de Béthune, was sent as ambassador to James VI of Scotland in May 1599. He was given a good welcome and invited to Falkland Palace. He went on a progress with James VI to Inchmurrin and Hamilton Palace, after the king had written to the Laird of Wemyss for the loan of his best hackney horse and saddle.

Accomplishments

Sully was very unpopular because he was a favorite and was seen as selfish, obstinate, and rude. He was hated by most Catholics because he was a Protestant, and by most Protestants because he was faithful to the king. He amassed a large personal fortune, and his jealousy of all other ministers and favorites was extravagant. Nevertheless, he was an excellent man of business, inexorable in punishing malversation and dishonesty on the part of others, and opposed to ruinous court expenditures that was the bane of almost all European monarchies in his day. He was gifted with executive ability, with confidence and resolution, with fondness for work, and above all with deep devotion to his master. He was implicitly trusted by Henry IV and proved himself the most able assistant of the king in dispelling the chaos into which the religious and civil wars had plunged France. After Henry IV, Sully was a major driving force behind the happy transformation in France between 1598 and 1610, in which agriculture and commerce benefitted, and peace and internal order were reestablished.

After the death of Henry IV Sully published, in the deceased king's name, his ‘Grand Design’, a plan to stop the religious wars. His starting point was that the three churches (Catholic, Lutheran and Calvinist) were there to stay. He planned an international organization, consisting of a Europe of 15 more or less equally strong powers, incidentally dissolving the Habsburg empire and thus making France Europe’s strongest state. A balance of power mechanism and a permanent assembly of ambassadors should prevent wars in Europe. Military power would only be needed towards the Muslim Ottoman Empire.

Titles

During his life, Sully inherited or acquired the following titles:

Duke of Sully

Peer of France

Marshal of France

Sovereign Prince of Henrichemont and Boisbelle

Marquess of Rosny

Marquess of Nogent-le-Béthune

Count of Muret

Count of Villebon

Viscount of Meaux

Viscount of Champrond

Baron of Conti

Baron of Caussade

Baron of Montricoux

Baron of Montigny

Baron of Breteuil

Baron of Francastel

Lord of La Falaise

Lord of Las

Lord of Vitray

Lord of Lalleubellouis

Lord of various other places

Works

Sully left a collection of memoirs (Mémoires, otherwise known as the Économies royales, 1638) written in the second person. They are very valuable sources for the history of their time and as an autobiography, in spite of their containing many fictions, such as a mission undertaken by Sully to Queen Elizabeth I of England in 1601. One his most famous works was perhaps the idea of a Europe composed of 15 roughly equal states, under the direction of a "Very Christian Council of Europe", charged with resolving differences and disposing of a common army. This famous "Grand Design", a utopian plan for a Christian republic, is often cited as one of the first grand plans and ancestors for the European Union. Two folio volumes of the memoirs were splendidly printed, nominally at Amsterdam, but really under Sully's own eye, at his château of Sully in 1638; two other volumes appeared posthumously in Paris in 1662.

Legacy

The Pavillon Sully (Pavillon de l'Horloge) of the Palais du Louvre is named in honor of the Duc de Sully.

The Ormeau Sully, an ancient field elm Ulmus minor, reputedly planted by Sully, survives (2016) in the village of Villesequelande near Carcassonne.

Ormeau Sully, Villesequelande

In the independent principality of Boisbelle, which he acquired in 1605, he started construction of a capital at Henrichemont.

Many buildings at Paris, including the Place Royale, the Hopital Saint-Louis and the Arsenal

The Louvre, is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.

The Château de Chenonceau is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.

The estate of Chenonceau is first mentioned in writing in the 11th century. The current château was built in 1514–1522 on the foundations of an old mill and was later extended to span the river. The bridge over the river was built (1556-1559) to designs by the French Renaissance architect Philibert de l'Orme, and the gallery on the bridge, built from 1570 to 1576 to designs by Jean Bullant.

An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, it is the most visited château in France.

The château has been designated as a Monument historique since 1840 by the French Ministry of Culture. Today, Chenonceau is a major tourist attraction and in 2007 received around 800,000 visitors.

In the 13th century, the fief of Chenonceau belonged to the Marques family. The original château was torched in 1412 to punish the owner, Jean Marques, for an act of sedition. He rebuilt a château and fortified mill on the site in the 1430s. Jean Marques' indebted heir Pierre Marques found it necessary to sell.

Thomas Bohier, Chamberlain to King Charles VIII of France, purchased the castle from Pierre Marques in 1513 and demolished most of it (resulting in 2013 being considered the 500th anniversary of the castle: MDXIII–MMXIII), though its 15th-century keep was left standing. Bohier built an entirely new residence between 1515 and 1521. The work was overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.

In 1535 the château was seized from Bohier's son [fr] by King Francis I of France for unpaid debts to the Crown. After Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river.[8] In 1555 she commissioned Philibert de l'Orme to build the arched bridge joining the château to its opposite bank. Diane then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.

Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555 when years of delicate legal manoeuvres finally yielded possession to her.

After King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici forced Diane to exchange it for the Château Chaumont. Queen Catherine then made Chenonceau her own favourite residence, adding a new series of gardens.

As Regent of France, Catherine spent a fortune on the château and on spectacular nighttime parties. In 1560, the first-ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577. Catherine also added rooms between the chapel and the library on the east side of the corps de logis, as well as a service wing on the west side of the entry courtyard.

Catherine considered an even greater expansion of the château, shown in an engraving published by Jacques Androuet du Cerceau in the second (1579) volume of his book Les plus excellents bastiments de France. If this project had been executed, the current château would have been only a small portion of an enormous manor laid out "like pincers around the existing buildings."

On Catherine's death, in January 1589, the château went to her daughter-in-law, Louise of Lorraine, wife of King Henry III. Louise was at Chenonceau when she learned of her husband's assassination, in August 1589, and she fell into a state of depression. Louise spent the next 11 years, until her death in January 1601, wandering aimlessly along the château's corridors dressed in mourning clothes, amidst sombre black tapestries stitched with skulls and crossbones.

Henri IV obtained Chenonceau for his mistress Gabrielle d'Estrées by paying the debts of Catherine de' Medici, which had been inherited by Louise and were threatening to ruin her. In return, Louise left the château to her niece Françoise de Lorraine, at that time six years old and betrothed to the four-year-old César de Bourbon, duc de Vendôme, the natural son of Gabrielle d'Estrées and Henri IV. The château belonged to the Duc de Vendôme and his descendants for more than a hundred years. The Bourbons had little interest in the château, except for hunting. In 1650, Louis XIV was the last king of the ancien régime to visit.

The Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles.

In 1733 the estate was sold for 130,000 livres to a wealthy squire named Claude Dupin. His wife, Louise Dupin, was the natural daughter of the financier Samuel Bernard and the actress Manon Dancourt, whose mother was also an actress who had joined the Comédie Française in 1684. Louise Dupin was "an intelligent, beautiful, and highly cultivated woman who had the theatre in her blood." Claude Dupin, a widower, had a son, Louis Claude, from his first wife Marie-Aurore de Saxe, who was the grandmother of George Sand (born Aurore Dupin).

Louise Dupin's literary salon at Chenonceau attracted such leaders of the Enlightenment as the writers Voltaire, Montesquieu, and Fontenelle, the naturalist Buffon, the playwright Marivaux, the philosopher Condillac, as well as the Marquise de Tencin and the Marquise du Deffand. Jean-Jacques Rousseau was Dupin's secretary and tutored her son. Rousseau, who worked on Émile at Chenonceau, wrote in his Confessions: "We played music there and staged comedies. I wrote a play in verse entitled Sylvie's Path, after the name of a path in the park along the Cher."

The widowed Louise Dupin saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionary Guard because "it was essential to travel and commerce, being the only bridge across the river for many miles."

In 1864 Marguerite Pelouze [fr ], a rich heiress, acquired the château. Around 1875 she commissioned the architect Félix Roguet to restore it. He almost completely renewed the interior and removed several of Catherine de' Medici's additions, including the rooms between the library and the chapel and her alterations to the north facade, among which were figures of Hercules, Pallas, Apollo, and Cybele that were moved to the park. With the money Marguerite spent on these projects and elaborate parties, her finances were depleted, and the château was seized and sold.

José-Emilio Terry, a Cuban millionaire, acquired Chenonceau from Madame Pelouze in 1891. Terry sold it in 1896 to a family member, Francisco Terry. In 1913, the château was acquired by Henri Menier, a member of the Menier family, famous for their chocolates, who still own it to this day.

During World War I Gaston Menier set up the gallery to be used as a hospital ward. During the Second World War, the château was bombed by the Germans in June 1940.[20] It was also a means of escaping from the Nazi-occupied zone on one side of the river Cher to the "free" zone on the opposite bank. Occupied by the Germans, the château was bombed by the Allies on 7 June 1944, when the chapel was hit and its windows destroyed.

In 1951, the Menier family entrusted the château's restoration to Bernard Voisin, who brought the dilapidated structure and the gardens (ravaged in the Cher flood in 1940) back to a reflection of its former glory.

Chenonceaux is a commune in the French department of Indre-et-Loire, and the region of Centre-Val de Loire, France.

It is situated in the valley of the river Cher, a tributary of the Loire, about 26 km (16 mi) east of Tours and on the right bank of the Cher.

The population of permanent residents hovers about 350, but there is a large influx of tourists during the summer months because the village adjoins the former royal Château de Chenonceau, one of the most popular tourist destinations in France. The château is distinctive in being built across the river. The village is also situated in Touraine-Chenonceaux wine-growing area, and bordered on its northern edge by the Forest of Amboise.

Name

The difference in spelling between the Château's name (Chenonceau) and the village (Chenonceaux) is attributed to Louise Dupin de Francueil, owner of the château during the French Revolution, who is said to have dropped the "x" at the end of its name to differentiate what was a symbol of royalty from the Republic. As a result of her good relations with the village, the Château was spared the iconoclastic damage suffered by many other monuments during the Revolution. Although no official sources have been found to support this claim, the Château has ever since been referred to and spelled as Chenonceau.

Mme Dupin hosted the philosopher Jean-Jacques Rousseau in Chenonceau as tutor to her children, and among her descendants was the writer George Sand, born Aurore Dupin.

Philibert de l'Orme (pronounced [filibɛːʁ də lɔʁm]) (3-9 June 1514 – 8 January 1570) was a French architect and writer, and one of the great masters of French Renaissance architecture. His surname is also written De l'Orme, de L'Orme, or Delorme.

Biography

Early career

Philbert de l'Orme was born between 3 and 9 June 1514 in Lyon. His father was Jehan de L'Orme, a master mason and entrepreneur, who, in the 1530s, employed three hundred workers and built prestigious buildings for the elite of the city.[3] When Philibert was nineteen he departed Lyon for Italy, where he remained for three years, working on building projects for Pope Paul III. In Rome he was introduced to Cardinal Jean du Bellay, the Ambassador of King François I to the Vatican, who became his protector and client. Du Bellay was also the patron of his friend Francois Rabelais. In about 1540 de l'Orme moved to Paris, and was soon occupied with royal projects.

Royal architect of Henry II (1548-1559)

On April 3, 1548 he was a named architect of the King by Henry II. For a period of eleven years, he supervised all of the King's architectural projects, with the exception of changes to the Louvre, which were planned by another royal architect, Pierre Lescot. His major projects included the Château de St Maur-des-Fossés, the Château d'Anet, the Château de Chenonceau in the Loire Valley; the royal Château de Madrid in the Bois de Boulogne; the Château de Vincennes, and major modifications to the Palace of Fontainebleau.

He also made a reputation as a writer and theorist, and as an innovator in building techniques. He invented a new system for making the essential wooden frameworks for constructing stone buildings, called charpente à petits bois, which was quicker and less expensive than previous methods and used much less wood. He demonstrated it before the King in 1555, and put it to work in construction at the new royal Château de Montceaux and at the royal hunting lodge La Muette [fr] in the Forest of Saint-Germain-en-Laye.

Out of favor - architectural theorist (1559-1563)

The death of Henry II of France on July 10, 1559 suddenly left him without a patron and at the mercy of rival architects who resented his success and his style. Two days later, on 10 July, he was dismissed from his official posts, and replaced by an Italian artist and architect, Francesco Primaticcio, whose work was much in fashion. He had joined a religious order, and decided to turn his attention to meditation, scholarship and writing. He made another trip to Rome to inspect the new works of Michelangelo. Beginning in 1565 wrote the first volume of a work on architectural theory, which was scientific and philosophical. It was published in 1567, and was followed by new editions after his death in 1576, 1626 and 1648.

Royal architect again (1563-1570)

Under Charles IX and Catherine de Medici, he returned to royal favor. He was employed on the enlargement of the Chateau of Saint Maur (1563) and, along with Jean Bullant, on additions to the Tuileries Palace (1564). He died in Paris in 1570, while this project was underway.

Reputation

In the 17th century, during the period of Louis XIV style that followed his death, his reputation suffered. The grand stairway that he built at the Tuileries Palace was demolished in 1664, as was his Château de Saint-Léger in 1668, to make way for classical structures. In 1683, he was denounced by François Blondel of the Royal Academy for his "villainous Gothic ornaments" and his "petty manner". Nonetheless, his two major theoretical works on construction and design continued to be important textbooks, and were regularly republished and read.

His reputation rose again in the 18th century, through the writings of Dezallier d'Argenville, who wrote in 1787 that he had "abandoned the Gothic covering in order to redress French architecture in the style Ancient Greece." D'Argenville wrote the first biography and catalog of works. Though few of his building survived to be studied carefully, later important academic works on de l'Orme were written in the 19th and 20th centuries by art historians including H. Clouzot and Anthony Blunt.

One of De l'Orme's primary accomplishments was to change the way architects trained and studied. He insisted that architects needed formal education in classical architecture, as well as in geometry and astronomy and the sciences, but also needed practical experience in construction. He himself was an accomplished scholar of ancient Greek and Roman architecture, as well as a humanist scholar. He argued that architects needed to be able to design and manage every aspect of the building, from the volumes to the lambris to adding up the cost, making detailed three-dimensional drawings of vaults, judging if wood was dry enough, and knowing to stop digging the foundation when the first sand was encountered. He had scorn for those architects who could design a facade but had no knowledge actual construction. His opponents scorned him for his background as the son of a masonry contractor. He was referred to by Bernard Palissy as "The god of the stone masons", which deeply offended him.

His other major accomplishment was to resist the tendency to simply copy Italian architectural styles; he traveled and studied in Italy, and borrowed much, but he always added a distinctly French look to each of his projects.

The first major building of de l'Orme was the Château of Saint Maur (1541), built for the Cardinal Jean du Bellay, whom de l'Orme had met during his time in Rome. Its plan showed the influence of the Italian villas; and, like the Italian buildings, it was decorated with frescoes.

Much of his work has disappeared, but his fame remains. He was an ardent humanist and student of the antique, he yet vindicated resolutely the French tradition in opposition to Italian tendencies; he was a man of independent mind and a vigorous originality. His masterpiece was the Château d'Anet (1552–1559), built for Diane de Poitiers, the plans of which are preserved in Jacques Androuet du Cerceau's Plus excellens bastimens de France, though only part of the building remains. His designs for the Tuileries (also given by Androuet du Cerceau), begun by Catherine de' Medici in 1565, were magnificent. His work is also seen at Chenonceau and other famous châteaux; and his tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art.

The most easily viewed work of de l'Orme in Paris is the court facade of the Chateau d'Anet, which was moved to Paris after a major portion of the chateau was demolished, to illustrate for students the major works of the French Renaissance. It is attached to the front wall of the chapel of the Ecole des Beaux-Arts, and is visible from Rue Bonaparte.

Partial list of works

Château de Saint-Maur (1541), demolished in 1796

Tomb of François Ie in the Basilica of Saint-Denis, Paris (1547)

Château d'Anet (1547-1555), built for Diane de Poitiers. Only one wing remains.

Plans of the Chapel of Saint-Éloi, Paris (1550-1566), (Long attributed, but not documented. Only a portion of the facade remains)

Attribution du château d'Acquigny

Facade of the residence of the Vicomte of the Duchy of Uzès (attributed)

Completion of Sainte-Chapelle at the Château de Vincennes (1552)

Château de Villers-Cotterêts, southern portion( 1547-1559)

Chapel of the Château of Villers-Cotterêts (1552-1553)

Royal Château of Saint-Léger-en-Yvelines (demolished)

Château de Meudon (attributed)

Château de Montceaux

Château de Thoiry (1560s)

The bridge upon which the Château de Chenonceau is constructed

Portions of the Louvre

Portions of the new Chateau of Saint-Germain-en-Laye

Portal of Château d'Écouen, now the National Museum of the French Renaissance (mid 16th century). The wing he designed was destroyed in 1787, but vestiges are displayed inside the Chateau.

Roofs of the towers of the Château de Bonnemare.

The Château de La Ferté-Imbault (Loir-et-Cher) is a stately home in the Loire Valley, France. A fortress of the Middle Ages rebuilt during the Renaissance, it is the largest brick château in Sologne, and one of the oldest. It was the family seat of the House of d'Estampes for four centuries.

The seigneurie (lordship) of La Ferté-Imbault was the largest in the south of Sologne, whose lands included the parishes of Salbris, Saint-Genou (now Selles-Saint-Denis), Marcilly, Loreux and Souesmes. It comprised more than one hundred farms spread over tens of thousands of hectares, stretching from Loreux to Souesmes and from Saint-Viâtre to Theillay.

The château is a large "rectangular building, with large and fine windows, and flanked by four towers ; shrubberies and alleys of mature trees lend an air of grandeur and poetry that strikes both the heart and the imagination". Its position "is quite pleasant and joyful, in a place where the Sauldre divides into several channels ... The red turrets of the château rise amid these waters and this greenery, and crown marvellously the rich picture".

Traces of Roman occupation were found on the site of the present château.

The first medieval fortress was built around 980 by Humbold (or Humbault) Le Tortu, Seigneur de Vierzon and son-in-law of Thibault, comte de Blois. The foundations of the two main towers remain to this day, as does the old armoury. The nearby Sauldre feeds the moat. Hervé I, lord at Vierzon, a descendant of Humbold, on his return from the Crusades, had a collegiate church built in honor of Saint Taurinus. This church and the need to supply the fortress favored the emergence of the village of La Ferté-Imbault around it. In 1280 Jeanne de Vierzon, heiress to the lands of La Ferté-Imbault, married Godfrey of Brabant, comte d'Aerschot, son of Henry III, Duke of Brabant and Adelaide of Burgundy, Duchess of Brabant.

Godfrey of Brabant was the brother-in-law of the King of France, Philip III the Bold. His daughter, Alix de Brabant, married Jean III d'Harcourt in 1302. His marriage to the rich heiress Alix de Brabant, which brought him the seigneurie of La Ferté-Imbault, made him a close relative of Henry III, Duke of Brabant and the kings of France, as Alix was also the niece of the queen of France, Marie de Brabant.

The son of Jean III d'Harcourt and Alix de Brabant, Jean IV, first comte d'Harcourt, married Isabeau de Parthenay. Their son Guillaume d'Harcourt was the seigneur of La Ferté-Imbault. From his marriage to Blanche de Bray, Dame de Cernon, he had one daughter, Jeanne d'Harcourt, Dame de La Ferté-Imbault, who married Hugues de Montmorency. Their sons, Louis and Antoine, died at the Battle of Agincourt (1415) and the Battle of Verneuil (1424) respectively. Their sister, Catherine de Montmorency, inherited the vast estate of La Ferté-Imbault after the deaths of her two brothers.

During the Hundred Years' War, the castle and village were taken and destroyed by the troops of Edward the Black Prince. After belonging for several uninterrupted centuries to the dynasty of Humbold Le Tortu, Seigneur of Vierzon, by the alliance of the families of Brabant, Harcourt and Montmorency, the estate was sold by Catherine de Montmorency to Robert II d'Estampes, Seigneur de Valençay, in 1424. Joan of Arc stayed at La Ferté-Imbault on March 4, 1429.

The castle was rebuilt during the Renaissance. Royal power was present nearby in Blois, and Francis I of France came from neighboring Romorantin.

Partially destroyed by a fire in 1562 during the Wars of Religion, the castle was rebuilt and enlarged by the addition of two residential wings and a large outbuilding in the early seventeenth century by Jacques d'Estampes, marquis de Mauny, the richest landlord of the region, and the grandson of Guillaume de Hautemer, the duc de Grancey, better known as the Maréchal de Fervaques. (Stendhal used this name for one of the characters in The Red and the Black). Jacques d'Estampes, head of the House of d'Estampes, was also the first marquis of La Ferté-Imbault. His eldest son was the Seigneur de Salbris.

Born in the reign of Henry IV, the marquis de La Ferté-Imbault died in the reign of Louis XIV, after fighting alongside Louis XIII, whose bust still adorns the former guardhouse of the château. He was ambassador to England from 1641 to 1643, lieutenant-general of Orléanais, Vendômois and Dunois in 1645, and marshal of France in 1651. Louis XIV made him a knight of the Order of the Holy Spirit in 1661. His friendship with Gaston, Duke of Orléans, brother of Louis XIII (Monsieur, the King's brother), was flawless throughout his life; as a lieutenant of the company of gendarmes of the Duc d'Orléans, in 1620 he had a huge outbuilding constructed at the Château de La Ferté-Imbault to accommodate his company. His wife, Catherine-Blanche of Choiseul (whose godfathers were Maximilien de Béthune, Duke of Sully and the Prince of Rohan and whose father was Charles de Choiseul, marquis de Praslin, advisor to Marie de' Medici, one of the most remarkable men of the end of the sixteenth century), was first lady-in-waiting to la Duchesse d'Orléans.

The château had its apogee in the Grand Siècle. The hearts of the Maréchal d'Estampes and his wife, Madame la Marquise d'Estampes de la Ferté-Imbault, remain at La Ferté-Imbault in the chapel of Saint-Taurinus, under an epitaph. A full-length portrait of the Maréchal d'Estampes de La Ferté-Imbault was painted in 1835 by Jean-Léonard Lugardon for King Louis-Philippe. It hangs in the sixth hall of the marshals, in the Musée de l'Histoire de France at the Palace of Versailles.

In the eighteenth century, the Prince Regent, Philippe II, Duke of Orléans renamed the regiment of Chartres-Infantry the La Ferté-Imbault regiment.

In 1743, King Louis XV acquired the marquisate of La Ferte-Imbault for his mistress, Madame de La Tournelle, on whom he wanted to confer a prestigious title in order to present her to the court. Madame de La Tournelle eventually became Duchesse de Châteauroux.

The last marquise de La Ferté-Imbault was Marie-Thérèse Geoffrin d'Estampes, daughter of the illustrious Madame Geoffrin, whose literary salon in the rue Saint-Honoré was famed throughout Europe and as far away as Russia, where the Empress Catherine II wrote to her as a friend. The marquise, whose magnificent portrait by Jean-Marc Nattier is exhibited at the Fuji Art Museum in Tokyo, enjoyed La Ferté for "the freshness of large chestnut trees that extend their shade". Her presence was requested in Versailles; Louis XV asked her to teach philosophy to his granddaughters, the princesses Elisabeth and Clotilde de France (sisters of the Duc de Berry, future Louis XVI), on the recommendation of the governess of the Enfants de France, Marie Louise de Rohan, comtesse de Marsan. She also gave Madame de Marsan scripts for skits performed by the princesses for the Dauphin and the Dauphine Marie Antoinette. Madame de La Ferté-Imbault was invited to the coronation of Louis XVI in Reims on June 11, 1775.

Madame de La Ferté-Imbault was clever, recognized for her culture and moral qualities. A woman of letters, she regularly attended her mother's salon along with most of the great minds of the Enlightenment: Denis Diderot, Voltaire, Bernard Le Bovier de Fontenelle, Montesquieu her tutor, and Jean le Rond d'Alembert. She never remarried despite her early widowhood and several marriage proposals, including one from Stanisław Leszczyński, King of Poland, father of the Queen of France Marie Leszczyńska, who called the marquise "my Imbault".

Queen of the "Sublime Order of Lanturelus", she resisted the intrigues of the court and won the friendship of the royal family (including Madame Elizabeth, who wrote to her, "You must love, said a princess. I go further, for I love you, Imbault, and I defy my critics and my rivals to find anything to say against my tenderness", and Louis Joseph de Bourbon, Prince de Condé, who invited her to Chantilly and always sought her advice, help and consolation) courtiers and favorites like the Marquise de Pompadour, who was her friend.

In the French Revolution the House of d'Estampes fell, and the Château de La Ferté-Imbault lost influence. The surrounding village was annexed to the neighboring town of Selles-Saint-Denis. The two wings of the château were torn down. The marquis de Pierrecourt, son of Sophie d'Estampes, owner of the château, was imprisoned during the Reign of Terror but later released. He sold the estate in 1807 to the Comte de Belmont, whose widow sold it in 1819 to the comtesse de Grandeffe, Marie-Louise de Poix.

In May 1824, a rich English family, the Lee-Kirbys from Leeds, acquired the estate of La Ferté-Imbault and moved into the château. They modernized local agriculture by adopting English innovations (forage plants and improving crops, such as clover and alfalfa) in their many farms, spread over 5,000 hectares. This foreign family was unappreciated in the village. In the Revolution of 1830, the people of La Ferté-Imbault invaded the château armed with pitchforks and spades, and sought to lynch the fleeing owner. The Protestant family's forceful proselytism led to serious opposition in the village community throughout the nineteenth century, as in 1868 during the construction of the new parish church of Saint-Taurinus, built in front of the main entrance to the château.[5] When William Lee died in 1853, his nephew and niece inherited the estate of La Ferté-Imbault and the estate was divided into two parts, the Sauldre forming the boundary. Mary-Ann Kirby received the château and part of the farms on 3,500 hectares, while Edward Howarth, her brother, received other farms and the area of La Place on the right bank of the river (on which a new château was built between 1880 and 1883), for a total surface of 1,500 hectares.

The village regained its administrative independence in 1860 but faced financial problems. The former collegiate church near the château was destroyed.

The château, whose land was significantly reduced after 1872 to a little over 1,100 hectares, was bought by the Comte Fresson. His niece, Marie Say, one of the richest heiresses of France and owner of the Château de Chaumont-sur-Loire, married Prince Amédée de Broglie, then Louis-Ferdinand d'Orléans-Bourbon, Infante of Spain. Many trips were undertaken between the two châteaux. The park, of about 50 hectares, was surrounded at that time by a brick wall.

The Château de la Ferté-Imbault, sold in 1900 to Dr. Georges Bouilly, then to Henry-René Bertrand, was seized by the Kommandantur on June 17, 1940, and saw four years of German occupation. The building suffered extensive damage in a bombing raid on May 8, 1944.

In August 1960, a "sound and light" show tracing its millennial history was organized in the castle with the voices of actors Madeleine Sologne and André Le Gall.[7] It has since been sold to new private owners but is open to visitors during the summer.

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The Château de Chenonceau is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.

The estate of Chenonceau is first mentioned in writing in the 11th century. The current château was built in 1514–1522 on the foundations of an old mill and was later extended to span the river. The bridge over the river was built (1556-1559) to designs by the French Renaissance architect Philibert de l'Orme, and the gallery on the bridge, built from 1570 to 1576 to designs by Jean Bullant.

An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, it is the most visited château in France.

The château has been designated as a Monument historique since 1840 by the French Ministry of Culture. Today, Chenonceau is a major tourist attraction and in 2007 received around 800,000 visitors.

In the 13th century, the fief of Chenonceau belonged to the Marques family. The original château was torched in 1412 to punish the owner, Jean Marques, for an act of sedition. He rebuilt a château and fortified mill on the site in the 1430s. Jean Marques' indebted heir Pierre Marques found it necessary to sell.

Thomas Bohier, Chamberlain to King Charles VIII of France, purchased the castle from Pierre Marques in 1513 and demolished most of it (resulting in 2013 being considered the 500th anniversary of the castle: MDXIII–MMXIII), though its 15th-century keep was left standing. Bohier built an entirely new residence between 1515 and 1521. The work was overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.

In 1535 the château was seized from Bohier's son [fr] by King Francis I of France for unpaid debts to the Crown. After Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river.[8] In 1555 she commissioned Philibert de l'Orme to build the arched bridge joining the château to its opposite bank. Diane then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.

Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555 when years of delicate legal manoeuvres finally yielded possession to her.

After King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici forced Diane to exchange it for the Château Chaumont. Queen Catherine then made Chenonceau her own favourite residence, adding a new series of gardens.

As Regent of France, Catherine spent a fortune on the château and on spectacular nighttime parties. In 1560, the first-ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577. Catherine also added rooms between the chapel and the library on the east side of the corps de logis, as well as a service wing on the west side of the entry courtyard.

Catherine considered an even greater expansion of the château, shown in an engraving published by Jacques Androuet du Cerceau in the second (1579) volume of his book Les plus excellents bastiments de France. If this project had been executed, the current château would have been only a small portion of an enormous manor laid out "like pincers around the existing buildings."

On Catherine's death, in January 1589, the château went to her daughter-in-law, Louise of Lorraine, wife of King Henry III. Louise was at Chenonceau when she learned of her husband's assassination, in August 1589, and she fell into a state of depression. Louise spent the next 11 years, until her death in January 1601, wandering aimlessly along the château's corridors dressed in mourning clothes, amidst sombre black tapestries stitched with skulls and crossbones.

Henri IV obtained Chenonceau for his mistress Gabrielle d'Estrées by paying the debts of Catherine de' Medici, which had been inherited by Louise and were threatening to ruin her. In return, Louise left the château to her niece Françoise de Lorraine, at that time six years old and betrothed to the four-year-old César de Bourbon, duc de Vendôme, the natural son of Gabrielle d'Estrées and Henri IV. The château belonged to the Duc de Vendôme and his descendants for more than a hundred years. The Bourbons had little interest in the château, except for hunting. In 1650, Louis XIV was the last king of the ancien régime to visit.

The Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles.

In 1733 the estate was sold for 130,000 livres to a wealthy squire named Claude Dupin. His wife, Louise Dupin, was the natural daughter of the financier Samuel Bernard and the actress Manon Dancourt, whose mother was also an actress who had joined the Comédie Française in 1684. Louise Dupin was "an intelligent, beautiful, and highly cultivated woman who had the theatre in her blood." Claude Dupin, a widower, had a son, Louis Claude, from his first wife Marie-Aurore de Saxe, who was the grandmother of George Sand (born Aurore Dupin).

Louise Dupin's literary salon at Chenonceau attracted such leaders of the Enlightenment as the writers Voltaire, Montesquieu, and Fontenelle, the naturalist Buffon, the playwright Marivaux, the philosopher Condillac, as well as the Marquise de Tencin and the Marquise du Deffand. Jean-Jacques Rousseau was Dupin's secretary and tutored her son. Rousseau, who worked on Émile at Chenonceau, wrote in his Confessions: "We played music there and staged comedies. I wrote a play in verse entitled Sylvie's Path, after the name of a path in the park along the Cher."

The widowed Louise Dupin saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionary Guard because "it was essential to travel and commerce, being the only bridge across the river for many miles."

In 1864 Marguerite Pelouze [fr ], a rich heiress, acquired the château. Around 1875 she commissioned the architect Félix Roguet to restore it. He almost completely renewed the interior and removed several of Catherine de' Medici's additions, including the rooms between the library and the chapel and her alterations to the north facade, among which were figures of Hercules, Pallas, Apollo, and Cybele that were moved to the park. With the money Marguerite spent on these projects and elaborate parties, her finances were depleted, and the château was seized and sold.

José-Emilio Terry, a Cuban millionaire, acquired Chenonceau from Madame Pelouze in 1891. Terry sold it in 1896 to a family member, Francisco Terry. In 1913, the château was acquired by Henri Menier, a member of the Menier family, famous for their chocolates, who still own it to this day.

During World War I Gaston Menier set up the gallery to be used as a hospital ward. During the Second World War, the château was bombed by the Germans in June 1940.[20] It was also a means of escaping from the Nazi-occupied zone on one side of the river Cher to the "free" zone on the opposite bank. Occupied by the Germans, the château was bombed by the Allies on 7 June 1944, when the chapel was hit and its windows destroyed.

In 1951, the Menier family entrusted the château's restoration to Bernard Voisin, who brought the dilapidated structure and the gardens (ravaged in the Cher flood in 1940) back to a reflection of its former glory.

Chenonceaux is a commune in the French department of Indre-et-Loire, and the region of Centre-Val de Loire, France.

It is situated in the valley of the river Cher, a tributary of the Loire, about 26 km (16 mi) east of Tours and on the right bank of the Cher.

The population of permanent residents hovers about 350, but there is a large influx of tourists during the summer months because the village adjoins the former royal Château de Chenonceau, one of the most popular tourist destinations in France. The château is distinctive in being built across the river. The village is also situated in Touraine-Chenonceaux wine-growing area, and bordered on its northern edge by the Forest of Amboise.

Name

The difference in spelling between the Château's name (Chenonceau) and the village (Chenonceaux) is attributed to Louise Dupin de Francueil, owner of the château during the French Revolution, who is said to have dropped the "x" at the end of its name to differentiate what was a symbol of royalty from the Republic. As a result of her good relations with the village, the Château was spared the iconoclastic damage suffered by many other monuments during the Revolution. Although no official sources have been found to support this claim, the Château has ever since been referred to and spelled as Chenonceau.

Mme Dupin hosted the philosopher Jean-Jacques Rousseau in Chenonceau as tutor to her children, and among her descendants was the writer George Sand, born Aurore Dupin.

Philibert de l'Orme (pronounced [filibɛːʁ də lɔʁm]) (3-9 June 1514 – 8 January 1570) was a French architect and writer, and one of the great masters of French Renaissance architecture. His surname is also written De l'Orme, de L'Orme, or Delorme.

Biography

Early career

Philbert de l'Orme was born between 3 and 9 June 1514 in Lyon. His father was Jehan de L'Orme, a master mason and entrepreneur, who, in the 1530s, employed three hundred workers and built prestigious buildings for the elite of the city.[3] When Philibert was nineteen he departed Lyon for Italy, where he remained for three years, working on building projects for Pope Paul III. In Rome he was introduced to Cardinal Jean du Bellay, the Ambassador of King François I to the Vatican, who became his protector and client. Du Bellay was also the patron of his friend Francois Rabelais. In about 1540 de l'Orme moved to Paris, and was soon occupied with royal projects.

Royal architect of Henry II (1548-1559)

On April 3, 1548 he was a named architect of the King by Henry II. For a period of eleven years, he supervised all of the King's architectural projects, with the exception of changes to the Louvre, which were planned by another royal architect, Pierre Lescot. His major projects included the Château de St Maur-des-Fossés, the Château d'Anet, the Château de Chenonceau in the Loire Valley; the royal Château de Madrid in the Bois de Boulogne; the Château de Vincennes, and major modifications to the Palace of Fontainebleau.

He also made a reputation as a writer and theorist, and as an innovator in building techniques. He invented a new system for making the essential wooden frameworks for constructing stone buildings, called charpente à petits bois, which was quicker and less expensive than previous methods and used much less wood. He demonstrated it before the King in 1555, and put it to work in construction at the new royal Château de Montceaux and at the royal hunting lodge La Muette [fr] in the Forest of Saint-Germain-en-Laye.

Out of favor - architectural theorist (1559-1563)

The death of Henry II of France on July 10, 1559 suddenly left him without a patron and at the mercy of rival architects who resented his success and his style. Two days later, on 10 July, he was dismissed from his official posts, and replaced by an Italian artist and architect, Francesco Primaticcio, whose work was much in fashion. He had joined a religious order, and decided to turn his attention to meditation, scholarship and writing. He made another trip to Rome to inspect the new works of Michelangelo. Beginning in 1565 wrote the first volume of a work on architectural theory, which was scientific and philosophical. It was published in 1567, and was followed by new editions after his death in 1576, 1626 and 1648.

Royal architect again (1563-1570)

Under Charles IX and Catherine de Medici, he returned to royal favor. He was employed on the enlargement of the Chateau of Saint Maur (1563) and, along with Jean Bullant, on additions to the Tuileries Palace (1564). He died in Paris in 1570, while this project was underway.

Reputation

In the 17th century, during the period of Louis XIV style that followed his death, his reputation suffered. The grand stairway that he built at the Tuileries Palace was demolished in 1664, as was his Château de Saint-Léger in 1668, to make way for classical structures. In 1683, he was denounced by François Blondel of the Royal Academy for his "villainous Gothic ornaments" and his "petty manner". Nonetheless, his two major theoretical works on construction and design continued to be important textbooks, and were regularly republished and read.

His reputation rose again in the 18th century, through the writings of Dezallier d'Argenville, who wrote in 1787 that he had "abandoned the Gothic covering in order to redress French architecture in the style Ancient Greece." D'Argenville wrote the first biography and catalog of works. Though few of his building survived to be studied carefully, later important academic works on de l'Orme were written in the 19th and 20th centuries by art historians including H. Clouzot and Anthony Blunt.

One of De l'Orme's primary accomplishments was to change the way architects trained and studied. He insisted that architects needed formal education in classical architecture, as well as in geometry and astronomy and the sciences, but also needed practical experience in construction. He himself was an accomplished scholar of ancient Greek and Roman architecture, as well as a humanist scholar. He argued that architects needed to be able to design and manage every aspect of the building, from the volumes to the lambris to adding up the cost, making detailed three-dimensional drawings of vaults, judging if wood was dry enough, and knowing to stop digging the foundation when the first sand was encountered. He had scorn for those architects who could design a facade but had no knowledge actual construction. His opponents scorned him for his background as the son of a masonry contractor. He was referred to by Bernard Palissy as "The god of the stone masons", which deeply offended him.

His other major accomplishment was to resist the tendency to simply copy Italian architectural styles; he traveled and studied in Italy, and borrowed much, but he always added a distinctly French look to each of his projects.

The first major building of de l'Orme was the Château of Saint Maur (1541), built for the Cardinal Jean du Bellay, whom de l'Orme had met during his time in Rome. Its plan showed the influence of the Italian villas; and, like the Italian buildings, it was decorated with frescoes.

Much of his work has disappeared, but his fame remains. He was an ardent humanist and student of the antique, he yet vindicated resolutely the French tradition in opposition to Italian tendencies; he was a man of independent mind and a vigorous originality. His masterpiece was the Château d'Anet (1552–1559), built for Diane de Poitiers, the plans of which are preserved in Jacques Androuet du Cerceau's Plus excellens bastimens de France, though only part of the building remains. His designs for the Tuileries (also given by Androuet du Cerceau), begun by Catherine de' Medici in 1565, were magnificent. His work is also seen at Chenonceau and other famous châteaux; and his tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art.

The most easily viewed work of de l'Orme in Paris is the court facade of the Chateau d'Anet, which was moved to Paris after a major portion of the chateau was demolished, to illustrate for students the major works of the French Renaissance. It is attached to the front wall of the chapel of the Ecole des Beaux-Arts, and is visible from Rue Bonaparte.

Partial list of works

Château de Saint-Maur (1541), demolished in 1796

Tomb of François Ie in the Basilica of Saint-Denis, Paris (1547)

Château d'Anet (1547-1555), built for Diane de Poitiers. Only one wing remains.

Plans of the Chapel of Saint-Éloi, Paris (1550-1566), (Long attributed, but not documented. Only a portion of the facade remains)

Attribution du château d'Acquigny

Facade of the residence of the Vicomte of the Duchy of Uzès (attributed)

Completion of Sainte-Chapelle at the Château de Vincennes (1552)

Château de Villers-Cotterêts, southern portion( 1547-1559)

Chapel of the Château of Villers-Cotterêts (1552-1553)

Royal Château of Saint-Léger-en-Yvelines (demolished)

Château de Meudon (attributed)

Château de Montceaux

Château de Thoiry (1560s)

The bridge upon which the Château de Chenonceau is constructed

Portions of the Louvre

Portions of the new Chateau of Saint-Germain-en-Laye

Portal of Château d'Écouen, now the National Museum of the French Renaissance (mid 16th century). The wing he designed was destroyed in 1787, but vestiges are displayed inside the Chateau.

Roofs of the towers of the Château de Bonnemare.

The Château de Chamerolles is a French Renaissance castle located in Chilleurs -aux-Bois , in the Loiret department in the Center Val de Loire region .

It has been classified as a historical monument since 1927 and registered since 1988 2 .

It is part of the castles of the Loire .

Geography

The castle is located along the road to Gallerand ( departmental road 109 linking the towns of Chilleurs-aux-Bois to Courcy-aux-Loges ), 2.5 km south-east of the town of Chilleurs-aux-Bois ( canton de Pithiviers ), about thirty kilometers northeast of Orléans .

The building is built on the Cours de l' Œuf , at an altitude of 120 m , in the natural region of the Orléans forest .

The GR32-655 East long-distance hiking trail runs along the castle grounds.

The town of Chilleurs-aux-Bois is served by line 20A of the Ulys coach network .

Access No. 7 of the A19 motorway is located 6 km north of the castle.

History

The castle was built around 1530 by Lancelot I du Lac, chamberlain of the King of France Louis XII then bailiff of Orléans under the reign of King François I , on the site of an old fortified house. It retained the traditional form of medieval fortresses but was designed as a residential castle.

In the 16th century , under Lancelot II ( grandson of Lancelot I ) who rallied to Protestantism in 1562 , Chamerolles distinguished itself by housing a Protestant temple in one of its rooms. The castle became a high place of the Protestant religion in the region. In 1672 , Chamerolles belonged to Jacques Saumery, brother-in-law of Jean-Baptiste Colbert , minister of King Louis XIV . He is governor of the royal castle of Chambord and of the county of Blois , marshal of the king's armies and grand master of the Waters and Forests of Île-de-France.

In the 18th century , in 1774 , the castle became the property of the Lamberts , then that of Gaston Jessé-Curély in 1924. Occupied, ransacked and stripped during the Second World War , it was put up for sale in 1970 . In 1976 , the City of Paris found itself in charge of Chamerolles. Abandoned, the castle fell into ruins.

After all these adventures, it is therefore a ruin in very poor condition that the general council of Loiret bought in 1987 . After five years of work, the castle and its gardens were opened to visitors in 1992 . Restoration 3 was carried out by the architect of historical monuments Jacques Moulin . Refurnished in order to restore the atmosphere at the time of its inhabitants, a museum of perfumes is installed in the south wing. The castle hosts a set of unique pieces and objects testifying to the history of perfume and hygiene over the centuries. The museography around the perfume was entrusted to Didier Moulin.

The plan is classic: the castle forms a quadrilateral with a large cylindrical tower at each corner. It has four levels and an imposing gatehouse on the east side, flanked by two turrets pierced with gunboats. The whole is surrounded by moats .

The construction is in Beauce limestone coated with lime (entrance gatehouse, south wing and exterior facade of the north wing, north-east and south-east towers) and brick (north-west and south-west towers, west wing, gallery of the south wing and interior façade of the north wing). The facades made of a mesh of red and black bricks are typical of the natural region of the Loire Valley .

The roofs are covered with slate.

The west wing housed the stately home during the Renaissance . The main courtyard is closed on three sides and there is a well with a very beautiful dome and a Renaissance gallery.

The elevation of the courtyard of the castle, dating from the 1530s, was taken up in the 17th and 18th centuries, without profoundly changing its character 3 .

The chapel has preserved original paintings. A restoration in 1991 revealed elements linked to the Protestant occupation, in the form of two texts painted on the wall, taking up the Credo and the Decalogue of the Geneva Bible of 1588 3 .

Next to the chateau, just behind the moat on the east side, are gardens created by Jacques Moulin, during the restoration of the chateau, in the style of French Renaissance gardens, at the end of the 16th century . A park crossed by a river is located on the south side.

The old hall of Bellegarde , dating from the 17th century , was dismantled, restored and then installed within the walls of the castle . It was inaugurated onSeptember 18 , 2009as part of the exhibition “At the origins of the Loiret, from prehistory to the A19

The châteaux of the Loire Valley (French: châteaux de la Loire) are part of the architectural heritage of the historic towns of Amboise, Angers, Blois, Chinon, Montsoreau, Orléans, Saumur, and Tours along the river Loire in France. They illustrate Renaissance ideals of design in France.

The châteaux of the Loire Valley number over three hundred, ranging from practical fortified castles from the 10th century to splendid residences built half a millennium later. When the French kings began constructing their huge châteaux in the Loire Valley, the nobility, drawn to the seat of power, followed suit, attracting the finest architects and landscape designers. The châteaux and their surrounding gardens are cultural monuments which embody the ideals of the Renaissance and Enlightenment. Many of the châteaux were built on hilltops, such as the Château d'Amboise, while the only one built in the riverbed is the Château de Montsoreau. Many had exquisite churches on the grounds or within the château.

History

With the Hundred Years' War concluded, Charles VII, Louis XI, and their successors preferred to spend the bulk of their time in the "garden of France" along the banks of the Loire. In the late 15th century Tours, then Blois, and later Amboise became the preferred locations of the French royal court. Many courtiers bought dilapidated castles built by the medieval Counts of Blois and of Anjou, and they had them reconstructed in the latest Italianate fashion. Leonardo da Vinci and other Italian artists arrived to design and beautify these residences.

In the 16th century, Francis I moved his main residence back to the Louvre, in Paris. With him went the great architects, but the Loire Valley continued to be the place where French royalty preferred to spend their time when not in the capital. Toward the end of the 17th century, Louis XIV made the Île-de-France the permanent locale for great royal residences when he built the Palace of Versailles. Nonetheless, those who gained the king's favour, as well as the wealthy bourgeoisie, continued to renovate existing châteaux or build lavish new ones in the Loire Valley as summer residences.

The French Revolution saw a number of the great châteaux destroyed and many ransacked, their treasures stolen. The overnight impoverishment of many French noble families, usually after one of their members lost his or her head to the guillotine, saw many châteaux demolished. During World War I and World War II, various chateaux were commandeered as military headquarters. Some of these continued to be so used after the end of World War II.

Today, the remaining privately owned châteaux serve as homes and some of them open their doors to tourists, while others operate as hotels or bed-and-breakfasts. Many others have been taken over by local governments, and the grandest, like those at Chambord, are owned and operated by the national government and are major tourist sites, attracting hundreds of thousands of visitors each year.

List of châteaux of the Loire

Though there may be no universally accepted definition for the designation, the main criterion is that the château must be situated close to the Loire or one of its tributaries (such as the Maine, Cher, Indre, Creuse or Loir). Châteaux further upstream than Gien are generally not included, with the possible exception of the Bastie d'Urfé for its historical significance.

Chilleurs-aux-Bois (French pronunciation: is a commune in the Loiret department in north-central France.

Historical population

YearPop.±% p.a.

19681,091—

19751,160+0.88%

19821,432+3.06%

19901,471+0.34%

19991,703+1.64%

20071,898+1.36%

20121,850−0.51%

20171,992+1.49%

The Château de Chenonceau is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.

The estate of Chenonceau is first mentioned in writing in the 11th century. The current château was built in 1514–1522 on the foundations of an old mill and was later extended to span the river. The bridge over the river was built (1556-1559) to designs by the French Renaissance architect Philibert de l'Orme, and the gallery on the bridge, built from 1570 to 1576 to designs by Jean Bullant.

An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, it is the most visited château in France.

The château has been designated as a Monument historique since 1840 by the French Ministry of Culture. Today, Chenonceau is a major tourist attraction and in 2007 received around 800,000 visitors.

In the 13th century, the fief of Chenonceau belonged to the Marques family. The original château was torched in 1412 to punish the owner, Jean Marques, for an act of sedition. He rebuilt a château and fortified mill on the site in the 1430s. Jean Marques' indebted heir Pierre Marques found it necessary to sell.

Thomas Bohier, Chamberlain to King Charles VIII of France, purchased the castle from Pierre Marques in 1513 and demolished most of it (resulting in 2013 being considered the 500th anniversary of the castle: MDXIII–MMXIII), though its 15th-century keep was left standing. Bohier built an entirely new residence between 1515 and 1521. The work was overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.

In 1535 the château was seized from Bohier's son [fr] by King Francis I of France for unpaid debts to the Crown. After Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river.[8] In 1555 she commissioned Philibert de l'Orme to build the arched bridge joining the château to its opposite bank. Diane then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.

Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555 when years of delicate legal manoeuvres finally yielded possession to her.

After King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici forced Diane to exchange it for the Château Chaumont. Queen Catherine then made Chenonceau her own favourite residence, adding a new series of gardens.

As Regent of France, Catherine spent a fortune on the château and on spectacular nighttime parties. In 1560, the first-ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577. Catherine also added rooms between the chapel and the library on the east side of the corps de logis, as well as a service wing on the west side of the entry courtyard.

Catherine considered an even greater expansion of the château, shown in an engraving published by Jacques Androuet du Cerceau in the second (1579) volume of his book Les plus excellents bastiments de France. If this project had been executed, the current château would have been only a small portion of an enormous manor laid out "like pincers around the existing buildings."

On Catherine's death, in January 1589, the château went to her daughter-in-law, Louise of Lorraine, wife of King Henry III. Louise was at Chenonceau when she learned of her husband's assassination, in August 1589, and she fell into a state of depression. Louise spent the next 11 years, until her death in January 1601, wandering aimlessly along the château's corridors dressed in mourning clothes, amidst sombre black tapestries stitched with skulls and crossbones.

Henri IV obtained Chenonceau for his mistress Gabrielle d'Estrées by paying the debts of Catherine de' Medici, which had been inherited by Louise and were threatening to ruin her. In return, Louise left the château to her niece Françoise de Lorraine, at that time six years old and betrothed to the four-year-old César de Bourbon, duc de Vendôme, the natural son of Gabrielle d'Estrées and Henri IV. The château belonged to the Duc de Vendôme and his descendants for more than a hundred years. The Bourbons had little interest in the château, except for hunting. In 1650, Louis XIV was the last king of the ancien régime to visit.

The Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles.

In 1733 the estate was sold for 130,000 livres to a wealthy squire named Claude Dupin. His wife, Louise Dupin, was the natural daughter of the financier Samuel Bernard and the actress Manon Dancourt, whose mother was also an actress who had joined the Comédie Française in 1684. Louise Dupin was "an intelligent, beautiful, and highly cultivated woman who had the theatre in her blood." Claude Dupin, a widower, had a son, Louis Claude, from his first wife Marie-Aurore de Saxe, who was the grandmother of George Sand (born Aurore Dupin).

Louise Dupin's literary salon at Chenonceau attracted such leaders of the Enlightenment as the writers Voltaire, Montesquieu, and Fontenelle, the naturalist Buffon, the playwright Marivaux, the philosopher Condillac, as well as the Marquise de Tencin and the Marquise du Deffand. Jean-Jacques Rousseau was Dupin's secretary and tutored her son. Rousseau, who worked on Émile at Chenonceau, wrote in his Confessions: "We played music there and staged comedies. I wrote a play in verse entitled Sylvie's Path, after the name of a path in the park along the Cher."

The widowed Louise Dupin saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionary Guard because "it was essential to travel and commerce, being the only bridge across the river for many miles."

In 1864 Marguerite Pelouze [fr ], a rich heiress, acquired the château. Around 1875 she commissioned the architect Félix Roguet to restore it. He almost completely renewed the interior and removed several of Catherine de' Medici's additions, including the rooms between the library and the chapel and her alterations to the north facade, among which were figures of Hercules, Pallas, Apollo, and Cybele that were moved to the park. With the money Marguerite spent on these projects and elaborate parties, her finances were depleted, and the château was seized and sold.

José-Emilio Terry, a Cuban millionaire, acquired Chenonceau from Madame Pelouze in 1891. Terry sold it in 1896 to a family member, Francisco Terry. In 1913, the château was acquired by Henri Menier, a member of the Menier family, famous for their chocolates, who still own it to this day.

During World War I Gaston Menier set up the gallery to be used as a hospital ward. During the Second World War, the château was bombed by the Germans in June 1940.[20] It was also a means of escaping from the Nazi-occupied zone on one side of the river Cher to the "free" zone on the opposite bank. Occupied by the Germans, the château was bombed by the Allies on 7 June 1944, when the chapel was hit and its windows destroyed.

In 1951, the Menier family entrusted the château's restoration to Bernard Voisin, who brought the dilapidated structure and the gardens (ravaged in the Cher flood in 1940) back to a reflection of its former glory.

Chenonceaux is a commune in the French department of Indre-et-Loire, and the region of Centre-Val de Loire, France.

It is situated in the valley of the river Cher, a tributary of the Loire, about 26 km (16 mi) east of Tours and on the right bank of the Cher.

The population of permanent residents hovers about 350, but there is a large influx of tourists during the summer months because the village adjoins the former royal Château de Chenonceau, one of the most popular tourist destinations in France. The château is distinctive in being built across the river. The village is also situated in Touraine-Chenonceaux wine-growing area, and bordered on its northern edge by the Forest of Amboise.

Name

The difference in spelling between the Château's name (Chenonceau) and the village (Chenonceaux) is attributed to Louise Dupin de Francueil, owner of the château during the French Revolution, who is said to have dropped the "x" at the end of its name to differentiate what was a symbol of royalty from the Republic. As a result of her good relations with the village, the Château was spared the iconoclastic damage suffered by many other monuments during the Revolution. Although no official sources have been found to support this claim, the Château has ever since been referred to and spelled as Chenonceau.

Mme Dupin hosted the philosopher Jean-Jacques Rousseau in Chenonceau as tutor to her children, and among her descendants was the writer George Sand, born Aurore Dupin.

Philibert de l'Orme (pronounced [filibɛːʁ də lɔʁm]) (3-9 June 1514 – 8 January 1570) was a French architect and writer, and one of the great masters of French Renaissance architecture. His surname is also written De l'Orme, de L'Orme, or Delorme.

Biography

Early career

Philbert de l'Orme was born between 3 and 9 June 1514 in Lyon. His father was Jehan de L'Orme, a master mason and entrepreneur, who, in the 1530s, employed three hundred workers and built prestigious buildings for the elite of the city.[3] When Philibert was nineteen he departed Lyon for Italy, where he remained for three years, working on building projects for Pope Paul III. In Rome he was introduced to Cardinal Jean du Bellay, the Ambassador of King François I to the Vatican, who became his protector and client. Du Bellay was also the patron of his friend Francois Rabelais. In about 1540 de l'Orme moved to Paris, and was soon occupied with royal projects.

Royal architect of Henry II (1548-1559)

On April 3, 1548 he was a named architect of the King by Henry II. For a period of eleven years, he supervised all of the King's architectural projects, with the exception of changes to the Louvre, which were planned by another royal architect, Pierre Lescot. His major projects included the Château de St Maur-des-Fossés, the Château d'Anet, the Château de Chenonceau in the Loire Valley; the royal Château de Madrid in the Bois de Boulogne; the Château de Vincennes, and major modifications to the Palace of Fontainebleau.

He also made a reputation as a writer and theorist, and as an innovator in building techniques. He invented a new system for making the essential wooden frameworks for constructing stone buildings, called charpente à petits bois, which was quicker and less expensive than previous methods and used much less wood. He demonstrated it before the King in 1555, and put it to work in construction at the new royal Château de Montceaux and at the royal hunting lodge La Muette [fr] in the Forest of Saint-Germain-en-Laye.

Out of favor - architectural theorist (1559-1563)

The death of Henry II of France on July 10, 1559 suddenly left him without a patron and at the mercy of rival architects who resented his success and his style. Two days later, on 10 July, he was dismissed from his official posts, and replaced by an Italian artist and architect, Francesco Primaticcio, whose work was much in fashion. He had joined a religious order, and decided to turn his attention to meditation, scholarship and writing. He made another trip to Rome to inspect the new works of Michelangelo. Beginning in 1565 wrote the first volume of a work on architectural theory, which was scientific and philosophical. It was published in 1567, and was followed by new editions after his death in 1576, 1626 and 1648.

Royal architect again (1563-1570)

Under Charles IX and Catherine de Medici, he returned to royal favor. He was employed on the enlargement of the Chateau of Saint Maur (1563) and, along with Jean Bullant, on additions to the Tuileries Palace (1564). He died in Paris in 1570, while this project was underway.

Reputation

In the 17th century, during the period of Louis XIV style that followed his death, his reputation suffered. The grand stairway that he built at the Tuileries Palace was demolished in 1664, as was his Château de Saint-Léger in 1668, to make way for classical structures. In 1683, he was denounced by François Blondel of the Royal Academy for his "villainous Gothic ornaments" and his "petty manner". Nonetheless, his two major theoretical works on construction and design continued to be important textbooks, and were regularly republished and read.

His reputation rose again in the 18th century, through the writings of Dezallier d'Argenville, who wrote in 1787 that he had "abandoned the Gothic covering in order to redress French architecture in the style Ancient Greece." D'Argenville wrote the first biography and catalog of works. Though few of his building survived to be studied carefully, later important academic works on de l'Orme were written in the 19th and 20th centuries by art historians including H. Clouzot and Anthony Blunt.

One of De l'Orme's primary accomplishments was to change the way architects trained and studied. He insisted that architects needed formal education in classical architecture, as well as in geometry and astronomy and the sciences, but also needed practical experience in construction. He himself was an accomplished scholar of ancient Greek and Roman architecture, as well as a humanist scholar. He argued that architects needed to be able to design and manage every aspect of the building, from the volumes to the lambris to adding up the cost, making detailed three-dimensional drawings of vaults, judging if wood was dry enough, and knowing to stop digging the foundation when the first sand was encountered. He had scorn for those architects who could design a facade but had no knowledge actual construction. His opponents scorned him for his background as the son of a masonry contractor. He was referred to by Bernard Palissy as "The god of the stone masons", which deeply offended him.

His other major accomplishment was to resist the tendency to simply copy Italian architectural styles; he traveled and studied in Italy, and borrowed much, but he always added a distinctly French look to each of his projects.

The first major building of de l'Orme was the Château of Saint Maur (1541), built for the Cardinal Jean du Bellay, whom de l'Orme had met during his time in Rome. Its plan showed the influence of the Italian villas; and, like the Italian buildings, it was decorated with frescoes.

Much of his work has disappeared, but his fame remains. He was an ardent humanist and student of the antique, he yet vindicated resolutely the French tradition in opposition to Italian tendencies; he was a man of independent mind and a vigorous originality. His masterpiece was the Château d'Anet (1552–1559), built for Diane de Poitiers, the plans of which are preserved in Jacques Androuet du Cerceau's Plus excellens bastimens de France, though only part of the building remains. His designs for the Tuileries (also given by Androuet du Cerceau), begun by Catherine de' Medici in 1565, were magnificent. His work is also seen at Chenonceau and other famous châteaux; and his tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art.

The most easily viewed work of de l'Orme in Paris is the court facade of the Chateau d'Anet, which was moved to Paris after a major portion of the chateau was demolished, to illustrate for students the major works of the French Renaissance. It is attached to the front wall of the chapel of the Ecole des Beaux-Arts, and is visible from Rue Bonaparte.

Partial list of works

Château de Saint-Maur (1541), demolished in 1796

Tomb of François Ie in the Basilica of Saint-Denis, Paris (1547)

Château d'Anet (1547-1555), built for Diane de Poitiers. Only one wing remains.

Plans of the Chapel of Saint-Éloi, Paris (1550-1566), (Long attributed, but not documented. Only a portion of the facade remains)

Attribution du château d'Acquigny

Facade of the residence of the Vicomte of the Duchy of Uzès (attributed)

Completion of Sainte-Chapelle at the Château de Vincennes (1552)

Château de Villers-Cotterêts, southern portion( 1547-1559)

Chapel of the Château of Villers-Cotterêts (1552-1553)

Royal Château of Saint-Léger-en-Yvelines (demolished)

Château de Meudon (attributed)

Château de Montceaux

Château de Thoiry (1560s)

The bridge upon which the Château de Chenonceau is constructed

Portions of the Louvre

Portions of the new Chateau of Saint-Germain-en-Laye

Portal of Château d'Écouen, now the National Museum of the French Renaissance (mid 16th century). The wing he designed was destroyed in 1787, but vestiges are displayed inside the Chateau.

Roofs of the towers of the Château de Bonnemare.

Dampierre-en-Burly is a commune in the Loiret department in north-central France.

Equidistant between the national forest of Orléans to the north and the Loire to the south, the village of Dampierre en Burly extends over 4,755 hectares, more than half of which is woods, ponds and moors.

Close to Gien and its train station, the town also benefits from the proximity of the A77 motorway which allows a quick connection with Paris.

A magnificent flowered village , the town has important facilities including a multi-purpose hall with 1000 seats, a summer / winter swimming pool, a cultural and sports space (gymnasium, performance hall, meeting room, etc.). It also has a privileged natural setting made up of numerous ponds that walkers can discover by following the marked hiking trails. From an economic point of view, the activity zone as well as the horticultural zone offer businesses the opportunity to set up in the town under the best conditions.

In addition, the Departmental Flowering Committee rewarded the municipality

for its investment and landscaping improvement (cleanliness, revegetation of public spaces with trees and shrubs and perennials, respect for fauna and flora) of a 3rd flower.

DAMPIERRE IS NOW PART OF THE LOIR'ETAPE LABEL

LOIR'ETAPE, A LABEL FOR WHAT?

Get off the main roads and discover charming villages in the French countryside.

The opportunity to discover small villages well equipped with tourist services and shops useful for your stay.

The Loir'Etape label guarantees the quality of your break during your journey, stay or journey. The opportunity to explore the French countryside through a walk in the heart of a Loiret village, a stroll in a garden or a museum, a bistronomic lunch or even a night on site.

An alternative solution to the more impersonal “rest and service areas” of busy roads and chain establishments...

Loiret is a department in the Centre-Val de Loire region of north-central France. It takes its name from the river Loiret, which is contained wholly within the department. In 2019, Loiret had a population of 680,434.

Its prefecture is Orléans, which is about 110 km (68 mi) southwest of Paris. As well as being the regional prefecture, it is a historic city on the banks of the Loire. It has a large central area with many historic buildings and mansions. Orléans Cathedral, dating back to the 13th century, was rebuilt after Protestant forces destroyed it in 1568. Loiret has two subprefectures, in Montargis and Pithiviers. It is famous for its several châteaux.

History

Loiret is one of the original 83 departments that was created during the French Revolution on March 4, 1790, by order of the National Constituent Assembly. The new departments were to be uniformly administered and approximately equal to one another in size and population. It was created from the former province of Orléanais which was too large to continue in its previous form.

The Loire Valley was occupied in Palaeolithic times as attested by numerous archaeological sites in the department. The Celts were here, bringing crafts and trades, and the Romans occupied the area after the Gallic Wars. They built roads and founded cities such as Cenabum, on the site of present-day Orléans, and Sceaux-du-Gâtinais. Around 451, the Huns invaded the region but were repelled before reaching Cenabum. The Franks reached the Loire and Clovis I reigned in the area. A time of peace and prosperity ensued during the reign of Charlemagne.

Geography

The department of Loiret was historically in the province of Orléans in north central France, and along with the departments of Loir-et-Cher and Eure-et-Loir now forms the region Centre-Val de Loire. To the north of Loiret lie the departments of Eure-et-Loir, Essonne and Seine-et-Marne, to the east lies Yonne, to the southeast Nièvre, to the south Cher, and to the west Loir-et-Cher.

The department consists of mostly flat low-lying land through which flows the river Loire. This river enters the department near Châtillon-sur-Loire in the southeast, flows northwestwards to Orleans where it turns to flow south west, leaving the department near Beaugency. The Canal d'Orléans connects the Loire at Orléans to a junction with the Canal du Loing and the Canal de Briare in the village of Buges near Montargis. The Loire and these canals formed important trading routes before the arrival of the railways. The river Loiret, after which the department is named, is 12 km (7 mi) long and joins the Loire southwest of Orléans. Its source is at Orléans-la-Source, and its mouth at Saint-Hilaire-Saint-Mesmin. Other rivers in the department, are the Loing, a right-bank tributary of the Loire, and the Ouanne which flows into the Loing.

The department has a total area of 6,757 km2 (2,609 sq mi) and is 119 km (74 mi) from west to east and 77 km (48 mi) from north to south. Large parts of the land are used for agriculture, and these are separated by low wooded hills and some forested areas. The northwestern part of the department is in the wheat-growing region known as Beauce, an undulating plateau with some of France's best agricultural land. This area was popular with the French aristocracy in the Middle Ages and the Renaissance period, and there are many historic châteaux in the department including Château d'Augerville, Château de Bellegarde, Château de Gien, Château du Hallier, Château de Meung-sur-Loire, Château de Sully-sur-Loire and Château de Trousse-Barrière.

The part of the department south of the Loire is known as the Sologne and is an area of heathland and marshland, interspersed by hills where vines are grown. The eastern part of the department is known as Gâtinais and was part of a province of that name. Until the beginning of the 21st century, it used to be renowned for the production of saffron, but the crop could not be mechanised, and production dwindled as the cost of production became too high.

Le Passe-Muraille in Rue Norvins

Le Passe-Muraille, or “The Man Who Walks Through Walls,” stands as a large bronze sculpture, capturing the essence of a man seemingly ensnared halfway within a stone barrier. Nestled within a secluded car park on rue Norvins in Montmartre, this remarkable artwork was brought to life by the talented French actor and sculptor Jean Marais in 1989.

Marais crafted this sculpture as a homage to Marcel Aymé, the beloved French novelist, screenwriter, and playwright.

Within Aymé’s narrative, the central character, Mr. Dutilleul, also known as Le Passe-Muraille, leads a modest existence as a clerk toiling away in a dimly lit government office.

However, Dutilleul’s life takes an extraordinary turn when he uncovers a remarkable ability: the power to pass effortlessly through solid walls!

Empowered by this newfound gift, Dutilleul embarks on a quest for retribution against the colleagues and superiors who have wronged him in his mundane workplace.

Undeterred by barriers, he exploits his extraordinary talent until fate intervenes, leaving him suspended within a stone wall, his body divided between two realms. With only his head, right arm, left leg, and left hand protruding from the stone, the sculpture symbolizes the profound repercussions of his once-extraordinary ability.

Marcel Aymé, the author of Le Passe-Muraille

Marcel Aymé’s ties to Paris are noteworthy, despite not being a native of the city.

He indeed spent the majority of his life dwelling on rue Norvins, with Montmartre providing the scenic backdrop for many of his literary works.

The placement of the Le Passe-Muraille statue in front of his former abode serves as a poignant tribute to his enduring literary legacy.

For those seeking to delve deeper into Aymé’s world, a visit to his final resting place at the quaint St Vincent cemetery is a must.

Exploring Le Passe-Muraille sculpture will lead you on a captivating journey away from the bustling crowds of Place du Tertre. Instead, you’ll meander through the enchanting gardens, quaint country houses, and tranquil alleyways of Montmartre’s picturesque village, immersing yourself in the charm that inspired Aymé’s imagination.

The Château de Sully-sur-Loire (French pronunciation: [ʃɑto də syli syʁ lwaʁ]; English: Castle of Sully-sur-Loire) is a castle, converted to a palatial seigneurial residence, situated in the commune of Sully-sur-Loire, Centre-Val de Loire, France.

The château was the seat of the Duke de Sully, King Henry IV of France's minister Maximilien de Béthune (1560–1641), and the later dukes of Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded.

The Chateau of Sully Sur Loire sits on the south side at a natural fording point of the Loire, at the confluence of the Loire and the River Sange. Set into the river north of the southern fording point were 3 grouped islands that were only submerged in the worst Loire floods.[1] It is on these three islands that the Chateau of Sully was built. The Northwestern island is now taken up with the main keep, the ditch that ran between it and the southwestern island is now filled in. This southwestern island holds the Inner Courtyard with defence towers, galleries and later residences. The Outer Courtyard, taking up the Eastern island has been regularised and, although now empty, it held various buildings over history. The dikes that surround the Chateau and town have been built in an attempt to limit flood damage, the chateau was originally open to the Loire. North of the crossing, the village of Saint Père sits on a small mound; to the south, another knoll carries the former parish church of Saint Germain, both sitting high enough to protect them from floods. The Church of Saint Germain is the base site of the port and village of Sully, controlling the crossroads of several routes.

There is no evidence of Roman or Gallic habitation at this point but at Bonnie, a short distance north are the remains of an important Gallo-Romanesque settlement. Later there is mention of a fording point during the Viking incursions in the 9th century. At the same time there are references to the Lords of Sully. The first references in documentation defines a "castrum soliacense" in 1102, the description indicating a building and family holding a certain status. The fortress at Sully being their most northern holding. Others were located around Solonge and Berry.

A widely documented incident in 1218, regarding the excessive levee of taxes by the Lord resulted in the King Philip Augustus seizing the lordship and constructed a cylindrical keep in the Outer Courtyard directly in front of the Lords keep (where the main keep still stands). This was a common strategy of the king. The Lord of Sully had to pay restitution to his suzerain, the Bishop of Orleans and recompense the king for the price of the Tower before he could regain his title. The Keep also had its own moat and defences and joined the church of Saint Ythier in the Outer Courtyard that had been built in the 11th C. along with other undefined abbey and domestic buildings.

Orléans Cathedral (French: Basilique Cathédrale Sainte-Croix d'Orléans) is a Roman Catholic church located in the city of Orléans, France. The cathedral is the seat of the Bishop of Orléans.

It was originally built from 1278 to 1329. It was partially destroyed in 1568 by the Huguenots during the French Wars of Religion, but was rebuilt between 1601 and 1829. The edifice is in the Gothic architectural style.

During the Siege of Orléans, the cathedral was visited frequently by Joan of Arc. The cathedral's stained glass windows now depict the story of Joan's actions that contributed to the lifting of the siege.

The Château de Chamerolles is a French Renaissance castle located in Chilleurs -aux-Bois , in the Loiret department in the Center Val de Loire region .

It has been classified as a historical monument since 1927 and registered since 1988 2 .

It is part of the castles of the Loire .

Geography

The castle is located along the road to Gallerand ( departmental road 109 linking the towns of Chilleurs-aux-Bois to Courcy-aux-Loges ), 2.5 km south-east of the town of Chilleurs-aux-Bois ( canton de Pithiviers ), about thirty kilometers northeast of Orléans .

The building is built on the Cours de l' Œuf , at an altitude of 120 m , in the natural region of the Orléans forest .

The GR32-655 East long-distance hiking trail runs along the castle grounds.

The town of Chilleurs-aux-Bois is served by line 20A of the Ulys coach network .

Access No. 7 of the A19 motorway is located 6 km north of the castle.

History

The castle was built around 1530 by Lancelot I du Lac, chamberlain of the King of France Louis XII then bailiff of Orléans under the reign of King François I , on the site of an old fortified house. It retained the traditional form of medieval fortresses but was designed as a residential castle.

In the 16th century , under Lancelot II ( grandson of Lancelot I ) who rallied to Protestantism in 1562 , Chamerolles distinguished itself by housing a Protestant temple in one of its rooms. The castle became a high place of the Protestant religion in the region. In 1672 , Chamerolles belonged to Jacques Saumery, brother-in-law of Jean-Baptiste Colbert , minister of King Louis XIV . He is governor of the royal castle of Chambord and of the county of Blois , marshal of the king's armies and grand master of the Waters and Forests of Île-de-France.

In the 18th century , in 1774 , the castle became the property of the Lamberts , then that of Gaston Jessé-Curély in 1924. Occupied, ransacked and stripped during the Second World War , it was put up for sale in 1970 . In 1976 , the City of Paris found itself in charge of Chamerolles. Abandoned, the castle fell into ruins.

After all these adventures, it is therefore a ruin in very poor condition that the general council of Loiret bought in 1987 . After five years of work, the castle and its gardens were opened to visitors in 1992 . Restoration 3 was carried out by the architect of historical monuments Jacques Moulin . Refurnished in order to restore the atmosphere at the time of its inhabitants, a museum of perfumes is installed in the south wing. The castle hosts a set of unique pieces and objects testifying to the history of perfume and hygiene over the centuries. The museography around the perfume was entrusted to Didier Moulin.

The plan is classic: the castle forms a quadrilateral with a large cylindrical tower at each corner. It has four levels and an imposing gatehouse on the east side, flanked by two turrets pierced with gunboats. The whole is surrounded by moats .

The construction is in Beauce limestone coated with lime (entrance gatehouse, south wing and exterior facade of the north wing, north-east and south-east towers) and brick (north-west and south-west towers, west wing, gallery of the south wing and interior façade of the north wing). The facades made of a mesh of red and black bricks are typical of the natural region of the Loire Valley .

The roofs are covered with slate.

The west wing housed the stately home during the Renaissance . The main courtyard is closed on three sides and there is a well with a very beautiful dome and a Renaissance gallery.

The elevation of the courtyard of the castle, dating from the 1530s, was taken up in the 17th and 18th centuries, without profoundly changing its character 3 .

The chapel has preserved original paintings. A restoration in 1991 revealed elements linked to the Protestant occupation, in the form of two texts painted on the wall, taking up the Credo and the Decalogue of the Geneva Bible of 1588 3 .

Next to the chateau, just behind the moat on the east side, are gardens created by Jacques Moulin, during the restoration of the chateau, in the style of French Renaissance gardens, at the end of the 16th century . A park crossed by a river is located on the south side.

The old hall of Bellegarde , dating from the 17th century , was dismantled, restored and then installed within the walls of the castle . It was inaugurated onSeptember 18 , 2009as part of the exhibition “At the origins of the Loiret, from prehistory to the A19

The châteaux of the Loire Valley (French: châteaux de la Loire) are part of the architectural heritage of the historic towns of Amboise, Angers, Blois, Chinon, Montsoreau, Orléans, Saumur, and Tours along the river Loire in France. They illustrate Renaissance ideals of design in France.

The châteaux of the Loire Valley number over three hundred, ranging from practical fortified castles from the 10th century to splendid residences built half a millennium later. When the French kings began constructing their huge châteaux in the Loire Valley, the nobility, drawn to the seat of power, followed suit, attracting the finest architects and landscape designers. The châteaux and their surrounding gardens are cultural monuments which embody the ideals of the Renaissance and Enlightenment. Many of the châteaux were built on hilltops, such as the Château d'Amboise, while the only one built in the riverbed is the Château de Montsoreau. Many had exquisite churches on the grounds or within the château.

History

With the Hundred Years' War concluded, Charles VII, Louis XI, and their successors preferred to spend the bulk of their time in the "garden of France" along the banks of the Loire. In the late 15th century Tours, then Blois, and later Amboise became the preferred locations of the French royal court. Many courtiers bought dilapidated castles built by the medieval Counts of Blois and of Anjou, and they had them reconstructed in the latest Italianate fashion. Leonardo da Vinci and other Italian artists arrived to design and beautify these residences.

In the 16th century, Francis I moved his main residence back to the Louvre, in Paris. With him went the great architects, but the Loire Valley continued to be the place where French royalty preferred to spend their time when not in the capital. Toward the end of the 17th century, Louis XIV made the Île-de-France the permanent locale for great royal residences when he built the Palace of Versailles. Nonetheless, those who gained the king's favour, as well as the wealthy bourgeoisie, continued to renovate existing châteaux or build lavish new ones in the Loire Valley as summer residences.

The French Revolution saw a number of the great châteaux destroyed and many ransacked, their treasures stolen. The overnight impoverishment of many French noble families, usually after one of their members lost his or her head to the guillotine, saw many châteaux demolished. During World War I and World War II, various chateaux were commandeered as military headquarters. Some of these continued to be so used after the end of World War II.

Today, the remaining privately owned châteaux serve as homes and some of them open their doors to tourists, while others operate as hotels or bed-and-breakfasts. Many others have been taken over by local governments, and the grandest, like those at Chambord, are owned and operated by the national government and are major tourist sites, attracting hundreds of thousands of visitors each year.

List of châteaux of the Loire

Though there may be no universally accepted definition for the designation, the main criterion is that the château must be situated close to the Loire or one of its tributaries (such as the Maine, Cher, Indre, Creuse or Loir). Châteaux further upstream than Gien are generally not included, with the possible exception of the Bastie d'Urfé for its historical significance.

Chilleurs-aux-Bois (French pronunciation: is a commune in the Loiret department in north-central France.

Historical population

YearPop.±% p.a.

19681,091—

19751,160+0.88%

19821,432+3.06%

19901,471+0.34%

19991,703+1.64%

20071,898+1.36%

20121,850−0.51%

20171,992+1.49%

The Bois de Boulogne is a large public park that is the western half of the 16th arrondissement of Paris, near the suburb of Boulogne-Billancourt and Neuilly-sur-Seine. The land was ceded to the city of Paris by the Emperor Napoleon III to be turned into a public park in 1852.

It is the second-largest park in Paris, slightly smaller than the Bois de Vincennes on the eastern side of the city. It covers an area of 845 hectares (2088 acres), which is about two and a half times the area of Central Park in New York, slightly larger than Phoenix Park in Dublin, and slightly smaller than Richmond Park in London.

Within the boundaries of the Bois de Boulogne are an English landscape garden with several lakes and a cascade; two smaller botanical and landscape gardens, the Château de Bagatelle and the Pré-Catelan; a zoo and amusement park in the Jardin d'Acclimatation; GoodPlanet Foundation's Domaine de Longchamp dedicated to ecology and humanism, The Jardin des Serres d'Auteuil, a complex of greenhouses holding a hundred thousand plants; two tracks for horse racing, the Hippodrome de Longchamp and the Auteuil Hippodrome; the Stade Roland Garros where the French Open tennis tournament is held each year, the Louis Vuitton Foundation art museum and cultural center,[4] and other attractions.

Beaugency is a commune in the Loiret department, Centre-Val de Loire, north-central France. It is located on the Loire river, upriver (northeast) from Blois and downriver from Orléans.

Aaron ben Joseph of Beaugency and Eliezer of Beaugency were Bible commentators and rabbinical scholars, who flourished in the twelfth century in the city.

Lords of Beaugency

The lords of Beaugency attained considerable importance in the 11th, 12th and 13th centuries; at the end of the 13th century they sold the fiefdom to the Crown. They were responsible for building Château de Beaugency, which as originally a wooden structure, later replaced with a stone one by Lancelin I de Beaugency, the first lord of Beaugency. The massive original keep is today a ruined shell, surrounded by a mansion built later on in the 14th century.

The family that became the lords or Seigneurs of Beaugency started with Landry sore. His son Lancelin I established the family as the Seigneurs and accordingly they took the last name 'de Beaugency' (of Beaugency) which was a common practise among the nobility.

Lancelin I replaced the wooden castle with a stone one.

Jean de la Flèche, a younger son of Lancelin I de Beaugency, was born at the castle and later succeeded his father as the second lord of La Flèche. He was also granted lands in Yorkshire, England by William the Conqueror and some of his decedents settled there and became the Fletcher family. He Married Paula of Maine and they were father to Elias I, Count of Maine, grandfather to King Henry II of England.

Between 1067-1069 Lancelin II succeeds his father as the second lord of Beaugency. In 1080 he goes on a pilgrimage to Rome and his son, Ralph ruled the lordship of Beaugency in his absence.

In 1091 the third lord of Beaugency is Ralph I (1065-1130) who took part in the First Crusade as a retainer in the forces of Stephen, Count of Blois, (father of Stephen, King of England) who he was listed as 'one of his best men'. Ralph became known for his bravery in defending an important gate during the siege of Antioch in the Spring of 1098. He returned from Crusade in 1101 and marries Mathilda of Vermandois, daughter of Hugh the Great, Count of Vermandois and niece to the king of France.

Following this union, the Beaugency lords adopted a coat-of-arms similar to that of the Count of Vermandois - Chequy or and azure, a fesse gules (very similar to the de Clifford family) and 3 white Plate Roundels. This practice was also carried out by other prominent noble families linked to Vermandois, including Ralph I's brother in laws Robert de Beaumont, 1st Earl of Leicester and afterwards William de Warenne, 2nd Earl of Surrey on their marriage to his wife's younger sister, Elizabeth of Vermandois, Countess of Leicester. The Arms used by the de Warenne Earl of Surrey are quartered and are still used by their relations, the Dukes of Norfolk. The arms of the Earl's of Surrey are still used as the Flag of the English county of Surry.

11 March 1152 the council of Beaugency annulled the marriage between Eleanor of Aquitaine and Louis VII at Notre-Dame de Beaugency.

Sailing ships in harbour at Saint-Malo France

Sailing ships in harbour at Saint-Malo France

Sailing ships in harbour at Saint-Malo France

The Château de Chenonceau is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.

The estate of Chenonceau is first mentioned in writing in the 11th century. The current château was built in 1514–1522 on the foundations of an old mill and was later extended to span the river. The bridge over the river was built (1556-1559) to designs by the French Renaissance architect Philibert de l'Orme, and the gallery on the bridge, built from 1570 to 1576 to designs by Jean Bullant.

An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, it is the most visited château in France.

The château has been designated as a Monument historique since 1840 by the French Ministry of Culture. Today, Chenonceau is a major tourist attraction and in 2007 received around 800,000 visitors.

In the 13th century, the fief of Chenonceau belonged to the Marques family. The original château was torched in 1412 to punish the owner, Jean Marques, for an act of sedition. He rebuilt a château and fortified mill on the site in the 1430s. Jean Marques' indebted heir Pierre Marques found it necessary to sell.

Thomas Bohier, Chamberlain to King Charles VIII of France, purchased the castle from Pierre Marques in 1513 and demolished most of it (resulting in 2013 being considered the 500th anniversary of the castle: MDXIII–MMXIII), though its 15th-century keep was left standing. Bohier built an entirely new residence between 1515 and 1521. The work was overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.

In 1535 the château was seized from Bohier's son [fr] by King Francis I of France for unpaid debts to the Crown. After Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river.[8] In 1555 she commissioned Philibert de l'Orme to build the arched bridge joining the château to its opposite bank. Diane then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.

Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555 when years of delicate legal manoeuvres finally yielded possession to her.

After King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici forced Diane to exchange it for the Château Chaumont. Queen Catherine then made Chenonceau her own favourite residence, adding a new series of gardens.

As Regent of France, Catherine spent a fortune on the château and on spectacular nighttime parties. In 1560, the first-ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577. Catherine also added rooms between the chapel and the library on the east side of the corps de logis, as well as a service wing on the west side of the entry courtyard.

Catherine considered an even greater expansion of the château, shown in an engraving published by Jacques Androuet du Cerceau in the second (1579) volume of his book Les plus excellents bastiments de France. If this project had been executed, the current château would have been only a small portion of an enormous manor laid out "like pincers around the existing buildings."

On Catherine's death, in January 1589, the château went to her daughter-in-law, Louise of Lorraine, wife of King Henry III. Louise was at Chenonceau when she learned of her husband's assassination, in August 1589, and she fell into a state of depression. Louise spent the next 11 years, until her death in January 1601, wandering aimlessly along the château's corridors dressed in mourning clothes, amidst sombre black tapestries stitched with skulls and crossbones.

Henri IV obtained Chenonceau for his mistress Gabrielle d'Estrées by paying the debts of Catherine de' Medici, which had been inherited by Louise and were threatening to ruin her. In return, Louise left the château to her niece Françoise de Lorraine, at that time six years old and betrothed to the four-year-old César de Bourbon, duc de Vendôme, the natural son of Gabrielle d'Estrées and Henri IV. The château belonged to the Duc de Vendôme and his descendants for more than a hundred years. The Bourbons had little interest in the château, except for hunting. In 1650, Louis XIV was the last king of the ancien régime to visit.

The Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles.

In 1733 the estate was sold for 130,000 livres to a wealthy squire named Claude Dupin. His wife, Louise Dupin, was the natural daughter of the financier Samuel Bernard and the actress Manon Dancourt, whose mother was also an actress who had joined the Comédie Française in 1684. Louise Dupin was "an intelligent, beautiful, and highly cultivated woman who had the theatre in her blood." Claude Dupin, a widower, had a son, Louis Claude, from his first wife Marie-Aurore de Saxe, who was the grandmother of George Sand (born Aurore Dupin).

Louise Dupin's literary salon at Chenonceau attracted such leaders of the Enlightenment as the writers Voltaire, Montesquieu, and Fontenelle, the naturalist Buffon, the playwright Marivaux, the philosopher Condillac, as well as the Marquise de Tencin and the Marquise du Deffand. Jean-Jacques Rousseau was Dupin's secretary and tutored her son. Rousseau, who worked on Émile at Chenonceau, wrote in his Confessions: "We played music there and staged comedies. I wrote a play in verse entitled Sylvie's Path, after the name of a path in the park along the Cher."

The widowed Louise Dupin saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionary Guard because "it was essential to travel and commerce, being the only bridge across the river for many miles."

In 1864 Marguerite Pelouze [fr ], a rich heiress, acquired the château. Around 1875 she commissioned the architect Félix Roguet to restore it. He almost completely renewed the interior and removed several of Catherine de' Medici's additions, including the rooms between the library and the chapel and her alterations to the north facade, among which were figures of Hercules, Pallas, Apollo, and Cybele that were moved to the park. With the money Marguerite spent on these projects and elaborate parties, her finances were depleted, and the château was seized and sold.

José-Emilio Terry, a Cuban millionaire, acquired Chenonceau from Madame Pelouze in 1891. Terry sold it in 1896 to a family member, Francisco Terry. In 1913, the château was acquired by Henri Menier, a member of the Menier family, famous for their chocolates, who still own it to this day.

During World War I Gaston Menier set up the gallery to be used as a hospital ward. During the Second World War, the château was bombed by the Germans in June 1940.[20] It was also a means of escaping from the Nazi-occupied zone on one side of the river Cher to the "free" zone on the opposite bank. Occupied by the Germans, the château was bombed by the Allies on 7 June 1944, when the chapel was hit and its windows destroyed.

In 1951, the Menier family entrusted the château's restoration to Bernard Voisin, who brought the dilapidated structure and the gardens (ravaged in the Cher flood in 1940) back to a reflection of its former glory.

Chenonceaux is a commune in the French department of Indre-et-Loire, and the region of Centre-Val de Loire, France.

It is situated in the valley of the river Cher, a tributary of the Loire, about 26 km (16 mi) east of Tours and on the right bank of the Cher.

The population of permanent residents hovers about 350, but there is a large influx of tourists during the summer months because the village adjoins the former royal Château de Chenonceau, one of the most popular tourist destinations in France. The château is distinctive in being built across the river. The village is also situated in Touraine-Chenonceaux wine-growing area, and bordered on its northern edge by the Forest of Amboise.

Name

The difference in spelling between the Château's name (Chenonceau) and the village (Chenonceaux) is attributed to Louise Dupin de Francueil, owner of the château during the French Revolution, who is said to have dropped the "x" at the end of its name to differentiate what was a symbol of royalty from the Republic. As a result of her good relations with the village, the Château was spared the iconoclastic damage suffered by many other monuments during the Revolution. Although no official sources have been found to support this claim, the Château has ever since been referred to and spelled as Chenonceau.

Mme Dupin hosted the philosopher Jean-Jacques Rousseau in Chenonceau as tutor to her children, and among her descendants was the writer George Sand, born Aurore Dupin.

Philibert de l'Orme (pronounced [filibɛːʁ də lɔʁm]) (3-9 June 1514 – 8 January 1570) was a French architect and writer, and one of the great masters of French Renaissance architecture. His surname is also written De l'Orme, de L'Orme, or Delorme.

Biography

Early career

Philbert de l'Orme was born between 3 and 9 June 1514 in Lyon. His father was Jehan de L'Orme, a master mason and entrepreneur, who, in the 1530s, employed three hundred workers and built prestigious buildings for the elite of the city.[3] When Philibert was nineteen he departed Lyon for Italy, where he remained for three years, working on building projects for Pope Paul III. In Rome he was introduced to Cardinal Jean du Bellay, the Ambassador of King François I to the Vatican, who became his protector and client. Du Bellay was also the patron of his friend Francois Rabelais. In about 1540 de l'Orme moved to Paris, and was soon occupied with royal projects.

Royal architect of Henry II (1548-1559)

On April 3, 1548 he was a named architect of the King by Henry II. For a period of eleven years, he supervised all of the King's architectural projects, with the exception of changes to the Louvre, which were planned by another royal architect, Pierre Lescot. His major projects included the Château de St Maur-des-Fossés, the Château d'Anet, the Château de Chenonceau in the Loire Valley; the royal Château de Madrid in the Bois de Boulogne; the Château de Vincennes, and major modifications to the Palace of Fontainebleau.

He also made a reputation as a writer and theorist, and as an innovator in building techniques. He invented a new system for making the essential wooden frameworks for constructing stone buildings, called charpente à petits bois, which was quicker and less expensive than previous methods and used much less wood. He demonstrated it before the King in 1555, and put it to work in construction at the new royal Château de Montceaux and at the royal hunting lodge La Muette [fr] in the Forest of Saint-Germain-en-Laye.

Out of favor - architectural theorist (1559-1563)

The death of Henry II of France on July 10, 1559 suddenly left him without a patron and at the mercy of rival architects who resented his success and his style. Two days later, on 10 July, he was dismissed from his official posts, and replaced by an Italian artist and architect, Francesco Primaticcio, whose work was much in fashion. He had joined a religious order, and decided to turn his attention to meditation, scholarship and writing. He made another trip to Rome to inspect the new works of Michelangelo. Beginning in 1565 wrote the first volume of a work on architectural theory, which was scientific and philosophical. It was published in 1567, and was followed by new editions after his death in 1576, 1626 and 1648.

Royal architect again (1563-1570)

Under Charles IX and Catherine de Medici, he returned to royal favor. He was employed on the enlargement of the Chateau of Saint Maur (1563) and, along with Jean Bullant, on additions to the Tuileries Palace (1564). He died in Paris in 1570, while this project was underway.

Reputation

In the 17th century, during the period of Louis XIV style that followed his death, his reputation suffered. The grand stairway that he built at the Tuileries Palace was demolished in 1664, as was his Château de Saint-Léger in 1668, to make way for classical structures. In 1683, he was denounced by François Blondel of the Royal Academy for his "villainous Gothic ornaments" and his "petty manner". Nonetheless, his two major theoretical works on construction and design continued to be important textbooks, and were regularly republished and read.

His reputation rose again in the 18th century, through the writings of Dezallier d'Argenville, who wrote in 1787 that he had "abandoned the Gothic covering in order to redress French architecture in the style Ancient Greece." D'Argenville wrote the first biography and catalog of works. Though few of his building survived to be studied carefully, later important academic works on de l'Orme were written in the 19th and 20th centuries by art historians including H. Clouzot and Anthony Blunt.

One of De l'Orme's primary accomplishments was to change the way architects trained and studied. He insisted that architects needed formal education in classical architecture, as well as in geometry and astronomy and the sciences, but also needed practical experience in construction. He himself was an accomplished scholar of ancient Greek and Roman architecture, as well as a humanist scholar. He argued that architects needed to be able to design and manage every aspect of the building, from the volumes to the lambris to adding up the cost, making detailed three-dimensional drawings of vaults, judging if wood was dry enough, and knowing to stop digging the foundation when the first sand was encountered. He had scorn for those architects who could design a facade but had no knowledge actual construction. His opponents scorned him for his background as the son of a masonry contractor. He was referred to by Bernard Palissy as "The god of the stone masons", which deeply offended him.

His other major accomplishment was to resist the tendency to simply copy Italian architectural styles; he traveled and studied in Italy, and borrowed much, but he always added a distinctly French look to each of his projects.

The first major building of de l'Orme was the Château of Saint Maur (1541), built for the Cardinal Jean du Bellay, whom de l'Orme had met during his time in Rome. Its plan showed the influence of the Italian villas; and, like the Italian buildings, it was decorated with frescoes.

Much of his work has disappeared, but his fame remains. He was an ardent humanist and student of the antique, he yet vindicated resolutely the French tradition in opposition to Italian tendencies; he was a man of independent mind and a vigorous originality. His masterpiece was the Château d'Anet (1552–1559), built for Diane de Poitiers, the plans of which are preserved in Jacques Androuet du Cerceau's Plus excellens bastimens de France, though only part of the building remains. His designs for the Tuileries (also given by Androuet du Cerceau), begun by Catherine de' Medici in 1565, were magnificent. His work is also seen at Chenonceau and other famous châteaux; and his tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art.

The most easily viewed work of de l'Orme in Paris is the court facade of the Chateau d'Anet, which was moved to Paris after a major portion of the chateau was demolished, to illustrate for students the major works of the French Renaissance. It is attached to the front wall of the chapel of the Ecole des Beaux-Arts, and is visible from Rue Bonaparte.

Partial list of works

Château de Saint-Maur (1541), demolished in 1796

Tomb of François Ie in the Basilica of Saint-Denis, Paris (1547)

Château d'Anet (1547-1555), built for Diane de Poitiers. Only one wing remains.

Plans of the Chapel of Saint-Éloi, Paris (1550-1566), (Long attributed, but not documented. Only a portion of the facade remains)

Attribution du château d'Acquigny

Facade of the residence of the Vicomte of the Duchy of Uzès (attributed)

Completion of Sainte-Chapelle at the Château de Vincennes (1552)

Château de Villers-Cotterêts, southern portion( 1547-1559)

Chapel of the Château of Villers-Cotterêts (1552-1553)

Royal Château of Saint-Léger-en-Yvelines (demolished)

Château de Meudon (attributed)

Château de Montceaux

Château de Thoiry (1560s)

The bridge upon which the Château de Chenonceau is constructed

Portions of the Louvre

Portions of the new Chateau of Saint-Germain-en-Laye

Portal of Château d'Écouen, now the National Museum of the French Renaissance (mid 16th century). The wing he designed was destroyed in 1787, but vestiges are displayed inside the Chateau.

Roofs of the towers of the Château de Bonnemare.

The beautiful medieval town of Dinan in Brittany France.

Chaumont-sur-Loire, commonly known as Chaumont, is a commune and town in the Loir-et-Cher department and the administrative region of Centre-Val de Loire, France, known for its historical defensive walls and its castle.

Château de Chaumont-sur-Loire

The castle was founded by Odo 1 (973-996), Count of Blois. At each epoch of French history the Château has been owned, rented or visited by significant persons in French and European history. In the period between the late enlightenment and the romantic period, Germaine de Staël was resident from April to August 1810. Many famous guests visited the lively and politically active Madame de Staël including Madame Récamier, Adelbert von Chamisso, the counts of Sabran and Salaberry as well as the author of "Adolphe", Benjamin Constant.

Odo I (also spelled Eudes) (c. 950 – 12 March 996), Count of Blois, Chartres, Reims, Châteaudun and Omois, lord of Provins, was the son of Theobald I of Blois and Luitgard, daughter of Herbert II of Vermandois. He received the title of count palatine from King Lothair of West Francia.

Like his relations, the counts of Vermandois, he remained faithful to the Carolingians against the Capetians. Following the war between his father and Odalric, Archbishop of Reims, over the castle of Coucy, he received the castle to hold it from the archbishop.

In the 970s, in the wars for control of Brittany, he subjugated the county of Rennes and Count Conan I affirmed the rights of his family in the region. Around 977, his father died and he succeeded in the counties his father held at the time of his death.

In 987, Odo supported Charles of Lorraine against Hugh Capet. In June 991, he took Melun. Hugh Capet, Bouchard of Vendome, Richard I of Normandy and Fulk Nerra, assembled against him and retook Melun in late 991.

Near 995, he entered into a war against Fulk, who was already at war with Geoffrey I of Brittany. Odo allied with his brother-in-law William IV of Aquitaine and Baldwin IV of Flanders. Even his old enemy, Richard of Normandy joined in the war on Fulk. In the winter of 995 – 996, they besieged Langeais, however Odo became ill and was taken to the monastery of Marmoutier at Tours where he died on 12 March 996.

Family

He married Bertha of Burgundy, daughter of King Conrad of Burgundy and Matilda of France. Their children were:

Theobald II (c. 982–1004)

Odo II (c. 983–1037)

Agnes, married Viscount Geoffrey II of Thouars

Robert (died between 980 and 996)

The beautiful medieval town of Dinan in Brittany France.

The Château de Chamerolles is a French Renaissance castle located in Chilleurs -aux-Bois , in the Loiret department in the Center Val de Loire region .

It has been classified as a historical monument since 1927 and registered since 1988 2 .

It is part of the castles of the Loire .

Geography

The castle is located along the road to Gallerand ( departmental road 109 linking the towns of Chilleurs-aux-Bois to Courcy-aux-Loges ), 2.5 km south-east of the town of Chilleurs-aux-Bois ( canton de Pithiviers ), about thirty kilometers northeast of Orléans .

The building is built on the Cours de l' Œuf , at an altitude of 120 m , in the natural region of the Orléans forest .

The GR32-655 East long-distance hiking trail runs along the castle grounds.

The town of Chilleurs-aux-Bois is served by line 20A of the Ulys coach network .

Access No. 7 of the A19 motorway is located 6 km north of the castle.

History

The castle was built around 1530 by Lancelot I du Lac, chamberlain of the King of France Louis XII then bailiff of Orléans under the reign of King François I , on the site of an old fortified house. It retained the traditional form of medieval fortresses but was designed as a residential castle.

In the 16th century , under Lancelot II ( grandson of Lancelot I ) who rallied to Protestantism in 1562 , Chamerolles distinguished itself by housing a Protestant temple in one of its rooms. The castle became a high place of the Protestant religion in the region. In 1672 , Chamerolles belonged to Jacques Saumery, brother-in-law of Jean-Baptiste Colbert , minister of King Louis XIV . He is governor of the royal castle of Chambord and of the county of Blois , marshal of the king's armies and grand master of the Waters and Forests of Île-de-France.

In the 18th century , in 1774 , the castle became the property of the Lamberts , then that of Gaston Jessé-Curély in 1924. Occupied, ransacked and stripped during the Second World War , it was put up for sale in 1970 . In 1976 , the City of Paris found itself in charge of Chamerolles. Abandoned, the castle fell into ruins.

After all these adventures, it is therefore a ruin in very poor condition that the general council of Loiret bought in 1987 . After five years of work, the castle and its gardens were opened to visitors in 1992 . Restoration 3 was carried out by the architect of historical monuments Jacques Moulin . Refurnished in order to restore the atmosphere at the time of its inhabitants, a museum of perfumes is installed in the south wing. The castle hosts a set of unique pieces and objects testifying to the history of perfume and hygiene over the centuries. The museography around the perfume was entrusted to Didier Moulin.

The plan is classic: the castle forms a quadrilateral with a large cylindrical tower at each corner. It has four levels and an imposing gatehouse on the east side, flanked by two turrets pierced with gunboats. The whole is surrounded by moats .

The construction is in Beauce limestone coated with lime (entrance gatehouse, south wing and exterior facade of the north wing, north-east and south-east towers) and brick (north-west and south-west towers, west wing, gallery of the south wing and interior façade of the north wing). The facades made of a mesh of red and black bricks are typical of the natural region of the Loire Valley .

The roofs are covered with slate.

The west wing housed the stately home during the Renaissance . The main courtyard is closed on three sides and there is a well with a very beautiful dome and a Renaissance gallery.

The elevation of the courtyard of the castle, dating from the 1530s, was taken up in the 17th and 18th centuries, without profoundly changing its character 3 .

The chapel has preserved original paintings. A restoration in 1991 revealed elements linked to the Protestant occupation, in the form of two texts painted on the wall, taking up the Credo and the Decalogue of the Geneva Bible of 1588 3 .

Next to the chateau, just behind the moat on the east side, are gardens created by Jacques Moulin, during the restoration of the chateau, in the style of French Renaissance gardens, at the end of the 16th century . A park crossed by a river is located on the south side.

The old hall of Bellegarde , dating from the 17th century , was dismantled, restored and then installed within the walls of the castle . It was inaugurated onSeptember 18 , 2009as part of the exhibition “At the origins of the Loiret, from prehistory to the A19

The châteaux of the Loire Valley (French: châteaux de la Loire) are part of the architectural heritage of the historic towns of Amboise, Angers, Blois, Chinon, Montsoreau, Orléans, Saumur, and Tours along the river Loire in France. They illustrate Renaissance ideals of design in France.

The châteaux of the Loire Valley number over three hundred, ranging from practical fortified castles from the 10th century to splendid residences built half a millennium later. When the French kings began constructing their huge châteaux in the Loire Valley, the nobility, drawn to the seat of power, followed suit, attracting the finest architects and landscape designers. The châteaux and their surrounding gardens are cultural monuments which embody the ideals of the Renaissance and Enlightenment. Many of the châteaux were built on hilltops, such as the Château d'Amboise, while the only one built in the riverbed is the Château de Montsoreau. Many had exquisite churches on the grounds or within the château.

History

With the Hundred Years' War concluded, Charles VII, Louis XI, and their successors preferred to spend the bulk of their time in the "garden of France" along the banks of the Loire. In the late 15th century Tours, then Blois, and later Amboise became the preferred locations of the French royal court. Many courtiers bought dilapidated castles built by the medieval Counts of Blois and of Anjou, and they had them reconstructed in the latest Italianate fashion. Leonardo da Vinci and other Italian artists arrived to design and beautify these residences.

In the 16th century, Francis I moved his main residence back to the Louvre, in Paris. With him went the great architects, but the Loire Valley continued to be the place where French royalty preferred to spend their time when not in the capital. Toward the end of the 17th century, Louis XIV made the Île-de-France the permanent locale for great royal residences when he built the Palace of Versailles. Nonetheless, those who gained the king's favour, as well as the wealthy bourgeoisie, continued to renovate existing châteaux or build lavish new ones in the Loire Valley as summer residences.

The French Revolution saw a number of the great châteaux destroyed and many ransacked, their treasures stolen. The overnight impoverishment of many French noble families, usually after one of their members lost his or her head to the guillotine, saw many châteaux demolished. During World War I and World War II, various chateaux were commandeered as military headquarters. Some of these continued to be so used after the end of World War II.

Today, the remaining privately owned châteaux serve as homes and some of them open their doors to tourists, while others operate as hotels or bed-and-breakfasts. Many others have been taken over by local governments, and the grandest, like those at Chambord, are owned and operated by the national government and are major tourist sites, attracting hundreds of thousands of visitors each year.

List of châteaux of the Loire

Though there may be no universally accepted definition for the designation, the main criterion is that the château must be situated close to the Loire or one of its tributaries (such as the Maine, Cher, Indre, Creuse or Loir). Châteaux further upstream than Gien are generally not included, with the possible exception of the Bastie d'Urfé for its historical significance.

Chilleurs-aux-Bois (French pronunciation: is a commune in the Loiret department in north-central France.

Historical population

YearPop.±% p.a.

19681,091—

19751,160+0.88%

19821,432+3.06%

19901,471+0.34%

19991,703+1.64%

20071,898+1.36%

20121,850−0.51%

20171,992+1.49%

The Château de Châteaudun is a castle located in the town of Châteaudun in the French department of Eure-et-Loir.

History

The castle was built between the 12th and 16th centuries.

The Count of Blois Thibaut V had the keep built around 1170. The Sainte-Chapelle was built between 1451 and 1493. The choir and the high chapel were built between 1451 and 1454, with the nave and the oratory between 1460 and 1464.

Together with the Château de Montsoreau (1453) and the Palais Jacques-Cœur (1451), Châteaudun's 15th-century additions are among the earliest examples of residences built essentially for leisure in France.

Jehan de Dunois, the bâtard d'Orléans (Bastard of Orléans), built the west wing (the "aile Dunois") between 1459 and 1468.

The bell tower was erected in 1493.

François I of Orléans-Longueville began construction of the north wing (the "aile Longueville") between 1469 and 1491. The upper floors were added by François II d'Orléans-Longueville and his descendants during the first quarter of the 16th century.

Today

The castle includes:

A keep from the 12th century, 31 metres (102 ft) high (wall), 42 metres (138 ft) high (entire height), 17 metres (56 ft) in diameter

A chapel from the 15th century (one of the seven remaining Sainte Chapelle kind of chapels in France)

The Dunois wing from the 15th century

The Longueville wing from the end of the 15th century

The château overlooks the Loir River. Perched on a limestone outcrop, it shows its origins as a 12th-century fortress.

Converted by Jean de Dunois during the Renaissance into a comfortable residence, the main body of the building is roofed in the gothic style. It still has, notably, a finely carved staircase from this period.

Renovated since the 1930s, the castle has been designated as a monument historique (historic monument) since 1918.

Châteaudun is a commune in the Eure-et-Loir department in northern France. It is a sub-prefecture of the department. It was the site of the Battle of Châteaudun during the Franco-Prussian War.

Geography

Châteaudun is located about 45 km northwest of Orléans, and about 50 km south-southwest of Chartres. It lies on the river Loir, a tributary of the Sarthe.

History

Châteaudun (Latin Castrodunum), which dates from the Gallo-Roman period, was in the middle ages the capital of the County of Dunois.

The streets, which radiate from a central square, have a uniformity due to the reconstruction of the town after fires in 1723 and 1870.

Employment

The area is rich agricultural land, but a major local employer is the Châteaudun Air Base just to the east of the town, and much larger than the town itself.

Main sights

The town has a château, founded in the 10th century, known for being the first on the road to Loire Valley from Paris. Châteaundun also has a museum, the "Musée des beaux arts et d'histoire naturelle". The museum is diverse, the most popular exhibition being the big collection of stuffed birds. In addition, there are often temporary exhibitions, recent examples including the war of Asia, ancient Egypt and insects.

Personalities

Châteaudun was the birthplace of:

Pierre Guédron (1570–1620), composer

Nicolas Chaperon (1612–1656) painter

Edmond Modeste Lescarbault (1814), doctor and amateur astronomer

Romain Feillu (1984) road racing cyclist

Brice Feillu (1985) road racing cyclist

Twin towns - sister cities

Châteaudun is twinned with:

Republic of Ireland Arklow, Ireland

Czech Republic Kroměříž, Czech Republic

Spain Marchena, Spain

Germany Schweinfurt, Germany

Canada Trois-Rivières, Canada

Builder of the keep.

Theobald V of Blois (1130 – 20 January 1191), also known as Theobald the Good (French: Thibaut le Bon), was Count of Blois from 1151 to 1191.

Biography

Theobald was son of Theobald II of Champagne and Matilda of Carinthia. Although he was the second son, Theobald inherited Blois (including Chartres), while his elder brother, Henry got the more important county of Champagne.

Theobald first married Sybil of Chateaurenault, which made him jure uxoris Lord of Chateaurenault. Next, in 1164, he married Alix of France, daughter of Louis VII of France and his first wife Eleanor of Aquitaine.

According to medieval Jewish sources, in 1171 Theobald was responsible for orchestrating the first blood libel in continental Europe. His alleged Jewish mistress Pulcelina of Blois unsuccessfully attempted to prevent him. As a result of a church-sponsored trial, 30 or 31 members of the Jewish community were burned at the stake.

Theobald lived primarily in Chartres and had its city walls renovated. After joining his brother Henry and a number of other nobles in opposing the young king Philip II, he reconciled with the king and supported him on the Third Crusade. He arrived in the summer of 1190 in the Holy Land and died on 20 January 1191, during the Siege of Acre.

Family

Theobald and Alix had seven children:

Theobald, d. young

Philip, d. young

Henry, d. young

Louis I of Blois (d. 1205)

Alix, Abbess of Fontevrault

Margaret, married Walter of Avesnes, later Countess of Blois

Isabella, married John II, lord of Oisy and Montreuil, later countess of Chartres.

Builder of the West wing:

Jean d'Orléans, Count of Dunois (23 November 1402 – 24 November 1468), known as the "Bastard of Orléans" (French: bâtard d'Orléans) or simply Jean de Dunois, was a French military leader during the Hundred Years' War who participated in military campaigns with Joan of Arc. His nickname, the "Bastard of Orléans", was a mark of his high status, since it acknowledged him as a first cousin to the king and acting head of a cadet branch of the royal family during his half-brother's captivity. In 1439 he received the county of Dunois from his half-brother Charles, Duke of Orléans, and later King Charles VII made him count of Longueville.

Life

Jean was the illegitimate son of Louis I, Duke of Orléans – son of King Charles V of France – and his mistress Mariette d'Enghien. In 1407, Jean's father, Louis I, Duke of Orléans was assassinated. Eight years later, his half-brother, Charles, Duke of Orléans was captured at the Battle of Agincourt. He remained a prisoner of the English for twenty-five years. This left Jean the only adult male to represent the house of Orléans. He was Knight of the Order of the Porcupine.

Jean joined the civil war in France in the time of Charles VI on the side of the Armagnacs, and was captured by the Burgundians in 1418. Released in 1420, he entered the service of the Dauphin Charles, fighting in the Hundred Years' War against English forces. In 1427, Jean, along with Arthur of Richemont and Etienne of Vignolles, forced the Earl of Warwick to raise his siege of Montargis. He was wounded, the next year, at the battle of Rouvray. Jean led the French defenses at the siege of Orléans, and together with Joan of Arc relieved the siege. He joined her on the campaigns of 1429 and remained active after her death.

Jean took part in the coronation of Charles VII and in 1436 aided in the recapture of Paris, and in 1439 he was created Count of Dunois. He was prominent in the conquest of Guienne and Normandy in the final years of the Hundred Years War.

Jean participated in the Praguerie against Charles VII and was a leader of the League of the Public Weal against King Louis XI in 1465, but each time he regained favor at court.

Marriages and progeny

He married Marie Louvet (d. 1426) in April 1422 at Bourges, by whom he had no children.

He married a second time to Marie of Harcourt (d. 1464), Lady of Parthenay 26 October 1439 and had four children:

Jean (1443-1453)

François Ι d'Orléans-Longueville (1447–1491), Count of Dunois, Tancarville, Longueville, and Montgomery, married 2 July 1466 to Agnès of Savoy (1445–1508). One of their children was Louis I d'Orléans, duc de Longueville.

Marie (1440-?), married 1466 to Louis de la Haye, Lord of Passavant and Mortagne.

Catherine d'Orléans (1449–1501), married 14 May 1468 to Johann VII of Saarbrücken-Commercy (1430–1492), Count of Roucy

Titles

Lord of Valbonais (1421–1468)

Count of Mortain (1424–1425)

Viscount of Saint-Sauveur

Count of Périgord (1430–1439)

Count of Dunois (1439–1468)

Count of Longueville (1443–1468)