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Photo citation: Ted Auch, FracTracker Alliance, 2015.
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Alan Pipe, Molas Animal Bone Specialist explains the process of identifying animal bone and shows volunteers some examples from material they've worked on.
Paul St George explaining the current state of the tunnel system.
People from offices kept stopping by to take a look. Little clusters of sociability formed.
- Camera phone upload powered by ShoZu
This discussion involved the statement, "It's called Black Nationalism. It has nothing to do with Jamaica."
St. Patrick's Day, Cleveland, OH.
I got into town just as the St. Patrick's Day parade wound up.
I went out to look for place to get lunch and ended up in what turned out to be a near-riot
our guide is a former corporate executive who now runs philanthropic projects for the family that started Satyam computers.
"You see, my friends, I will go into that bag, then jump into that nice bubbly water, then the fun begins! It's like floating in space!!!! Then I won't be dirty any more!!!! :) "
Photography & Art: Juan Pablo Montalva
Styling: Paulina Irazabal
Make Up & Hair: Mercedes Errazuriz/Macarena Moreno
Models: Martina/Damian/Robinson
ok. what is important here is not the photo. I know, i know- flickr IS photos... but alas, i must explain to you the miracle that is the BLINKING BASS TRAILER FISH.
This truck has a fish on the ball trailer hitch. It's made so that it looks like the fish has bitten the hitch. Which, on it's own, is mildly amusing in a redneck-sort-of-way. But that's not all folks. Not by a mile.
When the truck brakes, the fish's tail flaps from left to right, and little red lights beam from where it's eyes would be. OMG. When the truck signals a turn, the fish flaps again and the eye corresponding to the direction of the turn blinks in time with the car's own blinker.
I promise, I am looking for a link or something... AH HA!
Now that's a really strange piece of architectural detailing. I wonder if there's some kind of story behind it to explain such weird design.
Columns on corbels and whiskers on kittens :)
David Dos Santos explaining to the audience the aim of the event, which targets to give a voice to the the community of Cerro Corá and to all the favelas in general which struggle with poor living conditions and police violence.
A student explains her experiences, difficulties, and triumphs in founding a school in Washington state similar to our own.
Photography & Art: Juan Pablo Montalva
Styling: Paulina Irazabal
Make Up & Hair: Mercedes Errazuriz/Macarena Moreno
Models: Martina/Damian/Robinson
on the snorkeling boat...they needed help raising the sail... lori was asked to help with the boys...Bethany (in the orange shorts) is explaining what they will be doing....
Description: Dale Anderrson displayed a soil and water management project at Little International.
Date: 1959
ID: ALi77-1959.3
Ordering Information: library.ndsu.edu/archives/collections-institute/photograp...
Explaining how crazy big space is with words is hard, pictures make it easy. This side-by-side comparison of some large deep sky objects with the moon help put it into perspective. All pictures were captured with the same camera and lens, but with vastly different exposure settings.
Top: The California Nebula at 300mm as 180s exposure (6400iso)
Center: The Moon at 300mm as a 1/500 second exposure (100iso)
Bottom: The Andormeda Galaxy at 300mm as a 120s second exposure (6400iso)
from ahmadi festival 2007
Canon EOS 20D
Canon 28-135 IS USM
Shutter speed 1/1000
Aperture f/5.6
EC -0.7 step
ISO 100
vwc
dawey
Here you can find a 2d animated explainer video for a client. I made this video for him about his services.
That's a shadowy me, taking a photograph of me in front of a window reflected in the glass partition in my office. For astute observers, the first three frames on the left are the card sets appearing in www.flickr.com/photos/canonsnapper/274101180/
body language and emotional state of a conductor (shot at a music workshop while rehearsing with a group of singers)
Bachelor of Visual Arts
Painting
Don’t believe the hype, 2017
(part 3 of triptych) watercolour & water soluble graphite on paper
1300 x 1170 mm
My body of work has a Political/Social Agenda. I explore themes of power, control, and sexuality, and the extensive ways in which imbalances in these areas have impacted my interpersonal relationships (as well as relationship with self). This imagery reflects ongoing work to dissect, understand, and heal these. I am talking about traditional relationship roles, and extending from my personal history—the effects of decline into domestic/family violence (including physical, emotional, psychological, financial).
I identify strongly with feminist ideology, and use Nan Goldin as a model for this. Goldin created a number of self-portraits, which she explained were made as a safeguard from forgetting the damage caused by her boyfriend’s violence. Goldin was quoted saying her confronting self-portraits were an ‘irrevocable exorcism’, further explaining ‘I did those to fit back into my own skin, to reacquaint myself with myself. The camera is a mirror, the pictures are a diary through which I change.’
"You see... It was all the cookie's fault.
I had nothing to do with it!"
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♥ Please check out the related blog post + more photos in this link --> www.lightbubbles.com/livingdreaming/2011/06/29/sebastian-...
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