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Cookscape worked with for our home interiors right from the planning stage of execution
We offer excellent products, which come in beautiful finishes designed to suit the interior design of any home.
January 2019.
Visit to the Mall to see English Civil War Society (ECWS) commemorate the execution of Charles I. Their march follows the route taken by Charles I in 1649 from St James Palace on the Mall to the place of his untimely death at the Banqueting House in Whitehall.
Taken at the Annual Parade of the Kings Army in London Whitehall, to commemorate the execution of King Charles 1
Red Death pulled out a syringe.
"This poison has been generously donated to us by the Veylos Organization. It is one of the most deadliest substances on Lom IV. One single drop can mutate you horribly as it rips you apart. You will suffer greatly before you die."
10 octobre, journée mondiale contre la peine de mort. Manifestation parisienne pour l'abolition universelle de la peine de mort.
4me4you visits Ponton Gallery, which featured 4 artists:
Henry Jabbour/Lee Jeonglok/ Matteo Massagrande/Chris Rivers
Artist: Henry Jabbour
Henry Harbour paints the human figure. His paintings display a vivid use of colour and exuberant execution. His loosely-indicated, schematic images are integrated into a highly worked and abstracted paint surface, scattered with incidental markings and subtle gestures.
Artist: Lee Jeonglok
Lee Jeonglok uses photography to create and record his world. He makes mysterious and evocative images of strange and magical events. These happen in carefully chosen, personally significant landscapes, realised by a thorough mastery of photographic techniques.
Artist: Matteo Massagrande
The paintings evoke light, place and time. His technical accomplishment is evident in their subtle expression, where he deploys a masterful and meticulous command of colour and tonality.
What one begins to notice are deliberate variations in perspective, emphasised by the grids of tiling, which suggest that these paintings do not simply record a view, but are elaborate constructs. They are in fact composure images, collated to produce theatrical and compressed evocation of location and history.
Artist: Chris Rivers - Celestial Gardens
Chris Rivers is a painter of beautiful matter suspended in a void. He makes an imagined word out of a welter of oil paint, his studio process rolling turmoil of growth, change and decay. Lyrical and romantic, loaded with symbol, the pictures describe a creation myth. At the heart of their elegant storm and lush elaborations, we are in at the birth of something.
“Celestial Gardens is a series of paintings based on the solar system. I wanted to create abstract, colourful paintings which were inspired by the idea of flowers and plants growing on each planet. This idea developed as I proceeded to paint the pieces, gradually expanding to include themes of science, myth, religion, nature. The Sun and Pluto were added at the end of the set. Ultimately, I wanted each piece to stand out from the others representing how unique each planet in our solar system is.” - Chris Rivers
A tribute. He was shot because his hair was not red enough. Photography history! Can you name the original?
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I wandered down to the bottom of this trench, stopped, turned around and looked out. Thought to myself, "This is the last sight that thousands of people saw before their death."
Walking out from the bottom of the trench also was shattering. Most of the people walking down this trench never walked out ever again.
Amphibious Assault Vehicles from Alpha Company, 2nd Assault Amphibian Battalion, 2nd Marine Division assaulted Onslow Beach, Marine Corps Base Camp Lejeune, N.C., April 13, 2015. More than 200 Marines from 1st Battalion, 6th Marine Regiment traveled to Norfolk, Va., to board the USS Kearsarge, April 9-13, 2015, in support of Joint Operations Access Exercise (JOAX) 15.1. In support of the exercise scenario, Marines simulated being part of a Marine Expeditionary Unit element deployed to conduct ship to short assault, Onslow Beach, Camp Lejeune. The unit aims to enhance skills in amphibious planning and execution, and to refine small unit urban operations during training. (U.S. Marine Corps photo by Cpl. Jorden M. Wells/Released)
January 2022.
The King's Army of the English Civil War Society marches through London on the last Sunday of January to commemorate the execution of King Charles I.
They trace the route of the King's last walk from St James' Palace in the Mall to his place of execution at the Banqueting House in Whitehall.
Inside the future home of the New Museum of London
New Museum of London, West Smithfield
Sir Horace Jones (1883) and T P Bennett and Son (1963) New Museum of London scheme: Stanton Williams Architects Asif Khan Julian and Harrap Architects
In 2016, Stanton Williams and Asif Khan, working together with conservation architect Julian Harrap and landscape design consultants J&L Gibbons, were the winners of an international competition to find an architect to design the new Museum of London. The team was selected for their “innovative thinking, sensitivity to the heritage of the existing market buildings and understanding of practicalities of creating a great museum experience”.
The vision for the new Museum of London balances a crisp and contemporary design with a strong recognition of the physicality and power of the existing spaces of the West Smithfield site. The early stage concept includes a new lifted landmark dome which would create a beautiful light-filled entrance to the museum; innovative spiral escalators will transport visitors down to the exhibition galleries in a vast excavated underground chamber; flexible spaces are included that can serve as a new meeting place for London; and a centre for events and debate and a new sunken garden and green spaces to provide pockets of tranquillity.
Stanton Williams and Asif Khan are now working closely with the team at the Museum of London and the museum’s stakeholders including the GLA, City of London Corporation and the local Smithfield community to develop their initial concepts into a fully-formed vision for the new museum at West Smithfield.
Paul Williams, Director of Stanton Williams, said: “We are immensely excited about being given the opportunity to work with the Museum of London on this wonderfully challenging project – participating in an endeavour that will transform an area of London that has such a rich history, but sadly has been in decline for many years. Encountering the historic market spaces for the first time ... we were ‘blown away’ by the power and physicality already existing, and knew then, that whatever scheme we developed, this physicality needed to be harnessed, and not lost, and that initial observation has inspired our initial design proposals. This project will engage a broad community well beyond London.”
Asif Khan said: “To have a chance to create a new museum for London, in London, about London, at this moment in time is incredibly exciting for us. We all know the power of public spaces in changing our city and our individual lives, and this is what drives us. We want the Museum of London to be a museum where everyone belongs, and where the future of London is created.”
[Open House London]
Taken as part of Open House London 2019
In 1860 the City of London obtained an Act of Parliament (The Metropolitan Meat and Poultry Market Act of 1860), allowing the construction of new buildings on the Smithfield site. Work began in 1866 on the two main sections of the market, the East and West Buildings. These buildings were built above railway lines which had newly connected London to every other part of the country, enabling meat to be delivered directly to the market.
The buildings, designed by City Architect Sir Horace Jones, were commissioned in 1866 and completed in November 1868 at a cost of £993,816. The Metropolitan Meat and Poultry Act also authorised the development of the Poultry Market which opened in 1875. This building was subsequently destroyed by a major fire in 1958 and was replaced by the current building in 1962. Further buildings were added to the market in later years, the General Market in 1883 and the Annexe Market in 1888.
[City of London]