View allAll Photos Tagged existential
FOX NEWS ALERT - BREAKING NEW TERROR THREAT SHOCK!
See:
www.latimes.com/news/nationworld/world/la-fg-clinton-paki...
Of course, she's right!.
Existentialists have always been troublemaking malcontents,,,not least because most of the worst ones have always been French,,, and we all know what those cheese munching surrender-monkey/intellectuals are like.
As the LA Times piece above reveals, Hillary Clinton herself has now uncovered that these Pakistani fundamentalist madmen are only pretending to be Wahabiist followers of Osama Bin Laden, to throw the CIA off the scent, and are in fact operating with minds that have been twisted by the fanatic philosophy of "Immams" like Jean-Paul Sartre, Albert Camus, Jean Genet, André Gide and André Malraux - in a crazy plot to make the whole world Existentialist.
Crammed into Existentialist funded pakistani madrasars from infancy, brainwashed child recruits chant robotically from 1st editions of L'Étranger and Les Chemins de la liberté, hidden inside copies of The Qu'oran, having to learn every single word by rote, in French.
Even worse, it's rumoured that the horrific threat to world peace posed by unbridled fundamentalist Existentialism may become even more terrifying, as the Existentialists could be planning to join forces with the equally deranged old-style Platonic Realists and Utilitarians, once they eliminate their rival Logical Empiricists in their crazed quest for World Domination.
We need to launch a War On Existentialism now! Before it's too late!!!
pluralistic.net/2025/02/20/privacy-first-second-third/#ma...
A towering figure with the head of HAL 9000 from Stanley Kubrick's '2001: A Space Odyssey,' surmounted by Trump's hair, wearing a tailcoat with a Google logo lapel pin. It peers through a magnifying glass at a distressed, tiny Uncle Sam figure perched in its monstrous palm.
Image:
Cryteria (modified)
commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0
12:00 pm - 12:50 pm
Hotel Jerome Ballroom
Tristan Harris
Interviewer: Charles Duhigg
Property of the Aspen Institute / Photo Credit: Ian Wagreich
SPOTLIGHT SESSION
The Mental Well-Being of the Next Generation: How We Can Support Young People’s Mental Health Amid Multiple Existential Threats
2:30 - 4:00 p.m. ET
Location: Mercury Ballroom
The COVID-19 pandemic has exacerbated an existing mental health crisis, particularly among children and young people. The emergence of “climate anxiety,” new and ongoing international conflicts, and widespread use of technology have added to the stressors impacting our youth across the globe. A study last year estimated that one in seven children and adolescents in sub-Saharan Africa have experienced significant psychological challenges, and almost 10 percent qualify for a psychiatric diagnosis. Overdose rates among teens in the United States are on the rise. Youth are facing cultural and infrastructural challenges – from stigma in seeking help to barriers in accessing support – in finding the tools and treatment they need.
This session will explore:
•How can organizations take action to directly support the mental health of young people in their communities and around the world?
•How can we develop and implement effective models for delivering mental health care in schools, clinics, and community settings?
•How can we leverage technology – which has exacerbated much of the mental health crisis among today’s youth – to reduce stigma and give youth easier access to support and treatment?
Speakers:
•Dr. Tia Dole, Executive Director, The Steve Fund
•Vice Admiral Vivek H. Murthy, U.S. Surgeon General
•Heather White, Author & Founder, OneGreenThing.org
•Tristan Harris, Co-Founder & President, Center for Humane Technolog
•Mahmoud Abdelwahab Khedr, Founder & CEO, FloraMind
•Dometi Pongo, Journalist, MTV News
NEW YORK, NEW YORK - SEPTEMBER 20: Spotlight Session at the Clinton Global Initiative September 2022 Meeting at New York Hilton Midtown on September 20, 2022 in New York City. (Photo by Noam Galai/Getty Images for Clinton Global Initiative)
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
💥 Flickr : www.flickr.com/people/explorationetoile/
💥 Dailymotion : www.dailymotion.com/explorationetoile
💥 Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ?
💥 Tumblr : explorationetoile.tumblr.com/
💥 Pinterest : www.pinterest.fr/eXplorationEtoile/
💥 Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051...
💥 Twitter : twitter.com/eXplorationETL
💌 Contact : contactexploration@gmail.com
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
💥 Flickr : www.flickr.com/people/explorationetoile/
💥 Dailymotion : www.dailymotion.com/explorationetoile
💥 Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ?
💥 Tumblr : explorationetoile.tumblr.com/
💥 Pinterest : www.pinterest.fr/eXplorationEtoile/
💥 Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051...
💥 Twitter : twitter.com/eXplorationETL
💌 Contact : contactexploration@gmail.com
THE STORY/ The „Twentythird Year„ is a coming of age performance of a young protagonist TRACY trying to make a very own picture of the world. The death of a friend in confrontation with the police and the search for black roots after an easy white childhood triggers new existential questions and problems. Historically the peace from 1988 is the 1st BLACK DRAMA intervention by the Afro German Diaspora struggling for its own public voice in Germany.
WATCH @ www.youtube.com/watch?v=Joa-EC893CU
Besetzung/Cast: EineWeisse Frau.....A. LAUGSCH.....AWhiteLady DerÜbersetzer.....MATHIAS M.....TheInterpreter DerNachrichtenSprecher.....J. SCHWARZ.....TheNewsSpeaker ZornigerSchwarzerMensch.....M. KÜPPERS-ADEBISI.....AngyBlackHuman Author/Script/Directing by M. Küppers-Adebisi
DIE GESCHICHTE/ DAS „DREIUNDZWANZIGSTE JAHR ist eine Coming of Age Inszenierung in der ein/e Protagonist_In namens TRACY versucht sich ein Bild von der Welt zu machen. Das Trauma eine Freundin in der Auseinandersetzung mit der Polizei verloren zu haben und die Suche nach den eigenen kulturellen Wurzeln führen nach einer unbeschwerten „weissen" Kindheit plötzlich zu neuen existentiellen Fragen und Problemen.
Er/ Sie TRACY versucht sich an Befreiung innerhalb einer rassistischen Sprach-Kultur, in der Rassengesetze die Existenz von Schwarzen Deutschen per Gesetzgebung zu verbieten suchten.
Hier enteignet sich nun mehr die Sprache selber. Sie de-konstruiert ihre eigenen Grundstrukturen in Frage stellend und zerfetzt den strukturellen Alttagsrassismus, um im Zusammenspiel mit Musik und Perfomance Identitätsdiskurse zwischen Schwarz und Weiss und Frau und Mann neu zu verhandeln. German Literature German Studies German Literature
Eine Identität innerhalb einer weissen postkolonialen Kultur, die die Verantwortung für den Genozid in Namibia ablehnt und sich gleichzeitig gegen Apartheid in Südafrika engagiert, oder sich gegen Rassismus in den USA empört. Denn Rassismus in Deutschland gibt es nicht.
Die Aufführung von 1988 ist eine der 1. Historischen Verhandlungen der Schwarzen Deutschen Diaspora (Afro Deutsche) im öffentlichen Raum und interveniert als performative Handlung die Grenze zwischen „privat" und „sozial" in der Kunstform des Strassentheaters. Afrika in Deutschland anhand von Schwarzen Deutschen Stoffen und Ästhetiken, die eine neue Perspektive suchen.
Eine eigene Perspektive die, die sich der Lebenssituation von Afro-Amerikaner_innen in Deutschland bewusst ist und die die Lebenssituation Afriker_Innen in Deutschland und der von türkischen, italienischen, griechischen und spanischen Migrant_Innen, Asylant_Innen und Gastarbeiter_innen mit einbezieht und dennoch die eigene Existenz als Schwarze Deutsche - als Frage der Selbst-Empowerung in den Raum stellt. Welche Zukunft hat die Liebe unter solchen Bedingungen? Black gifted und Blue endet die Geschichte so auch mit dem Bewusstsein um das individuelle Scheitern angesichts die sozialen Dimension und Ausmaasse der Bedingungen. Die Wiedervereinigung sollte die latenten Rassismen einer nicht aufgearbeiteten kolonialen Vergangenheit, sowohl in Ost als auch in West Deutschland nach der Wiedervereinigung in Terror-Attacken gegen deutsche People of Colour zum Explodieren im Blutrausch bringen.
Die Geschichte ist inspiriert von dem Prosastück „Das dreissigste Jahr" von Ingeborg Bachmann, die als Teil der Gruppe 47 entscheidene Impulse im Nachkriegsdeutschland setzen konnte und setzt dagegen Hip Hop-Elemente aus dem von dem Black Power und civil-rights Struggle inspirierten Consciousness Movement speziell der radikalen Coleur von PUBLIC ENEMY.
New German,New German Theatre,New German Drama,Migration,Neues Deutsches Theater,Deutsches Theater,New Voices,Neue Deutsche,New Germans,Black German,Afro German,Schwarze Deutsche,theater,theatre,african diaspora,new german literature,michael kueppers-adebisi,
The ideal of liminal has always been attractive to me. The idea that only I exist in this one place—alone. I’m not sure why I have always been so drawn to it. There is something in the darkness which excites me but frightens me all at once and it makes me feel alive. Funny how most of these photos have never found a place in my website because they aren’t quite abandoned, but they aren’t the type of photo you show off in an album. They just hang there in the middle. Somewhere between here and there—this and that— just not quite right. The first time I heard of the backrooms I felt the similarity in feeling I get when I see these places. That existential anxiety mixed with peace. I can’t otherwise describe it. I wish I could write a whole paper on it, but I can’t find the right words. So instead I just take photos and hope that somehow they can describe the feeling and give it to someone else to possess.
SPOTLIGHT SESSION
The Mental Well-Being of the Next Generation: How We Can Support Young People’s Mental Health Amid Multiple Existential Threats
2:30 - 4:00 p.m. ET
Location: Mercury Ballroom
The COVID-19 pandemic has exacerbated an existing mental health crisis, particularly among children and young people. The emergence of “climate anxiety,” new and ongoing international conflicts, and widespread use of technology have added to the stressors impacting our youth across the globe. A study last year estimated that one in seven children and adolescents in sub-Saharan Africa have experienced significant psychological challenges, and almost 10 percent qualify for a psychiatric diagnosis. Overdose rates among teens in the United States are on the rise. Youth are facing cultural and infrastructural challenges – from stigma in seeking help to barriers in accessing support – in finding the tools and treatment they need.
This session will explore:
•How can organizations take action to directly support the mental health of young people in their communities and around the world?
•How can we develop and implement effective models for delivering mental health care in schools, clinics, and community settings?
•How can we leverage technology – which has exacerbated much of the mental health crisis among today’s youth – to reduce stigma and give youth easier access to support and treatment?
Speakers:
•Dr. Tia Dole, Executive Director, The Steve Fund
•Vice Admiral Vivek H. Murthy, U.S. Surgeon General
•Heather White, Author & Founder, OneGreenThing.org
•Tristan Harris, Co-Founder & President, Center for Humane Technolog
•Mahmoud Abdelwahab Khedr, Founder & CEO, FloraMind
•Dometi Pongo, Journalist, MTV News
NEW YORK, NEW YORK - SEPTEMBER 20: Spotlight Session at the Clinton Global Initiative September 2022 Meeting at New York Hilton Midtown on September 20, 2022 in New York City. (Photo by Noam Galai/Getty Images for Clinton Global Initiative)
A sign (of the times?) in an alleyway in Deland, Florida. Sartre said there was "No Exit" and Simon & Garfunkle told us that "the words of the prophets were written on the subway walls and tenement halls". Perhaps we just need a place to stop amid the rush. Florida, more than most places in the U.S. has been affected by the rush of modern times.
Ayn Rand was a Russian-born American novelist, philosopher, playwright, and screenwriter. She is known for her two best-selling novels, The Fountainhead and Atlas Shrugged, and for developing a philosophical system she called Objectivism. -- Curated by The Existentialist. Philosophy, psychology and motivation for a life of purpose and passion. Image courtesy Nootrobox. Follow me for stunning images and thought provoking quotes everyday! -- Tags: #existential, #life, #philosophy, #psychology, #inspirational, #motivation, #purpose, #quotes, #hope, #beautiful, #happiness, #free, #wallpaper, #download, #business, #photography, #wisdom, #truth, #original, #qotd, #positive, #brain, #depression, #depressed, #sad, #lonely, #mind, #science, #success, #passion. Share your comments below!. Check out this post on Instagram! ift.tt/1taVYIf.
Arcangelo Sassolino, site specific installation
Exhibition view "Francis Bacon and Existential Condition in Contemporary Art", CCC Strozzina, Palazzo Strozzi, Firenze
© photo Martino Margheri
SPOTLIGHT SESSION
The Mental Well-Being of the Next Generation: How We Can Support Young People’s Mental Health Amid Multiple Existential Threats
2:30 - 4:00 p.m. ET
Location: Mercury Ballroom
The COVID-19 pandemic has exacerbated an existing mental health crisis, particularly among children and young people. The emergence of “climate anxiety,” new and ongoing international conflicts, and widespread use of technology have added to the stressors impacting our youth across the globe. A study last year estimated that one in seven children and adolescents in sub-Saharan Africa have experienced significant psychological challenges, and almost 10 percent qualify for a psychiatric diagnosis. Overdose rates among teens in the United States are on the rise. Youth are facing cultural and infrastructural challenges – from stigma in seeking help to barriers in accessing support – in finding the tools and treatment they need.
This session will explore:
•How can organizations take action to directly support the mental health of young people in their communities and around the world?
•How can we develop and implement effective models for delivering mental health care in schools, clinics, and community settings?
•How can we leverage technology – which has exacerbated much of the mental health crisis among today’s youth – to reduce stigma and give youth easier access to support and treatment?
Speakers:
•Dr. Tia Dole, Executive Director, The Steve Fund
•Vice Admiral Vivek H. Murthy, U.S. Surgeon General
•Heather White, Author & Founder, OneGreenThing.org
•Tristan Harris, Co-Founder & President, Center for Humane Technolog
•Mahmoud Abdelwahab Khedr, Founder & CEO, FloraMind
•Dometi Pongo, Journalist, MTV News
NEW YORK, NEW YORK - SEPTEMBER 20: Spotlight Session at the Clinton Global Initiative September 2022 Meeting at New York Hilton Midtown on September 20, 2022 in New York City. (Photo by Noam Galai/Getty Images for Clinton Global Initiative)
“One's condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one's being, one becomes aware of the enormous apparatus of nothingness -- the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others.”
Merton knew well that the Word of God is not only being uttered in the sacred scriptures, but more primordially in creation, more existentially in history, more imaginatively in works of art, more immediately and personally in human experience. Because he perceived the dimensionality of the Word of God he understood how to read it in all its myriad forms.
- A Book of Hours
by Thomas Merton
Quite suddenly I had the impression that I wasn’t alone, that there were two of us. I felt as if I consisted of two people who were squashed tightly together and felt so good and so warm as a result. I was in such close touch with myself, full of inner warmth, and felt utterly self-sufficient … I discovered with no small satisfaction that I got on very well with myself.
- Etty Hillesum: A Life Transformed
by Patrick Woodhouse
DINARD is a commune in the Ille-et-Vilaine department in Brittany in northwestern France.
Dinard is on the Côte d'Émeraude of Brittany. Its beaches and mild climate make it a popular holiday destination, and this has resulted in the town having a variety of famous visitors and residents. The towns of Pleurtuit and Saint-Malo are nearby and the Dinard Pleurtuit Saint-Malo airport is about 4 km south of Dinard.
The Wales national football team used Dinard as its base during UEFA Euro 2016.
✔️ Download PICTURES by Orhan.B : www.dropbox.com/sh/6pwxhxq1kx51h84/AABThBihv_daam2nnri1VW...
✔️ Download VIDEO by L.Guidali : www.dropbox.com/s/rhnzhidr1g12l4d/When%20the%20time%20has...
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
🔭 Existential Intelligence
📋 WHAT :
🕛 When the time has stopped 4
🌟 Dinard
💫 France/Europe World
🌌 Nature
✨ eXploration Universe (🕛)
📝 Type : Ground eXploration
🎨 Style : When the time has stopped (Dinard)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 7 Senses
⚡ 5 Intelligences
WHO :
🎥 Filmed by Orhan.B
📡 Posted by LG
📼 Video made by LG (Adobe Premiere Pro CC 2017)
© Etoile Copyright
❓ WHY : To eXplore Dinard Nature
📍 WHERE : Dinard (🇫🇷France)
🕓 WHEN : September, 2018
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
💥 Flickr : www.flickr.com/people/explorationetoile/
💥 Dailymotion : www.dailymotion.com/explorationetoile
💥 Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ?
💥 Tumblr : explorationetoile.tumblr.com/
💥 Pinterest : www.pinterest.fr/eXplorationEtoile/
💥 Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051...
💥 Twitter : twitter.com/eXplorationETL
🔖 React with official Hashtags : #Etoile #ETL #eXploration
💌 Contact : contactexploration@gmail.com
Sarah and me at the University of Edinburgh, Scotland.
-------------------
A Session In Humanistic-Existential Psychotherapy
[At one point I’ve had enough of this shite, so I screamed my thoughts out and this is the result.]
Client: So... wha' da ya think Doc?
Therapist: It doesn’t really matter. What do YOU think?
Client: I think you should say what’s wrong with me.
Therapist: Why do you think there is somethin’ wrong with you?
Client: Well, I’m sure people are conspirin’ bout me behind me back,
me wife’s an alien from planet Zorg, me kids aren’t really mine,
I see dead people who control me and cut me wrists, see?
an’ I’m actually the president of Zasmikistan,
but I’m here incognito so...
O! an’ I ‘like’ small animalsss... if ya know what I mean?
Therapist: Hmm... Interesting!
Well, you are free to believe and like whatever you want.
So long as you assume responsibility...
Client (irritated, gets up) : Sod it Doc!
I’d rather blame me mother, take them pills, and have CBTs than this crap.
I KNEW you were one of them.
O! An’ I wan’ the 50 quid ya nicked from me wallet earlier or I'll pop a cap in yo...
Therapist (seconds before being strangled by the client) :
I think we are making progress...
-------------------
Story and Style Cards available on my blog, Three Twisted Knots, at threetwistedknots.com/2016/09/11/a-fortnight-in-farthingd...
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
💥 Flickr : www.flickr.com/people/explorationetoile/
💥 Dailymotion : www.dailymotion.com/explorationetoile
💥 Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ?
💥 Tumblr : explorationetoile.tumblr.com/
💥 Pinterest : www.pinterest.fr/eXplorationEtoile/
💥 Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051...
💥 Twitter : twitter.com/eXplorationETL
💌 Contact : contactexploration@gmail.com
SPOTLIGHT SESSION
The Mental Well-Being of the Next Generation: How We Can Support Young People’s Mental Health Amid Multiple Existential Threats
2:30 - 4:00 p.m. ET
Location: Mercury Ballroom
The COVID-19 pandemic has exacerbated an existing mental health crisis, particularly among children and young people. The emergence of “climate anxiety,” new and ongoing international conflicts, and widespread use of technology have added to the stressors impacting our youth across the globe. A study last year estimated that one in seven children and adolescents in sub-Saharan Africa have experienced significant psychological challenges, and almost 10 percent qualify for a psychiatric diagnosis. Overdose rates among teens in the United States are on the rise. Youth are facing cultural and infrastructural challenges – from stigma in seeking help to barriers in accessing support – in finding the tools and treatment they need.
This session will explore:
•How can organizations take action to directly support the mental health of young people in their communities and around the world?
•How can we develop and implement effective models for delivering mental health care in schools, clinics, and community settings?
•How can we leverage technology – which has exacerbated much of the mental health crisis among today’s youth – to reduce stigma and give youth easier access to support and treatment?
Speakers:
•Dr. Tia Dole, Executive Director, The Steve Fund
•Vice Admiral Vivek H. Murthy, U.S. Surgeon General
•Heather White, Author & Founder, OneGreenThing.org
•Tristan Harris, Co-Founder & President, Center for Humane Technolog
•Mahmoud Abdelwahab Khedr, Founder & CEO, FloraMind
•Dometi Pongo, Journalist, MTV News
NEW YORK, NEW YORK - SEPTEMBER 20: Spotlight Session at the Clinton Global Initiative September 2022 Meeting at New York Hilton Midtown on September 20, 2022 in New York City. (Photo by Noam Galai/Getty Images for Clinton Global Initiative)
SPOTLIGHT SESSION
The Mental Well-Being of the Next Generation: How We Can Support Young People’s Mental Health Amid Multiple Existential Threats
2:30 - 4:00 p.m. ET
Location: Mercury Ballroom
The COVID-19 pandemic has exacerbated an existing mental health crisis, particularly among children and young people. The emergence of “climate anxiety,” new and ongoing international conflicts, and widespread use of technology have added to the stressors impacting our youth across the globe. A study last year estimated that one in seven children and adolescents in sub-Saharan Africa have experienced significant psychological challenges, and almost 10 percent qualify for a psychiatric diagnosis. Overdose rates among teens in the United States are on the rise. Youth are facing cultural and infrastructural challenges – from stigma in seeking help to barriers in accessing support – in finding the tools and treatment they need.
This session will explore:
•How can organizations take action to directly support the mental health of young people in their communities and around the world?
•How can we develop and implement effective models for delivering mental health care in schools, clinics, and community settings?
•How can we leverage technology – which has exacerbated much of the mental health crisis among today’s youth – to reduce stigma and give youth easier access to support and treatment?
Speakers:
•Dr. Tia Dole, Executive Director, The Steve Fund
•Vice Admiral Vivek H. Murthy, U.S. Surgeon General
•Heather White, Author & Founder, OneGreenThing.org
•Tristan Harris, Co-Founder & President, Center for Humane Technolog
•Mahmoud Abdelwahab Khedr, Founder & CEO, FloraMind
•Dometi Pongo, Journalist, MTV News
NEW YORK, NEW YORK - SEPTEMBER 20: Spotlight Session at the Clinton Global Initiative September 2022 Meeting at New York Hilton Midtown on September 20, 2022 in New York City. (Photo by Noam Galai/Getty Images for Clinton Global Initiative)
Valeria Bortolaia, Senior Researcher, National Food Institute, Technical University of Denmark
Ron Daniels, CEO, UK Sepsis Trust
Esther Krofah, Senior Director, FasterCures, a center of the Milken Institute
Peter Jackson, Executive Director, AMR Centre
Peter Piot, Director and Handa Professor of Global Health, London School of Hygiene & Tropical Medicine
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration
🌌 City/Nature Galaxy/Monument
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : To eXplore the west coast of the united states
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
💥 Flickr : www.flickr.com/people/explorationetoile/
💥 Dailymotion : www.dailymotion.com/explorationetoile
💥 Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ?
💥 Tumblr : explorationetoile.tumblr.com/
💥 Pinterest : www.pinterest.fr/eXplorationEtoile/
💥 Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051...
💥 Twitter : twitter.com/eXplorationETL
💌 Contact : contactexploration@gmail.com
Charles Dickens. Englische Dichter. Die Gartenlaube Illustrirtes Familienblatt 1856 Redigiert von Ferdinand Stolle u. August Diezmann Jahrgang 1856. Leipzig Verlag von Ernst Keil s073 4807 Garten56
English poets.
1.Charles Dickens.
The biographies of great men who were happy in the conventional sense are usually poor in events, in interest to the average reader who demands hunger, persecution, chains and dungeons, night and storm, hooded figures, gods and goddesses suddenly leaping up from below or above, and completely unexpected twists and turns, all poetically enshrined on the last page. Shakespeare, the greatest genius of his time and of all time, hardly has a biography, for many of the romanticized accounts of the young butcher's apprentice Shakespeare are fiction. The truth of his external life, of which we have actual knowledge, is limited to the fact that he wrote plays, was an actor and director, owned government bonds, land, and rented houses, lived in abundance, and died in the comfort of his own home. Such great men without biographies in poetry are rare. They have only recently become fashionable. The biographies of most older poets consist of accumulations of all sorts of misery. Milton's blindness, Dryden's struggle with a miserable existence, Pope's physical disfigurement, the persecutions of Defoe, Swift's eccentricity and avarice, Dante's tragic woe, the lovesickness and existential angst of Petrarch and Tasso, the neglect that broke Cervantes, Camoen's life spent in a poorhouse until his deathbed, Butler's despair, Chatterton's suicide, Schiller's monumental struggle against deprivation and a slowly killing illness—these are the romantic and poignant subjects from which, in manifold mixtures, the lives of great poets were woven. Perhaps recently the stature of individual poets has diminished, while their success and happiness have increased. We find most contemporary writers and poets, even the least prominent, living in tolerable circumstances, at least no longer so frequently in garrets on bread and water, with an empty wine bottle for a candlestick. No more sky-storming titans, and they no longer so frequently destroy the conditions of earthly existence. And the people have learned to read and enjoy reading, both rhymed and unrhymed. Hand and steam presses demand an awful lot of feedstock. In return, they provide the poets and writers with bread, so much that, without biting worries, they can even manage, in their leisure hours, to compose, complete, and submit an independent work of poetry or prose to a publisher.
These poets live and die in time without leaving a biography. We don't lament this. No one lives for the sake of their biography, but for their own sake. Almost every writer nowadays has a coat and gloves and business cards and invitations displayed on their mirror. Where, under such circumstances, should a biography come from?
Talent and success ! That is generally the biographical trait.
Content in the fates of our modern notables. Much talent, much success! That is the biography of Charles Dickens . His whole life consists of happy work with the most fortunate success, nothing but light and green meadows, without deep shadows or ravines. But such a remarkable, highly individual talent with this unparalleled success in the entire civilized world simultaneously forms such an interesting personality that the smallest details of his life appear dear and valuable to us, insofar as they contribute to the knowledge of the circumstances under which this brilliant, lasting success of such a unique, ingenious talent spread across all civilized peoples and languages. We therefore give the most faithful picture of his personality based on a photographic portrait by the famous Mayall, with whom Dickens sat shortly before his departure for Paris last autumn, and the most necessary biographical notes.
Charles Dickens was born in February 1812 in Landport, a part of Portsmouth. His father, John Dickens , had previously been a civil servant in the Navy's Pay Department and moved to London in 1816 on a pension, where he found employment suited to his talents as a newspaper reporter and later, until his death (about three years ago), as a contributor to the "Daily News." Charles Dickens was educated at a school near Rochester, in the "hop-rich, apple-rich, and pretty-girl-rich county of Kent." Here in Kent, we must seek the inspiration for his best and most meticulous descriptions of nature, customs, and people. "One always returns to one's first love."
We don't know exactly at what age Charles Dickens moved into London, the true, inexhaustible arsenal of his muse and humor, but it certainly happened after he had finished his schooling and education, as his father lived in London, at a time when the youthful buds of talent, impressions, and perceptions burst forth with lush freshness. It wasn't long before he first saw himself in print in a magazine, and his eyes grew so dim with joy and pride that he couldn't see the streets dancing around him.
The thrill of seeing himself in print was soon dampened in the office of a lawyer. However, in one of these dens of thieves of law and justice, he learned the tricks and schemes, the swindles and intrigues, the swindles and hypocrisies of the English legal system so intimately that he could describe them so often and so insistently, dedicating an entire novel ( Bleak House ) to them. His father hoped to see him become a famous lawyer , but after many a book of paper and many a piece of parchment had been ruined by documents and wills, the muse prevailed over his father's wishes and raised him to be an advocate of humanity against the law, of profound and noble humor against the humbug and hypocrisy of English life, an advocate of the poor and outcasts who have no money to buy justice, no position, no ground on which to stand and rise up. Just as Columbus discovered America, Dickens first found the antipodes of London society, upon which it had contemptuously and unconsciously trampled, as upon infusoria, whose millions of shield-like shells nevertheless form the solid ground upon which the palace can stand and the carriage can travel.
After working as a reporter for various newspapers, Dickens gained a more prominent position in 1835 at the Morning Chronicle, in whose evening edition (Evening Chronicle) the "Sketches of Boz" (his earlier literary name) first appeared gradually. They are light and not yet profound, but they showed the world for the first time the ground on which England stood and had grown great. The sketches are so cheerful, so humorous, but one can already see that the ground is a rotten swamp and the greatness built upon it is a theatrical construct. Twenty years later, in the autumn of 1855, Dickens delivered his first (and probably last) political speech at a meeting of a reform association, in which he very seriously confronted the chief comedian of the ruling classes, Lord Palmerston, with a significant prophetic warning, with this rot and stagnation of English conditions, which he had always depicted and portrayed humorously. But he soon withdrew from these "reforms," which are also very lazy, to "Little Dorrit," his latest novel, to poetry that laments the fate of humankind, the consequences of history, and rises above them with humor, but cannot restrain moral nemesis against the immoral conditions and economic practices of the ruling classes. His muse is not political; poetry is not political at all. Politics and poetry annihilate each other; poetry dies the moment it reaches out to touch this modern politics of ours. There have been political poets recently. The poisonous breath of their verses has killed them all, torn every string of their harp.
The sketches were followed by "The Pickwick Papers," originally appearing only as text to accompany Robert Seymour's famous caricatures, but after the artist's sudden death, sustaining itself on the wings of its own unique, immortal humor and spreading across the literatures of all nations. Dickens has since created many more, even more successful, more moving works, but none that we love so much. It is the most sovereign humor in its freest sovereignty, the most tremendous gaiety of the individual for its own sake, the ideal of the comic epic. "Pickwick Papers" was to Dickens what "Childe Harold" was to Byron. He awoke one morning to find himself famous, smiling as he accepted the field marshal's baton of literature that the world offered him. Twenty years have passed since then. Never has this baton been taken from him, nor does it play like a walking stick in his hand. Only Thackerey could lay claim to him in the direct field of "Society"—Thackerey, who was already a renowned contributor to the finest quarterly journals when Dickens was still nameless and unfamiliar, struggling for the daily press. And Thackerey's reputation as a general is only five years old. Since then, however, neither they themselves nor the public have argued about who is "greater." Both recognize each other as unsurpassed in their respective fields, just as Thackerey could not write a page of Dickens, nor the latter a sentence of Thackerey. And so, in general, do the readers as well, thus freeing themselves from the old, ridiculous argument about who is greater in Germany, Schiller or Goethe.
The story of Charles Dickens, from *The Pickwick Papers* to *Little Dorrit*, is nothing but a record of brilliant, almost untarnished successes. *Oliver Twist*, *Nicholas Nickelby*, *The Old Curiosity Shop*, *Martin Chuzzlewit*, *Barnaby Rudge*, *Dombey and Son*, *David Copperfield*, *Bleak House*, *Hard Times*, *The Christmas Books*, *The Household Words*—all intellectual and material success such as few other works of literature can boast. They brought him thousands and thousands more pounds, so that in his secluded palace, Russell House on Tavistock Square in the bourgeois part of the west end of London, protected by a special gate and a large front garden, he lives like a prince in outward splendor, fresh and cheerful amidst glittering evening gatherings, where every guest has his own special attentive mind behind his chair, which, incidentally, may be somewhat disturbing to the coziness and spontaneity of the occasion.
Biographical events in this uninterrupted, cheerful stream of success are limited to his travels to America and Italy, about which he did not write his best books, and to his current stay in Paris, to give "Little Dorrit" a new setting. Judging from the first issue of this new novel, in which he has very successfully captured the tropical "heat" of Marseille, the change of climate will do him a world of good. No one has studied, understood, and exploited the London air as much as Charles Dickens.
Only a few words about his private life and personal appearance. Already during the first dawn of his fame, he married Miss Catherine Hogarth, the daughter of the well-known musical critic and aesthetician George Hogarth. From this happy and blessed marriage emerged, with equally untroubled success, a long line of little Dickenses of both sexes, from the father's stature down to the tiny tyke who has to stand on tiptoe to see the table. Regarding his personality, we refer to the portrait with the mustache, a social novelty in England four or five years earlier, when bearded heroes from Continente, who was still being vilified and persecuted like a foe, would have considered it absolutely impossible. Now there are already English artists, poets, writers, and teachers in Marlborough who look like heroes from the first book of Moses. His figure is compact and well-proportioned, neither tall nor short, his gaze extremely clear, steady, and benevolent, his speech rich, rapid, and warm. He rises early and works almost exclusively in the mornings. After lunch, he rests, among other things, by walking, averaging ten English miles a day. This keeps his firm, graceful figure, which also greatly benefits him in his performances as an actor in private circles, perpetually fresh and supple, so that one notices no traces of the otherwise civilized "forties" on him.
He is not a "specifically" Englishman in his personality, but rather open, approachable, benevolent, charitable, and quite unconcerned about the wealth of resources consumed in the process. However many tears of joy and sorrow, beauty and refinement, however much horror he aroused in millions at the abysses of social misery, of moral and material neglect caused by society and the state, he allowed to sprout, blossom, and bear fruit—but he does not limit himself to these acts of charity. He also knows how to dry tears in reality, how to lift the downtrodden with a warm, firm hand, only this is not spoken of, not written about, because everyone feels that they do not belong to the Pharisees who only for the sake of newspapers and profit do not forget to do good and share their good deeds.
-----------------------
Ovdje je prijevod teksta o Charlesu Dickensu iz časopisa Die Gartenlaube (1856.):
Engleski pjesnici: 1. Charles Dickens
Biografije velikih ljudi koji su bili sretni u konvencionalnom smislu obično su siromašne događajima i zanimanjem za prosječnog čitatelja, koji zahtijeva glad, progon, lance i tamnice, noć i oluju, maskirane likove, bogove i božice koji iznenada skaču odozdo ili odozgo, te potpuno neočekivane obrate, sve to poetski ovjekovječeno na posljednjoj stranici.
Shakespeare, najveći genij svog vremena i svih vremena, jedva da ima biografiju, jer su mnogi romantični izvještaji o mladom mesarskom šegrtu Shakespeareu čista fikcija. Istina o njegovom vanjskom životu ograničena je na činjenicu da je pisao drame, bio glumac i redatelj, posjedovao državne obveznice, zemlju i kuće za iznajmljivanje, živio u izobilju i umro u udobnosti vlastitog doma. Takvi veliki ljudi bez "poetične" biografije su rijetki; tek su nedavno postali moderni.
Biografije većine starijih pjesnika sastoje se od nakupljanja svakojake bijede: Miltonovo sljepilo, Drydenova borba s jadnom egzistencijom, Popeova tjelesna unakaženost, progoni Defoea, Swiftova ekscentričnost i škrtost, Danteov tragični jad, ljubavna bol i egzistencijalni strah Petrarke i Tassa, zanemarivanje koje je slomilo Cervantesa, Camoensov život u sirotinjskoj četvrti, Chattertonovo samoubojstvo, Schillerova monumentalna borba protiv oskudice i bolesti... to su romantični i dirljivi predmeti od kojih su se tkali životi velikih pjesnika.
Možda se u posljednje vrijeme stas pojedinih pjesnika smanjio, dok su se njihov uspjeh i sreća povećali. Većina suvremenih pisaca živi u podnošljivim okolnostima; više ne borave tako često u potkrovljima na kruhu i vodi, s praznom vinskom bocom umjesto svijećnjaka. Narod je naučio čitati, a parne preše zahtijevaju mnogo sirovine. Zauzvrat, one pjesnicima daju dovoljno kruha da bez grizodušja mogu stvarati. Ovi pjesnici žive i umiru bez ostavljanja biografije. Ne žalimo za tim. Nitko ne živi radi svoje biografije, već radi sebe samoga. Talent i uspjeh! To je opća biografska crta modernih uglednika.
Mnogo talenta, mnogo uspjeha!
To je biografija Charlesa Dickensa. Njegov cijeli život sastoji se od sretnog rada s najpovoljnijim uspjehom, same svjetlosti i zelenih livada, bez dubokih sjena. No, taj izvanredan talent s neusporedivim uspjehom u cijelom civiliziranom svijetu tvori tako zanimljivu osobnost da nam se i najmanji detalji njegova života čine dragocjenima.
Charles Dickens rođen je u veljači 1812. u Landportu (Portsmouth). Njegov otac, John Dickens, bio je državni službenik koji se kasnije preselio u London i radio kao novinski izvjestitelj. Charles se školovao u grofoviji Kent, bogatoj hmeljem, jabukama i lijepim djevojkama. Tu moramo tražiti inspiraciju za njegove opise prirode i običaja.
Ne znamo točno kada se preselio u London, taj neiscrpni arsenal njegove muze, ali to se dogodilo u vrijeme kada su pupoljci njegova talenta prštali svježinom. Ubrzo je vidio svoje ime u tisku, a oči su mu se zamaglile od ponosa. Taj je ushit ubrzo prigušen radom u odvjetničkom uredu. Međutim, u tim "brlozima kradljivaca zakona" naučio je trikove, spletke i licemjerje engleskog pravnog sustava, što mu je omogućilo da napiše roman Bleak House (Tmurna kuća). Otac se nadao da će mu sin postati slavan odvjetnik, ali muza je pobijedila i učinila ga zagovornikom čovječanstva protiv zakona, braniteljem siromašnih i odbačenih. Baš kao što je Kolumbo otkrio Ameriku, Dickens je otkrio "antipode" londonskog društva po kojima se dotad prezrivo gazilo.
Nakon rada kao reporter, 1835. godine stekao je ugled u Morning Chronicleu sa svojim "Skicama Boza" (Sketches by Boz). One su pokazale svijetle, ali trule temelje na kojima je Engleska stajala. Iako je 1855. održao politički govor protiv Lorda Palmerstona, brzo se povukao iz politike svom najnovijem romanu, Little Dorrit. Njegova muza nije politička; on vjeruje da politika i poezija uništavaju jedna drugu.
Nakon "Skica" uslijedili su Pickwickovci (The Pickwick Papers). Dickens se jednog jutra probudio slavan. Prošlo je dvadeset godina od tada, a on i dalje čvrsto drži "maršalsku palicu" književnosti. Samo mu je Thackeray mogao parirati u prikazu visokog društva, ali njih dvojica se međusobno priznaju kao nepremašeni, svaki u svom polju.
Njegova povijest je niz briljantnih uspjeha: Oliver Twist, Nicholas Nickleby, David Copperfield, Hard Times... Ovi radovi donijeli su mu tisuće funti, pa danas živi poput princa u svojoj palači Russell House na Tavistock Squareu. Njegova putovanja u Ameriku i Italiju, te trenutni boravak u Parizu radi pisanja Little Dorrit, jedini su veći događaji u tom neprekinutom toku uspjeha.
Osobni život i izgled
Oženio se gospođicom Catherine Hogarth, kćerkom glazbenog kritičara. Iz tog sretnog braka proizašao je dugi niz "malih Dickensa". Što se tiče njegova izgleda, on nosi brkove — što je u Engleskoj do prije koju godinu bila društvena novost. Njegova figura je čvrsta i skladna, pogled bistar i dobronamjeran. Rano ustaje i radi ujutro, a popodne pješači prosječno deset engleskih milja, što ga održava svježim i gipkim u četrdesetim godinama.
On nije "specifični" Englez po osobnosti; otvoren je, pristupačan i dobrotvoran. On ne samo da izaziva suze suosjećanja kod milijuna čitatelja svojim opisima bijede, već i u stvarnosti zna obrisati suze i podići potlačene toplom, čvrstom rukom — samo što se o tome ne piše, jer on ne pripada onim "farizejima" koji čine dobro samo radi novina i vlastite koristi.