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A charismatic man has dated some of the most gorgeous women who walked the earth, yet in the end becomes smitten with a wacky unique woman who can be pretty but doesn't mind being just cute and funny looking.
In married life, he experiences his wife glowing and fully pregnant and relishing the experience of motherhood, because part of her admits she worried she'd never get there.
In her funny-looking ways, she talks to her baby but is made fun of because she sounds cute when she's trying to sound intellectual or tough and gets no respect from authorities, men, or other women who sound tougher.
There are many moments where she is patronized, and not taken seriously though she is very intelligent. Sometimes she is judged based on how she sounds.
She is the most beautiful mother with her child, but she has to learn from her husband how to be the "Motherlode" to finally get respect.
She goes through speech lessons, and military training and transforms from a wacky-looking Punky Brewster to becoming a military mom.
She revisits those who have made fun of her patronized her and given her no service dressed as a British Coast Guard and talks trash like no one's fucking business. She gets premium service for herself and her daughter and as the movie goes along, there is talk about how to read baby grunts, sounds, body language, and training on how to be a mother.
She talks to promiscuous teenagers who are thinking of losing their virginity and want to be mothers prematurely about the honor and potential pitfalls of being a mother by visiting an abortion clinic for the newly pregnant and speaking in her local high school.
She doesn't sugarcoat and talks about life trying to bring about life in a way that is both responsible, beautiful, ingenious, and a warning telling the truths about motherhood.
She talks about the miracle of life, and how fragile it is, with the wisdom of a mother.
A teenager is considering abortion because she learns that her child will have Down's syndrome and thinks it will be an exhausting drain of her time and money. Her mother says the child shouldn't be killed and to have the option to give up the child to the foster system. The teenager is cynical, but relents.
Footage of a growing child is shown. The Down's syndrome baby is born. He's very cute on his trike and communicative later and goes to his adopted Dad.
The End.
Encosta que Cresce faz a alegria dos brasilienses em frente ao Mané Garrincha
www.facebook.com/blocoencostaquecresce/
www.instagram.com/blocoencostaquecresce_/?hl=pt-br
Fotógrafo: Zeca Ribeiro 61.98206.4161 zecaribeiro7@globo.com
🎉Que Carnaval lindo foi esse que a gente fez?! :O ARRASAMOS!
Queremos agradecer o bom comportamento de todos, demos um show de cidadania! Sabemos os desafios de ter grande público e tudo correu super bem. Somos gratos <3
Agradecemos o apoio do Governo de Brasília, a Polícia Militar e os nossos patrocinadores: Barbearia Dom Cabral, Pizza à Bessa e AMBEV.
Agradecemos a participação dos food trucks, ambulantes e toda equipe do Cidade Limpa, que mantiveram não só durante o evento, mas também durante toda a madrugada, a limpeza da cidade.
Nossas expectativas foram para lá de realizadas! Um mar de gente no centro de Brasília, fantasiados, emanando paz, foi contagiante e arrasador! Quanta energia o/
Ano que vem tem mais! Mais Axé, mais amor, mais alegria e muita diversão para você!
Obrigado Encosteiros! <3
#carnavalDF #carnaderua #carnaval #mask #art #mascara #fantasia #descemasnaosobe #carnaval2018 #trio #correratrasdotrio #carnadadiversidade #diversao #batucada #percussão #parque #urbano #blocoderua #musica #blocoencostaquecresce #pintinho #blocodopintinho #encostanotrio #encostacomosamigos #bebida #soupintinho #GinásioNilsonNelson #BSBCarnaval
Olivia Laskowski was visiting Nashville, and was expecting to fly home to New York Dec. 27, when she received a text from Southwest Airlines telling her that her flight had been canceled. Four days later, Pretzel, the Siamese cat of Ms. Laskowski, was finally home in Brooklyn.
Southwest sent her a text message with a link to help her explore other travel options. However, Ms. Laskowski (25 years old) tried to rebook her Southwest flight, but the next available flight was not until Jan. 11. Ms. Laskowski ended up buying a new ticket through JetBlue for $478, which included $125 for Pretzels and $80 for bags. She returned home Dec. 30. Southwest informed Ms. Laskowski she would be reimbursed for the original ticket and she plans on submitting her JetBlue receipt to get reimbursement. Southwest has already offered her 25,000 points in exchange for her troubles.
"Sometimes, you get extra expenses and you just sort of brush them off and take them as they are," stated Ms. Laskowski who is a Partners Coffee marketing manager. It's the kind of money I would really like to have back, as it is the amount that makes a huge difference to me as a young man who lives in one of the most expensive cities in the country.
Southwest Airlines cancelled thousands of flights in December because of bad weather that disrupted holiday travel plans of thousands. While other major airlines recovered quickly, Southwest's inept computer systems left many customers stranded for days. Others
www.dream11today.com/stranded-by-southwest-and-stuck-with...
not really how i was hoping these would come out, but what can you expect from just waving your arms around
This lucky photographer has the joy of photographing the 'ever willing to pose' wife :) This was taken down near the docks in Freo just off the main road. There were plenty of curious spectators about so getting a relaxed pose was quite a task :)
Studio Location:
Bianca Hubble Photography
78 E Leatherwood Rd, Toccoa, GA 30577
(866) 737-7582
I also offer Newborn Photography based out of my Flowery Branch and
Athens studio locations.
Muita expectativa e animação foram marcas registrada do nosso evento e as atrações não decepcionaram. Teve muito rock, mas também teve reggae, alto astral de sobra, gente bacana e alegria contagiante. Dá só uma olhada no que rolou por lá no 1º dia de evento.
This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.
This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.
Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.
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"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."
en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art
crystalbridges.org/nature-trails/
...
George Washington, c. 1821
Gilbert Stuart
West Building, Main Floor — Gallery 60-A
The leading portraitist of a new nation, Gilbert Stuart painted each of the first five US presidents from life. Trained in England and Ireland, the artist introduced a looser, brushy style to American portraits, painting figures that were both grand and lifelike.
Stuart was also a shrewd businessman. He made many copies of his presidential paintings, especially those of George Washington, to sell to eager patrons. Stuart reportedly told a friend, “I expect to make a fortune by Washington alone.”
He created just two full sets of the five presidential portraits, meant to be displayed together. One set was partially destroyed in a fire. This is the only surviving complete group.
Shown from the chest up, a cleanshaven, middle-aged man with pale skin and silvery gray hair, wearing a white, ruffled shirt under a velvety black, high-necked jacket, looks out at us in this vertical portrait painting. His body is angled to our left, and he turns his face slightly to look at us with gray eyes under slightly arched eyebrows. He has a long nose and his thin lips are closed in a straight line. Shadows define slightly sagging jowls along his jawline and down his neck. His light gray hair is pulled back from his forehead and swells in bushy curls over his ears. Part of a black ribbon seen beyond his shoulder ties his hair back. Light illuminates the person from our left and creates a golden glow on the light brown background behind him.
Gilbert Stuart’s ambition when he left Dublin in 1793 was to paint the first president of the United States – he supposedly declared to a friend: “I expect to make a fortune by Washington.” After the artist traveled to Philadelphia in the late autumn of 1794 with a letter of introduction from Chief Justice John Jay, the president sat for Stuart sometime the following year. Attracting commissions from prominent patrons in the colonies and abroad, Stuart’s portraits of Washington were a success from the start, and two more such sittings would occur over the next several years.
One of four Stuart portraits of George Washington owned by the National Gallery, this 1821 work is derived from Stuart’s second life portrait from 1796 (now jointly owned by the Museum of Fine Arts Boston and the National Portrait Gallery). Here, Washington is shown looking to the left, wearing a black velvet suit and a white shirt with a ruffle of lace or linen. The work demonstrates Stuart’s extraordinary ability to capture an individual’s likeness, which was based on a gift for assessing each sitter’s personality through conversation and on his close observation. Each portrait reflects Stuart’s knowledge of anatomy and his belief in theories of physiognomy, which hold that a study of the outward body can reveal a person’s character.
Over the course of his career, Gilbert Stuart painted at least 100 portraits of George Washington, most of them also copies of the 1796 painting. Centuries later, Stuart’s portrayal of Washington remains the best-known image of the United States’ first president—as writer and critic John Neal wrote in 1823, “So, Stuart painted him; and though a better likeness of him were shown to us, we should reject it; for, the only idea that we now have of George Washington, is associated with Stuart’s Washington.”
More information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century, pages 265-266, 268-270, and 273, which is available as a free PDF.
Gilbert Stuart was the preeminent portraitist in Federal America. He combined a talent for recording likeness with an ability to interpret a sitter's personality or character in the choice of pose, color and style of clothing, and setting. He introduced to America the loose, brushy style used by many of the leading artists of late eighteenth century London. He recorded likenesses of lawyers, politicians, diplomats, native Americans, their wives and children. His sitters included many prominent Americans, among them the first five presidents, their advisors, families, and admirers. He is known especially for his numerous portraits of George Washington.
Born in 1755 in North Kingston, Rhode Island, Stuart was baptized with his name spelled "Stewart". His father, an immigrant Scot, built and operated a snuff mill that may have led to the artist's addiction to snuff. He grew up in the trading city of Newport, where itinerant Scottish portraitist Cosmo Alexander (1724-1772) gave him his earliest training in painting. He accompanied Alexander to Scotland in 1771, returning home at the older artist's death. Three years later in 1775, on the eve of the American Revolution, he went to London, where he worked for five years (1777-1782) as assistant to the Anglo-American painter Benjamin West. He exhibited at the Royal Academy from 1777 to 1785, using the name Gilbert Charles Stuart the first year. The success of The Skater (NGA 1950.18.1), painted in 1782, enabled him to establish his own business as a portrait painter. In 1786 Stuart married Charlotte Coates, and the following year they went to Dublin, where Stuart painted portraits of the Protestant ruling minority for over five years.
Stuart returned to the United States in 1793, planning to paint a portrait of George Washington that would establish his reputation in America. After about a year in New York City, he went to Philadelphia, the capital of the United States, with a letter of introduction to Washington from John Jay. He painted the president in the winter or early spring of 1795. He was not satisfied with his first life portrait of Washington, but others were. Martha Washington commissioned a second and Mrs. William Bingham commissioned two full-lengths. His success led immediately to many other commissions. His sitters were politically prominent and wealthy, from the merchant and landed classes. After Washington, D.C. became the new national capital, Stuart moved there in December of 1803, and this group continued as his patrons. There he painted the Madisons, Jefferson, the Thorntons, and others from Jefferson's administration.
In the summer of 1805 Stuart settled in Boston. In his Roxbury studio he continued to paint politically and socially prominent sitters and, on request, to make replicas of his second "Athenaeum" portrait of George Washington. Throughout his life younger artists, including John Trumbull, Thomas Sully, Rembrandt Peale, and John Vanderlyn, sought his advice and imitated his work. Among his students were his children Charles Gilbert (1787-1813) and Jane (1812-1888). One indication of Stuart's popularity is the number of portraits he painted, over a thousand during his long career, excluding copies of the portraits of Washington. Another indication is the number of copies of his work that other artists made. His sitters indicated their fascination for his talent and personality by recording lengthy anecdotes and descriptions of their sittings, producing an unusally rich written record about an American portraitist. Stuart died in Boston in 1828. [This is an edited version of the artist's biography published in the NGA Systematic Catalogue]
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
Expect better life
Expect jobs
Expect wealthy family
Expect goodwill
Expect health
Expect friendship
Expect hope!
Don't expect sorrow
Don't expect injuries
Don't expect bad luck
Don't expect stupidity
Don't expect regret
Don't expect...lush (expect love!)
Don't expect the impossibilities (if any)!
Muita expectativa e animação foram marcas registrada do nosso evento e as atrações não decepcionaram. Teve muito rock, mas também teve reggae, alto astral de sobra, gente bacana e alegria contagiante. Dá só uma olhada no que rolou por lá no 1º dia de evento.
My apologies for not uploading for so long! This semester has been so stressful! Here's some work...
Our understanding of work is changing fast. Whereas once we could expect to work in the same employment or industry, our careers are now far more flexible. Automation, outsourcing, gender balance and the need to upskill all greatly impact our careers.
Industrialised societies are facing challenges unforeseen a generation ago. And while working hours become less predictable, productivity expectations keep increasing. So what lies ahead for Australian workplaces and workforces? And will we be able to retain a healthy work-life balance?
Join the Vice-Chancellor, Professor Glyn Davis AC, and Australia’s foremost experts on workplace culture and development for a panel discussion, then network with fellow University of Melbourne alumni.
PANELLISTS -
PROFESSOR LESLEY FARRELL
Associate Dean Research, Melbourne Graduate School of Education
DR JOSH HEALY
Senior Research Fellow, Centre for Workplace Leadership, Faculty of Business and Economics
PROFESSOR JILL KLEIN
Professor, Management and Marketing, Melbourne Business School; Professorial Fellow, Melbourne Medical School
Photo by Robert Catto, on Monday, 4 June 2018. Please credit & tag the photographer when images are used - @robertcatto on Instagram & Twitter, @robertcattophotographer on Facebook.
to news in a trembling voice
full of expectant raw emotion
it stops even giants in lovestruck steps
it's thirteen lucky years of harmony weve shared
since she was just sweet sixteen
and into our own little world we're expecting bundles of joy
not to cover cracks but to add to a union of strength
first born soon to be caught in the warmth of our embraces
my loves you are the secret of my completion
my hopes and my wonder
and soon we will be family
to you and us and everything
m
Here's something I didn't expect, though you'd think I'd have picked it up from the name. There was water at Death Valley's Badwater Basin. I thought at first this might be remnants of the same storms that washed out so many of the valley roads, but I've since learned this little pool is here all the time. A huge aquifer underlies Death Valley and extends deep into Nevada. Residence time for water in this aquifer is enormous. This is ice age water, finally emerging at this spring after seeping into the ground as many as 15,000 years ago.
You might think a reliable source of water in this unwatered place would have been a more popular destination than it is, but this water flows through a deep layer of halite before it emerges. It's very salty, too salty for most organisms. Things do live in this water, though. This is the home of the tiny Badwater snail, which lives in only a few Mojave Desert springs. I suspect the park service built it's little half-boardwalk here in part to keep people from stomping into the water, trampling the snail into extinction.
I've kind of lost track of expected delivery times and what not, but Amazon delivered the Legacy Elita-1 figure, which was honestly a neat surprise when it was announced, as it meant I would be getting more than one Legacy figure.
She's not a bad little bot - different looking from what we've seen recently for the character (Titans Return), but recognizable as her due to the trademark colour scheme and of course head sculpt. It's already a known thing that the the toy will be repurposed for a Minerva release, though preorders have not been found anywhere.
Articulation is the standard level for a Deluxe, though shoulder articulation is hampered by the backpack/shoulder pads. So, you standard action poses, with the extreme posing stuff still pretty much the territory of MPs and Third Party releases.
Vehicle mode is a cute, stocky looking car. There's absolutely nothing sleek looking about it. In fact, it outright looks really dorky, especially if you attach that strange accessory that mimics the top of Elita-1's head. But there's just some really adorable that makes me love it so much.
The pair of guns can attach to various points on the body,
A generally well balanced release.
2021 June Morning Clouds Sky NYC and Virtual Clock Tower On from Hells Kitchen Clinton near Times Square Broadway in New York City Midtown Manhattan 06/08/2021 stormy weather expected later today New York Times Building no hanging cumulonimbus blue cumulus nimbus cloud Spring Summer - Hell 's Kitchen Nemo Southern view
Expect the unexpected, they say. Nothing could have made me a happier on an excursion to Hoboken for all my usual photographic targets than to come across this Eduardo Kobra mural at 837 Jersey Avenue, Jersey City.
TZ70_3_P1030041E
When dinosaurs roamed Cardiff... We weren't expecting to encounter dinosaurs on a day out to Cardiff! Currently in preparation in Bute Park is the Cardiff showing of the "Jurassic Kingdom" European & UK Tour 2018. It runs in Cardiff from 11-27 August. I was disappointed not to catch a glimpse of Raquel Welch in scanty furs!
The big concrete blocks around the former Aunt Fanny's bakery in Rome remind me of the concrete barriers that were put up around national guards and post offices and stuff after Sept. 11.
“You expected to be sad in the fall.
Part of you dies each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light.
But you knew there would always be the spring, as you knew the river would flow again after it was frozen.
When the cold rains kept on and killed the spring, it was as though a young person had died for no reason.”
~ Ernest Hemingway
E2_IMG_3191
Second day, first stage, third MC
I expect to upload at least a thousand photos from the 2-day event in the coming days as I finish color-correcting them. So please wait in the meantime.
Do whatever you like with the photos. I don't really mind as long as you're not making money out of them.