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At the AIC, there were young students giving lessons on some of their favorite paintings. They were doing a great job and even fielding questions from their classmates.
Kimchi is Great!
In language children understand, this book explains why kimchi is a healthy food and how various kimchi dishes can be made.
To see the book, please search 'jangyoung' on iBooks store or Amazon.
itunes.apple.com/us/book/id617930547
itunes.apple.com/us/book/isbn9788998110246
Decorator crab climbing a soft coral. I used some notes to point out the eye, a claw and a leg of the crab so that you can visually parse it. Plenty of these curious animals in Nelson Bay.
Please consider donating for typhoon relief in my underwater-photographic home country, the Philippines: ushare.redcross.org.ph/
Like my pictures? There are more in "Sex, Drugs and Scuba Diving" and on my blog.
John explains citadel model that the prison now rests upon. The building was taken down to the top of the dry moat, and the Bureau of Prisons built the main cell block building on top.
All photography by moi!
For this project, we simply went out and found letterforms in objects that weren't actually letters. We were also encouraged to use "rubbings" from relief-based letters. I obviously preferred the photography, so I stuck mostly with using images. The text explains what the actual objects are that create the letters.
Who Must Fast?
Fasting is compulsory for those who are mentally and physically fit,
past the age of puberty, in a settledsituation (not traveling), and
are sure fasting is unlikely to cause real physical or mental injury.
Exemptions from Fasting(some exemptions are optional)
*. Children under the age ofpuberty (Young children are encouraged to
fast asmuch as they are able.)
*. People who are mentallyincapacitated or not responsible for their actions
*. The elderly
*. The sick
*. Travelers who are on journeys of more than about fifty miles
*. Pregnant women and nursing mothers
*. Women who are menstruating
*. Those who are temporarily unable to fast must make up the missed
days at another time or feed the poor.
Special Events
*. Special prayers, called taraweeh, are performedafter the daily
nighttime prayer.
*. Lailat ul-Qadr ("Night of Power" or "Night of Destiny") marks the
anniversary of the night on which the Prophet Muhammad first began
receiving revelations from God, through the angel Gabriel. Muslims
believe Lailat ul-Qadr is one of the last odd-numbered nights of
Ramadhan.
Traditional Practices
*. Breaking the daily fast with a drink of water and dates
*. Reading the entire Quranduring Ramadhan
*. Social visits are encouraged.
Eid ul-Fitr ("Festival of Fast-Breaking") Prayers at the End of Ramadhan
*. Eid begins with special morning prayers on the first day of
Shawwal, the month following Ramadhan on the Islamiclunar calendar.
*. It is forbidden to performan optional fast during Eid because it is
a time for relaxation.
*. During Eid Muslims greet each other with the phrase "taqabbalallah
ta'atakum," or "may God accept your deeds" and"Eid Mubarak"
(eed-moo-bar-ak), meaning"blessed Eid."
Ramadhan Questionsand Answers
Q: How did the fast during Ramadhan become obligatory for Muslims?
The revelations from God to the Prophet Muhammadthat would eventually
be compiled as the Quran began during Ramadhan in the year 610, but
the fast of Ramadhan did not become a religious obligation for Muslims
until the year 624. The obligation to fast is explained in the second
chapter of the Quran: "O yewho believe! Fasting is prescribed to you
as it wasprescribed to those before you, that ye may (learn)
self-restraint...Ramadhan isthe (month) in which was sent down the
Quran, as a guide to mankind, also clear (Signs) for guidance and
judgment (between right and wrong). So everyone of you who is present
(at his home) during that month should spend it in fasting..."
(Chapter 2, verses183 and 185)
Q: What do Muslims believe they gain from fasting?
One of the main benefits of Ramadhan are an increased compassion for
those in need of the necessities of life, a sense of self-purification
and reflection and a renewed focus on spirituality. Muslims also
appreciate the feeling of togethernessshared by family and friends
throughout the month. Perhaps the greatest practical benefit isthe
yearly lesson in self-restraint and disciplinethat can carry forward
to other aspects of a Muslim'slife such as work and education.
Q: Why does Ramadhan begin on a different day each year?
Because Ramadhan is a lunar month, it begins about eleven days earlier
each year. Throughout a Muslim's lifetime, Ramadhan will fall both
during winter months, when the days are short, and summer months, when
the days are long and the fast is more difficult. In this way, the
difficulty of the fast is evenly distributed between Muslims living in
the northern and southernhemispheres.
Q: What is Lailat ul-Qadr?
Lailat ul-Qadr ("Night of Power") marks the anniversary of the night
on which the Prophet Muhammad first began receiving revelations from
God, through the angel Gabriel. An entire chapter in the Quran deals
with this night: "We have indeed revealed this (Message) in the Night
of Power: and what will explain to thee what the Night of Power is?
The Night of Power is better than a thousand months. Therein come down
the angels and the Spirit by God's permission, on everyerrand.
Peace!...This until the rise of morn." (Chapter 97) Muslims believe
Lailat ul-Qadr is one of the last odd-numbered nights of Ramadhan.
Q: Is it difficult to perform the fast in America?
In many ways, fasting in American society is easier than fasting in
areas where the climate is extremely hot. This year atleast, the
number of daylight hours will be less than when Ramadhan occurs during
the spring orsummer. In Muslim countries, most people are observing
the fast, so there are fewer temptations such as luncheon meetings,
daytime celebrations and offers of food from friends.....
I did this diagram in 2002 to get my head around all the players and politics in the interactive television business.
this conspiracy against me? & tell me how i've lost my power..
Tomé todo mi dinero y me escapé, directo hacia el valle de la Gran División, allí donde se esconden todos los sueños. Ahí donde el viento no sopla, Ahí donde las buenas chicas mueren & no caerá nieve del cielo..
Ahí donde los pájaros no cantan
Ahí donde los campos no crecen
Ahí donde las campanas no suenan.. ♥
Un sucio cuento de hadas- the killers.
Venice...floods about 100 times a year, beginning in October and running through late winter. I'm attaching an excellent article from Rick Steves's website that explains this, and also adding my personal observations and discussions with locals.
First, Steves's article, "Is Venice Sinking?":
www.ricksteves.com/watch-read-listen/read/articles/is-ven...
I spend three days and four nights in Venice in December 2019 (whence come these pictures). On two of the three days, high tide made it challenging to get around.
For those of you who have been to Venice, you know the main part of the city ("downtown," if you can call it that) is made up of 118 islands connected by over 400 (416, I think?) bridges and bisected by the Grand Canal. It's a maze. Even with Google maps, it's literally a maze, because not every bridge takes you easily from one island to another. Some are dead ends, etc. This is when it's dry.
Now, add the extra layer of rising tides that cut off even more avenues of the maze and it's an absolute headache getting around.
All of these pictures were taken as I tried (and failed) to walk across the island from Piazza San Marco on the south to the northern end of the island -- Cannaregio -- where my apartment was.
In dry conditions, this is about a 30 minute walk if you're good at navigating the maze. On this afternoon, I made it about 80% of the way back with no viable routes to walk the last 5 (well, certainly less than 10) minutes. My choices were either wait until the tide rolled out (1-2 hours) or pay a water taxi to take me. I couldn't wait and ended up paying an exorbitant fee of 60 euros to a taxi (from the train station) to take me on what would have been a 20 minute walk from there. Ouch.
Once I got back, I asked my friend Alexia whether this is normal, if it's global warming, bad luck, or what?
I was curious about whether it was normal as most of the Venetians seem prepared for this. Many had on knee high or thigh high rubber/plastic boats and slowly made their way through.
She told me that it's very normal in November, but not so much in December. It's not that the tides aren't normal (they happen every day, of course). It's the height of them.
Last month, in November 2019, I recall reading an article about Venice flooding with pictures that surprised me. On the day in question, the tide rose to 187 cm. (For those in the west, that's only 2 inches shorter than NBA star Steph Curry or, for those who know me...it's my exact height.) I'm not exactly short, by comparison, so that's a pretty tall change for a few hours.
In the pictures you see here, the tide was 120 cm./4 feet. That's certainly enough to flood the island.
Venice's quick solution to this is to throw up elevated wooden platforms as temporary sidewalks. In the main areas -- St. Mark's Square, specifically -- think of all the tourists you would normally have bottlenecked and you can imagine the slight headache of free motion. Before the tides (when it's dry), you see these supports and wooden slats stacked up and may wonder what they're purpose is. Tides more than answer that.
The following day, the city flooded again. As I was walking from my apartment to the southern end of the island to go to a museum, I got to the Grand Canal near Rialto Bridge and found myself at an impassable point...that was right in front of a gondola service. (I think I could have backtracked and made it, but no guarantee.)
I hadn't actually been on a gondola before and -- they're expensive, by the way...especially for a solo traveler (80 euro for about 30 minutes) -- decided to take one because it's Venice and if you're ever going to ride a gondola, it should be here.
The gondolier took me from just south of the Rialto Bridge up the Grand Canal just past the Rialto Market, and back. All in all, not very far (and I didn't check time, but I doubt it was 30 minutes).
However, we got to talking. I asked how the flooding impacts tourism and business and he says there are far fewer tourists now who are simply scared of floods. (The attached Rick Steves article points out why you may not need to worry much.)
The gondolier said that the tide on Sunday reached 125 cm (4'2"), though it didn't seem nearly as high as the previous day. I did actually walk across half the island reasonably easily, so I was thinking he's probably toning down the reality a little because it affects his livelihood. However...just a little. The things he said that I believe are that, "When the tide reaches 140 cm., this is a bit too much for the city to handle."
He also told me some facts about the city that have nothing to do with the flooding, yet I found interesting: There are 50,000 residents on the main islands and an apartment/house of 90 square meters (900 square feet) runs about 400,000 euros. So if you're in the market to move to Venice for the joy of wading through water, that's the cost of it.
After the gondola ride, I ended up hopping on a vaporetto (city bus, but on the water). They run up and down the Grand Canal. (You can see a "stop" in some of my Snapshots of Venice pictures; it's a little enclosed building with yellow trim around the top of it.)
Normally, vaporettos run 7.50 euro for a ticket valid for 75 minutes. They come by every 15 minutes or so. However, I never saw where to buy tickets so ended up taking a handful of vaporetto rides for free. I think three in total.
This particular one took me from next to the gondola service down to Accademia. The Gallerie dell'Accademia is there (lots of Tintoretto, Titian, Tiepolo, Bosch), directly in front of the Ponte dell'Accademia. For my purposes, the Guggenheim Collection is also here, but about a five minute walk on dry land to get there.
However, it was isolated by the tides and I ended up taking off shoes and socks, rolling up my pants, and wading through some bitingly cold (but not dangerously so) water to get there. All told, it was probably about 100 yards at most in water that was just over ankle deep. But, you still have to walk it slowly. Afterwards, I think it took my feet about 10 minutes to regain normal warmth/sensation. (Fortunately, after an hour in the museum -- which was nice, but not as nice as I had hoped -- the tide had receded enough that I didn't have to wade out. The sidewalk was still completely underwater, but only an inch or two by this point, which you can walk through. You tend to see locals walking through water like this balancing on their heels and keeping their toes in the air.
Am I personally satisfied that Venice isn't sinking? No. The Steves article does mention Italy's long-term solution to this, but I don't buy it. I don't know what the future holds, though, and won't be around to see the worst effects of it, I feel. I can say that the city's future is tenuous at the moment, but the present...is fine, if sometimes slightly inconvenient.
SUPPORT ON:
ideas.lego.com/projects/8bd25eba-307b-41aa-a920-9a298fecaceb
Who hasn’t watched the 80s classic films of the Karate Kid franchise? Who didn’t dream of becoming a student of Mr. Miyagi… to wear the black belt or the headband and to spill out in battle?
Let’s go and beat another karate bout together!
The Karate Kid was an adventure that I will always remember fondly, it left a legacy that is now continued with the wonderful series Cobra Kai.
Johnny Lawrence is now facing his childhood opponent and it all starts again… a new dojo, new students, but Mr.Miyagi's iconic dojo house looks very similar to the original.
Therefore I decided to upgrade Mr.Miyagi's beautiful house, which is the only thing that has not changed, the link between the generation of the 80s and today!
Now you can have the opportunity to choose between the two houses you want to assemble! With removable extra pieces you can "paint" the house, renovate its courtyards and live in the era you desire!
Johnny Lawrence: "Strike first strike hard, no mercy, cobra kai never dies"
or
Mr. Miyagi: "If Karate Used Defend Honor, Defend Life, Karate Mean Something. If Karate Used Defend Plastic Metal Trophy, Karate No Mean Nothing."
A. The front yard is the area where Mr. Miyagi kept his collection of cars, his boat for fishing next to the small water tank.
In the Cobra Kai era, the front yard has Johnny's car, the podium as well as the group training area set by Johnny and Daniel for the young students.
B. The back garden is a beautiful well cared space with Asian elements, plants and trees that depict mr.Miyagi’s love and affection. The wooden decks, the paved floor and the stream that runs across the garden make it complete and unique with a small pool has been added for Daniel’s balance lessons.
c. The house is composed of 3 rooms: one is the dojo, one is where the kitchen and the bedroom are, and the other one is where the small dinner table and the fireplace are. This is the room where Daniel learned “Paint the house” [Fourth lesson] and one of the most rememberable scenes of the movie took place. Mr. Miyagi catches a fly with his chopsticks and explains to Daniel-san that whoever manages to do that can achieve everything.
While creating this model it was very important to keep all the Japanese details of the space like the sliding doors, Mr.Miyagi’s medal and the bonsai he gifted to Daniel for the tournament. The roof is detachable in every room for easy access.
The Karate Kid era minifigures:
Mr. Miyagi, Young Daniel LaRusso.
The Cobra Kai era minifigures:
Old Daniel LaRusso, Old Johnny Lawrence, Samantha LaRusso, Miguel Diaz, Robby Keene, Eli 'Hawk' Moskowitz.
This is a photograph from the 30th Annual AXA Raheny 5 Mile Road Race 2014 took place in Raheny Village, Dublin, Ireland on Sunday January 26th 2014 at 15:00. The 'Raheny 5' has become one of the most famous road races in Ireland. The race has continued to grow year-on-year and this year was no exception on the year of it's 30th Anniversary. Almost 3,000 participants took part in the various events of the day. The incredible voluntary organisational work carried out by Raheny Shamrocks and the local community in staging the race every year must be acknowledged.
The weather was postively wintery today. There was an icy wind blowing into the face of the runners at various points in the course. This made for some very variable mile-splits. Overall the weather was favourable in that the rain stayed away and there was some helpful 'wind at the back' for the runners in places.
The race route starts at All Saints Park and goes into Raheny Village via Watermill Road. The route then turns west and along the Howth Road before turning left onto Sybill Hill Road. The route then turns left again onto Mount Prospect Avenue and continues until you run down to the sea-front and the Clontarf Road. The only real hill in the course is at the left turn from Clontarf Road onto Watermill Road. Finally, at the North East end of St. Anne's Park the race turns left and makes it way to the finish which is positioned at the start area of the race.
We have an extensive set of photographs from today's race at the 1 mile and then 400 meters to go. The full set is available at www.flickr.com/photos/peterm7/sets/72157640185381674/
Some links, related to this race, which you might find useful:
The Raheny Shamrocks Club Internet Homepage: www.rahenyshamrock.ie/ or www.rahenyshamrock.ie/news/axa-raheny-5-2013
Raheny Shamrocks Facebook Page: www.facebook.com/rahenyshamrock?sk=wall&filter=2
A GARMIN GPS Trace of the race route: connect.garmin.com/activity/24632342
Our Flickr Set from the Raheny 5 Mile Road Race 2013: www.flickr.com/photos/peterm7/sets/72157632621783395/
Our Flickr Set from the Raheny 5 Mile Road Race 2012: www.flickr.com/photos/peterm7/sets/72157629086163673/
Our Flickr Set from the Raheny 5 Mile Road Race 2011:http://www.flickr.com/photos/peterm7/sets/72157625939674838/
Our Flickr Set from the Raheny 5 Mile Road Race 2010: www.flickr.com/photos/peterm7/sets/72157623196555201/
The Boards.ie Athletics Discussion Thread for the Race 2013: www.boards.ie/vbulletin/showthread.php?t=2056776031
The Boards.ie Athletics Discussion Thread for the Race 2014: www.boards.ie/vbulletin/showthread.php?t=2057117075
We use Creative Commons Licensing
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Explainer: While I wish I could fully dress, wig-up and make-up regularly, those days are rare. So I post these AI renderings. FYI: the photos are AI generated, from actual photos of me, enhanced slightly with FaceApp and then dressed from outfits I see and love on the interweb. Enjoy them or not! I do, that's all that matters! Love, Crystal
U.S. military reenactor explaining his musket or rifle at the Battle of New Orleans Bicentennial, 2015. Chalmette Battlefield.
This is a photograph from the Lucan Harriers Athletic Club "Tom Byrne Memorial" 5KM Road Race and fun run which was held in Lucan, Co. Dublin, Ireland on Sunday 11th May 2014 at 11:00. The race invited runners, joggers and walkers of all levels including those training for the Women's Mini Marathon, Parkrunners and Fit4Life Groups. The weekly PARKRUN which is held in Griffen (www.parkrun.ie/griffeen/) was cancelled this weekend to allow runners to take part in this race instead. The race started outside SuperValue Lucan. Passing by the Lucan Harriers Club House the race proceeded into Griffeen Park where the participants completed about 2.5KM of the course before returning back on the road to the finish on the Lucan Harriers track. Thankfully the unseasonally cold and wet weather didn't dampen the atmosphere and over 200 people participated in the event. Well done again to all at Lucan Harriers AC for a superbly organised 5KM event. The race commemorates one of the founding members of Lucan Harriers AC - Tom Byrne.
We have an extensive set of photographs from today in the following Flickr Album: www.flickr.com/photos/peterm7/sets/72157644652669113/
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result/racetimer with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
The majority of this race is run within Griffeen Valley Park which is managed by South Dublin County Council. The entire Park consists of over 200 acres. Griffeen was developed during the 1980s and comprised of a series of public open spaces from around the Lucan area. The River Griffeen flows through the park as it flows to meet the River Liffey in Lucan Village.
Some Useful Related Internet Links
Google Streetview of the Tom Byrne 5KM Race Start opposite SuperValue Lucan: www.google.ie/maps/@53.347572,-6.451045,3a,75y,98.5h,90t/...
Entrance to Lucan Harriers Clubhouse and Race Finish: www.google.ie/maps/@53.346014,-6.451393,3a,75y,90h,90t/da...
Garmin Connect Trace of the 5KM Course: connect.garmin.com/course/6185679
Our Photographs from 2012: www.flickr.com/photos/peterm7/sets/72157629812294720/
Our Photographs from 2011: www.flickr.com/photos/peterm7/sets/72157626653268125/
Our Photographs from 2010: www.flickr.com/photos/peterm7/sets/72157624265105284/
Lucan Harriers on Facebook: www.facebook.com/lucan.harriersac?fref=ts
Can I use these photographs directly from Flickr on my social media ?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
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I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
I hardly ever study the churches I am about to visit. Rather, rely on my first impressions, and how the multitude of elements hang together.
This does mean, sometimes, I have missed obvious details. But for the most part, I notice what is unusual at the time.
And then upon returning home, I research the building and the history of the parish, and my main two resources are posted below.
Also, churchcrawling can be a lonely hobby, spending hours and hours pouring over details with hardly anyone to share it with. Sometimes, on a Saturday morning, we weekly church clean is in progress, and one or two wardens might ask you questions.Even fewer of them might be interested.
So, in Wormshill, talking to the ringers, I was told that there was a coffee morning on at Frinsted, and a warden might be present.
This was after I lamented that the church was locked again.
So, drive back the two miles and call in the village hall. And ask about the key.
So, this is what we did.
This resulted in a lady taking me back to her house to meet her husband, Malcolm.
Can I see inside the church?
Why do you want to do that?
I explain the Kent church project.
Are you interested in the building or fittings?
And thinking that this was because of thefts, I said if needed I would not snap the fittings if needed.
But Malcolm backtracked. Oh no, you can photograph what you want to.
Meet me at the porch in ten minutes.
So, we did.
The church was dark inside, and Malcolm told us about his church. Very proud he was too.
And it became clear why.
The chancel and north chapel were decorated.
Decorated in the English Gothic Revival, by Hussey and then, later, Scott. These have been recently renovated, using the original stencils.
It was incredible. Like The Grange transported to the countryside. I think Pugin would have liked it.
Sadly, in the north chapel, a plaster panel had dropped off, so the pews were covered and access restricted, but Malcolm unlocked the door and let us in.
I walked round with a huge smile on my face, waxing lyrical about the church, and Malcolm enjoyed telling us the story of his church.
Without doubt, the best church visit this, or any other year.
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Not for those wishing to find a medieval church, although there is evidence of an old building here in the form of a Norman window and crownpost roof. It is of interest that the nineteenth-century work carried out first by Hussey (1856) and then by Scott (1870) for the Pemberton Leigh family is in complete contrast to the work commissioned at nearby Kingsdown by the family at the same time (see separate entry). The second phase of work included the wonderful stencilling of the church, recently restored to the designs of G.G. Scott Jr. The majority of the furnishings are also Victorian and show the quality that only a fortune could buy in post-industrialised England
www.kentchurches.info/church.asp?p=Frinsted
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FRINSTED
LIES the next parish north westward from Wichling. It is written in Domesday, Fredenestede; in antient deeds, Freyhanestede; and in later ones, most usually, Frensted, alias Wronsted.
That part of this parish northward of the church is in the division of East Kent, but the church itself, and the remaining part of it is in that of West Kent.
THE PARISH extends on both sides of the valley, called Syndall, or Newnham-bottom, through which the high road leads from Ospringe, through Doddington and Newnham, to Hollingborne hill, on each side of which the hills rise very steep, the summits of them being in general covered with wood grounds. On the east side of this valley, on the hill close to the woods, is Rinsted-court; and on the hill on the west, Yokes court, and Madams-court; and still further westward, the village and church. The soil of it is poor, and covered with flints, much like that of Wichling, before described; but the rising hills on each side of the valley are mostly chalk.
There is a district in this parish, consisting of about fifty acres of land, called Minis-hill, over which the manor of Whornes-place, near Rochester, claims jurisdiction.
This parish was part of those possessions which William the Conqueror gave his half-brother Odo, bishop of Baieux, under the general title of whose lands it is thus entered in the book of Domesday, taken about the year 1080:
Hugh, the grandson of Herbert, and Adelold the chamberlain, holds of the bishop (of Baieux) Fredenestede. It was taxed at one suling. The arable land is three carucates. In demesne . . . . Three villeins having seven oxen. There is a church, and two acres of meadow and an half, and wood for the pannage of two hogs. It is, and was worth, separately, twenty shillings. Leunin held it of king Edward.
About four years after taking the above survey, the bishop was disgraced, and the king his brother seized on this estate, among the rest of his possessions, which were all consiscated to the crown. After which, this manor came into the possession of Jeffry de Peverel, and with other lands, made up the barony of Peverel, as it was then called, being assigned to him for the desence of Dover-castle, of which it was held by him in capite by barony.
Nicholas de Gerund afterwards held this manor, with the advowson of the church, of which he died possessed in the 52d year of Henry III. holding it of the king in capite, as one knight's see. After which, the family of Crombwell became possessed of it; one of whom, Richard de Crombwell, was owner of it in the 8th year of Edward II. being younger brother of Sir John de Crombwell, knight-banneret. Ralph de Crombwell, his successor, next year, obtained a charter of free warren for his lands in this parish, and at his seat here, since called Meriam-court, and now commonly, Madams-court.
In the next reign of king Edward III. this estate was again come into the possession of the family of Gerund, in which, however, it did not remain long, for Richard le Gerund leaving an only daughter and heir Maud, she carried this manor and seat in marriage to Sir Henry de Chalshunt, who in the 20th year of that reign, paid aid for the manor of Wrensted, alias Frensted, with its appurtenances, holding it by the like service, as did his descendant Henry de Chalfhunt, at his death, in the 9th year of Richard II. when it was found, that John Bedeford, Roger Tournour, Sibill Jarconville, and Agnes, daughter of Walter at Style, were his heirs and next of kin; at which time it was likewise found, that this manor was held of the manor of Ospringe.
Soon after which, this manor, with the mansionhouse, called Wrensted, and now most usually Rinstedcourt, with Meriam, or Madams-court, and the advowson of the church of Wrensted, was conveyed by sale to Robert le Hadde, who was resident here in the reign of Henry IV. being descended from ancestors who had been resident at Chart Sutton, in this county, for many generations, Rob. Hadde being of that parish in the reign of Henry III. In his descendants this estate continued down to Henry Hadde, esq. of Frinsted, who died possessed of this manor, with the advowson of the church, and the other estates above-mentioned, in the 23d year of queen Elizabeth, leaving two sons, Arnold and Matthew, who was counsellor-at-law, of Lincoln's-inn, of which he was rector, the former of whom succeeded him here, and two years afterwards, anno 25 Elizabeth, alienated this manor, with its appurtenances, together with the rest of his estates in this parish, to Edward and George Hills. Arnold Hadde, esq. after the sale of this estate, resided in St. Alphage parish, in Canterbury, as his descendants did for several generations afterwards, till the end of the last century, and several of them lie buried in that church. They bore for their arms, Gules, three bucks heads caboshed, or, borned argent, between the borns of each a cross patee fitchee, argent. (fn. 1)
Edward and George Hills joined in the sale of the manor of Frinsted, with Rinsted, alias Wrensted-court, and the lands belonging to it, to Edward Jackman, esq. of Hornchurch, in Essex, and he, in the 5th year of James I. passed it away to Oliver Style, esq. of Watringbury, who died in 1622. Upon the death of whose descendant, Sir Thomas Style, bart. who died in 1702, an agreement was entered into by his heirs for a partition of his estates among them, which was confirmed by an act, passed anno 2 and 3 of queen Anne. In this partition, the manor of Frinsted, with Rinstedcourt, was allotted to Margaret, his only daughter by his second wife, who in 1716 sold it to Mr. Abraham Tilghman, descended from those of Snodland. He was a commissioner of the navy, and of the victuallingoffice, and dying in 1729, was buried in the south isle of this church, where there is a monument erected to his memory. He bore for his arms, Per fess, sable, and argent, a lion rampant, counterchanged, crowned, or. He was succeeded here by his son Abraham Tilghman, esq. who resided here till his death in 1779. He left by Olivia his wife, one of the two daughters and coheirs of Charles Finch, esq. of Chatham, one daughter Elizabeth, who married the Rev. Pierrepont Crompe, of Newnham, in Gloucestershire, son and heir of Thomas Cromp, esq. of Newnham, in that county, by Rebecca, the other daughter and coheir of Charles Finch, esq. He bore for his arms, Or, a chevron, voided gules, on a chief of the second, three escallops of the first. He afterwards resided here, and died in 1797, leaving his widow surviving, who now resides here, and one son Robert-Thomas, and a daughter, Henrietta Maria, the former of whom is now entitled to the see of this estate.
MADAMS-COURT, formerly called Meriams-court, as has been already mentioned, passed from Arnold Hadde in the 25th year of queen Elizabeth, with the rest of his estates in this parish, to Edward and George Hills, and they joined in the sale of Meriam, or Madams-court, to Archer, from which name it passed, in the reign of Charles I. to Thatcher, by a female heir of which family it passed in marriage to Batcheler, some of whose descendants lie buried in this church, one of whom, Mr. William Batcheler, at length alienated it to James Chapman, gent. of Milton, whose son Ed ward Chapman, esq. of Otterden, died in 1765, leaving by his wife, daughter of the Rev. Mr. Dennis, of Leyborne, one son, James Chapman, esq. now of Faversham, who is the present owner of it.
YOKES-COURT is a manor in this parish, which in the reign of Henry III. was part of the possessions of Fulk de Peyforer, whose descendant William de Peyforer, in the 20th year of Edward III. paid aid for it as half a knight's fee, which he then held at le Yoke, in this parish, of the honor of Ledes.
He soon afterwards alienated this manor to Roger Northwood, who died in the 35th year of that reign possessed of this manor of Yoke, held of the king in capite, by the service of making his suit at the gate of the castle of Leeds, from month to month, in lieu of all other service whatsoever. His descendant, John Northwood, esq. died possessed of it anno 4 Henry V. leaving his two sisters his coheirs, who entitled their husbands, John Barley, esq. of Hertfordshire, and Sir John Norton, of this county, to their respective shares of their brother's estates.
From one of them this manor was alienated to John Dyggs, esq. of Barham, whose descendant James Dyggs, esq. of Barham, died in the 27th year of Henry VIII. then holding this manor in capite by knight's service. He left two sons, John, who was of Barham, and Leonard, whose descendants were of Chilham-castle. His son John Dyggs, the eldest, succeeded him in this manor, and died in his life-time, leaving a son William, whose son Christopher Diggs, esq. of Barham, having levied fines of all his lands anno 15 and 17 Elizabeth, quickly afterwards alienated this manor to Archer, from which name, in the reign of Charles I. it passed by sale to Thatcher, of which name there were inhabitants of the adjoining parish of Wormsell, as appears by the parish register there, as early as king Henry the VIIIth's reign. These of Frinsted bore for their arms, Gules, a cross moline, argent, on a chief, or, three grasshoppers proper. In the name of Thatcher this manor continued, till by a female heir Mary, daughter of Thomas Thatcher, it went in marriage to Mr. Henry Bing, of Wickhambreux, on whose death, his son Mr. John Bing, became possessed of it. He died in 1766, and was buried in the north chancel of this church, leaving one son Henry, and two daughters; Mr. Henry Bing, the son, succeeded his father in the possession of this manor, of which he is the present owner. A court baron is held for it.
Charities.
JOHN WIATT, of Milsted, by will in 1722, gave the moiety of several pieces of land in Milsted, Frinsted, and Wormsell, containing about twenty acres, for sending four poor children yearly to school, to learn to read, vested in the minister and churchwardens, and of the annual value of 2l. 4s.
The number of poor constantly relieved are about sixteen; casually twelve.
FRINSTED is, within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.
The church, which is dedicated to St. Dunstan, is situated westward from the village, but in the northern part of the parish; it consists of two isles and two chancels, the northern one belonging to the estate of Yokes-court, in it are several memorials for the Thatchers and the Bings. In the south isle is a monument for Abraham Tilghman, esq. who died in 1729. Against the north wall in this chancel, in a recess, is an antient tomb, with an engrailed arch over it. It has a square beacon tower at the west end of it, in which hang four bells. In the church yard is an altar tomb; under it, in a vault, lie buried A. Tilghman, esq. who died in 1779, and Olivia his wife; and the Rev. Mr. Crompe, and Henrietta-Maria, his daughter.
¶This church was formerly appendant to the manor of Frinsted, as has already been mentioned, and seems to have passed with it from Arnold Hadde, esq. toge ther with the rest of his estates in this parish, to Edward and George Hills, who alienated the manor of Frinsted, with Rinsted-court, to Edward Jackman, esq. and Meriam-court, or Madams-court, as it is now called, together with the advowson of the rectory of Frinsted, to Archer, from which name it passed with it, to Thatcher, in whose descendants it continued till Mary, daughter of Thomas Thatcher, carried it in marriage to Mr. Henry Bing, whose descendant, Mr. Henry Bing, gent. of this parish, is the present possessor of it.
In Strype's Stow's Survey, it is said, that in the reign of Edward III. the church of Frethensted, in the diocese of Canterbury, belonged to St. Catherine's hospital, near the Tower; and Tanner in his Monasticon, says, in patent 3 Edward III. p. 2, m. 2, is a licence for appropriating that church to the above-mentioned hospital, which cannot be reconciled to the records above-quoted, in which the advowson of the church of Frinsted is found to have been vested in the several owners of the manor of Frinsted.
This rectory is valued in the king's books at 9l. 11s. 8d. and the yearly tenths at 19s. 2d. and is of the yearly certified value of 71l. 7s. 4d.
In 1640 it was valued at sixty pounds. Communicants fifty.
The above photo has been shot with the Samsung SMART CAMERA NX20, which has been provided by Samsung Electronics. Co., Ltd.
Explaining the dangers of drug use.
Last Friday, 17 October 2014, saw Local officers join HMP Manchester Community Team in a visit to Irlam and Cadishead College.
The officers talked about the dangers of using in drugs and the wider dangers of becoming involved in crime and antisocial behaviour.
The HMP Community Team gave the young people an idea of the harsh reality of prison life and the dangers of knife and gang-related crime.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
Last Friday, 17 October 2014, saw Local officers join HMP Manchester Community Team in a visit to Irlam and Cadishead College.
The officers talked about the dangers of using in drugs and the wider dangers of becoming involved in crime and antisocial behaviour.
The HMP Community Team gave the young people an idea of the harsh reality of prison life and the dangers of knife and gang-related crime.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
Venice...floods about 100 times a year, beginning in October and running through late winter. I'm attaching an excellent article from Rick Steves's website that explains this, and also adding my personal observations and discussions with locals.
First, Steves's article, "Is Venice Sinking?":
www.ricksteves.com/watch-read-listen/read/articles/is-ven...
I spend three days and four nights in Venice in December 2019 (whence come these pictures). On two of the three days, high tide made it challenging to get around.
For those of you who have been to Venice, you know the main part of the city ("downtown," if you can call it that) is made up of 118 islands connected by over 400 (416, I think?) bridges and bisected by the Grand Canal. It's a maze. Even with Google maps, it's literally a maze, because not every bridge takes you easily from one island to another. Some are dead ends, etc. This is when it's dry.
Now, add the extra layer of rising tides that cut off even more avenues of the maze and it's an absolute headache getting around.
All of these pictures were taken as I tried (and failed) to walk across the island from Piazza San Marco on the south to the northern end of the island -- Cannaregio -- where my apartment was.
In dry conditions, this is about a 30 minute walk if you're good at navigating the maze. On this afternoon, I made it about 80% of the way back with no viable routes to walk the last 5 (well, certainly less than 10) minutes. My choices were either wait until the tide rolled out (1-2 hours) or pay a water taxi to take me. I couldn't wait and ended up paying an exorbitant fee of 60 euros to a taxi (from the train station) to take me on what would have been a 20 minute walk from there. Ouch.
Once I got back, I asked my friend Alexia whether this is normal, if it's global warming, bad luck, or what?
I was curious about whether it was normal as most of the Venetians seem prepared for this. Many had on knee high or thigh high rubber/plastic boats and slowly made their way through.
She told me that it's very normal in November, but not so much in December. It's not that the tides aren't normal (they happen every day, of course). It's the height of them.
Last month, in November 2019, I recall reading an article about Venice flooding with pictures that surprised me. On the day in question, the tide rose to 187 cm. (For those in the west, that's only 2 inches shorter than NBA star Steph Curry or, for those who know me...it's my exact height.) I'm not exactly short, by comparison, so that's a pretty tall change for a few hours.
In the pictures you see here, the tide was 120 cm./4 feet. That's certainly enough to flood the island.
Venice's quick solution to this is to throw up elevated wooden platforms as temporary sidewalks. In the main areas -- St. Mark's Square, specifically -- think of all the tourists you would normally have bottlenecked and you can imagine the slight headache of free motion. Before the tides (when it's dry), you see these supports and wooden slats stacked up and may wonder what they're purpose is. Tides more than answer that.
The following day, the city flooded again. As I was walking from my apartment to the southern end of the island to go to a museum, I got to the Grand Canal near Rialto Bridge and found myself at an impassable point...that was right in front of a gondola service. (I think I could have backtracked and made it, but no guarantee.)
I hadn't actually been on a gondola before and -- they're expensive, by the way...especially for a solo traveler (80 euro for about 30 minutes) -- decided to take one because it's Venice and if you're ever going to ride a gondola, it should be here.
The gondolier took me from just south of the Rialto Bridge up the Grand Canal just past the Rialto Market, and back. All in all, not very far (and I didn't check time, but I doubt it was 30 minutes).
However, we got to talking. I asked how the flooding impacts tourism and business and he says there are far fewer tourists now who are simply scared of floods. (The attached Rick Steves article points out why you may not need to worry much.)
The gondolier said that the tide on Sunday reached 125 cm (4'2"), though it didn't seem nearly as high as the previous day. I did actually walk across half the island reasonably easily, so I was thinking he's probably toning down the reality a little because it affects his livelihood. However...just a little. The things he said that I believe are that, "When the tide reaches 140 cm., this is a bit too much for the city to handle."
He also told me some facts about the city that have nothing to do with the flooding, yet I found interesting: There are 50,000 residents on the main islands and an apartment/house of 90 square meters (900 square feet) runs about 400,000 euros. So if you're in the market to move to Venice for the joy of wading through water, that's the cost of it.
After the gondola ride, I ended up hopping on a vaporetto (city bus, but on the water). They run up and down the Grand Canal. (You can see a "stop" in some of my Snapshots of Venice pictures; it's a little enclosed building with yellow trim around the top of it.)
Normally, vaporettos run 7.50 euro for a ticket valid for 75 minutes. They come by every 15 minutes or so. However, I never saw where to buy tickets so ended up taking a handful of vaporetto rides for free. I think three in total.
This particular one took me from next to the gondola service down to Accademia. The Gallerie dell'Accademia is there (lots of Tintoretto, Titian, Tiepolo, Bosch), directly in front of the Ponte dell'Accademia. For my purposes, the Guggenheim Collection is also here, but about a five minute walk on dry land to get there.
However, it was isolated by the tides and I ended up taking off shoes and socks, rolling up my pants, and wading through some bitingly cold (but not dangerously so) water to get there. All told, it was probably about 100 yards at most in water that was just over ankle deep. But, you still have to walk it slowly. Afterwards, I think it took my feet about 10 minutes to regain normal warmth/sensation. (Fortunately, after an hour in the museum -- which was nice, but not as nice as I had hoped -- the tide had receded enough that I didn't have to wade out. The sidewalk was still completely underwater, but only an inch or two by this point, which you can walk through. You tend to see locals walking through water like this balancing on their heels and keeping their toes in the air.
Am I personally satisfied that Venice isn't sinking? No. The Steves article does mention Italy's long-term solution to this, but I don't buy it. I don't know what the future holds, though, and won't be around to see the worst effects of it, I feel. I can say that the city's future is tenuous at the moment, but the present...is fine, if sometimes slightly inconvenient.
BUFORD, Ga.--The U.S. Army Corps of Engineers Savannah District hosted a workshop for project managers with the Georgia Department of Transportation and other environmental consultants to discuss updated regulations for culverts, Dec. 4, 2012. The Corps’ Savannah District is the lead federal agency for administering Section 404 of the Clean Water Act, which regulates the discharge of dredged or fill material into U.S. waters. As part of the new 2012 regional conditions for Section 404 nationwide permits, the Corps’ explained the techniques for installing a culvert to promote fish passage through the stream channel. The regional conditions for culverts aim to improve hydrologic conditions, stream habitat and other ecological factors. Representatives from the U.S. Fish and Wildlife Service also participated in the workshop. Participants also visited the State Route 347/Friendship Road widening and improvements project site in Hall County, Ga. USACE photo by Richard Morgan.
Alex Jones explains the Syria war KiskiPlanter 2013. LISTEN TO THIS!
www.youtube.com/watch?v=IObkolEBJYY
Pres. O. wants war in Syria and says he can wage war with who he wants, but says congress can vote on it if they like. The nobel peace prize war hawk does not car what the US Congress, Russia, or the UN thinks, he is dictator.
Adam Kinzinger: Wants War War War!
(Trying to stop more war: KiskiPlanter-News September 3, 2013)
Rep. Alan grayson: Some good questions on war in Syria. Seems to be a no vote.
(KiskiPlanter-News September 3, 2013)
Rep. Tom Cotton, R,Arkanas. War War War. Weary of people being war weary. Wants war now.
(KiskiPlanter-News September 3, 2013)
Jaun Vargus. D, California: asks:"Are you being truthful because I because I need you to promise your not lying because people are afraid of anther Iraq". Will likely vote yes since Obama's people said they are telling truth.Vargus is dumbest questioner I saw.
(KiskiPlanter-News September 3, 2013)
Rep George Holding: Can we be hurt by retaliation? Can Russia hurt us and is Russia a superpower. Sec of State John Kerry responds that Russia will not get involved.
(KiskiPlanter-News September 3, 2013)
Brad Schneider D, Illinois. Confused questions. Asks will Russia get involved. Sec of State John Kerry responds No. At one point Kerry says it’s safe.
(KiskiPlanter-News September 3, 2013)
Randy Weber R. Texas: Says intervention is bad option. Millions to a billion $ per day cost. Asks for guarantee of peace, Sec of State John Kerry responds no guarantee of peace
(KiskiPlanter-News September 3, 2013)
Rep. Ami Bera: Thanks obama for graciously letting congress vote before taking war action. Similar clueless questions like Rep. Castro asked.
(KiskiPlanter-News September 3, 2013)
Scott Perry R, PA. Asks if Pres. Obama will listen to a no vote to start a war in Syria. Sec of State John Kerry responds Obama will make war regardless of congress.
(KiskiPlanter-News September 3, 2013)
Tulsi Gabbard.D, Hawiie Former Military medical. Says Obama's path has unclear objective, that does not make sense. Looks like a no vote. Thank you.
(KiskiPlanter-News September 3, 2013)
Ron Desantis. Asks if this strike will scare Assade, what is replacement. Sec of State John Kerry responds Assade is secular; we need rebels that support minority groups.
(KiskiPlanter-News September 3, 2013)
Rep. Castro, is open to Missile strike. Basically asks Sec of State John Kerry for pre made answers to repeat to his electors. Not a statesmen, just place holder that will vote to war with a total stranger he knows nothing about.
(KiskiPlanter-News September 3, 2013)
Luke Messer: Thanks Obama for graciously including the congress in deciding. yes to war, based on the liar Sec of State John Kerry. Nothing to say but blaw blaw.
(KiskiPlanter-News September 3, 2013)
Rep Doug Collins R. Georgia.Rep Doug Collins R. Georgia. Asks some "take up time" type questions.
(KiskiPlanter-News September 3, 2013).
Rep. Ted Yoho, R. Flordia: Some good questions on war in Syria. Seems to be a no vote.Thank you!
(KiskiPlanter-News September 3, 2013)
Back in 2005, I found a great description of IA in an article by Peter Kantor. As far as I'm concerned, the 2 quotes together are the best description of IA I know.
From a visit at the Quinta da Pacheca winery, Portugal for a tour and some deliceous lunch/wine tasting - September 17, 2018.
Eric Fischl Painting at The Centro Cultural de Belém, Lisbon, Portugal
Contax G1
Carl Zeiss Biogon 28
Kodak Max 800@640
Right, lets try and explain this one.
1 main brand name consists of 5 letters indicated by white circles outlined in black ie, letters are also white outlined in black. Tag line comprises 2 words, 1st word has 5 letters in black, 2nd word has 10 letters in a pretty turquoise type hue.
Unless you are 'into' this type of activity, it may elude you.
Paul van Bijsterveldt, one of our friendly neighbours and co-founder of vanBijsterveldt&Daamen B.V. Training en Advies offered to give us a quick introduction course to various aspects of motorized chainsaws.
We covered aspects such as the safety features of a chainsaw, proper clothing and protection, care, field-stripping and maintenance.
We learned how to operate the machine in a safe manner, as well as refueling and oiling procedures, how to ensure proper chain tension and how to sharpen the chisels on the chain.
It was very educational and quite a lot of fun too.
Street candid taken of a young boy explaining something to his mum. Because he's so young and not so articulate he was was taking more with his hands than his mouth.
This is a photograph from the fourth annual running of the "Mullingar 10" - a 10 mile road race and fun run which was held in Dalystown, Mullingar, Co. Westmeath, Ireland on Sunday July 17th 2017 at 11:00. The race was organised by Mullingar Harriers who promoted the event. There was almost 280 participants in the event. The race follows a simple 'figure of 8' route. The race starts from Dalystown National School and heads north briefly to Dalystown cross-roads where there is a left turn which brings runners along the L1122 road. The only real cross-over of the route is at the 2.5 and 7.5 mile mark. The race completes a loop between 2.5 and the 7.5 mile mark which brings runners into the locality of Ballinagore. The final 2.5 miles of the race brings runners back through Cloneheigue and the final 1.5 miles of the race is along straight road heading north back to Dalystown and the finish outside of Wallace's Pub which is just off the N52 road.
The course was a mixture of long straight level sections of road with some short rolling hills which made for a challenging but an overall fair course. The race took place is warm temperatures with a strong southerly breeze in the face of runners for stretches along the route. However some beautiful mature hedgerows along the mostly rural roads provided shade and shelter from the sun for runners. This race has actually had excellent weather for its first four years with some runners saying that temperatures may have even been a bit too high for distance running.
This was the fourth year of the event it has become an annual fixture on the calendar. The running calendar today shows a marked shortage of races at the 10 mile distance and this was one of the original reasons this distance was chosen for this race. Clubs from all over the North Leinster region and beyond were represented today. Refreshments were provided outside Wallace's Pub at the Finish line. Well done to Mullingar Harriers and all the many volunteers who helped make today's race a wonderful success.
Our full set of photographs from the start and finish of this year's race is available here on Flickr at www.flickr.com/photos/peterm7/albums/72157686310944525
Dalystown is very much a picture of the classic rural Irish parish and is situated about 7 miles south of Mullingar just off the N52 road to Tullamore Co. Offaly. The lands of Dalystown is situated at the south east corner of Lough Ennell which is the dominant geographical feature around this part of Co. Westmeath.
Electronic Timing and Event Management was provided by MyRunResults and their website is www.myrunresults.com
Race Headquarters at Dalystown National School: www.google.ie/maps/@53.4351401,-7.3851583,3a,75y,270h,90t...
Photographs from the 1st Mullingar 10 Mile in 2014: www.flickr.com/photos/peterm7/sets/72157645912529346
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
St Matthew, Portman Road, Ipswich
In the 1960s, Ipswich went mad. Town planners devised a scheme whereby the population would rise towards half a million, and the existing town centre would be encircled and crossed by urban motorways. They didn't get very far before the men in white coats came and took them away, releasing them into the wild somewhere like Croydon or Wolverhampton; but the towering Civic Centre, the brutalist police station and courts buildings were evidence of their ambitions (the Civic Centre has since been demolished), and the four lane Civic Drive cuts across what was the Mount residential area, the little terraces all demolished to make way for the 20th century.
Now, the new Ipswich plan designates this whole area for residential use, and the civil servants have all moved down to the river. This new plan, if it emerges, can only serve St Matthew well, sitting beside Civic Drive as it does, and cut off from the town centre by it.
St Matthew is, perhaps, less well-known than the other working town centre churches. Partly, this is because it is the only one of them which is kept locked, but also because it is such an effort to get to if you are a visitor. Because of this, many people don't realise that it contains a treasure of national importance. It is the early 16th Century font, which is quite unlike any other in Suffolk, and perhaps is unique in England.
Before we come to it, the church building itself is worth examining. This must once have been quite a small church, but is now a big one. Its core is 15th century, including the lower part of the tower. Nothing else is. Its 19th century expansion can be explained by the proximity of the Ipswich Barracks, for this became the Garrison church. This resulted in the huge aisles, as wide as the nave. The chancel was also rebuilt, but retaining its medieval roof.
Until 1970, the church was hemmed in to the east, but the construction of Civic Drive opened up this view, which isn't a particularly good one, particularly from the north east. It comes as a surprise to find the west end on Portman Road quite so pastoral, but the hidden graveyard surrounding the tower is quite beautiful, and would once have been the familiar view. Ancestor hunters will be horrified to learn that the greater part of the graveyard was built over in the 1960s, with the construction of a church school to the south. All those graves are under the playground now. The part of the graveyard to the east fell foul of the road, and those immediately beyond the chancel were turned into a garden, now the preserve of homeless drinkers. A footpath runs along the north side, which will take you through to the main entrance, the west door, under the tower. You step into a broadly Victorian interior, and find the font in the north aisle.
East Anglia is famous for its Seven Sacrament fonts, 13 of which are in Suffolk. These show the seven sacraments of the Catholic Church, and are rare survivals; so much Catholic iconography was destroyed by the Protestant reformers of the 16th century, and the Puritans of the 17th century.
Here at St Matthew, we find an even rarer survival of England's Catholic past; a series of images of events associated with the Blessed Virgin Mary.
Before describing it, I have to make the point that this really is one of the dozen most important and significant medieval art survivals in Suffolk, and one of the finest late medieval fonts in England. There is nothing as good as this in the Victorian and Albert Museum, or in the British Museum. I make this point simply because on every occasion that I have visited, the person accompanying me (they don't let you vist the church on your own) did not seem to realise quite how important the font was, and gave the impression that the parish, though they care for it lovingly, also did not realise what a treasure, what a jewel, they had on the premises. "It's quite pretty," said the lady when I visited in September 2016.
Of the eight panels, two bear Tudor roses, but five of them depict events in the story of Mary, mother of Jesus. These five reliefs, and a sixth of the Baptism of Christ, are amazing art objects. They show the Annunciation to the Blessed Virgin, The Adoration of the Magi, the Assumption of the Blessed Virgin, the Coronation of the Queen of Heaven, and the Mother of God Enthroned. The guide books all describe these as the five Joyful Mysteries of the Rosary. In fact, this is technically not the case, although certainly the font was intended for use in rosary meditations. After extensive research, the late John Blatchly showed convincingly that this font was paid for by the Rector John Bailey to celebrate the Miracle of the Maid of Ipswich, which occured in the parish in 1516 and was held in renown all over England in the few short years left before the Reformation intervened.
We know that the rosary was a hugely popular devotion in medieval England, and that a persons 'bedes' were their most valued possession. They played a major part in personal devotion, but were also important as a way of participating in the liturgy, and an expression of communal piety. Most pre-Reformation memorials show people holding their rosary beads. However, what we now think of as the Rosary sequence only dates from the 14th century or so, and was only one among many - the so-called Dominican Rosary, which is now the predominant meditation. The rosary was greatly popularised in England by St Thomas of Canterbury in the 12th century, who devised a series of seven joyful mysteries, including the Adoration of the Magi and the Assumption. Most sequences were of five meditations, and we must presume that this is what we find here. In time, the Joyful Mysteries would come to be Mary's earthly experiences, and the Glorious Mysteries her heavenly ones.
Because personal devotion was considered a diversion from congregational worship, and Marian devotion was thought superstitious, the rosary was completely anathematised by the 16th century Protestant reformers, and attempts were made to write it out of history, by destroying images of it. Within forty years of this font being produced, possession of rosary beads was punishable by death in England.
The survival of an image of the Assumption is particularly interesting. We still have much surviving evidence of religious life in England before the Church of England came along, but it does not really reveal to us the relative significance of different devotions, simply because some of the major cults and their images - St Thomas of Canterbury, for instance - were ruthlessly rooted out and destroyed. The Assumption is another case in point. 15th and early 16th century wills and bequests reveal a great devotion to the Blessed Virgin, particularly to the feast of the Assumption, which is celebrated on August 15th.
This is at the height of the harvest, of course, and it is not difficult to see the connection between this feast and the culmination of the farming year, or the importance to farmworkers of a festival at this time. More than 200 Suffolk parish churches were dedicated to the Assumption. When the dedications of Anglican churches were restored in the 19th century, after several centuries of disuse, these generally became 'St Mary', although some have been restored correctly since, notably Ufford. The Church of England, of course, does not recognise the doctrine of the Assumption.
Of equal significance are the other images, of course; extraordinary survivals. And why the Baptism of Christ? In fact, this is the most common 'odd panel out' on the Seven Sacrament fonts, and shows us the significance of 'anointing to serve' in the medieval church. The medieval church didn't see Baptism as a mere naming ceremony, or welcoming ceremony, as so many people seem to do today. It was the sacrament by which people received their commission as Christians.
The north aisle also retains panels from the rood screen, built into a 19th century screen.You might miss these, because chairs are stacked against them. Three of the panels show bishops, and the other two show cheering crowds of seven and nine people respectively. I do not think that these can be in their original configuration. Roy Tricker thought that the crowds were portraits of parishioners, but I have seen elsewhere a suggestion that this may have been the screen to the chantry altar of the guild of Erasmus, which was established here.
There is clear evidence of the location of at least one nave altar, since a squint kicks in from the north aisle. There are two good 17th century wall memorials in the chancel, the best being to Anthony Penning and his wife, depicting their children weeping, some holding skulls to show that they pre-deceased their parents.
Much of the 19th century woodwork is from the workshops of two major 19th century Ipswich carpenters, Henry Ringham and John Corder. Ringham's work can be found in several Suffolk churches, most notably St Mary le Tower and Great Bealings, while Corder was an architect responsible for several restorations, including Swilland. Both have Ipswich roads named after them.
The church has an extensive collection of late 19th and early 20th Century glass, not all of it good, but happily by a wide variety of workshops. The great curiosity is the window in the east end of the south aisle, which depicts Jane Trimmer Gaye, wife of a 19th Century Rector, flanked by female members of her husband's flock with images of birth and death. It was designed by her brother Frank Howard, and made by George Hedgeland. Another oddity is Percy Bacon's Christ flanked by St Edmund and St Felix - for the last hundred years the Saints have stood there with their names transposed.
There is a frankly functional modern screen, with a curious Anglo-catholic style rood, which looks most out of place, for St Matthew today is very much in the evangelical tradition. But the lady who allowed me entry thought it 'nice', so I expect nobody minds.