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All I can really say is that this show was bigger and better than I had ever hoped for. Evolve took on a life of its own and so many of the artists shared their own powerful stories of overcoming whatever life has tossed along their path.
Over 20 photographers, ceramicists and artists were part of this event. Gay, straight, lesbian, bi-sexual, transgender, Black Latino, White, Armenian, poor, broke, rich, wealthy, HIV positive, HIV negative and even two homeless individuals were all artists in this show. The was a direct representation of what Los Angeles looks like and together we showed why we are the City of Angels
About 400 attended the opening at Art Share-LA in Downtown Los Angeles. The event was a complete success with people coming from as far north as Sacramento as far south as San Diego. New York, Denver and even two folks from Atlanta made the trek to the Evolve opening. I was completely blown away.
Big thanks to all the artists for their beautiful pieces, my family, friends and supporters for continuing to embrace my work through Project KengiKat and Do Something Saturday and to everyone who donated and attended the event I want to say THANK YOU from the bottom of my heart.
The Endless Column or better The Column without End (literal translation) (Romanian: Coloana fără sfârşit or Coloana infinitului) is a sculpture created by Constantin Brâncuşi and inaugurated in Târgu Jiu, Romania on 27 October 1938.
This sculpture, based on the symbolism of the axis mundi, was made as a tribute to the young Romanians who died in World War I fighting Germany, and is a stylization of the funerary pillars used in Southern Romania.
György Ligeti's etude (study) for piano solo no. 14 is named Coloana fără sfârşit, after the sculpture. It is composed within proportions of Brancusi's endless column (16 modules + one half module), as a spyral of "endlessly" rising musical scales.