View allAll Photos Tagged expected
7/27/08--Washington, DC -- Portrait of .
Photo by Chris Usher
Terms & Conditions
[1] DEFINITIONS:
"Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer selects, at a resolution that Photographer determines will be suitable to the subject matter of each Image and
the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images. “Photographer” is Chris Usher/Chris Usher Photography. Photographer’s relationship with client is that of an independent contractor. Photographer is the sole creator of the Image(s). “Client” is Haymarket Media Group and includes client, client’s representatives and/or the end user (Merkle, Inc.). "Original[s]" are original photographic transparency or film negative. “Duplicate(s)” are photographic transparency or film negatives made from originals.
[2] RIGHTS: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in English language only in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full.
Client agrees that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tear sheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Images may contain copyright and other information embedded in the header of the image or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made.
[3]RETURN OF IMAGES: Client assumes all risk for the Image(s) supplied by Photographer to Client, from the time of Client’s receipt, to the time of the safe return receipt of the Image(s) to the possession and control of Photographer. If no return date appears on the front of this Agreement or on any related delivery memo, Client shall return all Image(s) in undamaged, unaltered and un-retouched condition within 30 days after the first publication or use of the Image(s), whichever occurs first.
Client agrees to destroy all images within one week of reproduction. If the images were sent on digital media, all such material must be returned in undamaged condition within 30 days of receipt.
Reimbursement for loss or damage of each image shall be in the amount of Two Hundred Dollars ($200).
[4]LOSS OR DAMAGE: IN CASE OF LOSS OR DAMAGE OF ANY ORIGINAL(S), Client and Photographer agree that the reasonable value of each Original is Two Thousand Five Hundred Dollars ($2500). Client agrees to pay Photographer $2500 for each lost or damaged Original and Photographer agrees to limit Photographer’s claim to that amount without regard to the actual value of such Original. Photographer and Client agree that said amount represents the fair and reasonable value of each item, and that Photographer would not sell all rights to such item for less than said amount. Client understands that each Original is unique and does not have an exact duplicate, and may be impossible to replace or re-create. Client also understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this Agreement. Reimbursement for loss or damage of each Duplicate shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amounts represent the fair and reasonable value of each item, and that Photographer would not sell all rights to such item for less than said amount.
[5] PHOTO CREDIT: All published usages of Images will be accompanied by written credit to Photographer or copyright notice. Credit line must adhere to one of the following formats:
Photo(s) by Chris Usher © 2008 Chris Usher Photography. All Rights Reserved.
If no placement of a credit or copyright notice is specified elsewhere in this document, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] ALTERATIONS:
Client will not make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images, alone or with any other material, including making digital scans of Originals unless specifically permitted on the reverse side of this Agreement with the exception of cropping and alterations of contrast, brightness, and color balance, for purposes consistent with reproduction.
[7] INDEMNIFICATION: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] ASSUMPTION OF RISK: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] TRANSFER AND ASSIGNMENT: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] DISPUTES: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Alexandria, VA, under rules of the American Arbitration Association and the laws of the Commonwealth of Virginia; provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof OR (2) be adjudicated in Alexandria, VA under the laws of the United States and/or of the Commonwealth of Virginia.
In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] FEDERAL JURISDICTION: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] OVERTIME: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 1 1/2 times their hourly rates.
[13] RESHOOTS: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] ASSIGNMENT CANCELLATIONS AND POSTPONEMENTS:
Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent of invoice.
Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
[15] PAYMENT AND COLLECTION TERMS: Invoices from Photographer are payable upon receipt. The unpaid amount of any invoice, within 10 days of the mailing date of the invoice, will incur a rebilling fee of not less than Twenty Five percent of the remaining balance due. In any action to enforce the terms of this Agreement, the prevailing party shall be entitled to recover their actual attorney’s fees, court costs and all other non-reimbursable litigation expenses such as expert witness fees and investigation expenses. No lawsuits pertaining to any matter arising under or growing out of this Agreement shall be instituted in any place other than Alexandria, Virginia.
We are expecting frost in the next couple of days. Someone told me that you can ripen tomatoes this way. I was in my workshop this morning taking a photo of a clock and thought this looked interesting enough to pass on. I did half what was left like this, and half my usual way of layering them between newspapers. I'll let you know how it turns out.
Here was something I hadn't known to expect: when my GPS said to "veer left" to stay onto Weld County Rd 136—as opposed to following the curve of the arterial I was on to turn right onto County Rd 89—I did not know I would be driving onto a road that was unpaved. The paved road turns, and going this direction meant actually going straight; I think Siri says to "veer left" in an attempt to make it clear I was indeed meant to drive off the paved road—although I had to look several times at the moving map on my phone just to make sure I was indeed going where I was supposed to.
Never in my life have I deliberately driven so far into the middle of nowhere, all by myself. But, I was on a mission! I was driving ninety minutes out of my way—literally doubling the drive time I would otherwise have—to Cheyenne, Wyoming, just so I could get all of two miles into Nebraska, and then, well, I could say I've been to Nebraska.
It was a good 15 miles of these packed gravel roads before reaching Panorama Point, my specific Nebraska destination barely across the state line in the southwest corner of the state's fat eastern panhandle, the last road of which was more of a straight-up dirt road, which, although it also had small rocks, was a more comfortable drive for me. The first roads with more gravel on them freaked me out just slightly, as I was in a rather nice, white Kia rental car. I could hear lots of pebbles getting kicked up by my tires and hitting the bottom of the car. I have literally never owned a car of my own, and although I relatively frequently drive Shobhit's car, it's a now-ancient 2004 Nissan Sentra, so I have no real sense of how much of a concern this should be. Still, in the end I drove these last 15 miles at an average of around 40 mph. The noise from the gravel didn't sound any different at that speed than it did at 25 or 30 mph, so I figured, fuck it.
I had driven about twenty miles of these gravel roads before I finally hit another paved road, just over the state line in southeast Wyoming, which was a relief. Smooth sailing after that! I didn't even mind getting stuck behind a John Deere tractor for several minutes. At least the road was paved.
via WordPress readnews.xyz/more-android-flagship-phones-with-at-least-1...
More Android flagship phones with at least 10GB RAM expected to launch this year
More Android flagship phones with at least 10GB of RAM will arrive later this year.
According to DigiTimes, trade sources declare that 10GB RAM will turn out to be the mainstream spec for Android flagship smartphones with a number of gamers placing extra RAM than the others. Besides utilizing RAM as a key differentiator, the combination of AI and a number of digital camera lenses in phones additionally require an improve on the reminiscence.
While specs improve stay a technique for cellphone makers this year, cellular DRAM demand will not be expected to rise considerably till the second half of 2020. When 5G turns into commercialized in 2020, demand will improve when cellphone makers begin to ship fashions with 10 to 12GB of RAM.
Several cellphone makers have both launched or introduced fashions with at least 10GB of RAM. The OnePlus 6T McLaren Edition has 10GB RAM whereas the premium variant of the Xiaomi Mi Mix three will ship with 10GB RAM. Lenovo shall be launching the Z5 Pro GT tomorrow, which is the world’s first cellphone with Qualcomm Snapdragon 855 and 12GB RAM.
Source: DigiTimes
Convincing Towns Cup win against City of Derry
by Roger Corbett
Last year’s Towns Cup winners were comprehensively beaten 48-10 in the first round of this year’s competition by a well drilled and cohesive Bangor side.
With conditions very soft underfoot at Upritchard Park, the decision was made to play at the Bangor Grammar School’s new pitch nearby. It was hoped that the firmer ground and better than expected weather would give both sides a good opportunity to play to their respective strengths. As City of Derry 2nds were the current holders of the Towns Cup, and having brought a strong team to defend that position, Bangor were expecting a tough contest.
The visitors kicked off with a slight wind advantage, and pushed forward into Bangor’s twenty two. However, after 7 minutes of play, Bangor produced a fine break through crisp handling and good support that involved several players, before the ball came to Darren Kelly. With 10 metres to go, he powered through the Derry defence to score to the left of the posts. Neil Cuthbertson’s conversion was successful, getting the home side off to a great 7-0 start.
Shortly afterwards, another good combination between forwards and backs saw the ball come to Jason Morgan who seemed sure to score, but the ball somehow slipped from his grasp within sight of the Derry line. From the resulting scrum, Derry won the ball and cleared their lines by kicking for touch. The Bangor lineout was taken cleanly by Kelly, and Bangor picked off where they had left off moments earlier. This time it was Jamie Clegg who made the break before passing outside to Mark Widdowson on the left wing. Although he had to juggle the ball before controlling it, he still managed to squeeze in at the corner for Bangor’s second try. The touchline kick was missed making the score now 12-0 with 14 minutes gone.
City of Derry settled themselves and within 10 minutes were applying sustained pressure in Bangor’s twenty two. Having drawn in Bangor players to a ruck, they quickly passed the ball across their backs to find just enough room to score in the left hand corner. The kick was missed, but the gap had now closed to 12-5.
From Mark Thompson’s restart kick, the ball was knocked on by the City of Derry receiver. The Bangor scrum on the half way line was secured by Clegg before passing to Mike Aspley who accelerated through a gap in the centre, shook off a number of tackles and looked to be through for a score. However, with the City of Derry full back in front of him, Aspley unselfishly passed inside to Morgan who made the last few metres to score under the posts. Cuthberton’s simple kick made the score 19-5.
Most of the attacking play was now coming from the home side, prompting some desperate defending by the visitors. With 35 minutes gone, Derry were penalised for a deliberate knock on within their twenty two. The penalty was kicked to touch, and the subsequent lineout was again taken cleanly, this time by Adam Rushe. In a reversal of the previous try, Morgan took the ball forward before returning the compliment to Aspley to score close to the posts. The conversion brought the score to 26-5.
With the first half drawing to a close, Bangor kept up their pressure, forcing Derry to concede another penalty. From Bangor’s chosen scrum, the ball came to Morgan who, although wrapped up in defenders, managed to off-load to James Henly who made good ground before passing outside to Cuthbertson on the right wing who scored in the corner. His subsequent kick hit the upright and bounced out, but Bangor’s lead as the referee blew for half time was now 31-5.
City of Derry’s half time talk appeared to be paying dividends, as they started the second half with renewed vigour and eventually turned over a Bangor scrum. Having won the ball, they moved it wide to their right wing to score in the corner. Although the kick was missed, they were now in double figures at 31-10, with just a few minutes of the half gone.
Unfortunately, the Derry men were unable to build further from this promising start. On the 15 minute mark, Widdowson took a pass above his head, before side stepping the last defender to dive over in the left hand corner for his second try. A great kick by Cuthbertson made the score 38-10.
Several minutes later, Aspley had another good run, but this time was stopped short of the line. Undeterred, from the Bangor ruck, Andrew Jackson got the ball and, having pushed forward and brought play back into the centre, passed outside to Kelly who powered over from a couple of metres out to score his second try. The kick was missed, making the score 43-10.
With the contest all but over, and waiting for the final whistle, another Bangor attack saw Clegg push through before passing to Widdowson on his left. With defenders in front of him, and with little room to work with, Widdowson chipped over the defence and set off in pursuit. The ball didn’t bounce kindly for him, but did for the supporting Phil Whyte who gathered it well and dived over for a well-deserved try. For the second time in the game, Cuthbertson’s conversion hit the upright, making the final score 48-10.
This was another excellent Bangor performance that has brought a return to the kind of form shown at the start of the season. The timing couldn’t be better as the next game is away to league leaders Clogher Valley, who themselves are enjoying a great run of results.
Bangor side: P Whyte, A Jackson, J Harrison (J Leary), A Rushe, D Kelly, J Henly, R Latimer, J Clegg (c), C Harper, M Thompson, M Widdowson, M Aspley, J Morgan (G Caughey), N Cuthbertson, D Charles
Subs: J Leary, G Caughey
Bangor scores: D Kelly (2T), M Widdowson (2T), J Morgan (1T), M Aspley (1T), N Cuthbertson (1T, 4C), P Whyte (1T)
20250426 – working with AI – sometimes finds other ways than expected and opens their eyes to incredible designs and content
All exhibitors are expected to care for their horses (feed, water and manure disposal) and cooperate in keeping pens and alleys clean, neat and attractive. 4-H clubs are automatically judged for Herdsmanship ribbons.
The 4-H Western Horse Show 3 includes Western Bareback Equitation, Western Pleasure Ponies. These classes showcase the horse’s movement and ability, as well as the exhibitor’s horsemanship. Stock horses are typically used, with western attire and tack.
The Super Fair is produced by Lancaster County Agricultural Society, a nonprofit 501(c)3 organization that promotes agriculture, youth and community. Learn more about Super Fair at SuperFair.org
In Lancaster County, the 4-H youth development program is a partnership between Nebraska Extension and the Lancaster County government. Learn more about Lancaster County 4-H at lancaster.unl.edu/4h
One more from my last maternity session. She wanted to be creative and didn't mind trying a few things.
Strobist: Sorry that I can't remember the exact setting, but there was one SB-900 in an Apollo 28" softbox overhead fired wirelessly by nikon CLS.
f/4, 1/200
Here we see the top 5 Real Estate Destinations In India & Their Expected Growth Population between 1990-2025
This is a photograph from the East of Ireland Marathon Series Marathon held at Stapelstown, Donadea, Naas, Co. Kildare, Ireland at 09:00 on Saturday 21st of September 2013. This is the first East of Ireland Marathon Series race outside of Dublin and also the first to have been run on rural roads and is race 5 of the East of Ireland Marathon Series 2013.
There was beautiful but warm weather in Stapelstown for the marathon which made conditions tougher than expected. The course brought runners on a loop from the village over towards Prosperous, Co. Kildare, and then back to the finish/refreshment area. The event was very well organised and whilst these races operate with a degree of self sufficiency for runners there was adequate marshalling, course marking, and refreshments available. Well done to all.
The East Of Ireland Marathon Series aims to make marathons affordable and convienient for the runners of Ireland. The serires organisers aim to promote marathon running and to make the process as stress free and enjoyable as possible. All courses are measured to full AAI standards and have a minimum of 10 Entrants. The marathons are self sufficent to a degree although there are limited supplies of water available on the day of the race. There will be no extra frills like chip timing and finish gantrys. However all finishing times are accurately and officially recorded. This is to keep the price down and keep the races as affordable as possible. The East of Ireland Marathon series is all inclusive and welcomes runners who are new to marathon running as well as experienced veterans.
This photograph is part of a Flickr set of photographs we took at this event. The Flickr set is available here [http://www.flickr.com/photos/peterm7/sets/72157635665725976/]. This set includes photographs from the start, in-race, and finish of the race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: The East of Ireland marathon series stricly limits the number of participants. There were about 50 participants in the race today.
Weather: There was warm sunny weather for the race with competitors finding the humid conditions very tough as the race progress on around mid day. There was no real wind but a breeze which did help keep runners cool.
Course: The race started at St. Kevin's GAA and proceeded west into Stapelstown Village and reached a turnaround point which brought runners back to the starting point. This meant that runners then had to complete four complete loops of the 6.09 mile loop outlined below. This loop then proceeded directly southwards towards Prosperous but makes a sharp right turn before Properous village. This brings runners onto the Ballynafagh road and northwards back towards Stapelstown village. Runners then run down through the village (passing the finish and refreshment area) to complete the loop. The course is on traffic open country roads.
Location Map: This is the start finish area at Stapelstown National School goo.gl/maps/LbynY
Some Useful Links
A GARMIN GPS Trace of the 6.09 mile loop being used as part of the marathon: connect.garmin.com/activity/326724349
East of Ireland Marathons Facebook Group Page: www.facebook.com/groups/130592073780072/ (you will need a Facebook account to view this)
East of Ireland Marathons Web Homepage: www.eastofirelandmarathons.com/index.php
Professional Photographer Hannah Levy has galleries for several previous East of Ireland Marathons in 2013: www.hannahlevy.com/index/EOI_Marathons/EOI_Marathons.html
Google Streetview Imagery of St. Kevin's GAA Club where parking facilities were provided for the race: goo.gl/maps/FMsl5
Google Streetview Imagery of the Finish Area beside Stapelstown National School: goo.gl/maps/LbynY
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
This is a photograph from the East of Ireland Marathon Series Marathon held at Stapelstown, Donadea, Naas, Co. Kildare, Ireland at 09:00 on Saturday 21st of September 2013. This is the first East of Ireland Marathon Series race outside of Dublin and also the first to have been run on rural roads and is race 5 of the East of Ireland Marathon Series 2013.
There was beautiful but warm weather in Stapelstown for the marathon which made conditions tougher than expected. The course brought runners on a loop from the village over towards Prosperous, Co. Kildare, and then back to the finish/refreshment area. The event was very well organised and whilst these races operate with a degree of self sufficiency for runners there was adequate marshalling, course marking, and refreshments available. Well done to all.
The East Of Ireland Marathon Series aims to make marathons affordable and convienient for the runners of Ireland. The serires organisers aim to promote marathon running and to make the process as stress free and enjoyable as possible. All courses are measured to full AAI standards and have a minimum of 10 Entrants. The marathons are self sufficent to a degree although there are limited supplies of water available on the day of the race. There will be no extra frills like chip timing and finish gantrys. However all finishing times are accurately and officially recorded. This is to keep the price down and keep the races as affordable as possible. The East of Ireland Marathon series is all inclusive and welcomes runners who are new to marathon running as well as experienced veterans.
This photograph is part of a Flickr set of photographs we took at this event. The Flickr set is available here [http://www.flickr.com/photos/peterm7/sets/72157635665725976/]. This set includes photographs from the start, in-race, and finish of the race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: The East of Ireland marathon series stricly limits the number of participants. There were about 50 participants in the race today.
Weather: There was warm sunny weather for the race with competitors finding the humid conditions very tough as the race progress on around mid day. There was no real wind but a breeze which did help keep runners cool.
Course: The race started at St. Kevin's GAA and proceeded west into Stapelstown Village and reached a turnaround point which brought runners back to the starting point. This meant that runners then had to complete four complete loops of the 6.09 mile loop outlined below. This loop then proceeded directly southwards towards Prosperous but makes a sharp right turn before Properous village. This brings runners onto the Ballynafagh road and northwards back towards Stapelstown village. Runners then run down through the village (passing the finish and refreshment area) to complete the loop. The course is on traffic open country roads.
Location Map: This is the start finish area at Stapelstown National School goo.gl/maps/LbynY
Some Useful Links
A GARMIN GPS Trace of the 6.09 mile loop being used as part of the marathon: connect.garmin.com/activity/326724349
East of Ireland Marathons Facebook Group Page: www.facebook.com/groups/130592073780072/ (you will need a Facebook account to view this)
East of Ireland Marathons Web Homepage: www.eastofirelandmarathons.com/index.php
Professional Photographer Hannah Levy has galleries for several previous East of Ireland Marathons in 2013: www.hannahlevy.com/index/EOI_Marathons/EOI_Marathons.html
Google Streetview Imagery of St. Kevin's GAA Club where parking facilities were provided for the race: goo.gl/maps/FMsl5
Google Streetview Imagery of the Finish Area beside Stapelstown National School: goo.gl/maps/LbynY
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
All exhibitors are expected to care for their horses (feed, water and manure disposal) and cooperate in keeping pens and alleys clean, neat and attractive. 4-H clubs are automatically judged for Herdsmanship ribbons.
The 4-H Western Horse Show 3 includes Western Bareback Equitation, Western Pleasure Ponies. These classes showcase the horse’s movement and ability, as well as the exhibitor’s horsemanship. Stock horses are typically used, with western attire and tack.
The Super Fair is produced by Lancaster County Agricultural Society, a nonprofit 501(c)3 organization that promotes agriculture, youth and community. Learn more about Super Fair at SuperFair.org
In Lancaster County, the 4-H youth development program is a partnership between Nebraska Extension and the Lancaster County government. Learn more about Lancaster County 4-H at lancaster.unl.edu/4h
huile sur toile
Derrière l'opaque rideau
De nos réalités limitées,
Se trouve sans doute l'Eternité,
Espérance cachée au plus haut.
Et l'attente devient espoir,
Il n'y rien d'autre à faire,
Sauf, regarder dans le miroir
Des désillusions éphémères.
Behind the opaque curtain
Of our limited realities,
is doubtless the Eternity,
Hope hidden from the highest.
And the expectation becomes hope,
There is nothing else to make,
Except, to look in the mirror
Of The short-lived disappointments.
Prohibido mirar atrás, no sea que se despierten algunos sentimientos que habían quedado dormidos, sólo lo justo para recordar que alguna vez fuimos un sólo corazón ,y un alma siempre en vilo, a la expectativa de nuevos sueños que emprender. Di hola a tu nueva vida, esa que has elegido voluntariamente, porque el arrepentimiento está de más ,cuando se emprende el vuelo se hace con todas las consecuencias, con nuevas caídas, que sea otro ser el que se ocupe ahora de esas alas. Después de todo la amistad es lo más hermoso en la vida, incluso más allá del amor, porque este alguna vez puede llegar a perecer, pero la verdadera amistad nunca muere, podrán pasar años, porque nada nunca ha enturbiado la amistad que nos profesamos, factores ajenos se han inmiscuido en medio de este torbellino de emociones, entre ellos la desidia, la rutina, la pereza..¿otra alma gemela?,no hay culpables, ni tan siquiera alguna vez has hablado de esto que te escribo, pero se nota, el sexto sentido me funciona a la perfección. Estate tranquilo, todo volverá a la normalidad, tu en tu mundo, yo en el mio, partiendo desde el principio pero sin final posible, alguien dijo alguna vez que cuando pasa el cariño apenas comprendemos que hubo un tiempo en que nos quisimos,¿ o es una canción?, no lo se. que volveré a darte un abrazo para recordar viejos tiempos , tomaremos un refresco, compartiremos una comida, poco más y hablaremos, hablaremos...pero ahí queda lo vivido, gracias por esos momentos maravillosos, esos abrazos tan tiernos y esas canciones que me has dedicado, me encantó cantar contigo en la guagua mientras todos dormían, esos paseos estupendos cogidos de la mano por esa ciudad mágica y todos los besos que me robaste, me pareces la persona más maravillosa del mundo,eres encantador, que te extrañaré mucho, que se que algo me quieres, me lo dice tu mirada, esos ojos tan lindos que veo a lo lejos, mírame, ahora mismo te estoy guiñando uno, por la complicidad que siempre tuvimos....
I expected this image to be garbage... But its actually somewhat decent in my eyes, and its got me crazy excited for the E-5!!!
Olympus E-P2
60'' exposure
ISO 3200
f/3.5
Levels adjusted in Picasa 3, thats it.
I'm sure if I could run this through an NR program, or if I had shot it in RAW for more noise and editing leeway it could look even better.
Parque Tecnológico Ivaldo Cenci, BR-251,Brasília, DF, Brasil, 12/5/2015 Foto: Tony Winston/Agência Brasília
A AgroBrasília, maior feira de agrotecnologia do Cerrado brasileiro, foi aberta hoje (12) e segue até sábado (18) com expectativa de faturamento de R$ 650 milhões em negócios e de receber 98 mil visitantes.
All exhibitors are expected to care for their horses (feed, water and manure disposal) and cooperate in keeping pens and alleys clean, neat and attractive. 4-H clubs are automatically judged for Herdsmanship ribbons.
The 4-H Western Horse Show 3 includes Western Bareback Equitation, Western Pleasure Ponies. These classes showcase the horse’s movement and ability, as well as the exhibitor’s horsemanship. Stock horses are typically used, with western attire and tack.
The Super Fair is produced by Lancaster County Agricultural Society, a nonprofit 501(c)3 organization that promotes agriculture, youth and community. Learn more about Super Fair at SuperFair.org
In Lancaster County, the 4-H youth development program is a partnership between Nebraska Extension and the Lancaster County government. Learn more about Lancaster County 4-H at lancaster.unl.edu/4h