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Congress’ Role in the Making and Execution of National Security Policy in the Trump Era
President Obama and the Republican Congress were usually at odds over national security policy. With a Republican in the White House now, will the President and Congress see eye to eye on threats and their solutions, or will differing institutional pressures and perspectives keep the respective ends of Pennsylvania Avenue apart? And, will the congressional investigations of Russia’s attempt to influence the presidential election end with a bang or a whimper? However the investigations conclude, what impact will they have on the relationship between the two branches?
Michael McCaul, Chairman, House Committee on Homeland Security; US Representative for Texas’ 10th Congressional District
Stephanie Murphy, US Representative for Florida’s 7th Congressional District
Adam Schiff, Ranking Member, House Permanent Select Committee on Intelligence; US Representative for California’s 28th Congressional District
Mac Thornberry, Chairman, House Armed Services Committee; US Representative for Texas’ 13th Congressional District
Moderator: Ryan Lizza, Washington Correspondent, The New Yorker
Photo Credit: Dan Bayer
Congress’ Role in the Making and Execution of National Security Policy in the Trump Era
President Obama and the Republican Congress were usually at odds over national security policy. With a Republican in the White House now, will the President and Congress see eye to eye on threats and their solutions, or will differing institutional pressures and perspectives keep the respective ends of Pennsylvania Avenue apart? And, will the congressional investigations of Russia’s attempt to influence the presidential election end with a bang or a whimper? However the investigations conclude, what impact will they have on the relationship between the two branches?
Michael McCaul, Chairman, House Committee on Homeland Security; US Representative for Texas’ 10th Congressional District
Stephanie Murphy, US Representative for Florida’s 7th Congressional District
Adam Schiff, Ranking Member, House Permanent Select Committee on Intelligence; US Representative for California’s 28th Congressional District
Mac Thornberry, Chairman, House Armed Services Committee; US Representative for Texas’ 13th Congressional District
Moderator: Ryan Lizza, Washington Correspondent, The New Yorker
Photo Credit: Dan Bayer
Author:
Title: The Royal Magazine. Or Gentleman's Monthly Companion. Vol. XVIII. London. Printed pursuant to his Majesty's Royal Licence, for J. Coote, at the King's Arms in Pater Noster Row.
Imprint: London : Printed for J. Coote, [1759-1771]
Physical Description: 1 print ; engraving ; plate mark 170 x 220 mm, on leaf 21 x 25 cm, folded to 21 x 13 cm.
Page: Interleaved p. 184-185.
Call Number: AP3 .R7 Rare Book
Rights Info: Public domain. No known copyright restrictions.
Please attribute this image to: Royal Ontario Museum Library & Archives.
Whenever possible, please provide a link to our Photostream.
For information about reproduction of this item for commercial use, please contact the Royal Ontario Museum's Rights and Reproductions department.
Execution Rocks Lighthouse is located in Long Island Sound. Legend has it that the British used to chain prisoners to the rocks at low tide and wait for them to drown as the tide came in. The lighthouse was built in the 1840's and recently handed over to a non-profit for restoration. It is a 30 minute boat ride away from the shore, and has no electricity or running water, plus it is rumored to be haunted.
this is my definition of execution, when i hear this word i think of Floyd Mayweather Jr. and how he executes his punches etc. which makes him undefeated!
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Mark Farrington Photography
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Top Sets: Black & White Photos | Photos of Hampshire | Photos of Dorset
Execution Rocks Lighthouse is located in Long Island Sound. Legend has it that the British used to chain prisoners to the rocks at low tide and wait for them to drown as the tide came in. The lighthouse was built in the 1840's and recently handed over to a non-profit for restoration. It is a 30 minute boat ride away from the shore, and has no electricity or running water, plus it is rumored to be haunted.
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Source Description and Credit Info from the Library of Congress:
TITLE: [Washington, D.C. Hooded body of Captain Wirz hanging from the scaffold]
CALL NUMBER: LC-B817- 7755[P&P]
REPRODUCTION NUMBER: LC-DIG-cwpb-04197 (digital file from original neg.)
LC-B8171-7755 (b&w film neg.)
No known restrictions on publication.
SUMMARY: Photograph of Washington, 1862-1865, the execution of Captain Henry Wirz, November 1865.
MEDIUM: 1 negative : glass, wet collodion.
CREATED/PUBLISHED: [1865 November 10]
NOTES:
Civil War photographs, 1861-1865 / compiled by Hirst D. Milhollen and Donald H. Mugridge, Washington, D.C. : Library of Congress, 1977. No. 0858
Title from Milhollen and Mugridge.
Forms part of Selected Civil War photographs, 1861-1865 (Library of Congress)
SUBJECTS:
United States--History--Civil War, 1861-1865--Detention facilities.
Wirz, Henry.
Hangings.
Prisons.
United States--District of Columbia--Washington.
FORMAT:
Wet collodion negatives.
PART OF: Selected Civil War photographs, 1861-1865 (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from original neg.) cwpb 04197 hdl.loc.gov/loc.pnp/cwpb.04197
(digital file from intermediary roll copy film) cwp 4a40201
CARD #: cwp2003001034/PP
The automation via robotic solutions like warehouse execution software and warehouse robots is becoming trendy as they are proving to be an excellent way to boost productivity and efficiency within the fulfillment and distribution centers.
This particular painting in the Marie de' Medici Cycle is noteworthy for its uniqueness in execution. While the other paintings were completed at Rubens's studio in Antwerp, The Felicity of the Regency of Marie de' Medici was designed and painted entirely by Rubens on the spot to replace another, far more controversial depiction of Marie's 1617 expulsion from Paris by her son Louis. Completed in 1625, this is the final painting in the cycle in terms of chronological order of completion.
Here Marie is shown in allegorical fashion as the personification of Justice itself and flanked by a retinue of some of the primary personifications/gods in the Greek and Roman pantheon. These have been identified as Cupid, Minerva, Prudence, Abundance, Saturn, and two figures of Fame, all indicated by their traditional attributes, all bestowing their bounties on the Queen. (Cupid has his arrow; Prudence carries a snake entwined around her arm to indicate serpent-like wisdom; Abundance also appears with her cornucopia, also a reference to the fruits of Marie's regency. Minerva, goddess of wisdom, bears her helmet and shield and stands near Marie's shoulder, signifying her wise rule. Saturn has his sickle and is personified as Time here guiding France forward. Fame carries a trumpet to herald the occasion. These personifications are accompanied in turn by several allegorical figures in the guise of four putti and three vanquished evil creatures (Envy, Ignorance, and Vice) as well as a number of other symbols that Rubens employed throughout the entire cycle of paintings.
Though this particular painting is one of the most straightforward in the series, there is still some minor dispute about its significance. Rather than accept this as a depiction of Marie as Justice, some hold that the real subject of the painting is the "return to earth of Astraea, the principle of divine justice, in a golden age." They support this claim with a statement in Rubens's notes which indicates that "this theme holds no special reference to the particular reason of state of the French kingdom." Certain symbolic elements, such as the wreath of oak leaves (a possible corona civica), France being seen as a subjugated province, and the inclusion of Saturn in the scheme might all point to this interpretation and certainly would not have been lost on Rubens. Fortunately, and perhaps solely due to the controversy surrounding this painting, Rubens mentioned its significance in a letter to Peiresc dated 13 May 1625. It reads,
I believe I wrote you that a picture was removed which depicted the Queen's departure from Paris and that, in its place, I did an entirely new one which shows the flowing of the Kingdom of France, with the revival of the sciences and the arts through the liberality and the splendor of Her Majesty, who sits upon a shining throne and holds a scale in her hands, keeping the world in equilibrium by her prudence and equity.
Considering the haste with which Rubens completed this painting, his lack of specific reference to a golden age in his letter, and the existence of several contemporary depictions of Marie as a figure of Justice, most historians are content with the simpler allegorical interpretation which is more consistent both with Rubens's style and the remainder of the cycle.
It is believed that the original painting mentioned in the letter depicting Marie's departure from Paris was rejected in favor of The Felicity of the Regency due to the more innocuous subject matter of the latter. Rubens, in the same letter, goes on to say,
"This subject, which does not touch on the particular political considerations ... of this reign, nor have reference to any individual, has been very well received, and I believe that had it been entrusted altogether to me the business of the other subjects would have turned out better, without any of the scandal or murmurings."
Here, we can see evidence of the adaptability of Rubens' style which made his career so successful. His willingness to fit his ideas with those of the patron equipped him with the perfect tools to be in charge of such a delicate and heavily anticipated subject.
Execution Rocks Lighthouse
and Sands Point Lighthouse
National Lighthouse Museum
Signature "Halloween" Tour
Out of Staten Island, NY
October 30, 2021
Execution Wall at Auschwitz I
Ściana Straceń w Auschwitz I
Visitors leave prayer cards and holy objects in the crevasses of this wall. It's a chilling place.
Howard Kremer's Summahfest at the Nerdist theater at Meltdown Comics Saturday.
7.28.12
© Atrossity Photography
Execution Rocks Lighthouse is located in Long Island Sound. Legend has it that the British used to chain prisoners to the rocks at low tide and wait for them to drown as the tide came in. The lighthouse was built in the 1840's and recently handed over to a non-profit for restoration. It is a 30 minute boat ride away from the shore, and has no electricity or running water, plus it is rumored to be haunted.