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This is a outcome from experimental photography brief it combines several experimental film processing and digital manipulation techniques.
© This is the Racine Light station and used Artist Sketch feature. Not bad, I should have made just a little darker
No idea how this happened?. Some strange filter on the camera?
Would like to know how to duplicate it..
EBR-1 Experimental Breeder Reactor Atomic Museum
This is the reflector repair room. A reflector made of uranium-238 “bricks” surrounded the reactor core. When penetrated by neutrons, the atoms of uranium-238 converted to plutonium-239, the new fuel bred at EBR-I. Using the machinery around you, an operator looking through the window could remove and replace the bricks one by one.
My Swyft with some experimental color application. This is a little crude but now that I know how to do it I can be more creative. Cut the Solite pattern out. Use some scotch tape to separate the Solite from its backing material. Spray the wing with Windex and lay the Solite onto the wing. You can then slide it around easily until you get it positioned right. Let it dry overnight and that is it. Adds virtually no weight. The sheet that comes with the Solite says it weights 0.6 ounces per square yard. The little trim strips I put on must add almost no weight.
Christmas Eve night just screwing around with the camera. The blurs weren't intentional but I thought they were cool and left them.
Professor Golan Levin and (TA) Claire Hentschker presented an exhibition of student projects from “Experimental Capture”, an interdisciplinary course in which students come to understand and build representations of the world using devices that sense beyond the limits of human perception.
Featuring projects by:
Alicia Iott, Aman Tiwari, Anna Henson, Bo Kim, Cameron Burgess, Caroline Hermans, Chloe Desaulles, David Gordon, Evi Bernitsas, Faith Kim, Geep Warhaftig, Hizal Çelik, Jason Ma, Kaitlin Schaer, Kristin Yin, Lingdong Huang, Pierre Amelot, Smokey Dyar, Soonho Kwon, Sydney Ayers.
OFFF is a cutting-edge festival exploring the latest in digital aesthetics and software language. OFFF festival brings together the artists that are breaking ground and shaping new standards in media and design, becoming the essential meeting point for the international scene of digital creation. OFFF is the only event of this kind.
Since 2001, OFFF festival has been held in Barcelona- Spain, becoming the globally recognized and trendsetting event it is today. This November 2007, OFFF festival will also be held in New York City, at the Tribeca Performing Arts Center.
The three-day festival showcases top digital artists, web, print and interactive designers, motion graphics studios, and new music adventurous. OFFF festival provides insight into all culture media platforms. OFFF dreams about the digital future, and then writes the code for it.
Over 60 international artists meet at OFFF festival. They include legends of graphic design and visual communication such as Neville Brody, Stefan Sagmeister, Tomato and Kyle Cooper; recognized software artists such as Jared Tarbell, and Daniel Brown; explorers of advanced interaction like James Paterson & Amit Pitaru, John Maeda and Craig Swann; innovators of the moving image like We Work For Them, Motion Theory, Buck and Renascent; and the most important names that have defined the aesthetics of the experimental and creative side of the Web: Joshua Davis, Yugo Nakamura, Josh Ulm, Hillman Curtis and Erik Natzke.
These artists come to OFFF not only to share their latest works and techniques, but also to artistically explore in this limit-free environment. OFFF is more than a design conference, a multimedia trade fair, and a digital animation festival -- OFFF is three days for artists to play, work, enjoy, and experiment. They do so while mingling with the audience; thus creating the unique and indescribable gathering that makes OFFF what it is.
Experimental Duotone of an image I took of a flower girl at Tricia and Stuart's wedding. Taken at night with flash then edited as a duotone
Professor Golan Levin and (TA) Claire Hentschker presented an exhibition of student projects from “Experimental Capture”, an interdisciplinary course in which students come to understand and build representations of the world using devices that sense beyond the limits of human perception.
Featuring projects by:
Alicia Iott, Aman Tiwari, Anna Henson, Bo Kim, Cameron Burgess, Caroline Hermans, Chloe Desaulles, David Gordon, Evi Bernitsas, Faith Kim, Geep Warhaftig, Hizal Çelik, Jason Ma, Kaitlin Schaer, Kristin Yin, Lingdong Huang, Pierre Amelot, Smokey Dyar, Soonho Kwon, Sydney Ayers.
Professor Golan Levin and (TA) Claire Hentschker presented an exhibition of student projects from “Experimental Capture”, an interdisciplinary course in which students come to understand and build representations of the world using devices that sense beyond the limits of human perception.
Featuring projects by:
Alicia Iott, Aman Tiwari, Anna Henson, Bo Kim, Cameron Burgess, Caroline Hermans, Chloe Desaulles, David Gordon, Evi Bernitsas, Faith Kim, Geep Warhaftig, Hizal Çelik, Jason Ma, Kaitlin Schaer, Kristin Yin, Lingdong Huang, Pierre Amelot, Smokey Dyar, Soonho Kwon, Sydney Ayers.
EBR-1 Experimental Breeder Reactor Atomic Museum
Some radioactive liquid metal remained on the fuel rods when they were removed from the reactor core. Liquid metal was washed off in the hole covered by the bright metal plate in the floor to your left. Rods were then stored in the individually numbered holes, known collectively as the rod farm. The chalkboard was used to keep track of the spent rod inventory.